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Roderick, the last of the Goths

NOTES. (continued 2)

Reading edition

In the fabulous Chronicle of D. Rodrigo, Sacarus, as he is there called, is a conspicuous personage; but the tale of his emigration was not then current, and the author kills him before the Moors appear upon the stage. He seems to have designed him as a representation of perfect generosity.

All too long, Here in their own inheritance, the sons Of Spain have groan’d beneath a foreign yoke.—IV. p. 43.

There had been a law to prohibit intermarriages between the Goths and Romans; this law Recesuintho annulled[11] observing in his edict, that the people ought in no slight degree to rejoice at the repeal. It is curious that the distinction should have existed so long; but it is found also in a law of Wamba’s, and doubtless must have continued till both names were lost together in the general wreck. The vile principle was laid down in the laws of the Wisigoths, that such as the root is, such ought the branch to be,—gran confusion es de linage, quando el fiyo non semeya al padre, que aquelo ques de la raiz, deba ser en a cima, and upon this principle a law was made to keep the children of slaves, slaves also.

“Many men well versed in history,” says Contador de Argote, (Memorias de Braga, 3. 273.) “think, and think rightly, that this was a civil war, and that the monarchy was divided into two factions, of which the least powerful availed itself of the Arabs as auxiliaries; and that these auxiliaries made themselves masters, and easily effected their intent by means of the divisions in the country.”

“The natives of Spain,” says Joam de Barros, “never bore much love to the Goths, who were strangers and comelings, and when they came had no right there, for the whole belonged to the Roman empire. It is believed that the greater part of those whom the Moors slew were Goths, and it is said that, on one side and on the other, in the course of two years there were slain by the sword seven hundred thousand men. The Christians who escaped chose that the name of Goths should be lost: and though some Castillians complain that the race should be extinguished, saying with Don Jorge Manrique,

Pues la sangre de los Godos y el linage y la nobleza tan crecida, por quantas vias y modos se sume su grande alteza en esta vida,

I must say that I see no good foundation for this; for they were a proud nation and barbarous, and were a long time heretics of the sects of Arius and Eutychius and Pelagius, and can be praised as nothing except as warriors, who were so greedy for dominion, that wherever they reached they laid every thing bare like locusts, and therefore the emperor ceded to them this country. The people who dwelt in it before were a better race, always praised and feared and respected by the Romans, loyal and faithful and true and reasonable: and if the Goths afterwards were worthy of any estimation they became so here: for as plants lose their bitterness and improve by being planted and translated into a good soil (as is said of peaches), so does a good land change its inhabitants, and of rustic and barbarous make them polished and virtuous.

“The Moors did not say that they came against the Christians, but against the Goths, who had usurped Spain; and it appears that to the people of the land it mattered little whether they were under Goths or Moors; or indeed it might not be too much to say that they preferred the Moors, not only because all new things and changes would be pleasing, but because they were exasperated against the Goths for what they had done against the Christians, (i. e. the Catholicks,) and for the bad government of King Witiza.”

“You are not to think,” says the Chronicler, “that Count Don Julian and the Bishop Don Orpas came of the lineage of the Goths, but of the lineage of the Cæsars, and therefore they were not grieved that the good lineage should be destroyed.”—Chr. del K. D. Rodrigo, p. i. c. 248.

Favila.—V. p. 48.

Barrios, taking a punster’s licence in orthography, plays upon the name of Pelayo’s father:—

——del gran Favila (que centella significa) Pelayo, marcial llama, restauro el Leones reyno con aquella luz que alcanzo la victoriosa rama. Coro de las Musas, p. 102.

The Queen too, Egilona,— Was she not married to the enemy, The Moor, the Misbeliever?—V. p. 50.

For this fact there is the unquestionable testimony of Isidorus Pacensis. Per idem tempus in Æra 735, anno imperii ejus 9. Arabum 97. Abdalaziz omnem Hispaniam per tres annos sub censuario jugo pacificans, cum Hispali divitiis et honorum fascibus cum Regina Hispaniæ in conjugio copulata, filias Regum ac Principum pellicatas, et imprudenter distractas æstuaret, seditione suorum facta, orationi instans, consilio Ajub, occiditur; atque eo Hispaniam retinente, mense impleto, Alahor in regno Hesperiæ per principalia jussa succedit, cui de morte Abdallaziz ita edicitur. ut quasi consilio Egilonis Regiæ conjugis quondam Ruderici regis, quam sibi sociaberat, jugum Arabicum a sua cervice conaretur avertere, et regnum in vasum Hiberiæ sibimet retemptare.—Espana Sagrada, t. viii. 302.

