THOUGHTS ON TALKING
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To make a good talker, genius and learning, even wit and eloquence, are insufficient; to these, in all or in part, must be added in some degree the talents of active life. The character has as much to do with colloquial power as has the intellect; the temperament, feelings, and animal spirits, even more, perhaps, than the mental gifts. "Napoleon said things which tell in history like his battles. Luther's Table-Talk glows with the fire that burnt the Pope's bull." Cæsar, Cicero, Themistocles, Lord Bacon, Selden, Talleyrand, and, in our own country, Aaron Burr, Jefferson, Webster, and Choate, were all, more or less, men of action. Sir Walter Scott tells us that, at a great dinner party, he thought the lawyers beat the Bishops as talkers, and the Bishops the wits. Nearly all great orators have been fine talkers. Lord Chatham, who could electrify the House of Lords by pronouncing the word "Sugar," but who in private was but commonplace, was an exception; but the conversation of Pitt and Fox was brilliant and fascinating,—that of Burke, rambling, but splendid, rich and instructive, beyond description. The latter was the only man in the famous "Literary Club" who could cope with Johnson. The Doctor confessed that in Burke he had a foeman worthy of his steel. On one occasion, when debilitated by sickness, he said: "That fellow calls forth all my powers. Were I to see Burke now, it would kill me." At another time he said: "Burke, sir, is such a man that, if you met him for the first time in the street, where you were stopped by a drove of oxen, and you and he stepped aside to take shelter but for five minutes, he'd talk to you in such a manner, that when you parted you'd say—'This is an extraordinary man.'" "Can he wind into a subject like a serpent, as Burke does?" asked Goldsmith of a certain talker. Fox said that he had derived more political information from Burke's conversation alone than from books, science, and all his worldly experience put together. Moore finely says of the same conversation, that it must have been like the procession of a Roman triumph, exhibiting power and riches at every step, occasionally mingling the low Fescennine jest with the lofty music of the march, but glittering all over with the spoils of a ransacked world.
—Mathews.
The fault of literary conversation in general is its too great tenaciousness. It fastens upon a subject, and will not let it go. It resembles a battle rather than a skirmish, and makes a toil of a pleasure. Perhaps it does this from necessity, from a consciousness of wanting the more familiar graces, the power to sport and trifle, to touch lightly and adorn agreeably, every view or turn of a question en passant, as it arises. Those who have a reputation to lose are too ambitious of shining, to please. "To excel in conversation," said an ingenious man, "one must not be always striving to say good things: to say one good thing, one must say many bad, and more indifferent ones." This desire to shine without the means at hand, often makes men silent:—
The fear of being silent strikes us dumb.
A writer who has been accustomed to take a connected view of a difficult question and to work it out gradually in all its bearings, may be very deficient in that quickness and ease which men of the world, who are in the habit of hearing a variety of opinions, who pick up an observation on one subject, and another on another, and who care about none any further than the passing away of an idle hour, usually acquire. An author has studied a particular point—he has read, he has inquired, he has thought a great deal upon it: he is not contented to take it up casually in common with others, to throw out a hint, to propose an objection: he will either remain silent, uneasy, and dissatisfied, or he will begin at the beginning, and go through with it to the end. He is for taking the whole responsibility upon himself. He would be thought to understand the subject better than others, or indeed would show that nobody else knows anything about it. There are always three or four points on which the literary novice at his first outset in life fancies he can enlighten every company, and bear down all opposition: but he is cured of this quixotic and pugnacious spirit, as he goes more into the world, where he finds that there are other opinions and other pretensions to be adjusted besides his own. When this asperity wears off, and a certain scholastic precocity is mellowed down, the conversation of men of letters becomes both interesting and instructive. Men of the world have no fixed principles, no groundwork of thought: mere scholars have too much an object, a theory always in view, to which they wrest everything, and not unfrequently, common sense itself. By mixing with society, they rub off their hardness of manner, and impracticable, offensive singularity, while they retain a greater depth and coherence of understanding. There is more to be learnt from them than from their books.
—Hazlitt.
