Chapter IV

CONCETTA'S history—or rather Queenie's, for it was by this name that she begged Sylvia to call her now—had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada. She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened. There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning. All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot. Even now, after three years of freedom, his influence, when she began to talk of him, seemed to regather its volume and to be about to pour itself once more over her mind. Sylvia perceived this danger, and forbade her to talk any more about Zozo. This injunction was evidently a relief to the child—she must be twenty-one by now, though she seemed still a child—but it was tantalizing to Sylvia, who could not penetrate beyond her own impression of the juggler as an incredible figure, incredible because only drawn with a kind of immature or tired fancy. He passed into the category of the Svengalis, and became one of a long line of romantic impossibilities with whom their creators had failed to do much more than can be done by a practical joker with a turnip, a sheet, and some phosphorus. Zozo had always been the weakest part of Sylvia's improvisation of Concetta, a melodramatic climax that for her had spoiled the more simple horror of the childhood; she determined that later on she would try to extract from Queenie, bit by bit, enough to complete her performance.

Although Queenie had managed to break away from the man himself, she had paid in full for his direction of her life, and Sylvia rebelled against the whim of destiny which at the critical moment in this child's career had snatched her from herself and handed her over to the possession of a Zozo. What could have been the intention of fate in pointing a way to safety and then immediately afterward barring it against her progress? The old argument of free will could not apply in her case, because it was the lack of that, and of that alone, which had caused her ruin. What but a savage and undiscerning fate could be held accountable for this tale that had for fit background the profitable and ugly fields through which on this tristful Rumanian day the train was sweeping? Queenie seemed to have had no lovers apart from the purchasers of youth, and to be able to look back with pride and pleasure at nothing except the furs and dresses and jewelry with which she had been purchased. In the rage that Sylvia felt for this wanton corruption of a soul, she suddenly remembered how, long ago, she had watched with a hopeless equanimity and a cynical tolerance the progress of Lily along the same road as Queenie; and this memory of herself as she once was and felt revived the torments of self-reproach that had haunted her delirium in Petrograd. Then, as Queenie's tale went on, there gradually emerged from all the purposeless confusion of it one clear ambition in the girl's mind, which was a passion to be English—a passion feverish, intense, absorbing.

When in France Sylvia had first encountered continental music-hall artistes, she had found among them a universal prejudice against English girls; later on, when she met in cabarets the expatriated and cosmopolitan mountebanks that were the slaves rather than the servants of the public, she had often been envied for her English nationality: Lottie sleeping over there in the corner was an instance in point. But she had never found this fleeting envy crystallized to such a passionate ambition as it was become for Queenie. The circumstances of her birth in Germany from an Italian father of a Flemish mother, her flight from a cruel stepmother, her life with the juggler whose nationality seemed as indeterminate as her own, her speech compounded of English, French, German, and Italian each spoken with a foreign accent, her absence of any kind of papers, her lack of any sort of home, had all combined to give her a positive belief that she was without nationality, which she coveted as some Undine might covet a soul.

"But why do you want to be English so particularly?" Sylvia asked.

"Don't you know? Why, yes, of course you know. It was you was first making me to want. You were so sweet, the sweetest person I was ever meeting, and when I lost you I was always wanting to be English."

So, after all, her own swift passage through Queenie's life had not been without consequence.

"People were always saying that I looked like an English girl," Queenie went on. "And I was always talking English. I will never speak other languages again. I will not know other languages. Until this war came it was easy; but when they asked me for my passport I had only a billet de séjour given to me by the Russian police, and after six months I was expelled. When I was coming to Rumania, there was a merchant on the train who was kind to me, but he made me promise that if he helped me I was never to leave him until he was wanting. He was very kind. He gave me these furs. They are so nice, yes. But I was always going to the station at Jassy to see if some English girl would be my sister. There was once in Constantinople an English girl who would be my sister—but Zozo was jealous. If I was becoming her sister, I would be having a passport now, and England is so sweet!"

"But you've never been in England," Sylvia observed.

"Oh yes, I was going there with another English girl, and we lived there three months. I was dancing into a club—a nice club, all the men was wearing smokings—but she was ill and I wanted to be giving her money, so I was going to Russia, and then came the war. And now you must be my sister, because that other sister will be perhaps dead, so ill she was. Ach yes, so ill, so very ill! When I will have my English passport we will go to England together and never come away again. Then for the first time I will be happy."

Sylvia promised that she would do all she could to achieve Queenie's purpose.

"Tell me, why did you call yourself Queenie Walters?" she asked.

"Because the girl who was my sister in England had once a real little baby sister who was called Queenie. Oh, dead long ago, long ago! Her mother, who I was calling my mother, told me about this baby Queenie. So I was Queenie Walters and my sister was Elsie Walters."

"And your real brother Francesco?" Sylvia asked. "Did you ever see him again?"

That dreamlike and inexplicable meeting between the brother and the sister in the streets of Milan had always remained in Sylvia's memory.

"No, never yet again. But I am so sure he is being in England and that when we go there we will find him. And if he is English, too, what fun we will have."

Sylvia looked at these two companions who had both assumed English names. Not even the cold and merciless gray light of the Rumanian morning could destroy Queenie's unearthly charm, and the longer she looked at her the more like an Undine she thought her. Her eyes were ageless, limpid as a child's; and that her experience of evil should have left no sign of its habitation Sylvia was tempted to ascribe to the absence of a soul for evil to mar. The only indication that she was six years older than when they met in Granada was her added gracefulness of movement, the impulsive gracefulness of a gazelle rather than that serene gracefulness of a cat which had been Lily's beauty. Her hair, of a natural pale gold, had not been dimmed by the fumes of cabarets, and even now, all tangled after a night in the train, it had a look of hovering in this railway carriage like a wintry sunbeam. In the other corner sat Lottie, snoring with wide-open mouth, whose body, relaxed in sleep, seemed fatter than ever. She, too, had suffered, perhaps more deeply than Queenie, certainly more markedly; and now in dreams what fierce Bohemian passions were aroused in the vast airs of sleep, what dark revenges of the spirit for the insults that grotesque body must always endure?

At this point in Sylvia's contemplation Lottie woke up and prepared for the arrival of the train at Bucharest by making her toilet.

"Where's the best place to stay?" Sylvia inquired.

"Well, the best place to stay is in some hotel," Lottie replied. "But the hotels are so horribly expensive. Of course, there are plenty of pensions d'artistes, and—" she broke off and looked at Sylvia curiously, who asked her why she did so.

"I was thinking that it's a pity you can't share a room together," she said after a momentary hesitation.

"So we can," Sylvia answered, sharply.

"Well, in that case I should go to a small hotel," Lottie advised. "Because all the pensions here are run by old thieves. There's Mère Valérie—she's French and almost the worst of the lot—and there's one kept by a Greek who's not so bad, but they say most of her bedrooms have bugs."

"We'll go to a hotel," Sylvia decided. "Where are you going yourself?"

"Oh, I shall find myself a room somewhere. I don't stand a chance of being engaged at any first-rate cabaret and I sha'n't have much money to spend on rooms. Entre nous, je ne dis plus rien aux hommes. Je suis trop grasse. À quoi sert une jolie chambre?"

Sylvia had a feeling that she ought to ask Lottie to share a room with Queenie and herself, and after a struggle against the notion of this fat girl's ungainly presence she keyed herself to the pitch of inviting her.

"No, no," said Lottie. "It wouldn't do for two English girls to live with an Austrian."

Sylvia could not help being relieved at her refusal; perhaps she showed it, for Lottie smiled cynically.

"I think you'll feel a little less charitable to everybody," she said, "before much longer. You've kept out of this war so far, but you won't be able to keep out of it forever. I've often noticed about English girls that they begin by thinking such a lot of themselves that they have quite a store of pity for the poor people who aren't like them; and then all of a sudden they turn round and become very unpleasant; because they discover that other people think themselves as good as they are. Mind you, I'm not saying you'll do that, but I don't want to find myself de trop after being with you a week. Let's part as friends."

Sylvia, in the flurry of arrival, did not pay much attention to Lottie's prophecies, and she was glad to be alone again with Queenie. They discovered a small hotel kept by Italians, which seemed clean and, if they obtained a reasonable salary at the Petit Maxim, not too expensive. When they had dressed themselves up to impress the manager of the cabaret and were starting out to seek an engagement, the wife of the proprietor called Sylvia aside.

"You mustn't bring gentlemen back to the hotel except in the afternoon."

"We don't want to bring anybody back at any time," said Sylvia, indignantly.

The woman shrugged her shoulders and muttered a skeptical apology.