Florez relates the story in the words of the old translation of an Arabic original imputed to Rasis. “When Belazin, the son of Muza, remained for Lord of Spain, and had ordered his affairs right well, they told him tidings of Ulaca, who had been the wife of King D. Rodrigo, that she was a right worthy dame, and right beautiful, and of a great lineage, and that she was a native of Africa; whereupon he sent for her, and ordered that beasts should be given her, and much property, and men-servants and maid-servants, and all things that she could require, till she could come to him. And they brought her unto him, and when he saw her, he was well pleased with her, and said, Ulaca, tell me of thy affairs, and conceal nothing from me; for thou knowest I may do with thee according to my will, being my captive. And when she heard this, it increased the grief which she had in her heart, and her sorrow was such, that she had well nigh fallen dead to the ground, and she replied weeping and said, Baron, what wouldst thou know more of my affairs? For doth not all the world know, that I, a young damsel, being married with King D. Rodrigo, was with him Lady of Spain, and dwelt in honour and in all pleasure, more than I deserved; and therefore it was God’s will that they should endure no longer. And now I am in dishonour greater than ever was dame of such high state: For I am plundered, and have not a single palm of inheritance; and I am a captive, and brought into bondage. I also have been mistress of all the land that I behold. Therefore, Sir, have pity upon my misfortunes; and in respect of the great lineage which you know to be mine, suffer not that wrong or violence be offered me by any one; and, Sir, if it be your grace you will ransom me. There are men I know who would take compassion on me, and give you for me a great sum. And Belazin said to her, Be certain that so long as I live, you shall never go from my house. And Ulaca said, What then, Sir, would you do with me? and Belazin said, I will that you should remain in my house, and there you shall be free from all wretchedness, with my other wives. And she said, In an evil day was I born, if it is to be true that I have been wife of the honoured king of Spain, and now have to live in a stranger’s house as the concubine and captive of another! And I swear unto God, whose pleasure it is to dismay me thus, that I will rather seek my own death as soon as I can; for I will endure no more misery, seeing that by death I can escape it. And when Belazin saw that she thus lamented, he said to her, Good dame, think not that we have concubines, but by our law we may have seven wives, if we can maintain them, and therefore you shall be my wife, like each of the others; and all things which your law requires that a man should do for his wife, will I do for you; and therefore you have no cause to lament; and be sure that I will do you much honour, and will make all who love me serve and honour you, and you shall be mistress of all my wives. To this she made answer and said, Sir, offer me no violence concerning my law, but let me live as a Christian: And to this Belazin was nothing loth and he granted it, and his marriage was performed with her according to the law of the Moors; and every day he liked her more, and did her such honour that greater could not be. And it befell that Belazin being one day with Ulaca, she said to him, Sir, do not think it ill if I tell you of a thing in which you do not act as if you knew the custom. And he said, Wherein is it that I err? Sir, said she, because you have no crown, for no one was ever confirmed in Spain, except he had a crown upon his head. He said, This which you say is nothing, for we have it not of our lineage, neither is it our custom to wear a crown. She said, many good reasons are there why a crown is of use, and it would injure you nothing, but be well for you, and when you should wear your crown upon your head, God would know you and others also by it: And she said, You would look full comely with it, and it would be great nobleness to you, and be right fitting, and you should wear in it certain stones, which will be good for you, and avail you. And in a short time afterwards Belazin went to dwell at Seville, and he carried Ulaca with him, and she took of her gold, and of her pearls, and of her precious stones, which she had many and good, and made him the noblest crown that ever was seen by man, and gave it him, and bade him take it, and place it where it should be well kept; and Ulaca, as she was a woman of understanding and prudence, ordered her affairs as well as Belazin, so that he loved her much, and did great honour to her, and did many of those things which she desired; so that he was well pleased with the Christians, and did them much good, and showed favour unto them.”—Memorias de las Reynas Catholicas, 1. p. 28.

The issue of this was fatal to Abdalaziz. In Albucacim’s history, it is said that he was converted by this Christian wife, and for that reason put to death by his father. Others have supposed that by means of her influence he was endeavouring to make himself King of Spain, independent of the Caliph. A characteristic circumstance is added. Egilona was very desirous to convert her husband, and that she might at least obtain from him some mark of outward respect for her images, made the door of the apartment in which she kept them, so low, that he could not enter without bowing.—Bleda, p. 214.

Deixam a Abdalaziz, que de Bellona Mamara o leite, por Rector da Hesperia; Este caza co a inclyta Egilona, Mulher de Dom Rodrigo, (o gram miseria!) Tomou Coroa de ouro, e a Matrona Lhe deu para a tomar larga materia, Foi notado à misera raynha Cazarse com hum Mouro tarn asinha. Destruiçam de Espanha, p. 237.

The Character of this Queen is beautifully conceived by the author of Count Julian:—

Beaming with virtue inaccessible Stood Egilona; for her lord she lived, And for the heavens that raised her sphere so high: All thoughts were on her—all beside her own. Negligent as the blossoms of the field, Arrayed in candour and simplicity, Before her path she heard the streams of joy Murmur her name in all their cadences, Saw them in every scene, in light, in shade, Reflect her image; but acknowledged them Hers most complete when flowing from her most. All things in want of her, herself of none, Pomp and dominion lay beneath her feet Unfelt and unregarded: now behold The earthly passions war against the heavenly! Pride against love; ambition and revenge Against devotion and compliancy— Her glorious beams adversity hath blunted, And coming nearer to our quiet view, The original clay of coarse mortality Hardens and flaws around her.

One day of bitter and severe delight.—VI. p. 60.

I have ventured to borrow this expression from the tragedy of Count Julian. Nothing can be finer than the passage in which it occurs.

Abdalazis. Thou lovest still thy country? Julian. Abdalazis, All men with human feelings love their country. Not the high-born or wealthy man alone, Who looks upon his children, each one led By its gay hand-maid, from the high alcove, And hears them once a-day; not only he Who hath forgotten, when his guest inquires The name of some far village all his own; Whose rivers bound the province, and whose hills Touch the last cloud upon the level sky: No; better men still better love their country. ’Tis the old mansion of their earliest friends, The chapel of their first and best devotions; When violence, or perfidy, invades, Or when unworthy lords hold wassail there, And wiser heads are drooping round its moats, At last they fix their steady and stiff eye There, there alone—stand while the trumpet blows, And view the hostile flames above its towers Spire, with a bitter and severe delight.

