GENERAL INDEX

Above, the, 89-92, 106, 230-231 Acting, effect of sightlines on, 128-129; style of, 214 Adams, John C., The Globe Playhouse, 22, 65, 69, 71, 89-90, 92, 94, 101-102, 159, 202, 214, 230 Admiral’s men, Lord, 3-6, 9-10, 12-13, 15-18, 20, 95 Admiral-Prince’s men, 4 Aeschylus, 47 Albright, V. E., The Shakesperian Stage, 65, 214 Alexander, Peter, Shakespeare’s Life and Art, xii Alleyn, Edward, vii, x, 9, 12, 131 Annals of the English Drama (Harbage), xi, xii Antigone (Sophocles), 31, 59 Arcadian Rhetorike, The (Fraunce), 114-117, 119 Archer, William, 65 Aristotle, Poetics, 29, 31-32, 39, 49, 58 Armin, Robert, 123, 133, 134 Art of Rhetorique, The (T. Wilson), 114-115, 117, 119 Arte of English Poesie, The (Puttenham), 28-29 As Merry As May Be, 20 Asides, staging of, 162, 183, 186-192 Bacon, Sir Francis, 120, 140-143, 146 Baldwin, Thomas W., The Organization and Personnel of the Shakespearean Company, 22, 128, 133-136; Shakespeare’s Five-Act Structure, 26, 29, 40 Barnardo and Fiametta, 7, 11 Barnes, Barnabe, xiii, 82, 164. See also The Devil’s Charter Battle of Alcazar, The (Peele), 147, 176-177, 179 Beaumont, Francis, ix Beds, use of, 78-79, 82-83, 86, 210 Bentley, Gerald E., ix, 14 Black Book (T. M.’s), xiii Blackfriars Theatre, vii, ix, x, xii, 13-14, 21, 24, 71, 94, 133, 210 Blind Beggar of Alexandria, 11 Boas, F. S., xiv Booth, Edwin, 132 Bourgeois Gentilhomme, Le, 112 Boy actors, 134 Bradbrook, Muriel C., Themes and Conventions of Elizabethan Tragedy, 26, 30-31, 51, 58 Bright, Timothy, A Treatise of Melancholie, 139, 143-144 Brown, John R., 111 Brute, 10 Bryan, George, 124 Bulwer, John, Chirologia and Chironomia, 114 Burbage, James, vii-viii, 105, 122 Burbage, Richard, x, 1, 4, 18, 96, 123, 133-134, 136 Cambises, 121, 125, 127 Campbell, Lily B., Shakespeare’s Tragic Heroes, 139, 141 Campbell, Oscar J., xii Castiglione, Baldassare, The Courtier, 117 Catastrophe, 26, 39 Cecil, Sir Robert, 18 Certain Small Workes (Daniel), xi Chairs, use of, 77-78, 83 Chamberlain-King’s men, vii, xiii, 4, 22. See also Chamberlain’s men, Globe company, and King’s men Chamberlain’s men, Lord, viii, xi, xiii, 3-5, 13-14, 18-19, 93, 95, 113, 124, 130. See also Chamberlain-King’s men, Globe company, and King’s men Chambers, E. K., 65; The Elizabethan Stage, xiii, 9, 12, 133, 158, 174, 219; William Shakespeare, x-xii Chapman, George, 25 Character Problems in Shakespeare’s Plays (Schücking), 45, 47 Character types, 148-154 Charles I, King, 21 Charlton House, 167 Charron, Pierre, 143 Children of Paul’s, xiii Children of the Queen’s Revels, ix, xiv, 3, 96, 133 Chinon of England, 11 Chirologia and Chironomia (Bulwer), 114 Chronicle History of the London Stage, A (F. G. Fleay), 13 Cicero, 25 Cleopatra (Daniel), xi Climactic plateau (climax), 39-44, 55 Coeffeteau, F. N., A Table of Humane Passions, 143 Commedia dell’arte, 112-113, 129, 148, 215 Condell, Henry, 96, 123, 133 Cooke, Alexander, 123, 133 Cope, Sir Walter, 18-19 Cornwallis, Sir William, 143 Court, performances at, xi, xiii, 3-4, 15, 19-21, 23, 218-219 Courtier, The (Castiglione), 117 Cowley, Robert, 123, 133-134 Crack Me This