The interview with the manager of the cabaret was rather humiliating for Sylvia, though she laughed at it when it was all over. He was quite ready to engage Queenie both to dance en scène and afterward, but he declared he had nothing to offer Sylvia; she proposed to sing him one of her songs, but he scarcely listened to her, and when she had finished repeated that he had nothing to offer her. Whereupon Queenie announced that unless her sister was engaged the Petit Maxim would have to forgo her own performance. The manager argued for a time, but he was evidently much impressed by Queenie's attraction as a typical English girl, and finally, rather than lose her, he agreed to engage Sylvia as well.

"It's a pity you look so unlike an English girl," he said to Sylvia in an aggrieved voice. "The public will be disappointed. They expect an English girl to look English. You'll have to sing at the beginning of the evening, and I can't pay you more than three hundred lei—three hundred francs, that is."

"I was getting eight hundred in Russia," Sylvia objected.

"I dare say you were, but girls are scarcer there. We've got thousands of them in Bucharest."

Sylvia was furious at being offered so little, but Queenie promptly asked six hundred, and when the manager objected, suggested that he might engage them both for twelve hundred: it was strange to find Queenie so sharp at business. In the end Sylvia was offered three hundred and fifty lei and Queenie seven hundred and fifty, which they accepted.

"You can have a band rehearsal to-morrow," he said, "and open on Monday week."

Sylvia explained about the loss of her music; and the manager began to curse, demanding how she expected an orchestra to accompany her without band parts.

"I'll accompany myself," she answered.

"Oh, well," he agreed, "being the first item on the program, it doesn't really matter what you do."

It was impossible for the moment not feel the sting of this when Sylvia remembered herself a year ago, fresh from her success at the Pierian and inclined to wonder if she were not dimming her effulgence as a moderately large star by appearing at English music-halls. Now here she was being engaged for the sake of another girl and allowed on sufferance to entertain the meager, listless audience at the beginning of a cabaret performance—for the sake of another girl who owed to her the fare to Bucharest and whom all the way in the train she had been pitying while she made plans to rescue her from a degrading existence. There was a brief moment of bitterness and jealousy; but it passed almost at once, and she began to laugh at herself.

"There's no doubt you'll have to establish your English nationality," she told Queenie, as they left the manager's office. "I really believe he thought it was I who was pretending."

"It's what I was saying you," Queenie answered. "They was all thinking that I was English."

"Well, now we must decide about our relationship. Of course, you don't look the least like my sister, but I think the best way will be for you to pass as my sister. My name isn't really Sylvia Scarlett, but Sylvia Snow; so what I suggest is that you shall go on calling yourself Queenie Walters on the stage, though when we try to get your passport you must be Queenie Snow. Trust me to get round the English authorities here, if it's necessary. We can always go back to England through Bulgaria and Greece, but we must save up enough money, and it 'll that might befall her more acutely than she would have feared for herself.

"Which must she be given first?" Sylvia asked herself. "A soul or a nationality? The ultimate reason of nationality is civilization, and the object of civilization is the progress and safety of the state. The more progressive and secure is the state the more utterly is the individual soul destroyed, because the state compels the individual to commit crimes for which as an individual he would be execrated. Hence the crime of war, to which the individual is lured by a virtue created by appealing to mankind's sense of property, a virtue called patriotism that somehow or other I'm perfectly sure must be anti-divine, though it's a virtue for which I have a great respect. What shall it profit a man if he shall gain the whole world and lose his own soul? That's surely the answer to civilization, which, after all, has no object except the physical comfort of humanity. I suppose one might call the civilization that is of the spirit and not of the flesh 'salvation.' I wonder what the Germans mean by Kultur—really I suppose the aggregate soul of the German people. I think Kultur in their sense must be a hybrid virtue like patriotism. I think it's their own ascription of a divine origin to a civilization which has been as rapid and as poisonous and as ugly as a toadstool. We other civilized nations revile the Germans as barbarians, particularly we English, because in England, thank Heaven, we've always had an uncomfortable feeling that man is a greater thing than men, and we perceive in war a sacrifice of the individual that no state has the right to demand. I wonder why the Russians went to war. I can't understand a country that has produced Tolstoi and Dostoievski going to war. If I had not met that soldier in Kieff I might have been skeptical about Russian idealism after my adventures in Petrograd, after that filthy cinema, and the scene in the station at Ungheny; but, having met him, I know that Tolstoi and Dostoievski are Russia.

"All of which has taken me a long way from Queenie, who is neither ready for civilization nor for salvation. It's a most extraordinary thing, but I've suddenly got an idea that she has never been baptized. If she has not, I shall persuade her to be baptized. Baptism—the key to salvation! A passport—the key to civilization! The antithesis is not so ludicrous nor so extravagant as it sounds at first. Without a passport Queenie has no nationality and does not possess elementary civic rights. She is liable to be expelled from any country at any moment, and there is no certainty that any other country will receive her. In that case she will spend the rest of her life on earth in a kind of Limbo comparable to the Limbo which I believe is reserved for the souls of those unbaptized through no fault of their own. I shall be able to procure her a passport and introduce her to the glories of nationality by perjuring myself, but I can't give her a soul by perjuring myself, and I've got so strongly this intuition that she was never baptized that I shall dig out a priest and talk to him about it. And yet why am I bothering whether she was baptized or not? What have I to do with churches and their ceremonies? No doubt I was baptized, confirmed, and made my communion; yet for more than twenty years I have never entered a church except as an onlooker. Is this anxiety about Queenie's soul only another way of expressing an anxiety about my own soul? Yes, I believe it is. I believe that by a process of sheer intellectual exhaustion I am being driven into Christianity. Oh, I wish I could talk it all out! It's a damned dishonest way of satisfying my own conscience, to go to a priest and ask questions about Queenie. Why can't I go and ask him straight out about myself? But she is just as important as I am. I think that was brought home to me rather well, when the manager engaged me because he wanted her. There was I in a condition of odious pride because I had been given the chance of helping her by paying the beggarly fare to Bucharest, and, boomph! as dear Gainsborough used to say, there was she given the chance of paying me back a hundredfold within twenty-four hours."

Queenie was out, and Sylvia was lying down with a headache which was not improved by the procession of these vagrant speculations round and round her brain. She got up presently to look for some aspirin, and, opening the drawer of the table between the two beds, she found a bundle of pictures—little colored lithographs of old masters. She was turning them over idly when Queenie came back.

"Ach, you was looking at my pictures. They are so nice, yes? See, this is the one I love the best."

It was the "Primavera," and Sylvia was astonished for a moment that Queenie's childlike and undeveloped taste should care for something so remote from the crudities that usually appealed to such a mind. Then she remembered that Botticelli as a painter must have appealed to contemporaries who by modern standards were equally childlike and undeveloped; and also that Queenie, whose nationality by the standards of civilization did not exist, had an Italian father, the inheritor perhaps of Botticelli's blood. Queenie sat on the bed and looked at her pictures with the rapt expression of a child poring over her simple treasures. From time to time she would hold one up for Sylvia's admiration.

"See how sweet," she would say, kissing the grave little Madonna or diminished landscape that was drawing her out of Bucharest into another world.

"I've got a book somewhere about pictures," Sylvia said. "You must read it."

Queenie hid her face in her arms; when she looked up again she was crimson as a carnation.

"I can't read," she whispered.

"Not read?" Sylvia echoed.

"I can't read or write," she went on. "Ach! Now you hate me, yes? Because I was being so stupid."

"But when you went to the school in Dantzig, didn't they teach you anything?"

"They taught me ballet dancing and acrobatic dancing and step dancing. Now I must go to have my hair washed, yes?"

Queenie got off the bed and hurried away, leaving Sylvia in a state of bewilderment before the magnitude of the responsibility that she represented.

"It's like giving birth to a grown-up baby," she said to herself; on a sudden irresistible impulse, she knelt down upon the floor and began to pray, with that most intense prayer of which a human being is capable, that prayer which transcends all words, all space, all time, all thought, that prayer which substitutes itself for the poor creature who makes it. The moment of prayer passed, and Sylvia, rising from her knees, dressed herself and went in search of a priest.

When she reached the door of the little Catholic mission church to which the proprietor of the hotel had directed her, she paused upon the inner threshold before a baize door and asked herself if she were not acting in a dream. She had not been long enough in Bucharest for the city to be reassuringly familiar; by letting her fancy play around the unreality of her present state of mind she was easily able to transform Bucharest to a city dimly apprehended in a tranced voyage of the spirit and to imagine all the passers-by as the fantastic denizens of another world. She stood upon the threshold and yielded a moment to what seemed like a fainting of reason, while all natural existence swayed round her mind and while the baize door stuck thick with pious notices, funereal objurgations, and the petty gossip, as it were, of a new habitation at which she was looking with strange eyes, seemed to attend her next step with a conscious expectancy. She pushed it open and entered the church; a bearded priest, escaping the importunities of an aged parishioner with a voluble grievance, was coming toward her; perceiving that Sylvia was looking round in bewilderment, he took the occasion to get rid of the old woman by asking her in French if he could do anything to help.

