THE BEST SHORT STORIES OF 1918 (continued 2)

As one impious damsel put it, Belgium’s extremity was Mrs. Connable’s opportunity. Seven weary years, with the grim patience of stalwart middle age and seventeen millions, has Mrs. John B. labored to mount the long, ice-coated stair that leads from a Montana cow-camp to the thresholds of Beacon Hill. Six cruel seasons have beheld her falter and slip back. But on this, the seventh, by this one soaring scramble, she gained the topmost gliddery round. A bazaar for the Belgians? For once, something new. And Dawn Towers, despite its two-fisted châtelaine, was said to be a poet’s dream.

Well, we went. All of us. Even to Madam Hallowell, in lilac chiffon and white fox fur, looking like the Wicked Fairy done by Drian; even to Aunt Charlotte, wearing the Curtice emeralds, her sainted nose held at an angle that suggested burnt flannel. I’ll say for Mrs. Connable that she did it extremely well. The great, beautiful house was thrown open from turret to foundation-stone. Fortune-tellers lurked in gilded tents; gay contadinas sang and sold their laces—the prettiest girls from the Folies at that; Carli’s band, brought from New York to play fox-trots; cleverest surprise of all, the arrival, at five o’clock, of a lordly limousine conveying three heavenborn “principals,” a haughty young director in puttees, a large camera. Would Mrs. Connable’s guests consent to group themselves upon the beach as background for the garden-party scene of “The Princess Patricia”—with Angela Meadow, from the Metropolitan, as the Princess, if you please, and Lou-Galuppi himself as the villain?

Mrs. Connable’s guests would. All the world loves a camera, I reflected, as I observed Madam Hallowell drift languidly to the centre-front, the chill Cadwalladers from Westchester drape themselves unwittingly but firmly in the foreground, the D’Arcy Joneses stand laughingly holding hands in the very jaws of the machine. But Doctor Lake was the strategist of the hour. Chuckling in innocent mirth, he chatted with the radiant Angela until the director’s signal brought the villain swaggering from the side-lines; then, gracefully dismayed, he stepped back at least six inches. If the camera caught Angela at all, the doctor would be there—every eminent inch of him.

“Ready—camera!”

The joyous chatter stilled. On every face fell smug sweetness, as a chrism. Clickety-click, click-click—

Then, amazingly, another sound mingled with that magic tick, rose, drowned it to silence—the high, snarling whine of a swift-coming aeroplane.

“Keep your places, please! Eyes right!”

Nobody heard him. Swung as on one pivot, the garden-party turned toward the harbor, mazed, agape. Across that silver water, flying so low its propeller flashed through diamond spray, straight toward the crowd on the beach it came—the aeroplane from East Gloucester.

“There, I knew he’d butt in just at the wrong minute! I ordered him for six, sharp!” Mrs. Connable’s voice rang hotly through the silence. “Hi, there! Land farther down the beach; we ain’t ready for you. Go on, I tell you! Oh, oh, my gracious goodness me! He’s a-headin’ right on top of us—”

That was all anybody heard. For in that second, pandemonium broke. The great, screaming bird drove down upon us with the speed of light, the blast of a howitzer shell. Whir-r-rip! The big marquee collapsed like a burst balloon. Crash! One landing-wheel grazed the band-stand; it tipped over like a fruit-basket, spilling out shrieking men. Through a dizzy mist I saw the garden-party, all its pose forgot, scuttle like terrified ants. I saw the scornful Cadwalladers leap behind an infant pine. I saw D’Arcy Jones seize his wedded wife by her buxom shoulders and fling her in front of him, a living shield. I saw—can I believe?—the august Doctor Lake, pop-eyed and shrieking, gallop headlong across the beach and burrow madly in the low-tide sands. I saw—but how could my spinning brain set down those thousand spectacles?

However, one eye saw it all—and set it down in cold, relentless truth—the camera. True to his faith, that camera-man kept on grinding, even when the monster all but grazed his head.

Then, swifter even than that goblin flight, it was all over. With a deafening thud, the aeroplane grounded on a bed of early asters. Out of the observer’s seat straddled a lean, tall shape—the aviator. From the pilot’s sheath leaped a white-faced, stammering boy. White to his lips; but it was the pallor of a white flame, the light of a glory past all words.

“H’lo, Cousin Edie! See me bring her across the harbor? Some little pilot!” Then, as if he saw for the first that gurgling multitude, the wrecked tent, the over-turned band-stand: “Gee, that last puff of wind was more than I’d counted on. But she landed like thistledown, just the same. Just thistledown!”

I’ll pass over the next few hours. And why attempt to chronicle the day that followed? Bright and early, I set forth to scatter olive-branches like leaves of Vallombrosa. Vain to portray the icy calm of the Misses Cadwallader, the smiling masks which hid the rage of the D’Arcy Joneses. Hopeless to depict the bland, amused aplomb of Doctor Lake. To hear him graciously disclaim all chagrin was to doubt the word of one’s own vision. Could I have dreamed the swoop of that mighty bird, the screech of a panic-stricken fat man galloping like a mad hippopotamus for the shelter of the surf?

As for Mrs. John B. Connable—hell hath no fury like the woman who has fought and bled for years to mount that treacherous flight; who, gaining the last giddy step, feels, in one sick heartbeat, the ladder give way from under. I went from that tearful and belligerent empress feeling as one who has gazed into the dusk fires of the Seventh Ledge.

“We’ll have to give a dinner for her, and ask the Cadwalladers and Cousin Sue Curtice and the Salem Bronsons. That will pacify her, if anything can.” Thus Aunt Charlotte, with irate gloom. There are times when Aunt Charlotte’s deep spiritual nature betrays a surprising grasp of mundane things.

“Especially if we can get that French secretary, and Madam Hallowell. Now I’m off to soothe the aviator. Where did I put my check-book?”

The aviator stood at his hangar door, winding a coil of wire. His lean body looked feather-light in its taut khaki; under the leathern helmet, his narrow, dark eyes glinted like the eyes of a falcon hooded against the sun. Blank, unsmiling, he heard my maunder of explanation. Somehow his cool aloofness daunted me a bit. But when I fumbled for my checkbook, he flashed alive.

“Money? What for? Because the kid scraped an aileron? Forget it. I ain’t puttin’ up any holler. He’s fetched an’ carried for me all summer. I’m owin’ him, if it comes down to that.”

“But Richard had no right to damage your machine—”

“Well, he never meant to. That squally gust put him off tack, else he’d ’a’ brought her down smooth’s a whistle. For, take it from me, he’s a flier born. Hand, eye, balance, feel, he’s got ’em all. And he’s patient and speedy and cautious and reckless all at once. And he knows more about engines than I do, this minute. There’s not a motor made that can faze him. Say, he’s one whale of a kid, all right. If his folks would let me, I’d take him on as flyin’ partner. Fifty-fifty at that.”

I stiffened a trifle.

“You are very kind. But such a position would hardly be fitting—”

“For a swell kid like him?” Under his helmet those keen eyes narrowed to twin points of light. “Likely not. You rich hill folks can’t be expected to know your own kids. You’ll send him to Harvard, then chain him up in a solid-mahogany office, with a gang of solid-mahogany clerks to kowtow to him, and teach him to make money. When he might be flyin’ with me. Flyin’—with me!” His voice shook on a hoarse, exultant note. He threw back his head; from under the leathern casque his eyes flamed out over the world of sea and sky, his conquered province. “When he might be a flier, the biggest flier the world has ever seen. Say, can you beat it? Can you beat it?”

His rudeness was past excuse. Yet I stood before him in the oddest guilty silence. Finally—

“But please let me pay you. That broken strut—”

“Nothing doing, sister. Forget it.” He bent to his work. “Pay me? No matter if my plane did get a knock, it was worth it. Just to see that fat guy in white pants hot-foot it for deep water! Yes, I’m paid. Good-by.”

Then, to that day of shards and ashes, add one more recollection—Buster’s face when Aunt Charlotte laid it upon him that he should never again enter that hangar door.

“Aunt Charlotte! For Pete’s sake, have a heart! I’ve got that plane eatin’ out of my hand. If that plaguy cat’s-paw hadn’t sprung up—”

“You will not go to East Gloucester again, Richard. That ends it.” Aunt Charlotte swept from the room.

“Gee!” Buster’s wide eyes filled. He slumped into the nearest chair. “Say, Cousin Edie! Ain’t I got one friend left on earth?”

“Now, Richard—”

“Can’t you see what I’m tryin’ to put over? I don’t expect Aunt Charlotte to see. She’s a pippin, all right, but that solid-ivory dome of hers—”

“Richard!”

“But you’re different. You aren’t so awful old. You ought to understand that a fellow just has to know about things—cars, ships, aeroplanes, motors, everything!”

“But—”

“Now, Cousin Edith, I’m not stringin’ you. I’m dead in earnest. I’m not tryin’ to bother anybody; I’m just tryin’ to learn what I’ve got to learn.” He leaped up, gripped my arm; his passionate boy voice shrilled; he was droll and pitiful and insolent all in a breath. “No, sirree, I ain’t bluffin’, not for a cent. Believe me, Cousin Edith, us fellows have got to learn how everything works, and learn it quick. I tell you, we’ve got to know!”