Nutte, 7, 11 Craig, Hardin, 30; The Enchanted Glass, 138-139, 145 Curtain, the, viii, ix Cymbeline, xii, 94 Cyprian Conqueror, The, 117 Damon and Pithias (R. Edwardes), 139 Daniel, Samuel, Cleopatra, xi Davenant, William, The Witts, 21 Day, John, 20 Defence of Poesie, The (Sidney), 24, 58, 66 Dekker, Thomas, 9; Fortunatus, 17, 19-20; The Gull’s Hornbook, vii, 97; The Honest Whore I, 145. See also Satiromastix Derby’s company, 3 DeWitt, John, 94, 99-101, 169 Diary (Henslowe), 3-5, 8-10, 12-17, 19-22, 217 Directions for Speech and Style (Hoskins), 118 Disguise, staging of, 197-200, 226-228 Disguises, The, 6, 11 Doran, Madeleine, Endeavors of Art, 27-28, 30 Downer, Alan, 124 Downton, Thomas, 9 Dramatic Records of Sir Henry Herbert, The, 13, 21 Dramatic theory, Elizabethan, 24-25 Draper, John W., The Humors and Shakespeare’s Characters, 139, 154 Dutton, John, 122 Edmans, John, 134 Edward I (Peele), 6 Edwardes, Richard, Damon and Pithias, 139 Electra (Sophocles), 59 Elizabeth, Queen, xii, 18-20, 22, 104 Elizabethan Acting (Joseph), 113-114, 132 Elizabethan Stage, The (E. K. Chambers), xiii, 9, 12, 133, 158, 174, 219 Elizabethan World Picture, The (Tillyard), 139 Elizabeth’s Servants, Lady, 14 Elyot, Sir Thomas, The Governour, 116, 119, 141 Enchanted Glass, The (H. Craig), 138-139, 145 Enclosure, the, 74, 82-88, 94, 106, 175, 179, 185, 194-196, 211-212 Endeavors of Art (Doran), 27-28, 30 Episodic pattern, 48-51 Epitasis, 26, 40 Essex, Earl of, xii, 130 Every Man in His Humour (Jonson), 93 Excellent Actor, An, 129 Fair Em, 147 Farewell scenes, staging of, 204-205 Faustus, Doctor (Marlowe), 14, 17 Fergusson, Francis, The Idea of a Theater, 29 First Night of Twelfth Night, The (Hotson), x, 23 Fleay, F. G., A Chronicle History of the London Stage, 13 Fleetwood, William, 139 Fletcher, John, ix Fletcher, Laurence, 123, 133 Foakes, R. A., 111, 138, 145 Forest, Louise, 138, 144 Forman, Simon, xii Fortunatus (Dekker), 17, 19-20 Fortune, the, vii, x, 4, 14, 20, 69, 94, 101-102 Four PP. (J. Heywood), 124 Fraunce, Abraham, The Arcadian Rhetorike, 114-117, 119 Friar Bacon & Friar Bungay (R. Greene), 18, 20 From Art to Theatre (Kernodle), 102-105, 158, 216 Fuller, Thomas, 122 Gallery over the stage, 95, 98 Garden of Eloquence, The (Peacham), 118-119 Ghost scenes, staging of, 200-204 Gilburne, Samuel, 133-134 Globe company, viii, xii, 14, 16, 23, 35, 134; acting style of, 146, 156, 214; actors of, 122; finances of, 22; organization of, 132, 135; repertory of, 15; role distribution in, 136; shares in, 4. See also Chamberlain-King’s men Globe playhouse, vii, ix, xii, xiii, 4-5, 13-14, 22-24, 100-101; construction of, viii-ix, 2; design of, vii, 102, 106, 108; opening date of, ix, x, xii, 133; stage of, xiv, 95, 210; sitting on stage of, 96 Globe Playhouse, The (J. C. Adams), 22, 65, 69, 71, 89-90, 92, 94, 101-102, 159, 202, 214, 230 Globe Restored, The (Hodges), 69, 94, 101-102, 158, 230-231 Godfrey, Walter, 101 Goffe, Robert, 123 Gorki, Maxim, Yegor Bulichev and Others, 61 Gosson, Stephen, Playes Confuted in Five Actions, 122 Governour, The (Elyot), 116, 119, 141 Granville-Barker, Harley, 