"I want to see a priest," she replied.

Although she knew that he was a priest, in an attempt to cheat the force that was impelling her she snatched at his lack of resemblance to the conventional priestly figure of her memory and deluded herself with vain hesitations.

"Do you want to make your confession?" he asked.

Sylvia nodded, and looked over her shoulder in affright; it seemed that the voice of a wraith had whispered "Yes." The priest pointed to the confessional, and Sylvia, with a final effort to postpone her surrender, asked, with a glance at the old woman, if he were not too busy now. He shook his head quickly and spoke sharply in Italian to the parishioner, who retired, grumbling; Sylvia smiled to see with what an ostentation of injured dignity she took the holy water and crossed herself before passing out through the baize door. The old woman's challenging humanity restored to Sylvia her sense of reality; emotion died away like a falling gale at eve, and she walked to the confessional imbued with an intention as practical as if she had been walking up-stairs to tidy her hair. The priest composed himself into a non-committal attitude and waited for Sylvia, who, now that she was kneeling, felt as if she were going to play an unrehearsed part.

"I ought to say before I begin that, though I was brought up a Catholic, I've not been inside a church for any religious duties since I was nine years old. I'm now thirty-one. I know that there is some set form of words, but I've forgotten it."

Sylvia half expected that he would tell her to go away and come back when she had learned how to behave in the confessional; now that she was here, she felt that this would be a pity, and she was relieved when he began the Confiteor in an impersonal voice, waiting for her to repeat every sentence after him. His patience seemed to her almost miraculous in the way it smoothed her difficulties.

"I shall have to give you a short history of my life," Sylvia began. "I can't just say baldly that I've done this or not done that, because nearly all the sins I've committed weren't committed in their usual classification."

As she said this, she had a moment of acute self-consciousness and wondered if the priest were smiling, but he merely said in that far-away, impersonal voice:

"I am listening, my daughter."

"I was brought up a Catholic. I was baptized and confirmed and I made my first communion. It was the only communion I ever made, because somehow or other at home there was always work to be done in the house instead of going to Mass. My mother was French and she married an Englishman much younger than herself. Of this marriage I was the only child. My mother had six other daughters, two by a lover who died, and four by her first husband, who was a Frenchman. My mother was illegitimate; her father was also an Englishman. I only knew this after she died. The man who married my grandmother always acknowledged her as his own daughter. My mother was very strict and, though she was not at all religious, she was very good. I don't want to give the idea that she was responsible for anything I did. The only thing is, perhaps, that, being passionately in love with my father, she was very demonstrative in front of me, which made the idea of passion shocking to me when I was still young. Therefore, for whatever sins of the flesh I have committed I cannot plead a natural propensity. I don't know whether this would be considered to make them worse or not. My father was a weak man; when my mother died, he robbed his employers and had to leave France, taking me with him. I was twelve at the time. I suppose if I wanted to justify myself, I could say that no child could have spent a more demoralizing childhood from that moment. But though, when I look back at it now and realize some of the horrible actions that my father and a friend of his who lived with us committed, I can't think that at the time they influenced me toward evil. I suppose that any kind of moral callousness is a bad example, and certainly I had no conception that swindling people out of money was anything but a perfectly right and normal procedure for anybody who was without money. My mother was angry with me once because by accident I spent some money of hers, but she was angry with me because it was a serious loss to the household accounts: there was no suggestion of my having spent money that did not belong to me. Other things that my father and his friend did I never understood at the time, and so I can't pretend that they set me a bad example. My father took a woman to live with him, and I was angry because it upset what had hitherto seemed a comfortable existence, but the revelation of the passionate side of it disgusted me still more with the flesh. I was a mixture of precocity and innocence. Looking back at myself as a child, I am amazed at the amount I knew and the little I understood—the amount I understood and the little I knew. I read all sorts of books and accepted everything I read as the truth; I read dozens of novels, for instance, before I understood the meaning of fiction. I should say that no child was ever exposed so naturally to the full tide of human existence, and why or how I managed to escape degradation and damnation I've never been able to explain until now. As a matter of fact, it's not true really to say that I did escape degradation, but I will come to that presently.

"Well, my father killed himself on account of this woman, and I was left with his friend when I was fifteen. Once I happened to be left altogether alone when this man was away turning a dishonest penny somewhere, and I suppose I fell mildly in love with a youth two years older than myself. This made my father's friend jealous, and one night he tried to make love to me. I was as much disgusted by this as if I had really been the innocent child I might have been. I ran away with the youth, and nothing happened. I ran away from him and lived with a young Jew, but nothing happened. I met the woman who had lived with my father, and—which shows how utterly unmoral I was—I made great friends with her and even went to live with her. She used to have all sorts of men, and I just accepted her behavior as a personal taste of her own which I could neither understand nor share. Then I met a gentleman, a man fifteen years older than myself, who was attracted by my unusualness and sent me to school with the idea of marrying me. Well, I married him, and I think that was the first sin I committed. I was seventeen at the time. I think if my husband had understood how stunted my emotional development was in proportion to my mental acquisitiveness he would have behaved differently. But he was fascinated by my capacity for cynicism and encouraged me to think as I liked, with himself for audience; at the same time he tried to make me for outsiders' eyes a conventional young miss whom he had rather apologetically married. He demanded from me the emotional wisdom to sustain this part, and of course I could see nothing in his solicitude but a sort of snobbish egotism. He was delighted by my complete indifference to any kind of religion, supernatural or natural, and when I made friends with an English priest—not a Catholic—but half a Catholic—it's impossible to explain to a foreigner—I don't think anybody would understand the Church of England out of England, and very few people can there—he was afraid of my turning religious. I don't know—perhaps I might have done; but somebody sent an anonymous letter to my husband suggesting that this priest and I were having a love-affair, and my husband forbade me to see him again. So I ran away. I suppose my running away was the direct result of my bringing up, because whenever I had been brought face to face with a difficult situation I ran away. However, this time I was determined from some perverted pride to make myself more utterly myself than I had ever done. It's hard to explain how my mind worked. You must remember I was only nineteen, and already at thirty-one I am as far from understanding all my motives then as if I were trying to understand somebody who was not myself at all. Anyhow, I simply went on the streets. For three months I mortified my flesh by being a harlot. Can you understand that? Can you possibly understand the deliberate infliction of such a discipline, not to humiliate one's pride, but to exalt it? Can you understand that I emerged from that three months of incredible horror with a complete personality? I was defiled: I was degraded: I was embittered: I hated mankind: I vowed to revenge myself on the world: I scoffed at love: and yet now, when I feel that I have at last brushed from myself the last speck of mud that was still clinging to me, I feel that somehow all that mud has preserved me against a more destructive corruption. This does not mean that I do not repent of what I did, but can you understand how without a pride that could lead me to such depths I could not have come through humility to a sight of God?"

Sylvia did not wait for the priest to answer this question, partly because she did not want to be disillusioned by finding so soon that he had not comprehended anything of her emotions or actions, partly because there seemed more important revelations of herself still to be made.

"I stayed a common harlot until I was offered by chance an opportunity to rescue myself by going on the stage. Then I sent my husband as much money as I had saved and the evidences of my infidelity, so that he might divorce me, which he did. Now comes an important event in my life. I met a girl—a very beautiful girl doomed from the creation of the universe to be a plaything of man."

The priest held up his hand to protest.

"Ah, I know you'll say that no one can possibly be so foredoomed, and indeed I know the same myself now, or rather I'm trying hard to believe it, because predestination without free will seems to me a doctrine of devils. At the time, however, I could see nothing that would save this girl, and with a perverted idealism I determined that she should step gracefully downhill. I think the hardest thing to do is to go downhill gracefully. We can climb uphill, and a certain awkwardness is immaterial, because the visible effort lends a dignity to our progress, and the air of success blows freshly at the summit. We can walk along the level road of mediocrity with an acquired gracefulness that is taught us by our masters of the golden mean—particularly in England, where it's particularly easy to walk gracefully along the flat. Very well, instead of using my influence to prevent this girl descending at all, I was entirely occupied with the esthetic aspects of her descent. I'm not going to pretend that I could have stopped her—a better person than I tried and failed—but that doesn't excuse my attitude. And there's worse to my account. When this other person wanted to marry her, I did all I could to stop the marriage at first, and it was not until the engagement between them was broken off that I discovered that my true reasons for hating it sprang entirely from my own jealousy. I felt that if this man had loved me, I could have regained myself, the self that was myself before those three months of prostitution. I should say here that I had nothing to do directly with the destruction of the other marriage, but I hold myself to blame ultimately, because, if from the beginning I had bent my whole will to its being carried through, it would have been carried through. Looking back at the business now, I am convinced that what happened happened for the best, and that such a marriage would have been fatal to the happiness of the man and useless to the girl, but that does not excuse my own share in the smash.