Well.... All this was the summer of 1914. Three years ago. Three years and eight months ago, to be exact. Nowadays, I don’t wear tea-rose crêpe frocks nor slim French slippers. Our government’s daily Hints for Paris run more to coarse blue denim and dour woollen hose and clumping rubber boots. My once-lily hands clasp a scrubbing-brush far oftener than a hand at bridge. And I rise at five-thirty and gulp my scalding coffee in the hot, tight galley of Field Hospital 64, then set to work. For long before the dawn they come, that endless string of ambulances, with their terrible and precious freight. Then it’s baths and food and swift, tense minutes in the tiny “theatre,” and swifter, tenser seconds when we and the orderlies hurry through dressings and bandagings, while the senior nurse toils like a Turk alongside and bosses us meanwhile like a slave-driver. Every day my heart is torn open in my breast for the pain of my children, my poor, big, helpless, broken children. Every night, when I slip by to take a last peep at their sleepy, contented faces, my heart is healed for me again. Then I stumble off to our half-partitioned slit and throw myself on my bunk, tired to my last bone, happy to the core of my soul. But day by day the work heaps up. Every cot is full, every tent overflowing. We’re short of everything, beds, carbolic, dressings, food. And yesterday, at dusk, when we were all fagged to exhaustion, there streamed down a very flood of wounded, eight ambulance-loads, harvest of a bombed munitions depot.

“We haven’t an inch of room.”

“We’ve got to make room.” Doctor Lake, sweating, dog-tired, swaying on his feet from nine unbroken hours at the operating-table, took command. “Take my hut; it’ll hold four at a pinch. You nurses will give up your cubby-hole? Thought so. Plenty hot water, Octave? Bring ’em along.”

They brought them along. Every stretcher, every bunk, every crack was crowded now. Then came the whir of a racing motor. One more ambulance plunged up the sodden road.

“Ah! Grand blessé!” murmured old Octave.

“Grand blessé! And not a blanket left, even. Put him in the coal-hole,” groaned the head nurse.

“Nix on the coal-hole.” Thus the muddy young driver, hauling out the stretcher with its long, moveless shape. “This is the candy kid—hear me? Our crack scout. Escadrille 32.”

“Escadrille 32?” The number held no meaning for me. Yet I pushed nearer. Grand blessé, indeed, that lax, pulseless body, that shattered flesh, that blood and mire. I bent closer. Red hair, shining and thick, the red that always goes with cinnamon freckles. A clean-cut, ashen young face, a square jaw, a stubborn, boyish chin with a deep-cleft dimple.

Then my heart stopped short. The room whirled round me.

“Buster!” I cried out. “You naughty, darling little scamp! So you got your way, after all. You ran off from school, and joined the escadrille—oh, sonny-boy, don’t you hear me? Listen! Listen!”

The gaunt face did not stir. Only that ashy whiteness seemed to grow yet whiter.

“We’ll do our best, Miss Preston. Go away now, dear.” The head nurse put me gently back. I knew too well what her gentleness meant.

“But Doctor Lake can save him! Doctor Lake can pull him through!”

“Doctor Lake is worn out. We’ll have to manage without him.”

“Don’t you believe it!” I flamed. Then I, the greenest, meekest slavey in the service, dashed straight to the operating-room, and gripped Doctor Lake by both wrists and jerked him bodily off the bench where he crouched, a sick, lubberly heap, blind with fatigue.

“No, you sha’n’t stop to rest. Not yet!” I stormed at him. Somehow I dragged him down the ward, to my boy’s side. At sight of that deathlike face, the limp, shivering man pulled himself together with all his weary might.

“I’ll do my level best, Miss Edith. Go away, now, that’s a good girl.”

I went away and listened to the ambulance-driver. He was having an ugly bullet scratch on his arm tied up. He was not a regular field-service man, but a young Y. M. C. A. helper who had taken the place of a driver shot down that noon.

“Well, you see, that kid took the air two hours ago to locate the battery that’s been spilling shells into our munitions station. He spotted it, and two others besides. Naturally, they spotted him. He scooted for home, with a shrapnel wound in his shoulder, and made a bad landing three miles back of the lines, and broke his leg and whacked his head. Luckily I wasn’t a hundred yards away. I got him aboard my car and gave him first aid and started to bring him straight over here. Would he stand for that? Not Buddy. ‘You’ll take me to headquarters first, to report,’ says he. ‘So let her out.’

“No use arguing. I let her out. We reported at headquarters, three miles out of our way, then started here. Two miles back, a shell struck just ahead and sent a rock the size of a paving-brick smack against our engine. The car stopped, dead. Did that faze the kid? Not so you could notice it. ‘You hoist me on the seat and let me get one hand on the wheel,’ says he, cool’s a cucumber. ‘There isn’t a car made but will jump through hoops for me.’ Go she did. With her engine knocked galley west, mind you, and him propped up, chirk as a cherub, with his broken leg and his smashed shoulder, and a knock on his head that would ’a’ stopped his clock if he’d had any brains to jolt. Skill? He drove that car like a racer. She only hit the high places. Pluck? He wrote it.

“We weren’t fifty yards from the hospital when he crumpled down, and I grabbed him. Hemorrhage, I guess. I sure do hope they pull him through. But—I don’t believe—”

Soon a very dirty-faced brigadier-general, whom I used to meet at dances long ago, came and sat down on a soap-box and held my hands and tried to comfort me, so gently and so patiently, the poor, kind, blundering dear. Most of his words just buzzed and glimmered round me. But one thought stuck in my dull brain.

“This isn’t your boy’s first service to his country, Miss Edith. He has been with the escadrille only a month, but he has brought down three enemy planes, and his scouting has been invaluable. He’s a wonder, anyhow. So are all our flying boys. They tell me that the German youngsters make such good soldiers because they’re trained to follow orders blindfold. All very well when it comes to following a bayonet charge over the top. But the escadrille—that’s another story. Take our boys, brought up to sail their own boats and run their own cars and chance any fool risk in sight. Couple up that impudence, that fearlessness, that splendid curiosity, and you’ve got a fighting-machine that not only fights but wins. All the drilled, stolid forces in creation can’t beat back that headlong young spirit. If—”

He halted, stammering.

“If—we can’t keep him with us, you must remember that he gave his best to his country, and his best was a noble gift. Be very glad that you could help your boy prepare himself to bestow it. You and his parents gave him his outdoor life and his daring sports and his fearless outlook, and his uncurbed initiative. You helped him build himself, mind and body, to flawless powers and to instant decisions. To-day came his chance to give his greatest service. No matter what comes now, you—you have your royal memory.”

But I could not hear any more. I cried out that I didn’t want any royal memories, I wanted my dear, bad, self-willed little boy. The general got up then and limped away and stood and looked out of the window.

I sat and waited. I kept on waiting—minutes on gray minutes, hours on hours.

Then a nurse grasped my shoulders, and tried to tell me something. I heard her clearly, but I couldn’t string her words together to make meaning. Finally, she drew me to my feet and led me back to the operating-room.

There stood Doctor Lake. He was leaning against the wall and wiping his face on a piece of gauze. He came straight to me and put out both big, kind hands.

“Tell me. You needn’t try to make it easy—”

“There, there, Miss Edith. There’s nothing to tell. Look for yourself.”

Gray-lipped, whiter than ashes, straight and moveless as a young knight in marble effigy, lay my boy. But a shadow pulse flickered in that bound temple, the cheek I kissed was warm.

“No,” said Doctor Lake very softly. “He won’t die. He’s steel and whipcord, that youngster. Heaven be praised, you can’t kill his sort with a hatchet.”

He leaned down, gave Buster a long, searching look. His puffy, fagged face twisted with bewilderment, then broke into chuckles of astonishment and delight.

“Well, on my word and honor! I’ve just this moment recognized him. This blessé is the imp of Satan who used to steal my car up the North Shore. He’s the chap who steered that confounded aeroplane into the garden-party.... I’ve always sworn that, let me once lay hands on that young scalawag, I’d lick the tar out of him!”

“Well, here’s your chance,” snivelled I.

He did not hear me. He had stooped again over Buster. Again he was peering into that still face. Over his own face came a strange look, mirthful, then deep with question, profoundly tender; then, flashing through, a gleam of amazing and most piteous jealousy, the bitter, comic jealousy of the most famous of all middle-aged American surgeons for insolent, fool-hardy, glorious youth.

Then he turned and went away, a big, dead-tired, shambling figure. And in that instant my boy’s heavy eyes lifted and stared at me. Slowly in them awoke a drowsy sparkle.

“Hello, Cousin Edith. When did you blow in?”

I didn’t try to speak. I looked past him at Doctor Lake, now plodding from the room. Buster’s eyes followed mine. Over his face came a smile of heaven’s own light.

“Old stuffed shirt,” sighed Buster with exquisite content. He turned his gaunt young head on the pillow; he tucked a brawny fist under his cheek. Before I could speak he had slipped away, far on a sea of dreams.

THE OPEN WINDOW

By CHARLES CALDWELL DOBIE

From Harper’s Magazine

Copyright, 1918, by Harper and Brothers.

Copyright, 1919, by Charles Caldwell Dobie.

“It happened just as I have said,” Fernet reiterated, tossing the wine-dregs from his glass.

The company at the table looked instinctively toward the kitchen. Berthe was bringing a fresh pot of coffee. They all followed Fernet’s example, lifting their empty glasses for her to serve them in their turn.

The regular boarders of the Hôtel de France, after the fashion of folks who find their meal a duty to be promptly despatched, had departed, but the transients still lingered over their café noir and cognac in the hope that something exciting might materialize.

As the sound of Fernet’s voice died away, a man who had been sitting in an extreme corner of the room scraped back his chair and rose. Fernet looked up. The man was a hunchback, and, instead of paying for his meal and leaving, he crossed over and said to Fernet, in the most perfect French imaginable:

“I see, my young fellow, that you are discussing something of interest with your friends here. Would it be impertinent for me to inquire into the subject?”

Fernet drew out a chair for the newcomer, who seated himself.

“By no means. We were discussing a murder and suicide. The murdered man was an Italian fisherman who lodged at the Hôtel des Alpes Maritimes, the suicide was a musician named Suvaroff.”

“Ah,” said the hunchback, cracking his fingers. “Why a murder and suicide? Why not two murders?”