There are some people whose good manners will not suffer them to interrupt you, but, what is almost as bad, will discover abundance of impatience, and lie upon the watch until you have done, because they have started something in their own thoughts, which they long to be delivered of. Meantime, they are so far from regarding what passes, that their imaginations are wholly turned upon what they have in reserve, for fear it should slip out of their memory; and thus they confine their invention, which might otherwise range over a hundred things full as good, and that might be much more naturally introduced.
There is a sort of rude familiarity, which some people, by practising among their intimates, have introduced into their general conversation, and would have it pass for innocent freedom or humor; which is a dangerous experiment in our northern climate, where all the little decorum and politeness we have are purely forced by art, and are so ready to lapse into barbarity. This, among the Romans, was the raillery of slaves, of which we have many instances in Plautus. It seems to have been introduced among us by Cromwell, who, by preferring the scum of the people, made it a court entertainment, of which I have heard many particulars; and, considering all things were turned upside down, it was reasonable and judicious; although it was a piece of policy found out to ridicule a point of honor in the other extreme, when the smallest word misplaced among gentlemen ended in a duel.
There are some men excellent at telling a story, and provided with a plentiful stock of them, which they can draw out upon occasion in all companies, and, considering how low conversation runs now among us, it is not altogether a contemptible talent; however, it is subject to two unavoidable defects, frequent repetition, and being soon exhausted; so, that, whoever values this gift in himself, has need of a good memory, and ought frequently to shift his company, that he may not discover the weakness of his fund; for those who are thus endued have seldom any other revenue, but live upon the main stock.
—Swift.
The highest and best of all the moral conditions for conversation is what we call tact. I say a condition, for it is very doubtful whether it can be called a single and separate quality; more probably it is a combination of intellectual quickness with lively sympathy. But so clearly is it an intellectual quality, that of all others it can be greatly improved, if not actually acquired, by long experience in society. Like all social excellences it is almost given as a present to some people, while others with all possible labor never acquire it. As in billiard-playing, shooting, cricket, and all these other facilities which are partly mental and partly physical, many never can pass a certain point of mediocrity; but still even those who have the talent must practise it, and only become really distinguished after hard work. So it is in art. Music and painting are not to be attained by the crowd. Not even the just criticism of these arts is attainable without certain natural gifts; but a great deal of practice in good galleries and at good concerts, and years spent among artists, will do much to make even moderately-endowed people sound judges of excellence.
Tact, which is the sure and quick judgment of what is suitable and agreeable in society, is likewise one of those delicate and subtle qualities or a combination of qualities which is not very easily defined, and therefore not teachable by fixed precepts. Some people attain it through sympathy; others through natural intelligence; others through a calm temper; others again by observing closely the mistakes of their neighbors. As its name implies, it is a sensitive touch in social matters, which feels small changes of temperature, and so guesses at changes of temper; which sees the passing cloud on the expression of one face, or the eagerness of another that desires to bring out something personal for others to enjoy. This quality of tact is of course applicable far beyond mere actual conversation. In nothing is it more useful than in preparing the right conditions for a pleasant society, in choosing the people who will be in mutual sympathy, in thinking over pleasant subjects of talk and suggesting them, in seeing that all disturbing conditions are kept out, and that the members who are to converse should be all without those small inconveniences which damage society so vastly out of proportion to their intrinsic importance.
—Mahaffy.