Restoring in thy native line, O Prince, The sceptre to the Spaniard.—VII. p. 71.

This was a favourite opinion of Garibays, himself a Biscayan, but he has little better proof for it than the fact, that Gothic names disappeared with Roderick, and that Pelayo and his successors drew their nomenclature from a different stock. He says, indeed, that ancient writings are not wanting to support his opinion. Some rude commentator has written against this assertion in the margin of my copy, miente Garibay; and I am afraid the commentator is the truer man of the two.

There is a fabulous tale of Pelayo’s birth, which, like many other tales of no better authority, has legends and relics to support it. The story, according to Dr. D. Christoval Lozano, in his history of Los Reyes Nuevos de Toledo, is this. Luz, niece to Egilona, and sister of Roderick, dwelt at Toledo, in the palace of King Egica. Duke Favila, her father’s brother, fell in love with her, and came from his residence in Cantabria to ask her in marriage, expecting to find no other obstacle than the dispensable one of consanguinity. But it so happened, that the King was wooing Luz to become his concubine; her refusal made him jealous, as he could not conceive that it proceeded from any cause except love for another, and as his temper and power were not to be provoked without danger, Favila dared not openly make his suit. He and his mistress therefore met in private, and plighted their vows before an image of the Virgin. The consequences soon became apparent,—the more so, because, as Dr Lozano assures us, there were at that time no fashions to conceal such things,—Y mas que en aquella era no se avian inventado los guarda-infantes. The king observed the alteration in her shape, and placed spies upon her, meaning to destroy the child and punish the mother with the rigour of the law, death by fire being the punishment for such an offence. Luz was well aware of the danger. She trusted her Camarera and one servant: They made an ark: She herself, as soon as the infant was born, threw water in his face, and baptised him by the name of Pelayo: a writing was placed with him in the ark, requesting that whoever should find it would breed up the boy with care, for he was of good lineage. Money enough was added to support him for eight years, and the ark was then launched upon the Tagus, where it floated down the stream all night, all day, and all the following night. On the second morning it grounded near Alcantara, and was found by Grafeses, who happened to be Luz’s uncle. The king’s suspicion being confirmed by the sudden alteration in the lady’s appearance, he used every means to detect her, but without avail; he even ordered all children to be examined who had been born in or around Toledo within three months, and full enquiry to be made into the circumstances of their births: To the astonishment of later historians, 35,000 of that age were found, and not one among them of suspicious extraction. The tale proceeds in the ordinary form of romance. The lady is accused of incontinence, and to be burnt, unless a champion defeats her accuser. Favila of course undertakes her defence, and of course is victorious. A second battle follows with the same success, and fresh combats would have followed, if a hermit had not brought the king to repentance. Grafeses in due time discovers the secret, and restores the child to his parents.

This fabulous chronicle seems to be the oldest written source of this story, but some such tradition had probably long been current. The ark was shown at Alcantara, in the convent of St. Benito, and a description of it, with reasons why its authenticity should be admitted, may be found in Francisco de Pisa’s Description de Toledo, l. iii. c. i.

And in thy name, Accept the Crown of Thorns she proffers me.—VII. p. 72.

Godfrey was actually crowned with thorns in Jerusalem,—a circumstance which has given rise to a curious question in heraldry,—thus curiously stated and commented by Robert Barret, in that part of his long poem which relates to this Prince:—

To free man from Hell. A Prince religious, if ever any, Considering the age wherein he lived, Vice-hater great, endued with virtues many, True humilized, void of mundane pride; For though he now created were great king, Yet would he not as royal pomp requires, Encrowned be with crownet glistering Of gold and gems to mundains vain desires; But with a pricking, pricking crown of thorn, Bearing thereto a Christian reverence, Sith Heaven’s King, man’s-Redeemer, did not scorn To wear such crown within that city’s fence, When as, cross-loden, humblely he went, All cowring under burden of that wood, To pay the pain of man’s due punishment, And free from Pluto’s bands Prometheus brood. The foolishness of Heralds. By reas’n of Godfrey’s great humility Refusing golden-crownets dignity, Some blundering in world-witted heraldry, Not knowing how t’ distinguish vertues trye, Do question make this Christian king to set In catalogue of gold-diademed kings; Regarding glitter of the external jet, And not true garnish of th’ internal things; Th’ internal virtues, soul’s sweet ornaments, So pleasing to th’ Eternal’s sacred eyes, In angels chore consorting sweet concents Of heavenly harmony ’bove christal skies. But we, è contra, him not only deem A Christian king, but perfect Christian king, A christal fanal, lamping light divine To after-comer kings, world emp’rizing. For he, religious prince, did not despise The Heaven-sent gift to be anointed king, But disesteem’d the mundane pompous guise Tickling the hearts of princes monarching. Annotacion. Potentates regard this heaven-aspiring Prince, Not priding, as up proves his dignity; High throned kings aspect the starred fence Of this true map of true kings royalty; Not Nembrothizing in cloud-kissing towers, Not Semiramizing in prides palaces, Not Neronizing in all sanguine hours, Not Heliogabalizing in lusts lees; But Joshuadizing in his Christian camp, And Judithizing in his Salem’s seat, And Davidizing in his Sion’s stamp, And Solomonizing in all sacred heat.