65, 106; Prefaces to Shakespeare, 41 Gray, H. D., x Greeting scenes, staging of, 204-205 Greg, W. W., 9, 13, 131, 217 Grosse, Samuel, 133-134 Gull’s Hornbook, The (Dekker), vii, 97 Haines, C. M., 176 Harbage, Alfred, 109, 117; Annals of the English Drama, xi, xii; Shakespeare and the Rival Traditions, ix; Shakespeare’s Audience, 22 Hardwick Hall, 167-168 Harper, Sir William, 105 Harvey, Gabriel, x Hatfield House, 167 Hathway, Richard, 20 Heavens, machinery in the, 93-94, 106 Hedda Gabler (Ibsen), 40, 60 Heminges, John, x, 4, 123, 133 Heminges vs. Witter & Ostler, 4 Henry IV, Part I, King, 14, 129 Henry V, King (Shakespeare), viii, xi, xii, 68 Henry V (Anonymous), 11 Henry VIII, 104, 165 Henslowe, Philip, vii, x; Diary, 3-5, 8-10, 12-17, 19-22, 217; Papers, 75, 79, 94-95, 125, 217 Herbert, Sir Henry, The Dramatic Records of, 13, 21 Hertford’s men, 4 Heywood, John, 124 Heywood, Thomas, 9, 10 Hilliard, Nicholas, 165 Histrio-mastix, 121, 123 Hoby, Thomas, 117 Hodges, C. Walter, The Globe Restored, 69, 94, 101-102, 158, 230-231 Honest Whore I, The (Dekker and Middleton), 145 Hope, the, 94, 102 Horestes, 121 Hoskins, John, Directions for Speech and Style, 118 Hosley, Richard, 73, 82, 84, 89, 92, 99 Hotson, Leslie, xi; The First Night of Twelfth Night, x, 23; Shakespeare’s Motley, 125; Shakespeare vs. Shallow, xii; Shakespeare’s Wooden O, 95-97 Humors and Shakespeare’s Characters, The (Draper), 139, 154, 241, 242 Hunter, Sir Mark, 176 Idea of a Theater, The (Fergusson), 29 Income of players, 21-22 Ion (Euripides), 32 Isle of Dogs, The, 3, 5 James I, King, x, 15, 20, 22, 104, 133 Jeronimo, The First Part of, xiv, 96, 204 Jew of Malta, The, 8, 14 John, King, 168 Johnson, Samuel, 26, 47 Jones, Inigo, 103 Jonson, Ben, xiii, 3, 9, 17, 21, 25-26, 28, 44, 49, 58, 61, 68-69, 87, 120, 151, 172; Every Man In His Humour, 93; The New Inn, 26. See also Every Man Out of His Humour, Sejanus, and Volpone Joseph, Bertram, Elizabethan Acting, 113-114, 132 Judge-figure in finale, 36-38, 208 Katherens, Gilbert, 105 Keen, Frances, 23 Kemp, Will, viii, xii, 135-136 Kernodle, George R., From Art to Theatre, 102-105, 158, 216 King’s men, ix, x, xiii, xiv, 13-14, 21, 24, 94, 133-134. See also Chamberlain-King’s men, Chamberlain’s men, and Globe company Kittredge, G. L., xi, xii, 195, 230 Knack to Know an Honest Man, A, 147 Knight, G. Wilson, Principles of Shakespearean Production, 39-40; Wheel of Fire, 58, 61 Kreider, Paul, Repetition in Shakespeare’s Plays, 197 Kyd, Thomas, 15, 48, 92 “Law of reentry,” 176 Lawrence, W. J., 40, 71, 201 Leicester’s company, 122 Leir, King, 151 Localization of action, 64-68, 72-73, 220 Longshank, 6, 11 Lord Mayor’s Show, 103-105 Love’s Labour’s Lost, 18 Love’s Labour’s Won, xi Lowin, J., 96-97, 123, 133, 134-135 Lucas, F. L., 45 McManaway, J. G., xii Malone, Edmond, 13, 21, 75 Manly, John M., 30 Mansions, use of, 95 Marivaux, Pierre, 112-113 Marlowe, Christopher, 15, 92, 124; Doctor Faustus, 14, 17; The Jew of Malta, 8, 14; Tamberlaine, 6, 7, 14 Marston, John, xiv, 96. See also The Malcontent Merchant Tailors Company, 105 Meres, Francis, Palladis Tamia, x, xi, xii