Note (return) — LECTURE V

Similar evidence could be multiplied, but this may suffice to teach us how to the minds of these Central Australian savages the whole country is haunted, in the literal sense, not merely by the memories of their dead, but by the spirits which they left behind them and which are constantly undergoing reincarnation. And not only are the minds of the aborigines preoccupied by the thought of their ancestors, who are recalled to them by all the familiar features of the landscape, but they spend a considerable part of their time in dramatically representing the legendary doings of their rude forefathers of the remote past. It is astonishing, we are told, how large a part of a native's life is occupied with the performance of these dramatic ceremonies. The older he grows, the greater is the share he takes in them, until at last they actually absorb the greater part of his thoughts. The rites which seem so trivial to us are most serious matters to him. They are all connected with the great ancestors of the tribe, and he is firmly convinced that when he dies his spirit will rejoin theirs and live in communion with them until the time comes for him to be born again into the world. With such solemnity does he look on the celebration of these commemorative services, as we may call them, that none but initiated men are allowed to witness them; women and children are strictly excluded from the spectacle. These sacred dramas are often, though by no means always, associated with the rites of initiation which young men have to pass through before they are admitted to full membership of the tribe and to participation in its deepest mysteries. The rites of initiation are not all undergone by a youth at the same time; they succeed each other at longer or shorter intervals of time, and at each of them he is privileged to witness some of the solemn ceremonies in which the traditions of the tribal ancestors are dramatically set forth before him, until, when he has passed through the last of the rites and ordeals, he is free to behold and to take part in the whole series of mystery plays or professedly historical dramas. Sometimes the performance of these dramas extends over two or three months, during which one or more of them are acted daily.148 For the most part, they are very short and simple, each of them generally lasting only a few minutes, though the costumes of the actors are often elaborate and may have taken hours to prepare. I will describe a few of them as samples.