"Well, the man left this girl in my charge, and finally she threw me over and married a foreigner, since when I have never heard that she even still lives. I had the good fortune to be given enough money by somebody to enable me to be independent, and for two or three years I looked at life from the outside. I had nothing to do with men, and as a result I began to be afraid that youth would pass without my ever knowing what it was to love. Friends of mine married and were happy. Only I seemed fated to be always alone.

"I wonder sometimes if when we judge the behavior of others we pay enough attention to this loneliness that haunts the lives of so many men and women. You will say that no one can be lonely with God; unfortunately, thousands of lonely souls are destitute of the sense of God from birth to death, and these lonely souls are far more exposed to temptation than the rest. Faith they have not: hope has died in their hearts: love slowly withers. All the vices of self-destruction surround their path. Pride flourishes in such soil, and jealousy and envy. I believe their only compensation is the fact that lies and self-deception find small nourishment in such spiritual wastes. I'm sure that if the pride of such people could be pierced, there would gush forth a cry of despair that ascribed everything in this life to a feeling of loneliness. In my own case, in addition to the inevitable loneliness fostered by such a childhood as mine—the natural loneliness caused by living with two men who were perpetually on the verge of imprisonment—there was the loneliness of my own temperament. I know that every human being claims for himself the right to be misunderstood and unappreciated; it's not that kind of loneliness of which I speak. Mine was the loneliness of some one who is so masculine and so feminine simultaneously that reason is sapped by emotion and emotion is sterilized by reason. The only chance for such a temperament is self-expression either in love, art, or religion. I tried vaguely to express myself in art, but without success at first; and I was too proud and not vain enough to persevere. I then fell back on love. I let myself get into a condition of wanting to be in love, and at this moment of emotional collapse I met by accident the youth—now a man of thirty—with whom I had effected one of my childish elopements. With this man I lived for a year. I can't pretend that I did not take pleasure in the passionate relationship, though I always felt it was a temporary surrender to the most feminine side of me that I despised. I think I can best explain my emotions by saying that all the time I was with him I was like a person under the influence of a sedative drug.

"Now there are people who pass from drug to drug with increase of pleasure, but there are others to whom the notion of being drugged becomes suddenly obnoxious and in whom the reaction creates an abnormal activity. Quite suddenly I abandoned my pleasure and became ambitious to express myself in art. I succeeded. I was, for one who begins so late in life, exceptionally successful, and then behold, my very success took on the aspect of yielding to another sedative drug. It never seemed anything but a temporary expedient to defeat the claims of existence. Just as love had seemed a surrender to the exclusively feminine side of me, so art seemed a surrender to the exclusively masculine side. There was always an unsatisfied, unexpressed part of me that girded at the satisfied part. As a result of this, I made up my mind that a happy marriage with children and a household to look after was a better thing than artistic success. Here was obviously another experiment for the benefit of the feminine side. I knew perfectly well that if I had carried out my intention I should not have remained content when the sedative action of the new drug began to cease, and I am grateful now that circumstances interfered. I was jilted by the man who was going to marry me, and the fact that I had already lived with him and refused to marry him dozens of times made the injury to my pride intolerable. In a fit of rage I flung behind me everything—success, love, marriage, friends—and left England to take up again at the age of thirty-one a life I had forsaken for several years. And now I found that even the mere externals of such a life were horrible. I could not bear the idea of being for sale; while I had no intention of ever giving myself to a man again, I had to drink for my living and dance with drunkards for my cab fare, which, though it may not be a technical prostitution, differs only in degree from the complete sale of the body.

"Scarcely a month had passed when I became seriously ill, and in the dreadful delirium of my fever I imagined that I was damned. I do not think that anybody has the right to accept seriously the mental revelations that are made to a mind beside itself; I think, indeed, it would be a blasphemy to accuse God of taking such a method to rouse a soul to a sense of its being, its duties, and its dangers; and I dread to claim for myself any supernatural intervention at such a time, partly because my reason shies at such a thought and partly because I think it is presumptuous to suppose that God should interest Himself so peculiarly in an individual. It seems to me almost vulgarly anthropomorphic."

"Are not five sparrows sold for two farthings, and not one of them is forgotten before God?" the priest murmured.

"Yes, yes," Sylvia agreed. "I have expressed myself badly, and of course when I think of it I have been driven ever since the delirium really to accept just that. You can understand, can't you, the dread of presumption in my revolt against pride?

"But by insisting upon what seemed to happen in my delirium I am giving you a wrong impression. It was when I came to myself again in the hospital that I felt changed. I longed then for knowledge of God, but I was afraid that my feeling was simply the natural result of weakness after a severe illness. I almost rejected God in my fear of supposing myself hysterical and egotistical. However, I did try hard to put myself into a state of resignation, and when I came out of the hospital I felt curiously awake to the sense of God and simultaneously an utter indifference to anything in my old life that might interrupt my quest by restoring me to what I was before this illness. While I was ill war had broken out, and I found myself utterly alone. Ordinarily I am sure that such a discovery would have terrified me; now I rejoiced in such loneliness. I deliberately turned my back on England and waited for something from my new life to fill this loneliness. I felt like some one who has swept and garnished a room that he may receive guests. My chief emotion was a tremendous love of the whole world and an illimitable desire to make up for all my cynicism in the past by the depth of this love. I went back to the pension where I had lived before I was ill, and it seemed to me a coincidence that the woman who kept it should be a spiritualist and that for two months my mind should be continuously occupied by what I might call the magic side of things. The result was that, though I was often puzzled by inexplicable happenings, I conceived a distaste for all this meddling with the unknowable, this kind of keyhole peeping at infinity: it seemed to me vulgar and unpleasant. Nevertheless, I was driven back all the time in my meditations on the only satisfactory revelation of God, the only rational manifestation, which was Jesus Christ. Every other explanation crumbled away in my brain except that one fact. Then, although I believe it was only some fortune-telling with cards that first put the notion into my head, I was obsessed with the idea that I must go south. On my way I met a soldier at Kieff who bought me a golden bag for no other reason than because it seemed to him that to give pleasure to somebody else was a better way of spending his money than in gambling or self-indulgence. In the state of mind I was in I accepted this as a sign that I was right to go south. So you see that I had really arrived at the point of view of accepting the theory of a divine intervention in my favor.

"After three months at Odessa—where I read Tolstoi and Dostoievski and found in them, ah, such profundities of the human soul lighted up—against my instinct I went north again; the Germans were advancing upon Warsaw, and circumstances brought me here. On the way, at Jassy, an extraordinary thing happened. I met a girl whom I had tried to adopt six years ago at Granada, but who was taken from me by a blackguard and who since then has what people call sunk very low. It seemed to me that in finding this child again, for she is still really a child, I was being given an opportunity of doing what I had failed to do for that first girl of whom I told you. Then suddenly I conceived the idea that she had never been baptized; when I began to think about her soul, I was driven by an unknown force to this church. When I came in I did not know what to do, and when you asked me if I wanted to make my confession the force seemed to say 'Yes.'"

Sylvia was silent, and the priest finished the Confiteor, which she repeated after him.

"My daughter," he said, "it is the grace of God. I do not feel that in this solemn moment—a moment that fills me as a priest with humility at being allowed to regard such a wonderful manifestation of God's infinite mercy—any poor words of mine can add anything. It is the grace of God: let that suffice. But, wonderful as has been God's mercy to a soul that was deaf so long to His voice, do not forget that your greatest danger, your greatest temptation, may be to rely too much upon yourself. Do not forget at this solemn moment that you can only enjoy this divine grace through the Sacraments. Do not forget that only in the Church can you preserve the new sense of security that you now feel. One who has been granted such mercy must expect harder struggles than less fortunate souls. Do not, by falling back into indifference and neglect of your religious duties, succumb to the sin of pride. By the height of your uplifting will be measured the depth of your fall, if in your pride you think to stand alone."

When the priest had given her absolution, Sylvia asked him about Queenie; and when he seemed a little doubtful of Queenie's willingness to be a catechumen, she wondered if he were deliberately trying to discourage her in order to mortify that pride he had seemed to fear so much.

"But if she wants to be baptized?" Sylvia persisted.

"Of course I will baptize her."