“Because,” returned Fernet, pompously, “it was abundantly proved to the contrary. This man Suvaroff suffered from neuralgia; the Italian fisherman was given to playing the accordion at all hours of the night. Suvaroff was, in addition, a musician—a high-strung person. The Italian’s playing was abominable—even his landlady says as much. In short, Suvaroff deliberately killed this simple-minded peasant because of his music. Then, in a fit of remorse, he killed himself. I leave it to any one here to dispute the fact. Besides, I was on the coroner’s jury. I should know what I am talking about.”

“Oh, without doubt,” agreed the hunchback, smiling amiably. “But, as I remember, the knives in both cases were plunged hilt-deep into the backs of the victims. One does not usually commit suicide in this fashion.”

Fernet coldly eyed the curiously handsome face of his antagonist. “It seems you know more about this thing than a coroner’s jury,” he sneered.

“It seems I do—granting that such an important item was left out of the evidence.”

“Then, my good sir, will you be good enough to tell me who did kill Suvaroff, since you do not admit that he died by his own hand?”

The hunchback cracked his fingers again. “That is simple enough. Suvaroff was killed by the same person who stabbed the Italian.”

“And who might that be, pray?”

The hunchback rose with a malignant smile. “Ah, if I told you that you would know as much as I do, my friend.”

And with that he walked calmly over to the proprietor, put down thirty-five cents for his meal upon the counter, and without another word left the room.

A silence fell upon the group. Everybody stared straight ahead, avoiding the eye of his neighbor. It was as if something too terrifying to be remarked had passed them.

Finally, a thick-set man at Fernet’s right, with a purple wart on his cheek, said, uneasily, “Come, I must be going.”

The others rose; only Fernet remained seated.

“What,” said another, “haven’t you finished?”

“Yes,” returned Fernet, gloomily, “but I am in no hurry.”

He sat there for an hour, alone, holding his head between his hands. Berthe cleared off the soiled plates, wiped the oilcloth-covered tables, began noisily to lay the pewter knives and forks for the morning meal. At this Fernet stirred himself and, looking up at her, said:

“Tell me who was the hunchback who came and sat with us? Does he live here—in San Francisco?”

“His name is Flavio Minetti,” she replied, setting the lid back upon an uncovered sugar-bowl. “Beyond that I know nothing. But they tell me that he is quite mad.”

“Ah, that accounts for many things,” said Fernet, smiling with recovered assurance. “I must say he is strangely fascinating.”

Berthe looked at him sharply and shrugged. “For my part, he makes me shiver every time I see him come in the door. When I serve him my hand shakes. And he continually cracks his fingers and says to me: ‘Come, Berthe, what can I do to make you smile? Would you laugh if I were to dance for you? I would give half my life only to see you laughing. Why are you so sad?’ ... No, I wish he would never come again.”

“Nevertheless, I should like to see him once more.”

“He comes always on Thursdays for chicken.”

“Thanks,” said Fernet, as he put on his hat.

Fernet walked directly to his lodgings that night. He had a room in an old-fashioned house on the east side of Telegraph Hill. The room was shabby enough, but it caught glimpses of the bay and there was a gnarled pepper-tree that came almost to its windows and gave Fernet a sense of eternal, though grotesque, spring. Even his landlord was unusual—a professional beggar who sat upon the curb, with a ridiculous French poodle for company, and sold red and green pencils.

This landlord was sitting out by the front gate as Fernet entered.

“Ah, Pollitto,” said Fernet, halting before the old man and snapping his fingers at the poodle who lay crouched before his master, “I see you are enjoying this fine warm night.”

“You are wrong,” replied the beggar. “I am merely sitting here hoping that some one will come along and rent my front room.”

“Then it is vacant?”

“Naturally,” replied the old man, with disagreeable brevity, and Fernet walked quickly up to his room.

“Why do I live in such a place?” he asked himself, surveying the four bare walls. “Everything about it is abominable, and that beggar, Pollitto, is a scoundrel. I shall move next week.”

He crossed over to the window and flung it open. The pepper-tree lay before him, crouching in the moonlight. He thought at once of Flavio Minetti.

“He is like this pepper-tree,” he said, aloud, “beautiful even in his deformity. No, I would not trade this pepper-tree for a dozen of the straightest trees in the world.” He stepped back from the window, and, lighting a lamp, set it upon a tottering walnut table. “Ah, André Fernet,” he mused, chidingly, “you are always snared by what is unusual. You should pray to God that such folly does not lead you to disaster.”

He went to the window and looked out again. The pepper-tree seemed to be bending close to the ground, as if seeking to hide something. Presently the wind parted its branches and the moonlight fell at its feet like a silver moth before a blackened candle.

André Fernet shivered and sighed. “Yes,” he repeated, again and again, “they are alike. They both are at once beautiful and hideous and they have strange secrets.... Well, I shall go on Thursday again, and maybe I shall see him. Who knows, if I am discreet he may tell me who killed this ridiculous musician Suvaroff.”

And with that he suddenly blew out the light.

On the next Thursday night, when Fernet entered the dining-room of the Hôtel de France his glance rested immediately upon Flavio Minetti. To his surprise the hunchback rose, drawing a chair out as he did so, and beckoning Fernet to be seated next him. For a moment Fernet hesitated, Berthe was just bringing on the soup.

“What! Are you afraid?” she said, mockingly, as she passed.

This decided Fernet. He went and sat beside Minetti without further ado.

“Ah, I was expecting you!” cried the hunchback, genially, as he passed the radishes.

“Expecting me?” returned Fernet. His voice trembled, though he tried to speak boldly.

“Yes. Women are not the only inquisitive animals in the world. What will you have—some wine?”

Fernet allowed Minetti to fill his glass.

Other boarders began to drift in. Minetti turned his back upon Fernet, speaking to a new-comer at his left. He did not say another word all evening.

Fernet ate and drank in silence. “What did I come for and why am I staying?” he kept asking himself. “This man is mocking me. First of all, he greets me as if I were his boon companion, and next he insults me openly and before everybody in the room. Even Berthe has noticed it and is smiling. As a matter of fact, he knows no more than I do about Suvaroff’s death.”

But he continued to sit beside the hunchback all through the meal, and as fruit was put on the table he touched Minetti on the arm and said, “Will you join me in a café royal?”

“Not here ... a little later. I can show you a place where they really know how to make them. And, besides, there are tables for just two. It is much more private.”

Fernet’s heart bounded and sank almost in one leap. “Let us go now, then,” he said, eagerly.

“As you wish,” replied Minetti.

Fernet paid for two dinners, and they reached for their hats.

“Where are you going?” asked Berthe, as she opened the door.

Fernet shrugged. “I am in his hands,” he answered, sweeping his arm toward Minetti.

“You mean you will be,” muttered the hunchback, in an undertone.

Fernet heard him distinctly.

“Perhaps I had better leave him while there is yet time!” flashed through his mind. But the next instant he thought, contemptuously: “What harm can he do me? Why, his wrist is no bigger than a pullet’s wing. Bah! You are a fool, André Fernet!”

They stepped out into the street. A languorous note was in the air; the usual cool wind from the sea had not risen. A waning moon silvered the roof-tops, making a pretense of hiding its face in the thin line of smoke above Telegraph Hill.

The hunchback led the way, trotting along in a fashion almost Oriental. At the end of the second block he turned abruptly into a wine-shop; Fernet followed. They found seats in a far corner, away from the billiard-tables. A waiter came forward. They gave their orders.

“Be sure,” said Minetti to the waiter, “that we have plenty of anisette and cognac in the coffee.”

The man flicked a towel rather contemptuously and made no answer.

“Now,” Minetti continued, turning a mocking face toward Fernet, “what can I do for you, my friend?”

Fernet was filled with confusion. “I ... you ...” he stammered. “Really, there is nothing. Believe me—”

“Nonsense,” interrupted Minetti. “You wish to know who killed Suvaroff. But I warn you, my friend, it is a dreadful thing to share such a secret.”

He looked at Fernet intently. The younger man shuddered. “Nevertheless, I should like to know,” Fernet said, distinctly.

“Well, then, since you are so determined—it was I who killed him.”

Fernet stared, looked again at the hunchback’s puny wrists, and began to laugh. “You! Do you take me for a fool?” And as he said this he threw back his head and laughed until even the billiard-players stopped their game and looked around at him.

“What are you laughing at?” asked the hunchback, narrowing his eyes.

Fernet stopped. He felt a sudden chill as if some one had opened a door. “I am laughing at you,” he answered.

“I am sorry for that,” said Minetti, dryly.

“Why?”

The hunchback leaned forward confidentially. “Because I kill every one who laughs at me. It—it is a little weakness I have.”

The waiter came with two glasses of steaming coffee. He put them down on the table, together with a bottle of cognac and a bottle of anisette.

“Ah, that is good!” cried the hunchback, rubbing his hands together. “The proprietor is my friend. He is going to let us prepare our own poison!”

Fernet felt himself shivering. “Come,” he thought, “this will never do! The man is either mad or jesting.” He reached for the anisette.

“Let me pour it for you,” suggested Flavio Minetti. “Your hand is shaking so that you will spill half of it on the floor.”

The hunchback’s voice had a note of pity in it. Fernet relinquished his hold upon the bottle.

“Don’t look so frightened,” continued Minetti. “I shall not kill you here. The proprietor is a friend of mine, and, besides—”

“What nonsense!” cried Fernet, with a ghastly smile. “But I must confess, you did make my blood run cold for a minute.”

Minetti stirred some cognac into his glass. “And, besides,” he finished, coldly, “I give everybody a sporting chance. It adds to the game.”

That night André Fernet was restless. He lay on his bed looking out at the blinking lights of the harbor. “I must stop drinking coffee,” he muttered to himself.