Outwatching for her sake The starry host, and ready for the work Of day before the sun begins his course.—VIII. p. 78.

Garci Fernandez Manrique surprised the Moors so often during the night, that he was called Garci Madrugi,—an appellation of the same import as Peep-of-day-boy. He founded the convent of St. Salvador de Palacios de Benagel for Benedictine nuns, and when he called up his merry men, used to say, Up, sirs, and fight, for my nuns are up and praying; Levantaos Señores à pelear, que mis monjas son levantadas a rezar.—Pruebas de la Hist. de la Casa de Lara, p. 42.

Hermesind.—X. p. 88.

Mariana derives the name of Hermesinda from the reverence in which Hermenegild was held in Spain,—a prince who has been sainted for having renounced the Homooisian creed, and raised a civil war against his father in favour of the Homoousian one. It is not a little curious when the fate of D. Carlos is remembered, that his name should have been inserted in the Kalendar, at the solicitation of Philip II.! From the same source Mariana derives the names Hermenisinda, Armengol, Ermengaud, Hermegildez, and Hermildez. But here, as Brito has done with Pelayo, he seems to forget that the name was current before it was borne by the Saint, and the derivations from it as numerous. Its root may be found in Herman, whose German name will prevail over the latinized Arminius.

The glen where Tagus rolls between his rocks.—X. p. 95.

The story of the Enchanted Tower at Toledo is well known to every English reader. It neither accorded with the character of my poem to introduce the fiction, nor would it have been prudent to have touched upon it after Walter Scott. The account of the Archbishop Rodrego, and of Abulcacim, may be found in his notes. What follows here is translated from the fabulous chronicle of King Don Rodrigo.

“And there came to him the keepers of the house which was in Toledo, which they called Pleasure with Pain, the Perfect Guard, the secret of that which is to come; and it was called also by another name, the Honour of God. And these keepers came before the king, and said unto him, Sire, since God hath done thee such good, and such favour as that thou shouldest be king of all Spain, we come to require of thee that thou wouldst go to Toledo, and put thy lock upon the house which we are appointed to keep. And the king demanded of them what house was that, and wherefore he should put upon it his lock. And they said unto him, Sire, we will willingly tell thee that thou mayest know. Sire, true it is, that when Hercules the Strong came into Spain, he made in it many marvellous things in those places where he understood that they might best remain; and thus when he was in Toledo he understood well that that city would be one of the best in Spain; and saw that the kings who should be Lords of Spain, would have more pleasure to continue dwelling therein than in any other part; and seeing that things would come after many ways, some contrariwise to others, it pleased him to leave many enchantments made, to the end that after his death his power and wisdom might by them be known. And he made in Toledo a house, after the manner which we shall now describe, with great mastership, so that we have not heard tell of any other such: The which is made after this guise. There are four lions of metal under the foundation of this house: and so large are they that a man sitting upon a great horse on the one side, and another in like manner upon the other, cannot see each other, so large are the lions. And the house is upon them, and it is entirely round, and so lofty that there is not a man in the world who can throw a stone to the top: And many have attempted this, but they never could. And there is not a man of this age who can tell you by what manner this house was made, neither whose understanding can reach to say in what manner it is worked within. But of that which we have seen without, we have to tell thee. Certes in the whole house there is no stone bigger than the hand of a man, and the most of them are of jasper and marble, so clear and shining that they seem to be crystal. They are of so many colours that we do not think there are two stones in it of the same colour; and so cunningly are they joined one with another, that if it were not for the many colours, you would not believe but that the whole house was made of one entire stone. And the stones are placed in such manner one by another, that seeing them you may know all the things of the battles aforepast, and of great feats. And this is not by pictures, but the colour of the stones, and the great art of joining one with the other, make it appear thus. And sans doubt he who should wish to know the truth of the great deeds of arms which have been wrought in the world, might by means of that house know it. See now in what manner Hercules was wise and fortunate, and right valiant, and acquainted with the things which were to come. And when he was Lord of Spain, he made it after this guise, which we have related unto you. And he commanded that neither King nor Lord of Spain who might come after him, should seek to know that which was within; but that every one instead should put a lock upon the doors thereof, even as he himself did, for he first put on a lock, and fastened it with his key. And after him there has been no King nor Lord in Spain, who has thought it good to go from his bidding; but every one as he came put on each his lock, according to that which Hercules appointed. And now that we have told thee the manner of the house, and that which we know concerning it, we require of thee that thou shouldest go thither, and put on thy lock on the gates thereof, even as all the kings have done who have reigned in Spain until this time. And the King Don Rodrigo hearing the marvellous things of this house, and desiring to know what there was within, and moreover being a man of a great heart, wished to know of all things how they were and for what guise. He made answer, that no such lock would he put upon that house, and that by all means he would know what there was within. And they said unto him, Sire, you will not do that which has never been done in Spain; be pleased therefore to observe that which the other kings have observed. And the king said unto them, Leave off now, and I will appoint the soonest that may be how I may go to see this house, and then I will do that which shall seem good. And he would give them no other reply. And when they saw that he would give them no other reply, they dared not persist farther, and they dispeeded themselves of him, and went their way.