"You think that I'm too much occupied with her when I have still so much to learn myself?" she challenged.

They were walking down the church toward the door, and Sylvia felt rather like the importunate parishioner whom she had interrupted by her entrance.

"No, no, I think you are quite right. But I fear that you will expect miracles of God's grace all round you," said the priest. "What has happened to you may not happen to her."

"But it must," Sylvia declared. "It shall."

The priest shook his head, and there was a smile at the back of his eyes.

"If you fail?"

"I sha'n't fail."

"Is God already put on one side?"

"I shall pray," said Sylvia.

"Yes, I think that is almost better than relying too much upon the human will."

Two things struck Sylvia when she had left the church and was walking back to the hotel: the first was that the priest had really said very little in response to that long outpouring of her history, and the second was that here in this street it did not seem nearly as easy to solve the problem of Queenie's soul as it had seemed in the church. Yet, when she came to think over the priest's words, she could not imagine how he could have spoken differently.

"I suppose I expected to be congratulated as one is congratulated upon a successful performance," she said to herself. "That's the worst of a histrionic career like mine: one can't get rid of the footlights even in the confessional. As a matter of fact, I ought to be grateful that he accepted the spirit of my confession without haggling over the form, as from his point of view he might have done most justifiably. Perhaps he was tired and didn't want to start an argument. And yet no, I don't think it was that. He came down like a hammer on the main objection to me—my pride. He was really wonderfully unecclesiastical. It's a funny thing, but I seem to be much less spiritually exalted than I ought to be after such a reconciliation. I seem to have lost for the moment that first fine careless rapture of conversion. Does that mean that the whole business was an emotional blunder and that I'm feeling disappointed? No, I don't feel disappointed: I feel practical. I suppose my friend the priest wouldn't accept the comparison, but it reminds me of how I felt when, after I had first conceived the idea of my Improvisations, I had to set about doing them. Everything has its drudgery: love produces household cares; art, endless work; religion, religious duties. The moment of attraction, the moment of inspiration, the moment of conversion—if they could only endure! Perhaps heaven is the infinite prolongation of such moments.

"And then there's Queenie. It's not much use my leading her to the font as one leads a horse to water, because, though I should regard it as Infant Baptism, the priest would not. Yet I don't see why he shouldn't instruct her like a child. Poor priest! He could hardly have expected such problems as myself and Queenie when he was so anxious to get rid of that old woman who was pestering him. I think I won't bother about Queenie for a bit, until I have practised a little subordination of myself first. She's got to acquire a soul of her own; it's no use my presenting her with a piece of mine."

Queenie had been back from the hairdresser's for a long time when Sylvia reached the hotel, and was wondering what had become of her friend.

"You've been out alone," she said, reproachfully. "Your headache is better, I think. Yes?"

"My headache?" Sylvia repeated. "Yes, it's much better. I've been indulging in spiritual aspirin."

"I'm glad it's better, because it is our first night at the Petit Maxim to-night. I wonder if I will be having much applause."

"So it is," Sylvia said. "I'd forgotten my approaching triumph with the waiters; it's not likely that there'll be any audience when I appear. At nine P.M. sharp the program of the Petit Maxim opened with Miss Sylvia Scarlett's three songs. The gifted young lady—I've reached the age when it's a greater compliment to be called young than beautiful—played and sang with much verve. Several waiters ceased from dusting the empty tables to listen, and at the close her exit was hailed by a loud flourish of serviettes. The solitary visitor who clapped his hands explained afterward that he was trying to secure some attention to himself, and that thirst, not enthusiasm, had dictated his action."

"How you were always going on, Sylvia," said Queenie. "Nobody was ever going to understand you when you talk so quick as that."

"Miss Sylvia Scarlett's first song was an old English ballad set to the music of Handel's 'Dead March.'"

"If we were ever going to have any dinner, we must go and eat now," Queenie interrupted.

"Yes, I don't want to miss the sunset with my last song."

"But what does it matter, if you are paid to sing, if you sing first or last?"

"The brightest star, my dear, cannot shine by daylight."

"But you are stupid, Sylvia. It is no more daylight at nine o'clock."

"Yes, I am very stupid," Sylvia agreed, and, catching hold of Queenie's arms, she looked deep into her eyes. "Believe me, you little fairy thing, that I should be much more angry if you were put first on a program than because I am."

The cabaret Petit Maxim aimed at expressing in miniature the essence of all the best cabarets in Paris, just as Bucharest aimed at expressing in miniature the essence of Paris. The result, though pleasant and comfortable enough, was in either case as little like Paris as a scene from one of its own light operas is like Vienna. What Bucharest and the Petit Maxim did both manage to effect, however, was an excellent resemblance to one of those light operas. Sylvia in the course of her wanderings had once classified the capitals she had visited as metropolitan, cosmopolitan, and neapolitan. Bucharest belonged very definitely to the last group; it stood up like a substantially built exhibition in the middle of a ring of industrial suburbs which by their real squalor heightened the illusion of its unreality. The cupolas of shining bronze and the tiled domes shimmering in the sun like peacocks' tails dazzled the onlooker with an illusion of barbaric splendor; but the city never escaped from the self-consciousness of an exhibition, which was heightened by the pale blue and silver uniforms of the officers, the splendid equipages for hire, and the policemen dressed in chocolate like commissionnaires, and accentuated by the inhabitants' pride in the expensiveness and "naughtiness" of their side-shows, of which not the least expensive and "naughty" were the hotels. One might conceive the promoter of the exhibition taking one aside and asking if one did not think he had been successful in giving Paris to the Balkans, and one might conceive his disappointment on being told that, magnificent though it all looked, it was no more Paris than Offenbach was Molière.

At the time when Sylvia visited Bucharest the sense of being one of the chorus in a light opera was intensified by the dramatic plot that was provided by the European war. Factions always grew more picturesque with every mile away from England, the mother of parliaments, where they ceased to be picturesque three hundred years ago when the chief Punchinello's head tumbled into the basket at Whitehall. The comedy of kingship had been prolonged for another century and a half in France, and in France they were a century and a half nearer to the picturesque and already two or three hundred miles away from England. In Italy the picturesqueness grew still more striking with such anachronisms as the Camorra and the Mafia. But it was not until the Balkans that factions could be said to be vital in the good old way. Serbia had shown not so long ago what could still be done with a thoroughly theatrical regal murder; and now here was Rumania jigging to the manipulation of the French faction and the German faction, with just enough possibility of all the plots and counterplots ending seriously by plunging the country into war on one side or the other to give a background of real drama to the operatic form.

At the Petit Maxim the Montagues and Capulets came to blows nightly. Everything here was either Ententophile or Germanophile: there were pro-German waiters, pro-German tables, pro-German tunes, for the benefit of the Germans and pro-Germans who occupied one half of the cabaret and applauded the Austrian performers. Equally there was the Ententist complement. If the first violin was pro-French and played sharp for an Austrian singer, the cornet was pro-German ready to break time to disconcert a French dancer. On the whole, as was natural in what is called "a center of amusement," the pro-French element predominated, and, though it was possible to sing the "Marseillaise" at the cost of a few broken glasses, the solitary occasion when "Deutschland über Alles" was attempted ended in several broken heads, a smashed chandelier, and six weeks in bed for an Austrian contralto whose face was scratched with a comb by a French artiste under the influence of ether and patriotism.

Nor was this atmosphere of plot and faction confined to general demonstrations of friendliness or hostility. Bucharest was too small a city to allow deep ramifications to either party; the gossip of the court on the day before became the gossip of the cabaret on the evening after; scarcely one successful conveyance of war material from Germany to Turkey but was openly discussed at the Petit Maxim. Intrigues and flirtations with the great powers increased the self-esteem of Rumania, who took on the air of a coquettish school-girl that finds herself surrounded by the admiration of half a dozen elderly rakes. Her dowry and good looks seemed both so secure that any little looseness of behavior would always be overlooked by the man she chose to marry in the end.

Sylvia could not help teasing some of the young officers that frequented the Petit Maxim. They changed their exquisite operatic uniforms so many times in the day: they accepted with such sublime effrontery the salute of the goose step from a squad of magnificent peasants dressed up as soldiers; they painted and powdered their faces, wore pink velvet bands round their képis under nodding panaches; and not one but could display upon his breast the ribbon of the bloodless campaign against Bulgaria of two years before. When they came jangling into the cabaret, one felt that the destinies of Europe were attached to their sword-belts, as comfort hangs upon the tinkling of a housekeeper's châtelaine.

"If Italy declares war, we shall declare war; for we are more Roman than they are. If Italy remains neutral, we shall remain neutral, because the Latin races must hold together," the patrons of the Entente avowed.

