Note Note 1, page 99 — BOOK II. THE PURITAN MIGRATION.

Love of display in Elizabeth's time. Not religious disputants only, but the world in general, exaggerated the importance of vestments and ceremonies in the reign of Elizabeth. The love of formality and display that characterized the Renascence was then at its height. It was a time of pomps and royal progresses. Great historic characters went about dressed like performers in a show. Some of the queen's gowns were adorned with jewels on every available inch of space. These bespangled robes were draped over vast farthingales, which spread out like tables on which her arms might rest, and her appearance when thus attired has been compared to that of an Oriental idol. Her courtiers and statesmen were equally fond of dazzling the spectator. Ralegh wore a pendent jewel on his hat feather, and the value of the gems on his shoes was estimated at six thousand six hundred pieces of gold. The love of pomp was not confined to the court; every nobleman and country gentleman kept his house filled with idle serving men, the sons of neighboring gentlemen or yeomen, whose use was to "grace the halls" of their patron by their attendance and to give dignity to his hospitality. Note 1. High sheriffs and other officials performed their functions with thirty or forty men in livery at their heels, even borrowing the retainers of their friends to lend state to their office. Machyn's Diary, 324, note. Edward VI set out upon a progress in 1551 with a train of four thousand mounted men. These were noblemen and gentlemen with their retainers. He was obliged to dismiss all but a hundred and fifty of this vast army of display lest it should "eat up the country." The gorgeous progresses of Elizabeth are too well known to need description. A painting of the time shows her to us in the act of making a friendly call on her cousin-german, Lord Hunsdon. She is sitting under a canopy, and is borne on the shoulders of men and attended by a brilliant train of lords and ladies on foot. It was truer in the days of Shakespeare than it has been since that "all the world's a stage, and all the men and women merely players."