“Now it came to pass that the King Don Rodrigo called to mind how he had been required to put a lock upon the doors of the house which was in Toledo, and he resolved to carry into effect that unto which his heart inclined him. And one day he gathered together all the greatest knights of Spain, who were there with him, and went to see this house, and he saw that it was more marvellous than those who were its keepers had told him, and as he was thus beholding it, he said, Friends, I will by all means see what there is in this house which Hercules made. And when the great Lords who were with him heard this, they began to say unto him that he ought not to do this; for there was no reason why he should do that which never king nor Cæsar, that had been Lord of Spain since Hercules, had done until that time. And the king said unto them, Friends, in this house there is nothing but what may be seen. I am well sure that the enchantments cannot hinder me, and this being so, I have nothing to fear. And the knights said, Do that, sir, which you think good, but this is not done by our counsel. And when he saw that they were all of a different accord from that which he wished to do, he said, Now gainsay me as you will, for let what will happen I shall not forbear to do my pleasure. And forthwith he went to the doors, and ordered all the locks to be opened; and this was a great labour, for so many were the keys and the locks, that if they had not seen it, it would have been a great thing to believe. And after they were unlocked, the king pushed the door with his hand, and he went in, and the chief persons who were there with him, as many as he pleased, and they found a hall made in a square, being as wide on one part as on the other, and in it there was a bed richly furnished, and there was laid in that bed the statue of a man, exceeding great, and armed at all points, and he had the one arm stretched out, and a writing in his hand. And when the king and those who were with him saw this bed, and the man who was laid in it, they marvelled what it might be, and they said, Certes, that bed was one of the wonders of Hercules and of his enchantments. And when they saw the writing which he held in his hand, they showed it to the king, and the king went to him, and took it from his hand, and opened it and read it, and it said thus, Audacious one, thou who shalt read this writing, mark well what thou art, and how great evil through thee shall come to pass, for even as Spain was peopled and conquered by me, so by thee shall it be depopulated and lost. And I say unto thee, that I was Hercules the strong, he who conquered the greater part of the world, and all Spain; and I slew Geryon the Great, who was Lord thereof; and I alone subdued all these lands of Spain, and conquered many nations, and brave knights, and never any one could conquer me, save only Death. Look well to what thou doest, for from this world thou wilt carry with thee nothing but the good which thou hast done.

“And when the king had read the writing he was troubled, and he wished then that he had not begun this thing. Howbeit he made semblance as if it touched him not, and said that no man was powerful enough to know that which is to come, except the true God. And all the knights who were present were much troubled because of what the writing said; and having seen this they went to behold another apartment, which was so marvellous, that no man can relate how marvellous it was. The colours which were therein were four. The one part of the apartment was white as snow; and the other, which was over-against it, was more black than pitch; and another part was green as a fine emerald, and that which was over-against it was redder than fresh blood; and the whole apartment was bright and more lucid than crystal, and it was so beautiful, and the colour thereof so fine, that it seemed as if each of the sides were made of a single stone, and all who were there present said that there was not more than a single stone in each, and that there was no joining of one stone with another, for every side of the whole four appeared to be one solid slab; and they all said, that never in the world had such a work as this elsewhere been made, and that it must be held for a remarkable thing, and for one of the wonders of the world. And in all the apartments there was no beam, nor any work of wood, neither within nor without; and as the floor thereof was flat, so also was the ceiling. Above these were windows, and so many, that they gave a great light, so that all which was within might be seen as clearly as that which was without. And when they had seen the apartment how it was made, they found in it nothing but one pillar, and that not very large, and round, and of the height of a man of mean stature: and there was a door in it right cunningly made, and upon it was a little writing in Greek letters, which said, Hercules made this house in the year of Adam three hundred and six. And when the king had read these letters, and understood that which they said, he opened the door, and when it was opened they found Hebrew letters which said, This house is one of the wonders of Hercules; and when they had read these letters they saw a niche made in that pillar, in which was a coffer of silver, right subtly wrought, and after a strange manner, and it was gilded, and covered with many precious stones, and of great price, and it was fastened with a lock of mother-of-pearl. And this was made in such a manner that it was a strange thing, and there were cut upon it Greek letters which said, It cannot be but that the king, in whose time this coffer shall be opened, shall see wonders before his death: thus said Hercules the Lord of Greece and of Spain, who knew some of those things which are to come. And when the king understood this, he said, Within this coffer lies that which I seek to know, and which Hercules has so strongly forbidden to be known. And he took the lock and broke it with his hands, for there was no other who durst break it: and when the lock was broken, and the coffer open, they found nothing within, except a white cloth folded between two pieces of copper; and he took it and opened it, and found Moors pourtrayed therein with turbans, and banners in their hands and with their swords round their necks, and their bows behind them at the saddle-bow, and over these figures were letters which said, When this cloth shall be opened, and these figures seen, men apparelled like them shall conquer Spain and shall be Lords thereof.