Messalina title page, 98-99 Messenger scenes, staging of, 205-206 Middleton, Thomas, 20; The Honest Whore I, 145 Midsummer Night’s Dream, A, 130 Mildmay, Sir Humphrey, 21 Mirror, image of art as a, 27-29, 59 Mirror pattern, 51-53 Molière, 21, 112, 136 Moscow Art Theatre, 112, 132 Moulton, R. G., Shakespeare as a Dramatic Artist, 40, 41 Much Ado About Nothing, xi-xii, 136, 150, 153 Nagler, Alois, Shakespeare’s Stage, 96, 99 Nashe, Thomas, 3 Newington Butts, 5, 13, 18 New Inn, The (Jonson), 26 New plays, introduction of, 9, 11-13 New World’s Tragedy, A, 11 Northern Lass, The, 21 Observation scenes, staging of, 183, 193-197 Oedipus (Sophocles), 31 On Producing Shakespeare (Watkins), 163-164, 175, 214 Oresteia (Aeschylus), 47 Organization and Personnel of the Shakespearean Company, The (Baldwin), 22, 128, 133-136 Orlando Furioso (Greene), 131-132, 147 Orsino, Virginio, Duke of Bracciano, 23, 96 Ostler, William, 133 Palladis Tamia (F. Meres), x-xii Palsgrave’s company, 14 Papers (Henslowe), 75, 79, 94-95, 125, 217 Peacham, Henry, Garden of Eloquence, The, 118, 119 Peele, George, The Battle of Alcazar, 147, 176, 179; Edward I, 6 Pembroke’s men, 3 Peripeteia, 32 Phaethon, 18, 20, 79 Phillips, Augustine, 4, 123, 130, 133 Philoctetes (Sophocles), 31 Platter, Thomas, x, 14, 97 Plautus, 25, 48 Playes Confuted in Five Actions (Gosson), 122 Plays and Masques at Court (Steele), 219 Plutarch, 74, 214 Poel, William, 214 Poetaster (Jonson), xiii Poetics (Aristotle), 29, 31-32, 39, 49, 58 Polyphemus, 10 Pope, Thomas, 4, 123-124, 133 Prefaces to Shakespeare (Granville-Barker), 41 Prince’s men, 14 Principles of Art History (Wölfflin), 27 Principles of Shakespearean Production (Knight), 39-40 Privy Council, 3, 5, 19 Promos and Cassandra (Whetstone), 139 Properties, stage, 74-82, 158-174 passim, 221-225 Puttenham, George, The Arte of English Poesie, 28-29 Pythagoras, 11 Queen of Bohemia’s company, 14 Queen’s men, 121, 122 Ramus, P., 114, 119 Ranking-figure, 38, 210, 212 Red Bull, the, 4, 92, 95, 158 Repetition in Shakespeare’s Plays (Kreider), 197 Resolving figure, 211-212 Return from Parnassus, II, The, 136 Revivals, system of, 8, 17-18 Reynolds, George F., 63, 65, 72-73, 175, 214, 216; The Staging of Elizabethan Plays at the Red Bull, 92, 95, 158, 174 Rich, John, 134 Richard II, King, 14, 130 Richard III, King, 61, 136, 158, 165, 168 River pattern, 48, 50-51 Romeo and Juliet, viii Rose, the, 5-7, 22 Roxana title page, 97-99, 180 Royal entries, 103-104 Sands, James, 134 Scaffolds on stage, 79-80, 82 Schücking, L. L., Character Problems in Shakespeare’s Plays, 45, 47 Seleo and Olempo, 7 Selimus, 126, 147 Seneca, 48 Seven Days of the Week, 6, 11 Seven Deadly Sins, 123,133 Shakespeare (?), Ned, 134 Shakespeare and the Audience (Sprague), 186 Shakespeare and the Nature of Man (Spencer), 139 Shakespeare and the Rival Traditions (Harbage), ix Shakespeare as a Dramatic Artist (Moulton), 40, 41 Shakespeare’s Audience (Harbage), 22 Shakespeare’s Five-Act Structure (Baldwin), 26, 29, 40 Shakespeare’s Life and Art (Alexander), xii Shakespeare’s Motley (Hotson), 125 Shakespeare’s Stage (Nagler), 96, 