In the course of our life we have heard much of what was reputed to be the select conversation of the day, and we have heard many of those who figured at the moment as effective talkers; yet, in mere sincerity, and without a vestige of misanthropic retrospect, we must say that never once has it happened to us to come away from any display of that nature without intense disappointment; and it always appeared to us that this failure (which soon ceased to be a disappointment) was inevitable by a necessity of the case. For here lay the stress of the difficulty: almost all depends in most trials of skill upon the parity of those who are matched against each other. An ignorant person supposes that to an able disputant it must be an advantage to have a feeble opponent; whereas, on the contrary, it is ruin to him; for he can not display his own powers but through something of a corresponding power in the resistance of his antagonist. A brilliant fencer is lost and confounded in playing with a novice; and the same thing takes place in playing at ball, or battledore, or in dancing, where a powerless partner does not enable you to shine the more, but reduces you to mere helplessness, and takes the wind altogether out of your sails. Now, if by some rare good luck the great talker, the protagonist, of the evening has been provided with a commensurate second, it is just possible that something like a brilliant "passage of arms" may be the result,—though much even in that case will depend on the chances of the moment for furnishing a fortunate theme, and even then, amongst the superior part of the company, a feeling of deep vulgarity and of mountebank display is inseparable from such an ostentatious duel of wit. On the other hand, supposing your great talker to be received like any other visitor, and turned loose upon the company, then he must do one of two things: either he will talk upon outré subjects specially tabooed to his own private use,—in which case the great man has the air of a quack-doctor addressing a mob from a street stage; or else he will talk like ordinary people upon popular topics,—in which case the company, out of natural politeness, that they may not seem to be staring at him as a lion, will hasten to meet him in the same style, the conversation will become general, the great man will seem reasonable and well-bred, but at the same time, we grieve to say it, the great man will have been extinguished by being drawn off from his exclusive ground. The dilemma, in short, is this:—If the great talker attempts the plan of showing off by firing cannon-shot when everybody else is content with musketry, then undoubtedly he produces an impression, but at the expense of insulating himself from the sympathies of the company, and standing aloof as a sort of monster hired to play tricks of funambulism for the night. Yet, again, if he contents himself with a musket like other people, then for us, from whom he modestly hides his talents under a bushel, in what respect is he different from the man who has no such talent?
—De Quincey.
Some, in their discourse, desire rather commendation of wit, in being able to hold all arguments, than of judgment, in discerning what is true; as if it were a praise to know what might be said, and not what should be thought. Some have certain commonplaces and themes wherein they are good, and want variety; which kind of poverty is for the most part tedious, and, when it is once perceived, ridiculous. The honorablest part of talk is to give the occasion; and again to moderate and pass to somewhat else; for then a man leads the dance. It is good in discourse, and speech of conversation, to vary, and intermingle speech of the present occasion with arguments, tales with reasons, asking of questions with telling of opinions, and jest with earnest; for it is a dull thing to tire, and, as we say now, to jade any thing too far. As for jest, there be certain things which ought to be privileged from it, namely, religion, matters of State, great persons, any man's present business of importance, and any case that deserveth pity; yet there be some that think their wits have been asleep, except they dart out somewhat that is piquant, and to the quick. That is a vein which would be bridled; Parce, puer, stimulis, et fortius utere loris. And, generally, men ought to find the difference between saltness and bitterness. Certainly, he that hath a satirical vein, as he maketh others afraid of his wit, so he had need be afraid of others' memory. He that questioneth much shall learn much, and content much, but especially if he apply his questions to the skill of the persons whom he asketh; for he shall give them occasion to please themselves in speaking, and himself shall continually gather knowledge: but let his questions not be troublesome, for that is fit for a poser; and let him be sure to leave other men their turns to speak: nay, if there be any that would reign and take up all the time, let him find means to take them off, and to bring others on, as musicians use to do with those that dance too long galliards. If you dissemble sometimes your knowledge of that you are thought to know, you shall be thought, another time, to know that you know not. Speech of a man's self ought to be seldom, and well chosen. I knew one was wont to say in scorn, "He must needs be a wise man, he speaks so much of himself;" and there is but one case wherein a man may commend himself with good grace, and that is in commending virtue in another, especially if it be such a virtue whereunto himself pretendeth. Speech of touch towards others should be sparingly used; for discourse ought to be as a field, without coming home to any man. I knew two noblemen, of the west part of England, whereof the one was given to scoff, but kept ever royal cheer in his house; the other would ask of those that had been at the other's table, "Tell truly, was there never a flout or dry blow given?" To which the guest would answer, "Such and such a thing passed." The lord would say, "I thought he would mar a good dinner." Discretion of speech is more than eloquence; and to speak agreeably to him with whom we deal, is more than to speak in good words, or in good order. A good continued speech, without a good speech of interlocution, shows slowness; and a good reply, or second speech, without a good settled speech, showeth shallowness and weakness. As we see in beasts, that those that are weakest in the course, are yet nimblest in the turn; as it is betwixt the greyhound and the hare. To use too many circumstances, ere one come to the matter, is wearisome; to use none at all, is blunt.
