Stage ConfidencesSTAGE CONFIDENCESReading editionChapter navigation28 reading sectionsGo to chapterChoose a chapter…Front matterSTAGE CONFIDENCESCLARA MORRISMARY ANDERSONGREETINGILLUSTRATIONSChapter I · A WORD OF WARNINGChapter II · THE STAGE AND REAL LIFEChapter III · IN CONNECTION WITH "DIVORCE" AND DALY'SChapter IV · "MISS MULTON" AT THE UNION SQUAREChapter V · THE "NEW MAGDALEN" AT THE UNION SQUAREChapter VI · "ODETTE" IN THE WEST. A CHILD'S FIRST PLAYChapter VII · A CASE OF "TRYING IT ON A DOG"Chapter VIII · THE CAT IN "CAMILLE"Chapter IX · "ALIXE." THE TRAGEDY OF THE GOOSE GREASEChapter X · J.E. OWENS'S "WANDERING BOYS." "A HOLE IN THE WALL" INCIDENTChapter XI · STAGE CHILDREN. MY "LITTLE BREECHES" IN "MISS MULTON"Chapter XII · THE STAGE AS AN OCCUPATION FOR WOMENChapter XIII · THE BANE OF THE YOUNG ACTRESS'S LIFEChapter XIV · THE MASHER, AND WHY HE EXISTSChapter XV · SOCIAL CONDITIONS BEHIND THE SCENESChapter XVI · THE ACTRESS AND RELIGIONChapter XVII · A DAILY UNPLEASANTNESSChapter XVIII · A BELATED WEDDINGChapter XIX · SALVINI AS MAN AND ACTORChapter XX · FRANK SEN: A CIRCUS EPISODEChapter XXI · STAGE FORFEITS AND THEIR HUMOURChapter XXII · POOR SEMANTHAPrevious chapter ←Front matterNext chapter →CLARA MORRISAll chapters and sections (28)Opening pagesFront matterOther sectionsSTAGE CONFIDENCESCLARA MORRISMARY ANDERSONGREETINGILLUSTRATIONSChapters12345678910111213141516171819202122TALKS ABOUT PLAYERS AND PLAY ACTINGBY← Front matterCLARA MORRIS →