“When the King Don Rodrigo saw this he was troubled at heart, and all the knights who were with him. And they said unto him, Now, sir, you may see what has befallen you, because you would not listen to those who counselled you not to pry into so great a thing, and because you despised the kings who were before you, who all observed the commands of Hercules, and ordered them to be observed, but you would not do this. And he had greater trouble in his heart than he had ever before felt; howbeit he began to comfort them all, and said to them, God forbid that all this which we have seen should come to pass. Nevertheless, I say, that if things must be according as they are here declared, I could not set aside that which hath been ordained, and, therefore, it appears that I am he by whom this house was to be opened, and that for me it was reserved. And seeing it is done, there is no reason that we should grieve for that which cannot be prevented, if it must needs come. And let come what may, with all my power I will strive against that which Hercules has foretold, even till I take my death in resisting it: and if you will all do in like manner, I doubt whether the whole world can take from us our power. But if by God it hath been appointed, no strength and no art can avail against his Almighty power, but that all things must be fulfilled even as to him seemeth good. In this guise they went out of the house, and he charged them all that they should tell no man of what they had seen there, and ordered the doors to be fastened in the same manner as before. And they had hardly finished fastening them, when they beheld an eagle fall right down from the sky, as if it had descended from Heaven, carrying a burning fire-brand, which it laid upon the top of the house, and began to fan it with its wings: and the fire-brand with the motion of the air began to blaze, and the house was kindled and burnt as if it had been made of rosin; so strong and mighty were the flames and so high did they blaze up, that it was a great marvel, and it burnt so long that there did not remain the sign of a single stone, and all was burnt into ashes. And after a while there came a great flight of birds small and black, who hovered over the ashes, and they were so many, that with the fanning of their wings, all the ashes were stirred up, and rose into the air, and were scattered over the whole of Spain; and many of those persons upon whom the ashes fell, appeared as if they had been besmeared with blood. All this happened in a day, and many said afterwards, that all those persons upon whom those ashes fell, died in battle when Spain was conquered and lost; and this was the first sign of the destruction of Spain.”—Chronica del Rey D. Rodrigo, Part I. c. 28. 30.

“Y siendo verdad lo que escriven nuestros Chronistas, y el Alcayde Tarif, las letras que en este Palacio fueron halladas, no se ha de entender que fueron puestas por Hercules en su fundacion, ni por algun nigromantico, como algunos piensan, pues solo Dios sabe las cosas por venir, y aquellos aquien el es servido revelarlas: bien puede ser que fuessen puestas por alguna santa persona aquien nuestro Señor lo oviesse revelado y mandado; como revelo el castigo que avia de suceder del diluvio general en tiempo de Noe, que fue pregonero de la justicia de Dios; y el de las ciudades de Sodoma y Gomorra a Abraham.”—Fran. de Pisa, Descr. de Toledo, l. 2. c. 31.

The Spanish ballad upon the subject, fine as the subject is, is flat as a flounder:—

De los nobilissimos Godos que en Castilla avian reynado Rodrigo rey no el postrero de los reyes que han passado: en cuyo tiempo los Moros todo Espana avian ganado, sino fuera las Asturias que defendio Don Pelayo En Toledo esta Rodrigo al comienço del reynado; vinole gran voluntad de ver lo que esta cerrado en la torre que esta alli, antigua de muchos años. En esta torre los reyes cada uno hecho un canado, porque lo ordenara ansi Hercules el afamado, que gano primero a España de Gerion gran tirano. Creyo el rey que avia en la torre gran thesoro alli guardado; la torre fue luego abierta y quitados los canados; no ay en ella cosa alguna, sola una caxa han hallado. El rey la mandara abrir; un paño dentro se ha hallado, con unas letras latinas que dizen en Castellano, Quando aquestas cerraduras que cierran estos canados, fueren abiertas y visto lo en el paño debuxado, España sera perdida, y toda ella asolada; ganaran la gente estrana como aqui est an figurados, los rostros muy denegridos, los braços arremangados, muchas colores vestidas, en las cabecas tocados, alçadas traeran sus señas en cavallos cavalgando, largas lanças en sus manos, con espadas en su lado. Alarabes se diran, y de aquesta tierra estraños; perderase toda España, que nada no aura fincado. El rey con sus ricos hombres todos se avian espantado, quando vieron las figuras y letras que hemos contado; buelven a cerrar la torre, quedo el rey muy angustiado. Romances nuevamente sacados por Lorenço de Sepulveda, ff. 160. 1564.

Juan Yague de Salas relates a singular part of this miracle, which I have not seen recorded any where but in his very rare and curious poem:—

Cantò como rompidos los candados De la lobrega cueva, y despedidas De sus senos obscuros vozes tristes No bien articuladas, si a remiendos, Repetidas adentro por el ayre, Y una mas bronca se escucho que dize, Desdichado Rey Ro (y acaba digo, Quedando la R submersa entre piçarras) La Coro perderas, y el Man, y el Ce, No dixo el na, ni el do, ni el tro, no dixo; Almenos no se oyo, si bien oyose Por lascivo tirano, y por sobervio, Que ya permite el cielo que el de Meca Castigue por tu causa el Reyno Godo, Por solo que lo riges con mal modo. Los Amantes de Teruel, p. 29.

The Chronica General del Rey Don Alfonso gives a singular account of the first inhabitant of this fatal spot:—

“There was a king who had to name Rocas; he was of the east country from Edom, wherein was Paradise, and for the love of wisdom he forsook his kingdom, and went about the world seeking knowledge. And in a country between the east and the north he found seventy pillars; thirty were of brass, thirty of marble, and they lay upon the ground, and upon them was written all knowledge and the nature of things. These Rocas translated, and carried with him the book in which he had translated them, by which he did marvels. He came to Troy when the people under Laomedon were building the city, and seeing them he laughed. They asked him why, and he replied, that if they knew what was to happen, they would cease from their work. Then they took him and led him before Laomedon, and Laomedon asked him for why he had spoken these words, and Rocas answered, that he had spoken truth, for the people should be put to the sword, and the city be destroyed by fire. Wherefore the Trojans would have slain him, but Laomedon, judging that he spake from folly, put him in prison to see if he would repent. He, fearful of death, by his art sent a sleep upon the guards, and filed off his irons, and went his way. And he came to the seven hills by the Tyber, and there upon a stone he wrote the letters Roma, and Romulus found them, and gave them as a name to his city, because they bore a resemblance to his own.