—Bacon.
Think as little as possible about any good in yourself; turn your eyes resolutely from any view of your acquirement, your influence, your plan, your success, your following: above all, speak as little as possible about yourself. The inordinateness of our self-love makes speech about ourselves like the putting of the lighted torch to the dried wood which has been laid in order for the burning. Nothing but duty should open our lips upon this dangerous theme, except it be in humble confession of our sinfulness before our God. Again, be specially upon the watch against those little tricks by which the vain man seeks to bring round the conversation to himself, and gain the praise or notice which the thirsty ears drink in so greedily; and even if praise comes unsought, it is well, whilst men are uttering it, to guard yourself by thinking of some secret cause for humbling yourself inwardly to God; thinking into what these pleasant accents would be changed if all that is known to God, and even to yourself, stood suddenly revealed to man.
—Bishop Wilberforce.
In speaking of the duty of pleasing others, it will not be necessary to dwell on the ordinary courtesies and lesser kindnesses of our daily living, any further than to observe that none of these things, however trifling, is beneath the notice of a good man, ... but I mention one thing, because I think that we are most of us apt to be rather deficient in it, and that is in the trying to suit ourselves to the tastes and views of persons whose professions or inclinations, or situation in life, differ widely from our own.... As a general rule, no man can fall into conversation with another without being able to learn something valuable from him. But in order to get at this benefit there must be something of an accommodating spirit on both sides; each must be ready to hear candidly and to answer fairly; each must try to please the other. We all suffer from the want of acquaintance with the habits and opinions and feelings of different classes of society.
—Dr. Arnold.
If you would be loved as a companion, avoid unnecessary criticism upon those with whom you live. The number of people who have taken out judges' patents for themselves is very large in any society. Now it would be hard for a man to live with another who was always criticising his actions, even if it were kindly and just criticism. It would be like living between the glasses of a microscope. But these self-elected judges, like their prototypes, are very apt to have the persons they judge brought before them in the guise of culprits.
Let not familiarity swallow up old courtesy. Many of us have a habit of saying to those with whom we live such things as we say about strangers behind their backs. There is no place, however, where real politeness is of more value than where we mostly think it would be superfluous. You may say more truth, or rather speak out more plainly to your associates, but not less courteously than to strangers.
—Helps.
Much of the sorrow of life springs from the accumulation, day by day and year by year, of little trials—a letter written in less than courteous terms, a wrangle at the breakfast table over some arrangement of the day, the rudeness of an acquaintance on the way to the city, an unfriendly act on the part of another firm, a cruel criticism needlessly reported by some meddler, a feline amenity at afternoon tea, the disobedience of one of your children, a social slight by one of your circle, a controversy too hotly conducted. The trials within this class are innumerable, and consider, not one of them is inevitable, not one of them but might have been spared if we or our brother man had had a grain of kindliness. Our social insolences, our irritating manners, our censorious judgment, our venomous letters, our pin pricks in conversation, are all forms of deliberate unkindness, and are all evidences of an ill-conditioned nature.
—John Watson.
If this be one of our chief duties—promoting the happiness of our neighbors—most certainly there is nothing which so entirely runs counter to it, and makes it impossible, as an undisciplined temper. For of all the things that are to be met with here on earth, there is nothing which can give such continual, such cutting, such useless pain. The touchy and sensitive temper, which takes offence at a word; the irritable temper, which finds offence in everything whether intended or not; the violent temper, which breaks through all bounds of reason when once roused; the jealous or sullen temper, which wears a cloud on the face all day, and never utters a word of complaint; the discontented temper, brooding over its own wrongs; the severe temper, which always looks at the worst side of whatever is done; the wilful temper, which overrides every scruple to gratify a whim,—what an amount of pain have these caused in the hearts of men, if we could but sum up their results! How many a soul have they stirred to evil impulses; how many a prayer have they stifled; how many an emotion of true affection have they turned to bitterness! How hard they sometimes make all duties! How painful they make all daily life! How they kill the sweetest and warmest of domestic charities! The misery caused by other sins is often much deeper and much keener, more disastrous, more terrible to the sight; but the accumulated pain caused by ill-temper must, I verily believe, if added together, outweigh all other pains that men have to bear from one another.