Finally he fell asleep, and when he did he had a strange dream. It seemed that the pepper-tree outside his window suddenly began to move in the night breeze and its long green boughs became alive, twisting like the relentless tentacles of a devil-fish. Its long green boughs became alive, crawling along the ground, flinging themselves into the air, creeping in at André Fernet’s open window. He lay upon the bed as he had done earlier in the evening, watching the harbor lights. Slowly the green boughs writhed over the faded carpet, scaled the bedpost and fell upon the bed. André Fernet waited, motionless. He felt the green tentacles close about his legs, clasp his hands, slide shudderingly across his throat. Yet he made no move to free himself. It was only when he felt a breath upon his cheek that he turned slightly, and instead of the tentacle-like boughs of the pepper-tree he fancied himself staring down at the hands of Flavio Minetti.... He awoke with a start. The sun was pouring in at the open window. He got up quickly. A noisy clatter issued from the passageway. Fernet opened his door. Two men were carrying a trunk up the stairs. Pollitto, the beggar, walked behind.

“Ah, I see you have rented your front room,” said Fernet, stepping out.

“Yes,” returned the other. “It was taken as early as six o’clock this morning—by a hunchback.”

Fernet stopped breathing. “A hunchback? Was his name Flavio Minetti?”

“Yes. How did you know?”

Fernet tried to smile. “He is a friend of mine,” he answered, as he walked back into his room. “Perhaps it would be better if I moved away,” he thought. “I do not like this room. Heaven knows why I have stayed this long. Is this fellow Minetti really mad or merely making sport of me? I should not like to have him think that I am afraid of him. As for his story about Suvaroff, that is, of course, ridiculous. If I thought otherwise I should go at once to the.... No, it is all a joke! I shall stay where I am. I shall not have it said that a little, mad, puny, twisted fellow frightened André Fernet out of his lodgings. Besides, it will be curious to watch his little game. What a beautiful morning it is, after all! And the pepper-tree—how it glistens in the sun! I should miss that pepper-tree if I moved away. But I must stop drinking cafés royal. They upset one. I do not know whether it is the coffee, or the cognac, or the anisette, or all three. Of course, that dream I had toward morning means nothing—but such dreams are unpleasant. I hate this place. But I shall not move now. No, I shall wait and see what happens.”

Fernet did not see Minetti for some days. Indeed, he had dismissed the whole thing from his mind, when, one night, returning home early to get out of a drizzle, who should stop him on the stairway but the hunchback.

“Ah, so here you are!” called out Fernet, gaily, in spite of his rapidly beating heart. “I have been waiting for you to call on me ever since I heard that you were lodging under the same roof.”

“I have been busy,” replied the hunchback, laconically.

Fernet threw open his bedroom door and waved Minetti in.

“Busy?” he echoed, as he struck a light. “And what do you find that is so absorbing, pray?”

“You know my specialty,” replied Minetti, flinging off his cap.

Fernet looked up sharply. A malignant look had crept into the hunchback’s face.

“Oh, there is no doubt of it, he is quite mad!” said Fernet to himself. Then aloud: “Yes, I have been wanting to talk to you more about this. Take a seat and I shall make some coffee. For instance, do you always employ the knife in despatching your—”

“Scarcely,” interrupted Minetti, quickly. “Slow poison has its fascinations. There is a very delicate joy in watching a gradual decline. It is like watching a green leaf fading before the breath of autumn. First a sickly pallor, then a yellowing, finally the sap dries completely, a sharp wind, a fluttering in the air, and it is all over. I have tried nearly every slow way—except mental murder. I fancy that, too, would be exquisite.”

“Mental murder.... I do not understand.”

Minetti stretched himself out and yawned. “Accomplishing the thing without any weapon save the mind.”

Fernet picked up the coffee-pot and laughed. “Why, my dear fellow, it is too absurd! The thing cannot be done. You see I am laughing at you again, but no matter.”

“No, as you say, it is no matter. You can die only once.”

Fernet’s laughter stopped instantly. He went on with his preparation for coffee. Minetti changed the subject.

It turned out that there was no sugar in the cracked bowl. Fernet was putting on his hat to go out for some, when the hunchback stopped him.

“Sugar will not be necessary,” he said. And as he spoke he drew a vial from his vest pocket and laid it upon the table beside the cups. “You know what these are, of course.”

“Saccharine pellets?” inquired Fernet as he threw aside his hat.

Minetti replied with a grunt. Fernet poured out the coffee, set a spoon in each saucer, laid three French rolls upon a blue plate. Then he sat down.

“Permit me!” said Minetti, reaching for the vial and rolling a tiny pellet into his palm.

Fernet held up his cup; the hunchback dropped the pellet into it. Then he corked the vial tightly and laid it aside.

“You forgot to serve yourself,” said Fernet.

“So I did!” answered Minetti, nonchalantly. “Well, no matter. I very often drink my coffee so—without sweetening.”

Fernet drew back suddenly. Could it be possible that.... The hunchback was staring at him, an ironical smile was on his lips. Fernet shuddered.

“Drink your coffee!” Minetti commanded, sneeringly. “You are on the verge of a chill.”

Fernet obeyed meekly. He felt for all the world like an animal caught in a trap. He tried to collect his thoughts. What had the hunchback been talking about?

“Slow poison!” muttered Fernet, inaudibly to himself.

“What is that you are saying?” demanded the other.

“You were speaking of slow poison. How do you go about it?”

“Oh, that is easy! For instance, once in London I lodged next door to my victim. We became capital friends. And he was always calling me in for a bite of something to eat. Nothing elaborate—a bun and a cup of tea, or coffee and cake. Very much as we are doing now. He died in six months. It is no trick, you know, to poison a man who eats and drinks with you—especially drinks!”

As he said this the hunchback reached for the coffee-pot and poured Fernet another cupful. Then he uncorked the vial again and dropped a pellet into the steaming liquid.

“I do not think that I wish any more,” protested Fernet.

“Nonsense! You are still shivering like an old woman with the palsy. Hot coffee will do you good.”

“No,” said Fernet, desperately, “I never drink more than one cup at a sitting. It keeps me awake, and next morning my hand shakes and I am fit for nothing. I need a steady hand in my business.”

“And what may that be, pray?”

“At present I am a draftsman. Some day, if I live long enough, I hope to be an architect.”

“If you live long enough? You forget that you have laughed at me, my friend.”

Fernet tried to appear indifferent. “What a droll fellow you are!” he cried, with sudden gaiety, rubbing his hands together. And without thinking, he reached for his coffee-cup and downed the contents in almost one gulp. He laid the cup aside quickly. He could feel the sweat starting out upon his forehead.

“There, you see,” said Minetti, “the coffee has done you good already. You are perspiring, and that is a good sign. A hot drink at the right moment works wonders.”

The next morning Pollitto stopped Fernet as he swung out the front gate to his work.

“What is the matter with you?” exclaimed the beggar, in a surprised tone.

“Why ... what?” demanded Fernet, in a trembling voice. “Do I look so ...? Pray, tell me, is there anything unusual about me?”

“Why, your face.... Have you looked at yourself in the glass? Your skin is the color of stale pastry.”

Fernet tried to laugh. “It is nothing. I have been drinking too much coffee lately. I must stop it.”

It was a fine morning. The sun was shining and the air was brisk and full of little rippling breezes. The bay lay like a blue-green peacock ruffling its gilded feathers. The city had a genial, smiling countenance. But Fernet was out of humor with all this full-blown content. He had spent a wretched night—not sleepless, but full of disturbing dreams. Dreams about Minetti and his London neighbor and the empty sugar-bowl. All night he had dreamed about this empty sugar-bowl. It seemed that as soon as he had it filled Minetti would slyly empty it again. He tried stowing sugar away in his pockets, but when he put his hand in to draw out a lump a score or more of pellets spilled over the floor. Then he remembered saying:

“I shall call on Minetti’s London neighbor. Maybe he will have some sugar.”

He walked miles and miles, and finally beat upon a strange door. A man wrapped in a black coat up to his eyebrows opened to his knock.

“Are you Flavio Minetti’s London neighbor?” he demanded, boldly.

The figure bowed. Fernet drew the cracked sugar-bowl from under his arm.

“Will you oblige me with a little sugar?” he asked, more politely.

The black-cloaked figure bowed and disappeared. Presently he came back. Fernet took the sugar-bowl from him. It struck him that the bowl felt very light. He looked down at his hands. The bowl had disappeared; only a glass vial lay in his palm. He removed the cork—a dozen or more tiny round pellets fell out. He glanced up quickly at Minetti’s London neighbor; a dreadful smile glowed through the black cloak. Fernet gave a cry and hurled the vial in the face of his tormentor. Minetti’s London neighbor let the black cloak fall, and André Fernet discovered that he was staring at himself.... He awakened soon after that and found that it was morning.

When he brushed his hair his hand had shaken so that the brush fell clattering to the floor. And he had spilled the cream for his morning coffee over the faded strip of carpet before the bureau. It had ended by his eating no breakfast at all. But he had drunk glass after glass of cold water.

After Pollitto’s words he trembled more and more like a man with the ague, and before every saloon-door mirror he halted and took a brief survey of his face. Pollitto was right—his skin was dead and full of unhealthy pallor. It was plain that he could not work in his present condition. His trembling fingers could scarcely hold a pencil, much less guide it through the precise demands of a drafting-board. He decided to go to the library and read. But the books on architecture which always enthralled him could not hold his shifting attention. Finally in despair he went up to the librarian and said:

“Have you any books on poison?”

The woman eyed him with a cold, incurious glance.

“Historical or medical?” she snapped out, as she went on stamping mysterious numbers in the pile of books before her.

“Both!”

She consulted a catalogue and made a list for him.

He sat all day devouring books which the librarian had recommended. He did not even go out for lunch. He read historical and romantic instances with a keen, morbid relish; but when it came to the medical books his heart quickened and he followed causes and effects breathlessly. By nightfall he had a relentless knowledge of every poison in the calendar. He knew what to expect from arsenic or strychnine or vitriol. He learned which poisons destroyed tissues, which acted as narcotics, which were irritants. He identified the hemlock, the horse-chestnut, the deadly toadstools. In short, he absorbed and retained everything on the subject. It seemed that the world teemed with poisons; one could be sure of nothing. Even beautiful flowers were not to be trusted.

