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The boys' book of Indian battles and adventures, with anecdotes about them

INDIAN DANCES.

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The dances of the Indians, even those at common festivals, are on an extensive scale, requiring to a complete performance forty or fifty persons, who execute their evolutions by following each other round a great fire kindled in the centre. Their movements, monotonous but violent, consist in stamping furiously on the ground, and often brandishing their arms in a manner compared by an able writer to a baker converting flour into dough. They keep good time; but the music is so exceedingly simple that this implies little merit. They conclude with a loud shout or howl, which echoes frightfully through the woods. The dances in celebration of particular events are of a more varied character, and often form a very expressive pantomime. The war-dance is the most favourite and frequent. In this extraordinary performance, a complete image is given of the terrible reality; the war-whoop is sounded with the most frightful yells; the tomahawk is wildly brandished; and the enemy are surprised, seized, and scalped, or carried off for torture. The calumet-dance, which celebrates peace between nations, and the marriage-dance, which represents domestic life, are much more pleasing. Some mention is made of a mystic dance, carried on by the jugglers or doctors, with strange superstitious ceremonies, and in which a supernatural personage, termed by some the devil, rises and performs; but it does not seem to have been witnessed by any European, and is said to be now in a great measure disused.

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