—Bishop Temple.
Wicked is the slander which gossips away a character in an afternoon, and runs lightly over a whole series of acquaintances, leaving a drop of poison on them all, some suspicion, or some ominous silence—"Have you not heard?"—"No one would believe it, but—!" and then silence; while the shake of the head, or the shrug of the shoulders, finishes the sentence with a mute meaning worse than words. Do you ever think of the irrevocable nature of speech? The things you say are often said forever. You may find, years after your light word was spoken, that it has made a whole life unhappy, or ruined the peace of a household. It was well said by St. James, "If any man among you seem to be religious, and bridleth not his tongue, that man's religion is vain."
—Stopford Brooke.
There are three kinds of silence. Silence from words is good, because inordinate speaking tends to evil. Silence, or rest from desires and passions, is still better, because it promotes quietness of spirit. But the best of all is silence from unnecessary and wandering thoughts, because that is essential to internal recollection, and because it lays a foundation for a proper regulation and silence in other respects.
—Madame Guyon.
The example of our Lord, as He humbly and calmly takes the rebuff, and turns to go to another village, may help us in the ordinary ways of ordinary daily life. The little things that vex us in the manner or the words of those with whom we have to do; the things which seem to us so inconsiderate, or wilful, or annoying, that we think it impossible to get on with the people who are capable of them; the mistakes which no one, we say, has any right to make; the shallowness, or conventionality, or narrowness, or positiveness in talk which makes us wince and tempts us towards the cruelty and wickedness of scorn;—surely in all these things, and in many others like them, of which conscience may be ready enough to speak to most of us, there are really opportunities for thus following the example of our Saviour's great humility and patience. How many friendships we might win or keep, how many chances of serving others we might find, how many lessons we might learn, how much of unsuspected moral beauty might be disclosed around us, if only we were more careful to give people time, to stay judgment, to trust that they will see things more justly, speak of them more wisely, after a while. We are sure to go on closing doors of sympathy, and narrowing in the interests and opportunities of work around us, if we let ourselves imagine that we can quickly measure the capacities and sift the characters of our fellow-men.
—Bishop Paget.
How much squandering there is of the voice! How little is there of the advantage that may come from conversational tones! How seldom does a man dare to acquit himself with pathos and fervor! And the men are themselves mechanical and methodical in the bad way, who are most afraid of the artificial training that is given in the schools, and who so often show by the fruit of their labor that the want of oratory is the want of education.
How remarkable is sweetness of voice in the mother, in the father, in the household! The music of no chorded instruments brought together is, for sweetness, like the music of familiar affection when spoken by brother and sister, or by father and mother.
Conversation itself belongs to oratory. How many men there are who are weighty in argument, who have abundant resources, and who are almost boundless in their power at other times and in other places, but who, when in company among their kind, are exceedingly unapt in their methods. Having none of the secret instruments by which the elements of nature may be touched, having no skill and no power in this direction, they stand as machines before living, sensitive men. A man may be as a master before an instrument; only the instrument is dead; and he has the living hand; and out of that dead instrument what wondrous harmony springs forth at his touch! And if you can electrify an audience by the power of a living man on dead things, how much more should that audience be electrified when the chords are living and the man is alive, and he knows how to touch them with divine inspiration!
—Beecher.
Every one endeavors to make himself as agreeable to society as he can; but it often happens that those who most aim at shining in conversation, overshoot their mark. Tho a man succeeds, he should not (as is frequently the case) engross the whole talk to himself; for that destroys the very essence of conversation, which is talking together. We should try to keep up conversation like a ball bandied to and fro from one to the other, rather than seize it all to ourselves, and drive it before us like a football. We should likewise be cautious to adapt the matter of our discourse to our company, and not talk Greek before ladies, or of the last new furbelow to a meeting of country justices.