“Then went King Rocas westward, and he entered Spain, and went round it and through it, till coming to the spot where Toledo stands, he discovered that it was the central place of the country, and that one day a city should there be built, and there he found a cave into which he entered. There lay in it a huge dragon, and Rocas in fear besought the dragon not to hurt him, for they were both creatures of God. And the dragon took such love towards him, that he always brought him part of his food from the chase, and they dwelt together in the cave. One day an honourable man of that land, by name Tartus, was hunting in that mountain, and he found a bear, and the bear fled into the cave, and Rocas in fear addressed him as he had done the dragon, and the bear quietly lay down, and Rocas fondled his head, and Tartus following, saw Rocas how his beard was long, and his body covered with hair, and he thought it was a wild man, and fitted an arrow to his bow, and drew the string. Then Rocas besought him in the name of God not to slay him, and obtained security for himself and the bear under his protection. And when Tartus heard how he was a king, he invited him to leave that den and return with him, and he would give him his only daughter in marriage, and leave him all that he had. By this the dragon returned. Tartus was alarmed, and would have fled, but Rocas interfered, and the dragon threw down half an ox, for he had devoured the rest, and asked the stranger to stop and eat. Tartus declined the invitation, for he must be gone. Then said Rocas to the dragon, My friend, I must now leave you, for we have sojourned together long enough. So he departed, and married, and had two sons, and for love of the dragon he built a tower over the cave, and dwelt there. After his death, one of his sons built another, and King Pirros added more building, and this was the beginning of Toledo.”

Redeemed Magdalen.—X. p. 97.

Lardner published a letter to Jonas Hanway, showing why houses for the reception of penitent harlots ought not to be called Magdalen Houses; Mary Magdalen not being the sinner recorded in the 7th chapter of Luke, but a woman of distinction and excellent character, who laboured under some bodily infirmity, which our Lord miraculously healed.

In the Shibboleth of Jean Despagne, is an article thus entitled: De Marie Magdelaine laquelle faussement on dit avoir este femme de mauvaise vie: Le tort que luy font les Theologiens pour la plus part en leurs sermons, en leurs livres; et specialement la Bible Angloise en l’Argument du 7ᵉ chap. de S. Luc.

“The injury,” says this Hugonot divine, “which the Romish church does to another Mary, the sister of Lazarus, has been sufficiently confuted by the orthodox. It has been ignorantly believed that this Mary, and another who was of Magdala, and the sinner who is spoken of in the 7th of Luke, are the same person, confounding the three in one. We have justified one of the three, to wit, her of Bethany, the sister of Lazarus; but her of Magdala we still defame, as if that Magdalen were the sinner of whom St. Luke speaks.

“Nothing is more common in the mouth of the vulgar than the wicked life of the Magdalen. The preachers who wish to confess souls that are afflicted with horror at their sins, represent to them this woman as one of the most immodest and dissolute that ever existed, to whom, however, God has shown mercy. And, upon this same prejudice, which is altogether imaginary, has been founded a reason why the Son of God having been raised from the dead, appeared to Mary Magdalen before any other person; for, say they, it is because she had greater need of consolation, having been a greater sinner than the others.—He who wrote the Practice of Piety places her with the greatest offenders, even with Manasses, one of the wickedest of men: and to authorise this error the more, it has been inserted in the Bible itself. For the argument to the 7th of Luke in the English version says, that the woman whose sins were in greater number than those of others,—the woman, who till then had lived a wicked and infamous life, was Mary Magdalen. But, 1st, The text gives no name to this sinner: Where then has it been found? Which of the Evangelists, or what other authentic writing, has taught us the proper name or surname of the woman? For she who poured an ointment upon Christ (Matth. xxvi. John, xii.) was not this sinner, nor Mary Magdalen, but a sister of Lazarus. All these circumstances show that they are two different stories, two divers actions, performed at divers times, in divers places, and by divers persons. 2dly, Where do we find that Mary Magdalen ever anointed the feet of our Saviour? 3dly, Where do we find that Mary Magdalen had been a woman of evil life? The gospel tells us that she had been tormented with seven devils or evil spirits, an affliction which might happen to the holiest person in the world: But we do not see even the shadow of a word there which marks her with infamy. Why then do we still adhere to an invention not only fabulous, but injurious to the memory of a woman illustrious in piety? We ought as well to beware of bearing false witness against the dead as against the living.

“It is remarkable that neither the sinner (Luke, vii.) nor the adultress who is spoken of in the 8th of John, are named in the sacred history, any more than the thief who was converted on the cross. There are particular reasons, beyond a doubt, and we may in part conjecture them, why the Holy Spirit has abstained from relating the names of these great sinners, although converted. It is not then for us to impose them; still less to appropriate them to persons whom the Scripture does not accuse of any enormous sins.”

That Egyptian penitent.—X. p. 97.

St. Mary the Egyptian. This is one of those religious romances which may probably have been written to edify the people without any intention of deceiving them. Some parts of the legend are beautifully conceived. An English Romanist has versified it in eight books, under the title of the Triumph of the Cross, or Penitent of Egypt. Birmingham, 1776. He had the advantage of believing his story,—which ought to have acted like inspiration.