"Italy will not declare war, and we shall have to fight the Russians. We won Plevna for them and lost Bessarabia as a reward. As soon as Austria realizes that she must give us Transylvania we shall declare war," said the patrons of the Central Powers.

"We shall remain neutral. Our neutrality is precious to both sides," murmured a third set.

And, after all, Sylvia thought, the last was probably the wisest view, for it would be a shame to spoil the pretty uniforms of the officers and a crime to maim the bodies of the nobler peasants they commanded.

In such an atmosphere Sylvia had to postpone any solution of the spiritual side of Queenie's problem and concentrate upon keeping her out of immediate mischief. The manager of the Petit Maxim had judged the tastes of his clients accurately, and Queenie had not been dancing at the cabaret for a fortnight when one read on the programs, QUEENIE, LA JEUNE DANSEUSE ANGLAISE ET L'ENFANT GÂTÉE DE BUCURESTI. Chocolates and flowers were showered upon her, and her faintest smile would uncork a bottle of champagne. But every morning at three o'clock, when the cabaret closed, Sylvia snatched her away from all the suitors and took her home as quickly as possible to their hotel. She used to dread nightly the arrival of the moment when Queenie would refuse to go with her, but the moment did not come; and the child never once grumbled at Sylvia's sigh of relief to find themselves back in their own bedroom. In order as much as possible to distract her from the importunities of hopeful lovers, Sylvia would always aim at surrounding herself and Queenie with the political schemers, so that the evening might pass away in speculation upon the future of the war and the imminence of Rumanian intervention. She impressed upon Queenie the necessity of seeming interested in the fate of the country of which she was supposed to be a native. They were the only English girls in the cabaret; in fact, the only English actresses apparently anywhere in Bucharest. Sylvia, finding that man is much more of a political animal in the Balkans than elsewhere, took advantage of the general curiosity about England's personality to get as many bottles of champagne opened for information from her own lips as out of admiration and desire for Queenie's.

From general political discussions it was a short way to the more intimate discussions of faction's intrigue; and Sylvia became an expert on the ways and means of the swarm of German agents who corrupted Bucharest as blue-bottles taint fresh meat. She sometimes wondered if she ought not to convey some of the knowledge thus acquired to the British Legation; but she supposed, on second thoughts, that she was unlikely to know anything that the authorities therein did not already know much better, and, being averse from seeming to put herself forward for personal advantage, she did not move in the matter.

One of the chief frequenters of their company was a young lieutenant of the cavalry, called Philidor, with whom Sylvia made friends. He was an enthusiast for the cause of the Entente, and she learned from him a great deal about the point of view of a Balkan state, so that when she had known him for a time she was able to judge both Rumania as a whole and the individual extravagances and vanities of Rumanians more generously.

"I don't think you quite understand," he once said to her, "the fearful responsibility that will rest upon the Balkan statesman who decides the policy of his country in this crisis. Whatever happens, England will remain England, France will remain France, Germany will remain Germany; but in Rumania, although our sympathies are with you, our geographical position makes us the natural allies of the Germans. Suppose we march with you and something goes wrong. Nothing can prevent us from being Germanized for the rest of our history. You mustn't pay too much attention to the talk you hear about the great power of Rumania and the influence we shall have upon the course of the war. Such talk springs from a half-expressed nervousness at the position in which we find ourselves. We are trying to bolster ourselves up with the sense of our own importance in the hope that we shall have the wisdom to direct our policy rightly. We are not a great power; we are a little power; and our only chance of becoming a great power would be that Austria should break up, that Russia should crumble away, and that the whole vile country of Bulgaria should be obliterated from the surface of the earth. It is certain that Bulgaria will march with Germany; nothing can stop that except the defeat of Germany this year. Possibly Italy may come in on your side this spring, but tied as we are to her by blood, we are separated from her by miles of alien populations, and Italy cannot help us. Greece is in the same plight as we are—not quite, perhaps, because she can depend for succor upon the sea: we can't. Ah, if you could only open the Dardanelles! If you only had a statesman to see that there lies the key to certain victory in this war. But statesmen no longer exist among you great powers. You've become too big for statesmen and can only produce politicians. The only statesmen in Europe nowadays are to be found in the Balkans, because since every man here is a politician it requires a statesman to rise above the ruck. Paradox though it may seem, statesmen create states; they are not created by them. We have all our history before us in the Balkans, if we can only survive being swallowed up in this cataclysm; but I doubt if we can. To you this country of mine is like a comic opera, but to me, one of the players, it is as tragic as 'Pagliacci.'

"You are right in a way to mock at our aristocracy, though much of that aristocracy is not truly Rumanian, but bastard Greek; yet we have such a wonderful peasantry, and an idealist like myself dreads the effect of this war. All our plans of emancipation, all our schemes for destroying the power of the great landowners," and in a whisper he added, "all our hopes of a republic are doomed to failure. I tell you, my dear, it's tragic opera, not comic opera."

"But if you are a republican, why do you wear the uniform of a crack cavalry regiment?" Sylvia asked.

"Oh, I've thought that out," Philidor replied. "I belong to a good family. If I proclaimed my opinions openly, I should merely be put on one side. Aristocratic rule is more powerful in Rumania than anywhere in Europe except Prussia. The aristocrats have literally all the capital of the country in their hands; our peasants are serfs. As an avowed republican I could do nothing to spread the opinions that I believe to be the salvation of my country and the preservation of her true independence; we are a young state—not a state at all, in fact, but a limited liability company with a director imported from the chief European firm of king-exporters—and we have still to realize our soul as by fire."

"The soul of a country," Sylvia murmured. "It's only the aggregate of the human souls that make it, but each soul could be the microcosm of the universe."

"True, true," Philidor agreed. "And the soul of Rumania is the soul of a girl who's just out, or of a boy in his first year at college. Hence all the prettiness and all the complacent naughtiness and all the imitation of older and more worldly people and all the tyranny and contempt for the rights of the poor, the want of consideration for servants really. Though I must be young like the rest and dress myself up and lead the life of my friends, I am always hoping to influence them gradually, very gradually. Perhaps if I were truly a great soul I should fling over all this pretense; but I know my own limitations, and all I pray is that when the man arises who is worthy to lead Rumania toward liberty and justice I shall have the wit to recognize him and the courage to follow his lead."

"But you said just now," Sylvia reminded him, "that all the European statesmen were to be found in the Balkans."

"I still say that, but our statesmen—we have only two—dare not in the presence of this war think of anything except the safety of the country. Republicanism would be of little use to a Rumania absorbed either into the Dual Monarchy or into the Czardom of Russia or ravaged by the hellish Bulgarians. I tell you that we see precipices before our steps whichever way we turn for the path; but because we are young we dress ourselves up and gamble and sing and dance and swagger and boast; we are young, my dear girl—very, very young, perhaps not old enough for our death to be anything but pathetic."

"You're in a very pessimistic mood to-night," Sylvia said.

"Who could be anything but gloomy when he looks round a room like this? A crowd of French, Rumanian, and Austrian cocottes dancing to 'Tipperary' in this infernal tinkling din—forgive my frankness, but you know I don't include you in the galère—while over there I see a cousin of my own, a member of one of our greatest families, haggling with a dirty German agent over the price of sending another six aeroplanes to Turkey disguised as agricultural implements; and over there I see a man, who I had always hoped was an honest editor, selling his pen to the fat little German baron that will substitute poison for ink and bank-notes for honest opinions; and over there are three brother officers with three girls on their knees singing the words of 'Tipperary' with as much intelligence as apes, while they brag to their companions of how in six weeks they will be marching to save France."

"They don't miss much by not understanding the words," Sylvia said, with a smile.

"I don't understand how a woman like you can tolerate or endure this life," Philidor exclaimed, fanatically. "Why don't you take that pretty little sister of yours out of it and back to England? I don't understand how you can stay here with your country at war."

"That's too long a story to tell you now," Sylvia said. "But between ourselves she's not really my sister."

"I never supposed she was," Philidor answered. "She's not English, either, is she?"

Sylvia looked at him sharply.

"Have you heard any one else say that?" she asked.

"Nobody else here knows English as well as I do."

The dance stopped, and Queenie, leaving her partner, came up to their table with a smile.

"You're happy, anyway," said Philidor.

"Oh yes. I'm so happy. She is so sweet to me," Queenie cried, embracing Sylvia impulsively.

A French girl sitting at the next table laughed and murmured an epithet in argot. Sylvia's cheeks flamed; she was about to spring up and make a quarrel, but Philidor restrained her.

"Do you wonder that I protest against your exposing yourself to that sort of thing?" he said. "What are you going to do? It wouldn't be quite you, would it, to hit her over the head with a champagne-bottle? Let the vile tongue say what it pleases."