He was so upset by all he had read that he could scarcely eat dinner. He went to an obscure pension in a wretched basement, where he was sure he would be unknown, and, after two or three mouthfuls of soup and a spoonful of rice boiled with tomato, he rose, paid for his meal, and went out to tramp up and down past the tawdry shops of middle Kearny Street. He was trotting aimlessly in the direction of Market Street when he felt a tug at his coat-sleeve. He turned. Minetti was smiling genially up at him.

“Come,” said the hunchback, “what is your hurry? Have you had coffee yet? I was thinking that—”

Fernet’s heart sank at once. And yet he managed to say boldly: “I have given up drinking coffee. You can see for yourself what a wretched complexion I have. And to-day I have scarcely eaten.”

“Pooh!” cried Minetti. “A cup of coffee will do you good.”

Fernet began to draw away in futile terror. “No!” he protested, with frightened vehemence. “No, I tell you! I won’t drink the stuff! It is useless for you to—”

Minetti began to laugh with scornful good-humor. “What has come over you?” he drawled, half-closing his eyes. “Are you afraid?”

And as he said this Fernet glanced instinctively at the puny wrists, no bigger than a pullet’s wing, and replied, boldly:

“Afraid? Of what? I told you last night I need a steady hand in my business, and to-day I have not been able to do any work.”

Minetti’s mirth softened into genial acquiescence. “Well, maybe you are right. But I must say you are not very companionable. Perhaps the coffee you have been drinking has not been made properly. You should take something. You do look badly. A glass of brandy?... No?... Ah, I have it—coffee made in the Turkish fashion. Have you ever drunk that?”

“No,” replied Fernet, helplessly, wondering all the time why he was foolish enough to tell the truth.

“Well, then,” announced the hunchback, confidently, “we shall cross over to Third Street and have some Turkish coffee. I know a Greek café where they brew a cup that would tempt the Sultan himself. Have you ever seen it made? They use coffee pounded to a fine powder—a teaspoonful to a cup, and sugar in the same proportion. It is all put in together and brought to a boil. The result is indescribable! Really, you are in for a treat.”

“If it is sweetened in the making,” flashed through Fernet’s mind, “at least we shall have no more of that pellet business.”

“Yes—the result is quite indescribable,” Minetti was repeating, “and positively no bad effects.”

And as he said this he slipped his arm into Fernet’s and guided him with gentle firmness toward the Greek café in question. Fernet felt suddenly helpless and incapable of offering the slightest objection.

A girl took their orders. She had a freckled nose and was frankly Irish. Naturally, she did not fit the picture, and Fernet could see that she was scornful of the whole business.

“Two coffees ... medium,” Minetti repeated, decisively. “And will you have a sweet with it? They sell taffy made of sesame seeds and honey. Or you can have Turkish delight or a pastry dusted with powdered sugar. Really they are all quite delicious.”

Fernet merely shrugged. Minetti ordered Turkish delight. The girl wiped some moisture from the marble table-top and walked toward the coffee-shelf.

“So you were not able to work to-day?” Minetti began, affably. “How did you put in the time?”

“At the library, reading.”

“Something droll? A French novel or—”

“Books on poison!” Fernet shot out with venomous triumph. “I know more than I did yesterday.”

“How distressing!” purred Minetti. “Ignorance is more invulnerable than one fancies. Of course we are taught otherwise, but knowledge, you remember, was the beginning of all trouble. But you choose a fascinating, subject. Some day when we get better acquainted I shall tell you all I know about it. Poison is such a subtle thing. It is everywhere—in the air we breathe, in the water we drink, in the food we eat. And it is at once swift and sluggish, painful and stupefying, obvious and incapable of analysis. It is like a beautiful woman, or a great joy, or love itself.”

Fernet glanced up sharply. The hunchback had slid forward in his seat and his eyes glowed like two shaded pools catching greedily at the yellow sunlight of midday. Fernet shuddered and looked about the room. Groups of swarthy men were drinking coffee, or sipping faintly red draughts of cherry syrup and sweet soda. At a near-by table a group of six shuffled cards and marked their scores upon a slate. And, of course, there were those who played backgammon, rattling the dice and making exaggerated gestures as they spurred on their adversaries with genial taunts.

The girl came back carrying cups of thick steaming coffee and soft lemon-colored sweetmeats speared with two tiny silver forks. She set the tray down. Minetti reached for his coffee greedily, but Fernet sat back in his seat and allowed the waitress to place the second cup before him. As she did so the table shook suddenly and half of the hot liquid spilled over on the marble tabletop. Fernet jumped up to escape the scalding trickle; the girl gave an apologetic scream; Minetti laughed strangely.

“It is all my fault!” cried the hunchback. “What stupidity! Pray be seated. My young woman, will you give the gentleman this coffee of mine? And get me another.”

“Pardon me,” Fernet protested, “but I cannot think of such a thing!” And with that he attempted to pass the coffee in question back to Minetti. But the hunchback would have none of it. Fernet broke into a terrified sweat.

“He has dropped poison into it!” he thought, in sudden panic. “Otherwise why should he be so anxious to have me drink it? He kicked the table deliberately, too. And this cup of his—why was it not spilled also? No, he was prepared—it is all a trick!”

“Come, come, my friend,” broke in Minetti, briskly, “drink your coffee while it is still hot! Do not wait for me. I shall be served presently. And try the sweetmeats; they are delicious.”

“I am not hungry,” replied Fernet, sullenly.

“No? Well, what of that? Sweetmeats and coffee are not matters of hunger. Really, you are more droll than you imagine!” Minetti burst into a terrifying laugh.

“He thinks I am afraid!” muttered Fernet.

And out of sheer bravado he lifted the cup to his lips. Minetti stopped laughing, but a wide smile replaced his diabolical mirth. The girl brought fresh coffee to the hunchback. He sipped it with frank enjoyment, but he did not once take his gaze from Fernet’s pale face.

“Well,” thought Fernet, “one cup of poison more or less will not kill me.... It is not as if he has made up his mind to finish me at once. He is counting on the exquisite joys of a prolonged agony.” And he remembered Minetti’s words: “It is like watching a green leaf fading before the breath of autumn. First a sickly pallor, then a yellowing, a sharp wind, a fluttering in the air....” He tossed off the coffee in one defiant gulp. “He thinks that he has me in his power. But André Fernet is not quite a fool. I shall go away to-morrow!”

They went home as soon as Minetti finished his coffee. Fernet felt a sudden nausea; by the time he reached his lodgings his steps were unsteady and his head reeled. Minetti was kindness itself.

“Let me help you into bed,” he insisted. “You must have a congestion. Presently I shall heat some water and give you a hot gin.”

Fernet was too sick to protest. Minetti started the gas-stove and filled the kettle and went into his room for gin. Fernet dragged himself out of his clothes and crawled in between the sheets. Minetti came back. Fernet lay with his eyes half-closed, shivering. Finally the water boiled, and the hunchback brought Fernet a huge tumbler of gin and water with bits of lemon-peel and cloves floating in it. It tasted so good that Fernet forgot his terror for the moment. But when the tumbler was empty he felt helpless; he could scarcely lift his arms; so he lay flat upon his back, staring up at the ceiling. He tried to recall scraps of what he had been reading all afternoon. What was the name of the poison that left one paralyzed? He could not remember. He found his movements becoming more and more difficult; he could scarcely turn in bed. Minetti brewed another toddy. Fernet could not hold the glass! He tried to push the tumbler away from his lips, but his efforts were useless. Minetti hovered above him with a bland, gentle smile, and Fernet felt the warm liquid trickling into his mouth and down his throat. In the midst of all this he lost consciousness.... Once or twice during the night Fernet had a wakeful interlude. Whenever he opened his eyes he saw Minetti sitting before the open window, gazing down at the twisted pepper-tree.

“Yes, they are both alike!” passed dimly through his mind. “They both are at once beautiful and hideous and they have strange secrets! It is no use, I must go away—to-morrow.”

In the morning Minetti was standing by the bed. “I have sent for the doctor,” he said. But his voice sounded far away.

The doctor came shortly after ten o’clock. He was a little wizened, dried-up old man with a profound air.

“He is a fraud!” thought Fernet. “He knows nothing!”

“Ah,” said the doctor, putting a sly finger against his sharp nose, “our friend here has a nervous collapse. He should have a nurse!”

“A nurse!” exclaimed Minetti, with indignation. “And, pray, what do you call me? Do you not think that—”

“Well, we shall see! we shall see!” replied the doctor, rubbing his hands together. “But he will need all sorts of delicacies and—”

Minetti moistened his lips with sleek satisfaction. “You cannot name a dish that I am not able to prepare.”

“How about a custard? To-day he should eat something light.”

“A custard is simplicity itself,” answered the hunchback, and he cracked his fingers.

Minetti went out with the doctor, and came back shortly, carrying eggs and a bottle of vanilla extract and sugar. Fernet lay helpless, watching him bustling about. Finally the delicacy was made and set away in a pan of water to cool. At noon Minetti brought a blue bowl filled with custard to the bedside. It looked inviting, but Fernet shook his head.

“I am not hungry,” he lied.

The hunchback set the bowl down on a chair so that Fernet gazed upon it all day. The hunchback did not leave the room. He sat before the open window, reading from a thick book. Toward nightfall Fernet said to him:

“What do you find so interesting?”

Minetti darted a sardonic glance at his patient. “A book on poison. I did not realize that I had grown so rusty on the subject. Why, I remember scarcely enough to poison a field-mouse!”

He rose and crossed over to the bedside. “Do you not feel ready for the custard?”

Fernet cast a longing eye upon the yellow contents of the blue bowl.

