'TENTY SCRAN'. (continued 2)

Passing a print-window in Broadway one day, his eye rested on the beautiful engraving of "Christus Consolator." He stopped and looked at it intently for some minutes, evidently much affected by the genuine inspiration of the artist in this remarkable representation of the Saviour as the consoler of sorrow-stricken humanity. His tears fell freely. "Pray, get me that print," said he; "I must have it framed for my sitting-room." When he examined it more closely and found the artist's name, "It's by my old friend Ary Scheffer!" said he,—remarking further, that he had known Scheffer intimately, and knew him to be a true artist, but had not expected from him anything so excellent as this. I afterwards sent him the companion, "Christus Remunerator"; and the pair remained his daily companions till the day of his death. To me, the picture of Irving, amid the noise and bustle of noon in Broadway, shedding tears as he studied that little print, so feelingly picturing human sorrow and the source of its alleviation, has always remained associated with the artist and his works. If Irving could enjoy wit and humor and give that enjoyment to others, no other writer of books had a heart more tenderly sensitive than his to the sufferings and ills which flesh is heir to.

Of his later days,—of the calmly received premonitions of that peaceful end of which only the precise moment was uncertain,—of his final departure, so gentle and so fitting,—of that "Washington-Irving-day" so dreamily, blandly still, and almost fragrant, December though it was, when with those simple and appropriate obsequies his mortal remains were placed by the side of his brothers and sisters in the burial-ground of Sleepy Hollow, while thousands from far and near silently looked for the last time on his genial face and mourned his loss as that of a personal friend and a national benefactor, yet could hardly for his sake desire any more enviable translation from mortality,—of the many beautiful and eloquent tributes of living genius to the life and character and writings of the departed author,—of all these you have already an ample record. I need not repeat or extend it. If you could have "assisted" at the crowning "Commemoration," on his birthday, (April 3d,) at the Academy of Music, you would have found it in many respects memorably in accordance with the intrinsic fitness of things. An audience of five thousand, so evidently and discriminatingly intelligent, addressed for two hours by Bryant, with all his cool, judicious, deliberate criticism, warmed into glowing appreciation of the most delicate and peculiar beauties of the character and literary services he was to delineate,—and this rich banquet fittingly desserted by the periods of Everett,—such an evening was worthy of the subject, and worthy to be remembered. The heartiness and the genial insight into Irving's best traits which the poet displayed were peculiarly gratifying to the nearer friends and relatives. His sketch and analysis, too, had a remarkable completeness for an address of that kind, while its style and manner were models of chaste elegance. Speaking of Irving's contemporaries and predecessors, he warms into poetry, thus:—

"We had but one novelist before the era of the 'Sketch-Book': their number is now beyond enumeration by any but a professed catalogue-maker, and many of them are read in every cultivated form of human speech. Those whom we acknowledge as our poets—one of whom is the special favorite of our brothers in language who dwell beyond the sea—appeared in the world of letters and won its attention after Irving had become famous. We have wits and humorists and amusing essayists, authors of some of the airiest and most graceful contributions of the present century,—and we owe them to the new impulse given to our literature in 1819. I look abroad on these stars of our literary firmament,—some crowded together with their minute points of light in a galaxy, some standing apart in glorious constellations; I recognize Arcturus and Orion and Perseus and the glittering jewels of the Southern Crown, and the Pleiades shedding sweet influences; but the Evening Star, the soft and serene light that glowed in their van, the precursor of them all, has sunk below the horizon. The spheres, meanwhile, perform their appointed courses; the same motion which lifted them up to the mid-sky bears them onward to their setting; and they, too, like their bright leader, must soon be carried by it below the earth."

Let me quote also Mr. Bryant's closing remarks:—

"Other hands will yet give the world a bolder, more vivid, and more exact portraiture. In the mean time, when I consider for how many years he stood before the world as an author, with still increasing fame,—half a century in this most changeful of centuries,—I cannot hesitate to predict for him a deathless renown. Since he began to write, empires have arisen and passed away; mighty captains have appeared on the stage of the world, performed their part, and been called to their account; wars have been fought and ended which have changed the destinies of the human race. New arts have been invented and adopted, and have pushed the old out of use; the household economy of half mankind has undergone a revolution. Science has learned a new dialect and forgotten the old; the chemist of 1807 would be a vain babbler among his brethren of the present day, and would in turn become bewildered in the attempt to understand them. Nation utters speech to nation in words that pass from realm to realm with the speed of light. Distant countries have been made neighbors; the Atlantic Ocean has become a narrow frith, and the Old World and the New shake hands across it; the East and the West look in at each other's windows. The new inventions bring new calamities, and men perish in crowds by the recoil of their own devices. War has learned more frightful modes of havoc, and armed himself with deadlier weapons; armies are borne to the battle-field on the wings of the wind, and dashed against each other and destroyed with infinite bloodshed. We grow giddy with this perpetual whirl of strange events, these rapid and ceaseless mutations; the earth seems to be reeling under our feet, and we turn to those who write like Irving for some assurance that we are still in the same world into which we were born; we read, and are quieted and consoled. In his pages we see that the language of the heart never becomes obsolete; that Truth and Good and Beauty, the offspring of God, are not subject to the changes which beset the inventions of men. We become satisfied that he whose works were the delight of our fathers, and are still ours, will be read with the same pleasure by those who come after us."