"Yes, but it's so outrageous, it's so—ah, I've no words for the beastliness of people," Sylvia exclaimed.

"May I dance this dance?" Queenie interrupted, timidly.

"Good heavens! Why do you ask me, girl? What has it to do with me? Dance with the devil if you like."

Queenie looked bewildered by Sylvia's emphasis and went off again in silence.

"And now you see the only person that's really hurt is your little friend," Philidor observed. "You're much too sure of yourself to care about a sneer like that, and she didn't hear what the woman called you, or perhaps understand it if she heard."

Sylvia was silent; she was thinking of once long ago when Lily had asked her if she could dance with Michael; now she blushed after nine years lest he might have thought for a moment what that woman had said.

"You're quite right," she agreed with Philidor. "This is a damnable life. Would you like to hear Queenie's story?"

"There's no need for you to defend yourself to me," he laughed.

"Ah, don't laugh about it. You mustn't laugh about certain things. You'll make me think less of you."

"I was only being gauche," he apologized. "Yes, tell me her story."

So Sylvia told him the sad history, and when she had finished asked his advice about Queenie.

"You were talking just now about your country as if she were a child," she said, eagerly. "You were imagining her individuality and independence destroyed. I feel the same about this girl. I want to make her really English. Do you think that I shall be able to get her a passport? We're saving up our money now to go to England."

Philidor said he did not know much about English regulations, but that he could not imagine that any consul would refuse to help when he heard the story.

"And the sooner you leave Rumania the better. Look here. I'll lend you the money to get home."

Sylvia shook her head.

"No, because that would interfere with my part of the story. I've got to get back without help. I have a strong belief that if I accept help I shall miss my destiny. It's no good trying to argue me out of a superstition, for I've tried to argue myself out of it a dozen times and failed. No, if you want to help me, come and talk to me every night and open a bottle or two of champagne to keep the manager in a good temper; and stand by me if there's ever a row. I won't answer for myself if I'm alone and I hear things said like what was said to-night."

Philidor promised he would do that for her as long as he was quartered in Bucharest, and presently Queenie came back.

"Don't look so frightened. I'm sorry I was cross to you just now."

"You were being so savage," said Queenie, with wide-open, wondering eyes. "What was happening?"

"Something stung me."

"Where?"

"Over the heart," Sylvia answered.

When they were back in their room Queenie returned to the subject of Sylvia's ill-temper.

"I could not be thinking it was you," she murmured. "I could not be thinking it."

"It was something that passed as quickly as it came," Sylvia said. "Forget about it, child."

"Were you angry because I was being too much with that boy? If you like, I shall say to him to-morrow that I cannot dance with him longer."

"Please, Queenie, forget about it. Somebody said something that made me angry, and I vented my anger on you. It was of no importance."

Queenie looked only half convinced, and when she was in bed she turned for consolation to the little chromolithographs that were always at hand. She had the custom of wearing a lace nightcap, and, sitting up thus in bed while her rapt gaze sought in those fairy landscapes the reflection of her own visions, she was remote and impersonal as a painted figure in some adoring angelic company. Sylvia felt that the moment was come to raise the question of the spiritual mood with which Queenie's outward appearance seemed in harmony, and that it was her duty to suggest a way of positively capturing and forever enshrining the half-revealed wonders of which these pictures spoke to her. Sylvia fancied that Queenie's development had now only reached as far as her own at about fifteen, and, looking back to herself at that age, she thought how much it might have meant to her if somebody could have given expression to her capacity for wonder then. Moreover, it was improbable that Queenie would grow much older mentally, and it was impossible for Queenie to reach her own present point of view by her own long process of rejecting every other point of view in turn. Queenie would never reject anything of her own accord, and it seemed urgent to fortify her with the simple and in some eyes childish externals of religion, which precisely, on account of such souls, have managed to endure.

"The great argument in favor of the Church seems to me," Sylvia thought, "that it measures humanity by the weakest and not by the strongest link, which of course means that it never overestimates its power and survives assaults that shatter more ambitious and progressive organizations of human belief. Well, Queenie is a weak enough link, and I sha'n't feel happy until I have secured her incorporation first into the Church, and, secondly—I suppose into the state. Yet why should I want to give her nationality? What is the aim of a state? Material comfort, really—nothing else. I'm tempted to give her to the Church, but deny her to the state. Alas! it's a material world, and it's not going to be spiritualized by me. The devil was sick, etc. No doubt at present everything promises well for a spiritual revival after this orgy of insane destructiveness. But history with its mania for repetition isn't encouraging about the results of war. As a matter of fact, I've got no right to talk about the war at present. I choked and spluttered for a while in some of its vile back-wash, and Bucharest hasn't managed to get the taste out of my mouth. Queenie," she said, aloud, "you know that during these last weeks I've been going to church regularly?"

Queenie extricated herself from whatever path she was following in her pictures and looked at Sylvia with blue eyes that were intensely willing to believe anything her friend told her.

"I knew you were always going out," she said. "But I thought it was to see a boy."

"Great heavens! child, do you seriously think that I should so much object to men's getting hold of you if I were doing the same thing myself in secret? Haven't you yet realized that I can't do things in secret?"

"Don't be cross with me again. I think you are cross, yes?"

Sylvia shook her head. "What I want to know is: did you ever go to church in your life, and if you did do you ever think about wanting to go again?"

"I was going to church with my mother when I was four; my stepmother was never going to church, and so I was never going myself until two years ago at Christmas. There was a girl who asked me to go with her, and it was so sweet. We looked at all the dolls, and there was a cow, but some woman said, quite loudly: 'Well, if this is the sort of women we was meeting on Christmas night, I'm glad Christmas only comes once in the year.' My friend with me was very maquillée. Too much paint she was having, really, and she said to this woman such rude things, and a man came and was asking us to move along farther. And then outside my friend sat down on the steps and cried and cried. Ach, it was dreadful! She was making a scene. So I was not going more to church, because I was always remembering this and being unhappy."

On the next day Sylvia took Queenie to the mission church and introduced her to the priest; afterward they often went to Mass together. It was like taking a child; Queenie asked the reason of every ceremony, and Sylvia, who had never bothered her head with ceremonies, began to wish she had never exposed herself to so many unanswerable questions. It seemed to her that she had given Queenie nothing except another shadowy land in which her vague mind would wander without direction; but the priest was more hopeful, and undertook to give her instruction so that she might be confirmed presently. When the question was gone into, there was no doubt that she had been baptized, for by some freak of memory she was able to show that she understood the reason of her being called Concetta from being born on the 8th of December. However, the revelation of her true name to the priest gave Queenie a horror of his company, and nothing would induce her to go near him again, or even to enter the church.

"This was going to bring me bad luck," she told Sylvia. "That name! that name! How was you so unkind to tell him that name?"

Sylvia was distressed by the thought of the fear she had roused and explained the circumstances to the priest, who, rather to her irritation, seemed inclined to resort placidly to prayer.

"But I can only pray when I am in the mood to pray," she protested; and though she was aware of the weakness of such a habit of mind, she was anxious to shake the priest out of what she considered his undue resignation to her failure with Queenie.

The fact was that the atmosphere of the Petit Maxim was getting on Sylvia's nerves. Apart from the physical revolt that it was impossible not to feel against the fumes of tobacco and wine, the scent of Eau de Chypre and Quelques Fleurs, the raucous chatter of conversation and the jangle of fidgety tunes, there was the perpetual inner resentment against the gossip about herself and Queenie. Sylvia did not lose any of her own joy at being able to rest in the high airs of Christian thought away from all this by reading the books of doctrine and ecclesiastical history that the priest lent her; but she was disappointed at her inability to provide any alternative for Queenie except absolute dependence upon herself. She was quite prepared to accept the final responsibility of guardianship, and she made it clear to the child that her ambition to have a permanent sister might be considered achieved. What she was not prepared to do was to invoke exterior aid to get them both back to England. She reproached herself sometimes with an unreasonable egotism; yet when it came to the point of accepting Philidor's offer to lend her enough money to return home, she always drew back. Life with Queenie at Mulberry Cottage shone steadily upon the horizon of her hopes, but she had no belief in the value of that life unless she could reach it unaided and offer its freedom as the fruit of her own perseverance and indomitableness. She was annoyed by Queenie's forebodings over the revelation of her name, and her annoyance was not any the less because she had to admit that her own behavior in holding out against accepting the means of escape from Rumania was based upon nothing more secure than a superstitious fancy.

