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Roman Legends

VACCARELLA.1

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VACCARELLA.1

They say there was once a husband and a wife; but I don’t mean that they were husband and wife of each other. The husband had lost his wife, and the wife had lost her husband, and each had one little daughter. The husband sent his daughter to the wife to be brought up along with her own daughter, and as the girl came every morning to be trained and instructed, the wife used to send a message back by her every evening, saying, ‘Why doesn’t your father marry me? then we should all live together, and you would no longer have this weary walk to take.’

Not many months elapsed, however, before she began to show herself a true stepmother. After treating Maria with every kind of harshness, she at last sent her out into the Campagna to tend the cow, so as to keep her out of sight of her father, and estrange him from her. Maria had to keep the cow’s stall clean with fresh litter every day; sometimes she had to take the cow out to grass, and watch that it only grazed over the right piece of land; at other times she had to go out and cut grass for the cow to eat. All this was work enough for one so young; but Maria was a kind-hearted girl, and grew fond of her cow, so that it became a pleasure to her to attend to it.

When the cruel stepmother saw this she was annoyed to find her so light-hearted over her work, and to vex her more gave her a great heap of hemp to spin. It was in vain that Maria reminded her she had never been taught to spin; the only answer she got was, ‘If you don’t bring it home with you to-night all properly spun you will be finely punished;’ and Maria knew to her cost what that meant.

When Maria went out into the Campagna that day she was no longer light-hearted; and as she littered down the stall she stroked the cow fondly, and said to her, as she had no one else to complain to, ‘Vaccarella! Vaccarella! what shall I do? I have got all this hemp to spin, and I never learnt spinning. Yet if I don’t get through it somehow I shall get sadly beaten to-night. Dear little cow, tell me what to do!’

Throw it on to the horns of me,

Maria did as she was told, went out and cut a good basketful of grass, and imagine her delight on coming back with it to find all the whole lot of hemp beautifully spun.

Vaccarella readily gave the same answer as before:—

Throw it on to the horns of me,

And go along, cut grass for me!

Once more, when Maria came back with her basket of grass, she found all her work done, to her great surprise and delight. But her stepmother’s surprise was quite of another order. That Maria should have woven the cloth, not only without instruction, but even without a loom, proved clearly enough she must have had some one to help her—a matter which roused the stepmother’s jealousy in the highest degree, and wherein this help consisted she determined to find out. Accordingly, next day she gave her a shirt to make up, and then posted herself out of sight in a corner of the cow-house to see what happened. Thus she overheard Maria’s complaint to her dear little cow, and Vaccarella’s reply:—

Throw it on to the horns of me,

And go along, cut grass for me!

She thus also saw, what Maria did not see, that as soon as she had gone out the cow assumed the form of a woman, and sat down and stitched and stitched away till the shirt was made, and that in a surprisingly short space of time. As soon as it was finished, and before Maria came in, the woman became a cow again.

The cruel stepmother determined that Maria should be deprived of a friend who enabled her to set all her hard treatment at defiance, and next morning told her that she was going to kill the cow. Maria was broken-hearted at the announcement, but she knew it was useless to remonstrate; so she only used her greatest speed to reach her ‘dear little cow,’ and warn her of what was going to happen in time to make her escape.

Vaccarella had no time to say more, for the stepmother arrived just then with a man who slaughtered the cow at her order.

Under Vaccarella’s heart Maria found the promised golden ball, which she hid away carefully against some fitting occasion for using it arose.

Maria accordingly went to church with all the rest of the people, and when she had made her way through the crowd to a little distance from her stepmother, she took her golden ball out of her pocket and whispered to it—‘Golden ball, golden ball, dress me in gold and give me a lover.’

Instantly the golden ball burst gently open and enveloped her, and she came out of it all radiant with beautiful clothing, like a princess. Everybody made way for her in her astonishing brightness.

The eyes of the king’s son were turned upon her, no less than the eyes of all the people; and the prayers were no sooner over than he sent some of his attendants to call her and bring her to him. Before they could reach her, however, Maria had restored her beautiful raiment to the golden ball, and, in the sordid attire in which her stepmother dressed her, she could easily pass through the crowd unperceived.

At home, her stepmother could not forbear talking, like everyone else in the town, about the maiden in glittering raiment who had appeared in the midst of the church; but, of course, without the remotest suspicion that it was Maria herself. But Maria sat still and said nothing.

The Novena over, Maria once more returned to her ceaseless toil; but the stepmother’s hatred had grown so great that she determined to rid herself of her altogether and in the most cruel way.

Maria did as she was bid, and the stepmother went away to boil the water.

Meantime, the prince’s men had taken Maria’s slipper to him, and he, delighted to have any token of his fair one, appointed an officer to go into every house, and proclaim that the maiden whom the slipper might fit should be his bride. The officer went round from house to house, trying the slipper on everybody’s foot. But it fitted no one, for it was under a spell.

Scarcely had all this passed than the stepmother came back, with her servants, each carrying a can of boiling water. They placed themselves in a ring round the barrel, and each emptied her charge into it. As it was the stepmother’s daughter who was inside at the time, instead of Maria, it was she who got scalded to death in her place.

Presently, home he came with his ass-load of wood, and called to her daughter to come and help him unload it, as usual. But the daughter continued sitting on the top of the stairs, and moved not. Again and again he called, louder and louder, but still she moved not; till at last, irritated beyond all endurance, he hurled one of his logs of wood at her, which brought the badly-balanced corpse rolling and tumbling all the way down the stairs, just as the stepmother had designed.

The husband, however, was far from being deceived by the device. He could see the body presented no appearance of dying from a recent fall.