“No. To tell the truth, I never eat it.”

Minetti shrugged.

“But I should like a glass of water.”

The hunchback drew water from the faucet. Fernet watched him like a ferret.

“At least,” thought Fernet, “he cannot drop poison in the water secretly. It is well that I can see every move he makes at such a time. I should not like to die of thirst.”

A little later Minetti removed the bowl and threw out its contents. Fernet looked on with half-closed eyes.

“What better proof could I have?” he mused. “If the custard were harmless he would eat it himself. I must get away to-morrow.”

But the next day he felt weaker than ever, and when the doctor came Minetti said, in answer to questions:

“I made a delicious custard yesterday and he ate every bit.... An oyster stew? ... with milk? I shall see that he has it at noon.”

“God help me!” muttered Fernet. “Why does he lie like this? I must get the doctor’s ear and tell him how things stand. I shall eat nothing—nothing! Thank Heaven I can drink water without fear.”

At noon the oyster stew was ready. But Fernet would have none of it. “Oysters make me ill!” he said.

Minetti merely shrugged as he had done the previous day, and set the savory dish upon a chair before the bed. It exuded tantalizing odors, until Fernet thought he would go mad with longing. Toward evening Minetti threw out the stew. And as before, when the doctor called the hunchback said:

“He ate a quart of stew and there were plenty of oysters in it, I can tell you. Do you think that a chicken fried in olive-oil would be too hearty?”

Fernet groaned. “This is horrible—horrible!” he wept to himself. “I shall die like a starving rat with toasted cheese dangling just beyond reach. God help me to rouse myself! Surely the effects of the poison he has given me must soon wear off.... There he is, reading from that big book again. Perhaps he is contriving a way to put poison in my water even though I am able to watch him when he draws me a drink.... Poison—poison everywhere. It can even be administered with the prick of a needle. Why did I read about it? Chicken fried in olive-oil ... what torture!”

The chicken fried in olive-oil was a triumph—Fernet knew all this by the wisps of appetizing fragrance which drifted from the sizzling pan. Minetti made a great stir over the preparations. The tender flesh had to be rubbed thoroughly with garlic and well dusted with salt and pepper. And a quarter of a bottle of yellow-green olive-oil was first placed in the pan. When everything was ready and the chicken cooked to a turn, Minetti carried it to Fernet with a great flourish. Fernet gritted his teeth and turned his face away. He did not have the courage to invent an excuse. Minetti laid it on the chair as usual. For two hours Fernet was tortured with the sight of this tempting morsel, but at the sound of the doctor’s step upon the stair the hunchback whisked away the chicken.

“His appetite?” Minetti said, echoing the doctor’s query. “Why, one could not wish for better! Only this morning he despatched a chicken as if it had been no more than a soft-boiled egg. As a matter of fact, he is always hungry.”

“Well, well,” beamed the doctor, “that is the best of signs, and it happens that way very often in nervous cases. You are a capital nurse, my good man, and by the end of the week, if you keep feeding him up in this fashion, he should be as hearty as a school-boy.”

At that moment Minetti was called down-stairs by his landlord. Fernet struggled to lift himself; the doctor bent toward him.

“This hunchback,” Fernet gasped, “he is trying to poison me. Already I have drunk four or five of his concoctions, and that is why I am in this condition ... helpless. And he is lying when he says that I have eaten. I have touched nothing for three days.”

The doctor laid the patient back upon the pillow.

“Poison you, my friend? And for what reason?”

“Because I laughed at him. In God’s name, Doctor, see that you keep a straight face in his presence or else—”

The doctor patted Fernet’s hand and straightened the sliding bedclothes. By this time Minetti had come back. The doctor and the hunchback whispered together in a far corner. Minetti laughed and tapped his head. At the door Fernet heard the doctor say:

“Just keep up the good work and the idea will pass. It happens that way very often in nervous cases. I shall not look in again until the first of next week unless....”

Fernet groaned aloud.

“I must get away to-morrow.... I must get away to-morrow!” he kept on repeating.

By the end of the week the smell of food held no temptations for Fernet. Minetti stopped cooking. And when a glass of water was drawn from the faucet Fernet had difficulty in forcing his vision to answer the strain of a searching gaze.

“When my sight fails me,” Fernet thought, dimly, “I shall either die of thirst or take the consequences.”

When the doctor finally came again Fernet closed his eyes and pretended to be asleep.

“He seems thinner,” remarked the doctor, as if he had made an important discovery.

“Well, to tell the truth,” replied the hunchback, “he has lost his appetite. I have fed him milk and eggs, but—”

“There is nothing to do but be patient,” said the doctor. “Medicine will do him no good. Just rest and food. Even a little starvation will not hurt him. People eat too much, anyway.”

At this Fernet opened his eyes and broke into a laugh that startled even Minetti. The doctor looked offended.

“Well, he is in your hands,” the old fraud said, pompously, to the hunchback. “Just keep up the good work—”

Fernet laughed again.

“He is hysterical,” proclaimed the doctor, with an air of supreme wisdom. “It happens that way very often in nervous cases.”

And he walked out with great solemnity.

“Ah, I have offended him!” thought Fernet. “Well, now they will finish me—together!”

There followed days of delicious weakness. Fernet lay for the most part wrapt in the bliss of silver-blue visions. It seemed as if years were passing. He built shining cities, received the homage of kings, surrendered himself to the joys of ripe-lipped beauties. There were lucid intervals shot through with the malignant presence of Minetti and the puttering visits of the doctor. But these were like waking moments between darkness and dawn, filled with the half-conscious joy of a sleeper secure in the knowledge of a prolonged respite. In such moments Fernet would stir feebly and think:

“I must get away to-morrow!”

And there would succeed almost instantly a languid ecstasy at the thought that to-morrow was something remote and intangible that would never come.

At times the hunchback seemed like nothing so much as a heartless gaoler who, if he would, might open the door to some shining adventure. Gradually this idea became fixed and elaborated. Fernet’s sight grew dimmer and dimmer until he followed the presence of Minetti by the sounds he made.

“He is jingling something,” Fernet would repeat, weakly. “Ah, it must be his keys! He is searching for the one that will set me free!... Now he is oiling the lock.... He has shut the door again. I am to be held awhile longer.... I am a caged bird and just beyond is the pepper-tree. It must be glistening now in the sunlight. Well, let him lock the door, for all the good it will do him. Is not the window always open? When the time comes I shall fly out the window and leave him here—alone. Then we shall see who has the best of this bargain.”

And all the silver-blue visions would steal over him again, to be pierced briefly by the arrival of the wizened doctor.

“It is he who keeps me here!” Fernet would say to himself. “If it were not for him I could fly away—forever. Well, presently even he will lose his power.”

One day a strange man stood at his bedside. Minetti was there also, and the old fraud of a doctor. The strange man drew back the covers and put his ear to Fernet’s fluttering heart and went through other tiresome matters.... Finally he smoothed back the covers again, and as he did so he shook his head. He spoke softly, but Fernet heard him distinctly.

“It is too late.... You should have called me sooner. He wishes to die.... There is nothing to be done.”

“Yes, yes—it happens this way very often in nervous cases.”

“I have done my best. I have given him food and drink. I have even starved him. But nothing seemed to do any good.”

“No,” said the stranger; “it is his mind. He has made up his mind that.... You can do nothing with a man when....”

Fernet closed his eyes.

“A man! They think I am a man. What stupidity! Can they not see that I am a bird?... They have gone out. He is locking the door again.... I can hear the keys jingle.... Well, let him lock the door if it gives him any pleasure. The window is open and to-night....”

The footsteps of the departing visitors died away. A chuckling sound came to André Fernet and the thump of ecstatic fists brought down upon a bare table-top. The voice of Flavio Minetti was quivering triumphantly like the hot whisper of a desert wind through the room:

“Without any weapon save the mind! Ha! ha! ha!”

Fernet turned his face toward the wall. “He is laughing at me now. Well, let him laugh while he may.... Is not the window open? To-morrow I shall be free ... and he?... No, he cannot fly—he has a broken wing.... The window is open, André Fernet!”

BLIND VISION

By MARY MITCHELL FREEDLEY

From The Century Magazine

Copyright, 1918, by The Century Company.

Copyright, 1919, by Mary Mitchell Freedley.

Four months of pleasant meetings led to the superficial intimacy that war makes possible, so that I regretted the moving of the hospital and the need of a rest which took me to Paris.

It was there, one dreary evening in late November, that Marston’s name was brought to my dim little apartment, with the request that, if possible, I receive him at once. I was about to sit down to a lonely dinner, and the prospect of his company delighted me. Then he came into the room.

I had last seen him with his friend Esmè as they stood together waving me good-by, the rich, heavy summer sunshine all about them, though something more than a trick of golden light flooded their faces. They were both vitally alive in widely different ways; and yet they strangely seemed to be merely parts of each other. Esmè was an erratic dreamer and seer of visions, and lacked always, even in the unimportant aspects of living, any sense of the personal, the concrete; Marston, in curious contrast, was at all times practical, level-headed, full of the luster of life.

The man who stood hesitatingly just inside my door was not Marston, but some stone-sculptured image of the gay, glad boy I had known.

The cry I could not choke broke through his terrible immobility, and he spoke, the words sounding unreal, as though he had memorized them for a lesson and rehearsed their very intonation.

“I had to come. I had to tell some one. Then I will go away. I don’t know where; just away. You knew him, knew I loved him. Will you let me tell you? Then I will go away.”

It flashed across my mind in the second before I found words that I had half wondered why Esmè was not with him. It seemed impossible that even their bodies could be separated.

I tried to lead him to the fire and remove his overcoat, but he pushed me from him.