99 Shakespeare Studies (Stoll), 58 Shakespeare’s Theater (Thorndike), 66, 175 Shakespeare’s Tragic Heroes (L. B. Campbell), 139, 141 Shakespeare’s Wooden O (Hotson), 95-97 Shakespeare vs. Shallow (Hotson), xii Shakesperian Stage, The (Albright), 65, 214 Sidney, Sir Philip, The Defence of Poesie, 24, 58, 66 Simultaneous setting, 158-160, 164 Sir Clyomon and Sir Clamydes, 121, 125-126 Sir Thomas More, 121 Sly, William, 96-97, 123, 133, 135 Smith, Irwin, 73 Smith, Warren, 79-80, 186, 230 Smith, Wentworth, 20 Soliloquies, staging of, 183-186 Southern, Richard, 84, 101 Spanish Tragedy, The (Kyd), 14, 17 Spencer, Theodore, Shakespeare and the Nature of Man, 139 Sprague, A. C., Shakespeare and the Audience, 186 Stage doors, use of, 70-71 Staging of Elizabethan Plays at the Red Bull, The (Reynolds), 92, 95, 158, 174 Stanislavsky, C., 215 Steele, Mary S., Plays and Masques at Court, 219 Stoll, Elmer E., Shakespeare Studies, 58 Stools, use of, 77-78 Strange News Out of Poland, 9 Strange’s men, 17 Streetcar Named Desire, A (Williams), 60, 149 Streete, Peter, ix, x, 105 Swan drawing, 72, 94, 97-102, 169 Symbolism in staging, 216 Tableaux vivants, 102-103 Table of Humane Passions, A (Coeffeteau), 143 Tables, use of, 76-77, 82-83 Talaeus, Audomarus, 119 Tambercame II, 18 Tamberlaine, I & II (Marlowe), 6-7, 14 Tarleton, Richard, 122, 123 Tents, use of, 81 Terence, 26, 40, 48 Theatre, the, vii-ix, 71, 128 Théâtre-Libre, the, 112 Themes and Conventions of Elizabethan Tragedy (Bradbrook), 26, 30-31, 51, 58 Thome Strowd, II, 10 Thorndike, Ashley, Shakespeare’s Theater, 66, 175 Three Ladies of London (R. Wilson), 147 Three Lords and Three Ladies of London, The (R. Wilson), 147 Tillyard, E. M. W., The Elizabethan World Picture, 139 Titus Andronicus, viii Tooley, Nicholas, 123, 133 Tourneur, Cyril, xiii Toy to Please Chaste Ladies, A, 6-8, 11 Traps, use of, 92-93, 106, 201-202 Treatise of Melancholie, A (Bright), 139, 143-144 Troublesome Reign of King John, The, 147 True Tragedy of King Richard III, The, 126 Two Angry Women of Abington, II (Porter), 10 Underwood, John, 133 Van Buchell, Arend, 100 Walker, Albert, 125, 153-154 Warning for Fair Women, A, 81, 94, 147, 200, 203 Watkins, Ronald, On Producing Shakespeare, 163-164, 175, 214 Watson, C. B., 37 Weather, The (J. Heywood), 124 Webster, John, xiv, 45, 96. See also The Malcontent Wheel of Fire (Knight), 58, 61 Whetstone, George, Promos and Cassandra, 139 Whitehall Palace, x, 96 Wilkins, George, xiii. See also Miseries of Enforced Marriage William Shakespeare (E. K. Chambers), x-xii Wilson, J. Dover, x Wilson, Jack, 134 Wilson, Robert, 122, 123; Three Ladies of London and The Three Lords and Three Ladies of London, 147 Wilson, Thomas, The Art of Rhetorique, 114-115, 117, 119 Winter’s Tale, The, 15 Wits, The, 98, 180 Witts, The (Davenant), 21 Wölfflin, Heinrich, Principles of Art History, 27 Wollaton Hall, 167-168 Woman Killed with Kindness, A (T. Heywood), 10 Woman of Andros (Terence), 26 Wonder of a Woman, 7, 11 Worcester-Queen’s men, 4 Worcester’s men, 3-4, 10, 12-13, 16, 133 Worde, Wynken de, 104 Yegor Bulichev and Others (Gorki), 61