‘Where’s Maria?’ he asked, as soon as he got up into the room.

‘Nobody knows; she has disappeared!’ replied the stepmother; nor was he slow to convince himself she was nowhere in the house.

‘This is no place for me to stay in,’ said the husband to himself. ‘One child driven away, and one murdered; who can say what may happen next?’

Next morning, therefore, he called to him the little daughter born to him since his marriage with Maria’s stepmother, and went away with her for good and all. So that bad woman was deprived, as she deserved, of her husband and all her children in one day.

Just as the father and his daughter were starting to go away, Maria drove by in a gilded coach with the prince her husband; so he had the satisfaction, and her stepmother the vexation, of seeing her triumph.

I have another Stepmother story, the place of which is here, but it is too long to give in its entirety. It begins like the last, and the next, and many others, with a widower, the teacher of whose children, a boy and girl, insists on marrying him. Soon after, of course, she turns the children out of doors; the boy is made the slave of a witch, and comes well at last out of many adventures; it is one of the nearest approaches to a heroic story that I have met with in Rome. There are details in it, however, like Filagranata and others, not actually of the Stepmother group. The girl gets taken into a Brigand’s cave, and goes through adventures which befall the youngest of three sisters (without a stepmother) in the Italian-Tirolese tale of ‘Le tre Sorelle,’ and that, again, is precisely like another Roman story I have, in many respects different from the present one, called ‘The Three Windows.’ One of the adventures in the present story is, that the witch, instead of killing the girl, gives her the appearance of death, and she is shut up in a box instead of being regularly buried, and a prince, as he goes by hunting, finds her, and the means of restoring her, and marries her. This is a very common incident in another group, and occurs in the ‘Siddhi Kür’ story which I have given as ‘The Prayer making suddenly Rich,’ in ‘Sagas from the Far East;’ and in the third version of ‘Maria de Legno,’ infra, where also the girl is not even seemingly dead. I cannot forbear subjoining a quaint version of the story of Joseph, which was told me, embodying the same incident, though the story of Joseph has usually been identified with the group in which a younger brother is the hero; by Dr. Dasent, among others, who gives several examples, under the name of ‘Boots.’ In the Roman series this group is represented by ‘Scioccolone.’]

Notes in this chapter

Note 1 · ‘Vaccarella,’ ‘dear little cow,’ ‘good little cow.’ The endearment is expressed in the form of the diminutive. ↑Note 2 · ‘Maestra.’ ↑Note 3 · ‘Basta,’ ‘enough,’ ‘to cut a long story short.’ ↑Note 4 · ‘Fatata.’ ↑Note 5 · Note 6 · ‘Carrèvale,’ or ‘corrèvale’—I could not very well distinguish which, and do not know the word. The narrator explained it as like ‘cànapa’—heNote 7 · Note 8 · ‘Novena,’ a short service, with or without a sermon, said for nine days before some great festival, in preparation for it. ↑Note 9 · ‘Pianella,’ a sandal, or slipper without a heel. ‘In those days they used to wear such things instead of shoes,’ commented the old lady as sNote 10 · ‘Botte,’ a very large wine-barrel of a certain measure. ↑Note 11 · Here called ‘buona figlia,’ ‘good daughter.’ There did not seem any reason for this designation. Possibly the narrator had forgotten some inNote 12 · That the cellar should be, as thus appears, on the ground-floor, is very characteristic of Rome, though there are, of course, plenty of undeNote 13 · The ground-floor being used as a cellar, the family lives upstairs. This is a very common arrangement. ↑Note 14 · The reader who has not access to a better rendering of this beautiful legend will find one I have given from Bopp, in ‘Sagas from the Far EaNote 15 · The father, however, did not see it in the same light; but the teacher2 continued sending the same message. In short,3 at last she carried hNote 16 · But the cow was an enchanted cow,4 and when she heard Maria cry she turned round and said quickly and positively:—Note 17 · And go along, cut grass for me!5Note 18 · The surprise of the stepmother was still greater than hers, at finding that she had got through her task so easily, for she had given her enNote 19 · ‘There is no need for me to escape,’ replied Vaccarella; ‘killing will not hurt me. So dry your tears, and don’t be distressed. Only, after Note 20 · Not long after there was a novena8 of a great festival, during which Maria’s stepmother, with all her disposition to overwork her, durst notNote 21 · So it happened each day of the Novena; for, though Maria was not at all displeased with the appearance and fame of the husband whom her ‘deaNote 22 · Down in the cellar there stood a large barrel,10 which had grown dirty and mouldy from neglect, and wanted scalding out. ‘Get into the barreNote 23 · But the stepmother’s own daughter11 had gone down to the cellar to help Maria, unbeknown to her mother; and it so happened that, just as sheNote 24 · By-and-by, when the house was quiet, the bad stepmother went to the barrel, intending to take out the body of Maria and hide it. What was heNote 25 · [The introduction of the wonder-working cow in this second version of the story of Cinderella cannot fail to suggest the idea that it may fiNote 26 · Butta sopr’ alle corna a me, E vatene far l’erba per me.Note 27 · ‘Corno’ is one of the words which (as ‘muro,’ ‘novo,’ ‘braccio,’ ‘dito,’ &c.), masculine in the singular, have a feminine plural. ↑Note 28 · Pallo dorato! Pallo dorato! Vestimi d’oro e dammi l’innamorato.Note 29 · ‘Dorato’ is used for ‘golden’ as well as for ‘gilt.’ The change from ‘palla,’ a ball, to ‘pallo’ is a very considerable license, for the sak
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