“No, no; don’t touch me. You don’t know, don’t understand. I’ve hunted two weeks trying to find some one—you, any one who knew us to whom I could tell it.” He hesitated, and I waited. His voice took on a curious quality of childlike appeal as he went on: “You know I loved him, know I’d given my life for his, don’t you?” Such phrasing was utterly unlike Marston, but I had seen their friendship in all the glory of its intensity, and I knew no sacrifice would have been too great. I assured him of this, and, remembering my nursing, insisted that he eat, promising to listen to anything he wanted to tell me.

We sat facing each other across the spread table, but neither of us thought of the food after the first few mouthfuls. Twice in the early part of his story I filled his glass with claret, but I cannot recollect his drinking any.

“You must think this strange of me, but I’m not really mad, not now. You see, I’ve lived with the horror ever since they gave me leave—just afterward, trying to find some one I could talk to, some one who would help me go on and finish the things we’d—

“I want to make it all as clear as possible, but I’ve got to tell it my own way, and that isn’t clear.

“Do you remember Brander? We brought him over once or twice. He was a mighty decent sort of fellow. Somehow, though, I hated his being such friends with Esmè, I’d been his only one for so long, you see. Brander was born in India, and somehow Esmè found it out; from hearing him curse in a dialect, I think. They used to talk some unheard-of jargon to each other and enjoyed it.

“Well, one day Brander got smashed in a fight up the lines, along the British front, and was dying. He kept asking for Esmè, calling his name, and when Esmè got word of it, of course he started at once. He took one of the baby Nieuports; they’re fast, and not much of a target from below. He knew the Germans had a masked battery which he’d have to cross.

“I thought I’d like to see him across the enemy country, so I let him get a good start, and then I went up. I lost sight of him in a cloud-bank, and must have flown beyond him, for when I cleared it, he was behind and below me, and coming toward him a big German fighting-plane.

“Esmè’s wasn’t a fighting-machine, and he should have tried to get away; but he must have seen the German a second after I did and judged it too late. He fired his revolver once, then suddenly seemed to lose control of his machine, and dropped to the level of the other. He must have thought he was done for and made his decision on the instant, counting it better to try to ram the German plane and go down to death together than to take the millionth chance of landing and let the enemy escape. He went head on at the other, and they fell, woven as one machine, just inside the German lines.

“Somehow I got back to our fellows; God knows I wish I hadn’t.

“Every man in our escadrille paid in his own way unconscious tribute to Esmè’s memory. We were awfully and justly proud of him,—it’s something to have died for France,—but for all of us the fun, the excitement, of the work had gone, been snuffed out. No one turned corkscrew somersaults, Esmè’s great stunt; no one did any of his special tricks any more, not even to show off before the new men.

“We got one of those French immortelle wreaths, tied to it his name and the number of the machine he was driving and dropped it inside their lines. The next morning just at sunrise one of their men flew over our hangars and threw down a stone. Painted on it in German was, ‘Your dead sends thanks’! That’s just like them, brutal, and the last word on their side.

“There’s always work to be done in war, each day’s effort to be made, and the mercy of constant doing helped me. I used to try to forget the fighting and the horrors and go back to the old days.

“Esmè never was like other men in certain ways—all the early things that were unconsciously part of him, I suppose. Even as a little shaver at school he couldn’t be made to understand the ‘why’ of a school-boy’s code. He used to rush headlong into anything and everything, and he generally came out on top. He did the most outrageous things calmly, unthinkingly, and we always made excuses, forgave him, because he was Esmè. At college the men were sometimes rather nasty to him, partly because he couldn’t understand their points of view; and he used to stare a minute and then loll away. He never hurried,—perhaps it was his Oriental blood,—but he always got there, and could make his very lolling an insult.

“I used to wonder just what it was that made Esmè a great aviator. He was a phenomenally good pilot, although he himself never seemed to realize his remarkable ability. His losing control of his machine that day was inexplicable. But one can’t tell. That high up the slightest thing uncounted on means death. Those days after—

“A month went by. One morning our anti-aircrafters started, and we rushed to see what was doing, and there, just a blot against the unclouded sky, was a plane turning corkscrew somersaults one after another as it came lower and lower. I went mad for a few minutes; only Esmè could turn corkscrews in such a way. I got the captain, and begged him to give orders for our gunners to stop. I must have made him feel the certainty of the wild thing I believed, for he gave the order. It was one of our own machines, in it Esmè, alone—Esmè in the flesh before us, drawn and haggard and old, but Esmè.

“At first he couldn’t speak. We called it strain; perhaps in any other man we shouldn’t, even in our minds, have given it its real name—emotion. He was like a girl. When I put my arm across his shoulders in the old, familiar way, he began to weep silently.

“The fellows were awfully decent and drifted away out of kindness, leaving him alone with me. We went to our tent, the one we’d shared together, and there, after a little while, he told me how it all happened.

“When the two machines fell together in a tangled heap, by some miraculous chance he was unhurt. The German was dead before they landed, he thought.

“Then began the slow, torturing weeks. They kept at him day and night, night and day. They never left him alone, not just guards, but some one always near him whose only business it was to watch him.

“He was a marked man. The Germans knew him to be our best, perhaps the best aviator in all the Allied armies, and they needed him. They tried every sort of hellish torture on him, things one mustn’t think about, to get him to take up one of their photographers over the French trenches, knowing he could do certain notorious tricks which would prove him our man and so render the taking of the necessary pictures comparatively safe. He stuck it out, growing weaker and weaker, until the order came that he was to take up their man in his own machine (they’d used their diabolical skill to reconstruct it), or— Perhaps if it had been an order to shoot him then and there, his courage would have held out; but the other— He was broken, weakened, driven; he gave in.

“They’d taken photographs for miles along the French and British fronts when Esmè noticed the strap which held the camera man was loosened. The man was busy adjusting the films for a new set. Esmè pulled, the strap gave way; he lurched the machine suddenly, and turned it over,—his famous somersault trick,—and then, without looking back or down, made for our camp.

“Sometimes one forgets to guard one’s expression. I suppose mine showed the horror I couldn’t help feeling. He put his hand out to touch me, but I jumped up and moved away. ‘Marston,’ he said, ‘what’s the matter? Aren’t you glad? There wasn’t any other way but to give in to them. You don’t know what it’s like to feel yourself dying by inches, a little piece more every day, all the time knowing you can’t die enough, and then the chance to be free once more, in the air, clean; you only fifty miles away, and one man between us—one man. What was his life among so many? It’s war, Marston; war.’

“I failed him then. I didn’t stop to think of his overwrought condition, mentally and physically. He simply wasn’t responsible. I had a quick vision of the way the other men would take it, of how I’d try and try to explain Esmè’s action because it was Esmè’s, and all the time I’d know the explanations weren’t any good. We have a code all our own; no rules, no mention ever made of its interpretation—just an aviator’s honor.

“Now, looking back, I can’t think why Esmè’s dropping the man out seemed so hideous. It did, though, and I failed him. He wanted to hear me say the words of welcome he’d counted on, and I just stood and looked at him. He was making queer, whimpering little noises, with his mouth wobbling all over his face, and I watched him. He was suffering, and I looked on.

“After a while the whimperings turned into words, and the words started with giggles. ‘A-aren’t you g-glad, Marston? A-aren’t you g-glad? A-aren’t you?’

“I turned on him, all the friendship and the memories of the years behind swept away. I didn’t know what I was saying. I’m not sure now; something about the things one doesn’t do, that it wasn’t war the way we fought it to drop a man thousands of feet who was only doing his duty. It was murder. Over and over I said it—that word murder. He wasn’t my friend; he was a murderer!

“I went out of the tent to escape his staring, pleading eyes—child’s eyes. Even while I was saying the words I knew he didn’t understand. He had done what he thought justifiable, necessary, he wanted to get back to me, and I called him a murderer.

“Once just as I started for the mess to get him something to eat I thought I heard him call my name; but I went on. I needed more time.

“I was gone perhaps ten minutes. When I reëntered the tent it was empty. Esmè was nowhere about, but I didn’t think of looking for him then, for I thought he’d probably joined one of the other men. Later I got worried, and we started a search. He wasn’t in our camp. No one had seen him.

“We waited and wondered. I prayed. Then I found a little scribbled note knocking about among my things.

“We never found any trace even of him or the smallest clue, just the note; that’s all I have left of Esmè. Here it is:

‘You’ve tried to tell me your opinion of the trick I played on an enemy. In any other arm of the service what I did would have gone, been all right, been smart. Isn’t that what you meant, Marston? But with our boys, because we’ve chosen to have a different, a higher standard, because we fight cleanly, what I did was—dirty. Well, I understand. You and the other men are different; I’m not, but I can pay. I’m going back. Don’t try to stop me before I reach their lines. You can’t. I go to render unto Cæsar. A life for a life. To give them at least my death, since I can no longer offer even that proudly to France.’

“There has been bravery and heroism in the war, but Esmè went back; he knew to what—yet he went.

“God grant he is dead! I tried to make words express an inexpressible thing. All my life to live out—remembering, knowing I killed my friend!”

Perhaps Marston went on speaking; I don’t know. I only remember the broken stem of his glass, the stain that was spreading slowly over the white cloth, and the dripping, dripping red of his hands.

IMAGINATION

By GORDON HALL GEROULD

From Scribner’s Magazine

Copyright, 1918, by Charles Scribner’s Sons.

Copyright, 1919, by Gordon Hall Gerould.

As I gave my coat and hat to the boy, I caught sight of Orrington, waddling into the farther reaches of the club just ahead of me. “Here’s luck!” I thought to myself, and with a few hasty strides overtook him.

It is always good luck to run upon Harvey Orrington during the hour when he is loafing before dinner. In motion he resembles a hippopotamus, and in repose he produces the impression that the day is very hot, even in midwinter. But one forgets his red and raw corpulency when he has settled at ease in a big chair and begun to talk. Then the qualities that make him the valuable man he is, as the literary adviser of the Speedwell Company, come to the surface, and with them those perhaps finer attributes that have given him his reputation as a critic. Possibly the contrast between his Falstaffian body and his nicely discriminating mind gives savor to his comment on art and life; but in any case his talk is as good in its way as his essays are in theirs. Read his “Retrospective Impressions” if you wish to know what I mean—only don’t think that his colloquial diction is like the fine-spun phrasing of his essays. He inclines to be slangy in conversation.