But nothing throws a more ridiculous air over our whole conversation than certain peculiarities easily acquired, but very difficultly conquered and discarded. In order to display these absurdities in a truer light, it is my present purpose to enumerate such of them as are most commonly to be met with; and first to take notice of those buffons in society, the Attitudinarians and Face-makers. These accompany every word with a peculiar grimace or gesture; they assent with a shrug, and contradict with a twisting of the neck; are angry by a wry mouth, and pleased in a caper or minuet step. They may be considered as speaking harlequins; and their rules of eloquence are taken from the posture-master. These should be condemned to converse only in dumb show with their own persons in the looking-glass, as well as the Smirkers and Smilers, who so prettily set off their faces, together with their words, by a je-ne-sais-quoi between a grin and a dimple. With these we may likewise rank the affected tribe of mimics, who are constantly taking off the peculiar tone of voice or gesture of their acquaintance, tho they are such wretched imitators, that (like bad painters) they are frequently forced to write the name under the picture before we can discover any likeness.
Next to these whose elocution is absorbed in action, and who converse chiefly with their arms and legs, we may consider the Profest Speakers. And first, the Emphatical, who squeeze, and press, and ram down every syllable with excessive vehemence and energy. These orators are remarkable for their distinct elocution and force of expression; they dwell on the important particulars of and the, and the significant conjunction and, which they seem to hawk up, with much difficulty, out of their own throats, and to cram them, with no less pain, into the ears of their auditors. These should be suffered only to syringe (as it were) the ears of a deaf man, through a hearing-trumpet; tho I must confess that I am equally offended with the Whisperers or Low-speakers, who seem to fancy all their acquaintance deaf, and come up so close to you that they may be said to measure noses with you, and frequently overcome you with the full exhalations of a foul breath. I would have these oracular gentry obliged to speak at a distance through a speaking-trumpet, or apply their lips to the walls of a whispering-gallery. The Wits who will not condescend to utter anything but a bon-mot, and the Whistlers or Tune-hummers, who never articulate at all, may be joined very agreeably together in concert; and to these tinkling cymbals I would also add the sounding brass, the Bawler, who inquires after your health with the bellowing of a town-crier.
The Tattlers, whose pliable pipes are admirably adapted to the "soft parts of conversation," and sweetly "prattling out of fashion," make very pretty music from a beautiful face and a female tongue; but from a rough manly voice and coarse features mere nonsense is as harsh and dissonant as a jig from a hurdy-gurdy. The Swearers I have spoken of in a former paper; but the Half-Swearers, who split and mince, and fritter their oaths into "gad's but," "ad's fish," and "demme," the Gothic Humbuggers, and those who nickname God's creatures, and call a man a cabbage, a crab, a queer cub, an odd fish, and an unaccountable skin, should never come into company without an interpreter. But I will not tire my reader's patience by pointing out all the pests of conversation, nor dwell particularly on the Sensibles, who pronounce dogmatically on the most trivial points, and speak in sentences; the Wonderers, who are always wondering what o'clock it is, or wondering whether it will rain or no, or wondering when the moon changes; the Phraseologists, who explain a thing by all that, or enter into particulars, with this and that and t'other; and lastly, the Silent Men, who seem afraid of opening their mouths lest they should catch cold, and literally observe the precept of the Gospel, by letting their conversation be only yea and nay.