The Petit Maxim closed at Easter; at the beginning of May the whole company was re-engaged for an open-air theater called the Petit Trianon. Sylvia and Queenie were still many francs short of their fares to England and were forced to re-engage themselves for the summer. The new place was an improvement on the cabaret because, at any rate during the first half of May, it was too cold for the public to enjoy sitting about in a garden and drinking sweet champagne. After a month, however, all Sylvia's friends went away, some to Sinaia, whither the court had moved; others, and among them Philidor, were sent to the Austrian frontier; the expedition to the Dardanelles and the intervention of Italy had brought Rumania much nearer to the prospect of entering the war. Meanwhile in Bucharest the German agents worked more assiduously than ever to promote neutrality and secure the passage of arms and munitions to Turkey.

At the end of May the manager of the Petit Trianon, observing that Sylvia had for some time failed to take advantage of the warmer weather by gathering to her table a proper number of champagne-drinkers, and having received complaints from some of his clients that she made it impossible to cultivate Queenie's company to the extent they would have liked, announced to her that she was no longer wanted. Her songs at the beginning of the evening were no attraction to the thin audience scattered about under the trees, and he could get a cheaper first number. This happened to be Lottie, who was engaged to thump on the piano for half an hour at two hundred francs a month.

"I never knew that I was cutting you out," Lottie explained. "But I've been playing for nearly four months at a dancing-hall in a low part of the town and I only asked two hundred in desperation. He'll probably engage you again if you'll take less."

Sylvia forced herself to ask the manager if he would not change his mind. She hinted as a final threat that she would make Queenie leave if he did not, and he agreed at last to engage her again at three hundred francs instead of three hundred and fifty, which meant that she could not save a sou toward her going home. At the same time the manager dismissed Lottie, and everybody said that Sylvia had played a mean trick. She would not have minded so much if she had not felt really sad about the fat girl, who was driven back to play in a low dancing-saloon at less than she had earned before; but she felt that there was no time to be lost in getting Queenie away from this life, and if it were a question of sacrificing Queenie or Lottie, it was certainly the fat girl who must go under.

Since the manager's complaint of the way she kept admirers away from her friend, Sylvia had for both their sakes to relax some of her discouraging stiffness of demeanor. One young man was hopeful enough of ultimate success to send Queenie a bunch of carnations wrapped up in a thousand-franc note. Normally, Sylvia would have compelled her to refuse such a large earnest of future liberality; but these months upon the verge of penury had hardened her, and she bade Queenie keep the money, or rather she kept it for her to prevent its being frittered away in petty extravagance. Queenie could not hold her tongue about the offering; and the young man, when he found that the thousand francs had brought him no nearer to his goal than a bottle of champagne would have done, was loud in his advertisement of the way Sylvia had let Queenie take the money and give nothing in return. Everybody at the Petit Trianon was positive that Sylvia was living upon her friend, and much unpleasant gossip was brought back to them by people who of course did not believe it themselves, but thought it right that they should know what all the world was saying.

This malicious talk had no effect upon Queenie's devotion, but it added greatly to Sylvia's disgust for the tawdry existence they were both leading, and she began to play with the idea of using the thousand francs to escape from it and get back to England. She was still some way from bringing herself to the point of such a surrender as would be involved by temporarily using this money, but each time that she argued out the point with herself the necessity of doing so presented itself more insistently. In the middle of July something occurred which swept on one side every consideration but immediate flight.

All day long a warm and melancholy fog had suffused the suburbs of Bucharest, from which occasional scarves of mist detached themselves to float through the high center of the town, dislustering the air as they went, like steam upon a shining metal. Sylvia had been intending for some time to visit Lottie and explain to her the circumstances in which she had been supplanted by herself; such a day as this accorded well with such an errand. As with all cities of its class, a few minutes after one left the main streets of Bucharest to go downhill one was aware of the artificiality of its metropolitan claims. Within five hundred yards of the sumptuous Calea Victoriei the side-turnings were full of children playing in the gutter, of untidy women gossiping to one another from untidy windows, and of small rubbish heaps along the pavement: and a little farther on were signs of the unquiet newness of the city in the number of half-constructed streets and half-built houses.

Lottie lived in one of these unfinished streets in a tumble-down house that had survived the fields by which not long ago it had been surrounded. A creeper-covered doorway opened into a paved triangular courtyard shaded by an unwieldy tree, along one side of which, at an elevation of about two feet, ran Lottie's room. As Sylvia crossed the courtyard she could see indistinct forms moving about within, and she stopped for a moment listening to the drip of the fog above the murmur of human voices. She did not wish to talk to Lottie in front of strangers and turned to go back; but the fat girl had already observed her approach and was standing on the rotten threshold to receive her.

"You're busy," Sylvia suggested.

"No, no. Come in. One of my friends is an English girl."

"But I wanted to talk to you alone. I wanted to explain that I couldn't refuse to sing again at the Trianon; I've been worrying about you all this time."

"Oh, that's all right," Lottie said, cheerfully. "I never expected anything else."

"But the other girls—"

"Oh, the other girls," she repeated, with a contemptuous laugh. "Don't worry about the other girls. People can always afford to be generous in this world if it doesn't hurt themselves and does hurt somebody else. One or two of them came here to condole with me, and I'm sure they got more pleasure out of seeing my wretched lodging than I got out of their sympathy. Come in and forget all about them."

Sylvia squeezed her pudgy hand gratefully; it was a relief to find that the object of so much commiseration had grasped the shallowness of it.

"Who are your friends?" she whispered.

"The man's a juggler who wants an engagement at the Trianon. He's a Swiss called Krebs. The girl's an English dancer and singer called Maud. You'll see them both up there to-night for certain. You may as well come in. What a dreary day, isn't it?"

Sylvia agreed and was aware of ascribing to the weather the faint malaise that she experienced on following Lottie into her room, which smelled of stale wall-paper and musty wood, and which, on account of the overhanging tree and the dirty French windows, was dark and miserable enough.

"Excuse me getting up to shake hands," said Krebs, in excellent English. "But this furniture is too luxurious."

He was lying back, smoking a cigarette in an armchair all the legs of which were missing and the rest of it covered with exudations of flocculence that resembled dingy cauliflowers. Sylvia saw that he was a large man with a large undefined face of dark complexion. He offered a huge hand, brutal and clumsy in appearance, an inappropriate hand for a juggler, she thought, vaguely. His companion, crudely colored and shapeless as a quilt, sprawled on another chair. Everything about this woman was defiant; her harsh accent, the feathers in her hat, her loose mouth, her magenta cheeks, her white boa, and her white boots affronted the world like an angry housemaid.

"This is a fine hole, this Rumania," she shrilled. "Gawd! I went to the English consul at Galantza, expecting to be treated with a little consideration, and the —— pushed me out of his office. Yes, we read a great deal about England nowadays, but I've been better treated by everybody than what I have by the English. Stuck-up la-di-da set of ——, that's what they are, and anybody as likes can hear me say so."

She raised her voice for the benefit of the listeners without that might be waiting anxiously upon her words.

"Don't kick up such a row," Krebs commanded; but Maud paid no attention to him and went on.

"England! Yes, I left England ten years ago, and if it wasn't for my poor old mother I'd never go back. Treat you as dirt, that's what the English do. That consul threw me out of his office the same as a commissionnaire might throw any old two-and-four out of the Empire. Yes, they talk a lot about patriotism and all pulling one way, but when you ask a consul to lend you the price of your fare to Bucharest, you don't hear no more about patriotism. As I said to him, 'I suppose you don't think I'm English?' and he sat there grinning for answer. Yes, I reckon when they christened that talking chimpanzee at the Hippodrome 'Consul' it was done by somebody who'd had a bit of consul in his time. What's a consul for? That's what I'm asking. As I said to him, 'What are you for? Are you paid,' I said, 'to sit there smoking cigarettes for the good of your country?' 'This ain't a workhouse,' he answered, very snotty. 'You're right,' I said. 'No fear about any one ever making that mistake. Why, I reckon it's a bloody sleeping-car, I do.' And with that I slung my hook out of it. Yes, I could have been very rude to him; only it was beneath me, the uneducated la-di-da savage! Well, all he's done is to put me against my own country. That's his war work."

The tirade exhausted itself, and Sylvia, unwilling to be Maud's sponsor at the Petit Trianon that evening, made some excuse to leave. While she was walking across the courtyard with Lottie, she heard:

"And who's she? I'll have to tell her off, that's very plain. Did you see the way she looked down her nose at me? Nice thing if any one can't say what they think of a consul without being stared at like a mummy by her."

Sylvia asked Lottie if she had known this couple long.

"I've known him a year or two, but she's new. I met them coming up from the railway station this morning. The girl was stranded without any money at Galantza, and Krebs brought her on here. He's a fine juggler and conjurer. Zozo he calls himself on the stage."