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Secrets of scene painting and stage effects

HANDLING SCENERY

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This is a side of play production that on no account should be treated as of little moment, or in the frame of mind that feels ‘it will be all right on the night,’ for apart from the possible danger to life and limb from incompetence, there is also that exceedingly irritating business, the long stage wait, which is such a common feature of amateur theatricals.

It is of course best, if possible, to enlist the services of regular scene-shifters to manage the various changes. If there is difficulty in obtaining professional help, volunteer assistance should be properly drilled and rehearsed, and provision must be made for the management and support of each set, or a grievous muddle will be the result.

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Illustration from Secrets of scene painting and stage effects

PROSCENIUM

46

[Curtain]
[Curtain]

47If a hall is hired where stage plays are often presented, the various appliances and fittings will be found ready for use. Where a rough-and-ready platform is erected, the amateur must fix up his own.

The illustrations we give show how various parts of scenery are dealt with in the large theatres, and we leave the aspirant to play production to adapt them to the necessities of his smaller space.

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