I overtook Orrington, as I say, before he had reached his accustomed corner, and I greeted him with a becoming deference. He is fifteen years my senior, after all.

“Hello,” he said, turning his rather dull eyes full upon me. “Chasing will-o’-the-wisps this afternoon?”

“I’ve been pursuing you. If you call that—”

“Precision forbids! It can’t have been will-o’-the-wisps.” Orrington shook his head with utter solemnity. “I don’t know just what their figure is, but I’m sure it’s not like mine. Come along and save my life, won’t you?”

“With pleasure. I hoped you might be free.”

“Free as the air of a department-store elevator—yes. I’ve got to meet Reynolds here. He’s waiting for me yonder. You know Reynolds?”

“Yes, I know him.”

Every one knows Reynolds, I need hardly say—every one who can compass it. The rest of the world knows his books. Reynolds makes books with divine unconcern and profuseness: almost as a steel magnate makes steel. He makes them in every kind, and puts them out with a fine flourish, so that he is generally regarded as master of all the literary arts. People buy his output, too, which is lucky for Reynolds but perhaps less fortunate for literature; they buy his output—that is the only word to use—by the boxful, apparently. An edition in his sight is but as the twinkling of an eye before it is sold out. One can’t wonder that Reynolds is a little spoiled by all this, though he must have been a good fellow to begin with. He’s really a kind-hearted and brave man now, but he takes himself too seriously. He is sometimes a bore. Only that he would never recognize the portrait I am making of him, I should hardly dare to say what I am saying. Physically, he is undistinguished: he looks like a successful lawyer of a dark athletic type who has kept himself fit with much golf and who has got the habit of wearing his golfing-clothes to town. It is his manner that sets him apart from his fellows.

“I’m glad you know him.” Orrington chuckled as we drew near the corner where Reynolds was already seated. “I’d hate to be the innocent cause of your introduction.”

Reynolds rose and extended gracious hands to the two of us. “You add to my pleasure by bringing our friend,” he said to Orrington.

I fear that I acknowledged the compliment by looking foolish. It was Orrington’s corner that we were invading, if it was any one’s, and, in any case, Reynolds doesn’t own the club.

“I need tea to support my anæmia,” said Orrington gruffly. “If the rest of you wish strong drink, however, I’m not unwilling to order it. They’ve got a new lot of extremely old Bourbon, I am informed, that had to be smuggled out of Kentucky at dead of night for fear of a popular uprising. I should like to watch the effect of it on one or both of you.”

“I’m willing to be the subject of the experiment,” I said. “What about you, Reynolds?”

Reynolds cocked his head slightly to one side. “Though I dislike to deprive our good friend of any æsthetic pleasure, I think I will stick to my own special Scotch. I do not crave the dizzy heights of inebriety.”

“First time I ever knew you to be afraid of soaring, Reynolds,” commented Orrington. “I trust you won’t let caution affect your literary labors. It is one of the biggest things about you, you know, that you aren’t afraid to tackle any job you please. Most of us wait about, wondering whether we could ever learn to manage the Pegasus biplane, but you fly in whatever machine is handy.”

“Perhaps you think I adventure rashly.” It was neither question nor positive statement on the part of Reynolds, but a little compounded of both. He seemed hurt.

“Not at all.” Orrington’s tone was heartily reassuring. “You get away with it, and the rest of us get nowhere in comparison.”

“I have always believed,” said Reynolds, “that a proper self-confidence is a prime requisite for literary success. In all seriousness, I am sure both of you will agree with me that none of us could have reached his present position in the world without some degree of boldness. We have seized the main chance.”

“Then it got away from me,” I felt impelled to say. I could see no reason for accepting the flattery that Reynolds intended.

“You may believe it or not, as you please, Reynolds, but I’m incapable of seizing anything.” Orrington paused to direct the waiter, but went on after a moment, with a teacup in his fat hand. “As a matter of fact, I’ve never collared anything in my life except a few good manuscripts. Some mighty bad ones, too.” He chuckled.

“Ah! You know the difference between the good and the bad better than any one else in the country, I fancy. I always feel diffident when I send copy to you.” Reynolds somehow conveyed the impression, rather by his manner than by his words, of insufferable conceit. He made you certain that he was ready to challenge the assembly of the Immortals in behalf of anything he wrote.

“Oh, you’re in a position to dictate. It’s not for us to criticise,” Orrington answered very quietly. “By the way, I ventured to suggest our meeting here partly because I wished to know when your new book would be ready. Speedwell’s been worrying, and I told him I’d see you. Thought it would bother you less than a letter or coming round to the office.”

“My book!” Reynolds struck an attitude and wrinkled his forehead. “My dear fellow, I wish I knew.”

Orrington set down his cup and looked at Reynolds quizzically. “You must know better than anybody else.”

“It’s a question of the possibilities only.” Reynolds lifted his head proudly. “I will not fail you, Orrington. I have never yet left any one in the lurch, but I have been exceedingly busy of late. You can’t realize the pressure I am under from every side. So many calls—my time, my presence, my words! I must have a fortnight’s clear space to get my copy ready for you. Within the month, I feel sure, you shall have it.”

“That’ll do perfectly well. We don’t wish to bother you,” said Orrington briefly, “but you know as well as I do that the public cries for you. Speedwell gets restive if he can’t administer a dose once in so often.”

“What is the book to be?” I ventured to ask.

Reynolds bridled coquettishly. It was too absurd of a fellow with his physique and general appearance: I had difficulty in maintaining a decent gravity. “My book!” he said again. “It isn’t precisely a novel, and it isn’t precisely anything else. It is a simple story with perhaps a cosmic significance.”

“I see.” I didn’t, of course, but I couldn’t well say less. I knew, besides, pretty well what the book would be like. I had read two or three of Reynolds’s things. The mark of the beast was on them all, though variously imprinted.

“By the way of nothing,” said Orrington suddenly, “I had an odd experience to-day.”

“Ah! do tell us,” urged Reynolds. “Your experiences are always worth hearing. I suppose it is because your impressions are more vivid than those of most men.”

Orrington pursed his mouth deprecatingly and lighted a cigarette. “There’s no stuff for you fellows in this. You couldn’t make a story out of it if you tried. But it gave me a twinge and brought back something that happened twenty years ago.”

“What happened to-day?” I asked, to get the story properly begun.

“Oh, nothing much, in one way. I’ve been talking with a young chap who has sent us a manuscript lately. The book’s no good, commercially—a pretty crude performance—but it has some striking descriptive passages about the effects of hunger on the human body and the human mind. They interested me because I thought they showed some traces of imagination. There isn’t much real imagination lying round loose, you know: nothing but the derived and Burbankized variety. So I sent for the fellow. He came running, of course. Hope in his eye, and all that sort of thing. I felt like a brute beast to have to tell him we couldn’t take his book, though I coated the pill as sweetly as I could.

“He took it like a Trojan, though I could see that he was holding himself in to keep from crying. He was a mere boy, mind you, and a very shabby and lean one. I noticed that while I talked encouragingly to him, and I finally asked what set him going at such a rate about starvation. I might have known, of course! The kid has been up against it and has been living on quarter rations for I don’t know how many months. There wasn’t an ounce of imagination in his tale, after all: he had been describing his own sensations with decent accuracy—nothing more than that.”

“Poor fellow!” I interrupted. “We ought to find him some sort of job. Do you think he’d make good if he had a chance?”

Orrington shrugged his heavy shoulders. “I don’t know, I’m sure. I talked to him like a father and uncle and all his elderly relations, and I asked more questions than was polite. He’s in earnest at the moment, anyhow.”

“But if he’s actually starving—” I began.

Orrington looked at me in his sleepy way. “Oh, he’s had a good feed by this time. You must take me for a cross between a devil-fish and a blood-sucking bat. I could at least afford the luxury of seeing that he shouldn’t try to do the Chatterton act.”

Reynolds took a sip of whiskey, then held up his glass to command attention. “Dear, dear!” he said slowly, with the air of settling the case. “It’s a very great pity that young men without resources and settled employment try to make their way by writing. They ought not to be encouraged to do so. Most of them would be better off in business or on their fathers’ farms, no doubt; and the sooner they find their place, the better.”

“Still, if nobody made the venture,” I objected, “the craft wouldn’t flourish, would it? I think the question is whether something can’t be done to give this particular young man a show.”

“I’ve sent him to Dawbarn,” said Orrington almost sullenly. “He wants a space-filler and general utility man, he happened to tell me yesterday. It’s a rotten job, but it will seem princely to my young acquaintance. I shall watch him. He might make good and pay back my loan, you know.”

“It does credit to your heart, my dear Orrington—grub-staking him and getting him a job at once.” Reynolds frowned judicially. “I doubt the wisdom of it, however. A young man ought to succeed by his own efforts or not at all. Of course I know nothing of this particular case except what you’ve just told us, but I can’t see from your account of him that he has much chance to lift himself out of the ranks of unsuccessful hack writers. You admit that he shows little imagination.”

“Not yet; but he doesn’t write badly.”

“Ah! there are so many who don’t write badly, but who never go beyond that.”

Orrington laughed, shaking even his heavy chair with his heavier mirth. “Excuse me,” he murmured. “You’re very severe on us, Reynolds. You mustn’t forget that most of us aren’t Shakespeares. Indeed, to be strictly impersonal, I don’t know any member of this club—and we’re rather long on eminent pen-pushers—who is. It won’t do any harm to give my young friend his chance. To tell the truth, I think it’s a damned sight better for him than the end of a pier and the morgue.”