The rational intercourse kept up by conversation is one of our principal distinctions from brutes. We should, therefore, endeavor to turn this peculiar talent to our advantage, and consider the organs of speech as the instruments of understanding; we should be very careful not to use them as the weapons of vice, or tools of folly, and do our utmost to unlearn any trivial or ridiculous habits, which tend to lessen the value of such an inestimable prerogative. It is, indeed, imagined by some philosophers, that even birds and beasts (tho without the power of articulation) perfectly understand one another by the sounds they utter; and that dogs, cats, etc., have each a particular language to themselves, like different nations. Thus it may be supposed that the nightingales of Italy have as fine an ear for their own native woodnotes as any signor or signora for an Italian air; that the boars of Westphalia gruntle as expressively through the nose as the inhabitants in High German; and that the frogs in the dykes of Holland croak as intelligibly as the natives jabber their Low Dutch. However this may be, we may consider those whose tongues hardly seem to be under the influence of reason, and do not keep up the proper conversation of human creatures, as imitating the language of different animals. Thus, for instance, the affinity between Chatterers and Monkeys, and Praters and Parrots, is too obvious not to occur at once; Grunters and Growlers may be justly compared to Hogs; Snarlers are Curs that continually show their teeth, but never bite; and the Spitfire passionate are a sort of wild cats that will not bear stroking, but will purr when they are pleased. Complainers are Screech-Owls; and Story-Tellers, always repeating the same dull note, are Cuckoos. Poets that prick up their ears at their own hideous braying are no better than Asses. Critics in general are venomous Serpents that delight in hissing, and some of them who have got by heart a few technical terms without knowing their meaning are no other than Magpies. I, myself, who have crowed to the whole town for near three years past may perhaps put my readers in mind of a Barnyard Cock; but as I must acquaint them that they will hear the last of me on this day fortnight, I hope that they will then consider me as a Swan, who is supposed to sing sweetly at his dying moments.
—Cowper.
It is almost a definition of a gentleman to say that he is one who never inflicts pain. This description is both refined, and, so far as it goes, accurate. He is mainly occupied in merely removing the obstacles which hinder the free and unembarrassed action of those about him, and he concurs with their movements rather than takes the initiative himself. His benefits may be considered as parallel to what are called the comforts or conveniences in arrangements of a personal nature—like an easy chair or a good fire, which do their best in dispelling cold and fatigue, tho nature provides both means of rest and animal heat without them. The true gentleman in like manner carefully avoids whatever may cause a jar or a jolt in the mind of those with whom he is cast—all clashing of opinion or collision of feeling, all restraint or suspicion or gloom or resentment, his great concern being to make every one at ease and at home. He has his eyes on all his company, he is tender toward the bashful, gentle toward the distant, and merciful toward the absurd. He can recollect to whom he is speaking; he guards against unseasonable allusions or topics which may irritate; he is seldom prominent in conversation, and never wearisome. He makes light of favors when he does them, and seems to be receiving when he is conferring. He never speaks of himself except when compelled, never defends himself by a mere retort; he has no ears for slander or gossip, is scrupulous in imputing motive to those who interfere with him, and interprets everything for the best. He is never mean or little in his disputes, never takes unfair advantage, never mistakes personalities or sharp sayings for arguments, or insinuates evil which he dare not say out. From a long-sighted prudence, he observes the maxim of the ancient sage, that we should ever conduct ourselves toward our enemy as if he were one day to be our friend. He has too much good sense to be affronted at insults. He is too well employed to remember injuries and too indolent to bear malice. He is patient, forbearing, and resigned on philosophical principle; he submits to pain because it is inevitable, to bereavement, because it is irreparable, and to death because it is his destiny. If he engages in controversy of any kind, his disciplined intellect preserves him from the blundering discourtesy of better, perhaps, but less educated minds, who, like blunt weapons, tear and hack instead of cutting clean, who mistake the point in argument, waste their strength on trifles, misconceive their adversary, and leave the question more involved than they find it. He may be right or wrong in his opinion, but he is too clear-headed to be unjust; he is as simple as he is forcible, and as brief as he is decisive. Nowhere shall we find greater candor, consideration, indulgence; he throws himself into the minds of his opponents, he accounts for their mistakes. He knows the weakness of human reason as well as its strength, its province, and its limits. If he can be an unbeliever, he will be too profound and large-minded to ridicule religion or to act against it; he is too wise to be a dogmatist or fanatic in his infidelity. He respects piety and devotion; he even supports institutions as venerable, beautiful or useful, to which he does not assent; he honors the ministers of religion, and it contents him to decline its mysteries without assailing or denouncing them. He is a friend of religious toleration, and that not only because his philosophy has taught him to look on all forms of faith with an impartial eye, but also from the gentleness and effeminacy of feeling which is attendant on civilization.
—Cardinal Newman.