The dreadful tale!—X. p. 97.

Amava el Rey la desigual Florinda En ser gentil, y desdeñosa dama, Que quiere amor, que quando un Rey se rinda Desdenes puedan resistir su llama. No fue de Grecia mas hermosa y linda La que le dio por su desdicha fama, Ni desde el Sagitario a Cynosura Se vio en tanto rigor tanta hermosura. Creciò el amor como el desden crecia; Enojose el poder; la resistencia Se fue aumentando, pero no podia Sufrir un Rey sujeta competencia: Estendiose à furor la cortesia, Los terminos passo de la paciencia, Haziendo los mayores desengaños Las horas meses, y los meses años. Cansado ya Rodrigo de que fuesse Teorica el amor, y intentos vanos, Sin que demostracion alguna huviesse, Puso su gusto en pratica de manos: Pues quien de tanto amor no le tuviesse Con los medios mas faciles y humanos, Como tendria entonces sufrimiento De injusta fuerça en el riqor violento? Ansias, congojas, lagrimas y vozes, Amenazas, amores, fuerça, injuria, Pruevan, pelean, llegan, dan ferozes Al que ama, rabia, al que aborrece, furia: Discurren los pronosticos velozes, Que ofrece el pensamiento aquien injuria; Rodrigo teme, y ama, y fuerça, y ella Quanto mas se resiste, està mas bella. Ya viste de jazmines el desmayo Las eludas mexillas siempre hermosas, Ya la verguença del clavel de Mayo, Alexandrinas, y purpureas rosas: Rodrigo ya como encendido rayo, Que no respeta las sagradas cosas, Ni se ahoga en sus lagrimas, ni mueve Porque se abrasse, o se convierta en nieve. Rindiose al fin la femenil flaqueza Al varonil valor y atrevimiento; Quedò sin lustre la mayor belleza Que es de una casta Virgen ornamento: Siguio à la injusta furia la tibieza. Apareciose el arrepentimiento, Que viene como sombra del pecado, Principios del castigo del culpado. Fue con Rodrigo este mortal disgusto, Y quedò con Florinda la vengança, Que le propuso el echo mas injusto Que de muger nuestra memoria alcança: Dizese que no ver en el Rey gusto, Sino de tanto amor tanta mudança Fue la ocasion, que la muger gozada Mas siente aborrecida que forçada. Jerusalen Conquistada, l. 6. ff. 132.

Lope de Vega quotes scripture in proof of the opinion expressed in this last couplet. 2 Kings, ch. xiii.

Old Barret tells the story as Ancient Pistol would have done:—

“In Ulit’s time there regalized in Spain One Roderick, king from the Gothians race’t; Into whose secret heart with silent strain Instretcht the ’sturber of hart pudike chast, Him enamouravizing of a piece, A piece by Nature quaintly symmetrized, Enfayred with beauty as Helen fair of Greece: Count Julian’s daughter of bed-wedlockized, Ycleaped Caba; who in court surshined The rest, as Hesperus the dimmed stars. This piece the king in his Love’s-closet shrined, Survicting her by wile, gold, gems, or forced jars.”

It is thus related in the fabulous Chronicle:—“Despues que el Rey ovo descubierto su coraçon a la Cava, no era dia que la no requiriesse una vez o dos, y ella se defendia con buena razon: empero al cabo como el Rey no pensava cosa como en esto, un dia en la siesta embio con un donzel suyo por la Cava; y ella vino a su mandado; y como en essa hora no avia en toda su camara otro ninguno sino ellos todos tres, el cumplio con ella todo lo que puso. Empero tanto sabed que si ella quisiera dar bozes que bien fuera oyda de la reyna, mas callosse con lo que el Rey quiso fazer.”—P. 1. c. 172.

In this fabulous Chronicle Roderick’s fall is represented as the work of his stars:—“Y aunque a las vezes pensava el gran yerro en que tocava, y en la maldad que su coraçon avia cometido, tanto era el ardor que tenia que lo olvidava todo, y esto acarreava la malandança que le avia de venir, y la destruycion de Espana que avia de aver comienço para se hazer; y quiero vos dezir que su constelacion no podia escusar que esto no passasse assi; y ya Dios lo avia dexado en su discrecion; y el por cosa que fuesse on se podia arredrar que no topasse en ello.”—P. 1. c. 164.

“Certes,” says the fabulous Chronicler, “he was a Lord of greater bounty than ever had been seen before his time.—He used to say, that if all the world were his, he would rather lose it than one friend; for the world was a thing, which if it were lost, might be recovered; but a friend once lost could never be recovered for all the treasure in the world. And because he was thus bountiful, all those of Spain were likewise; and they had the fame of being the most liberal men in the world, especially those of the lineage of the Goths. Never a thing was asked at his hands, whether great or small, to which he could say no; and never king nor other great lord asked aid of him that he denied, but gave them of his treasures and of his people as much as they needed. And doubt not, but that if fortune had not ordered that in his time the lineage of the Goths should be cut off, and Spain destroyed, there was no king or emperor whom he would not have brought into subjection; and if the whole world ought to be placed in the power of one man, (speaking of worldly things,) there never was, nor will be, a man deserving to possess it, save he alone. But as envy is the beginning of all evil, and saw how great was the goodness of this king, she never rested till she had brought about that things should be utterly reversed, even till she had destroyed him. Oh what great damage to the world will it be when God shall consent that so much bounty, and courage, and frankness, and loyalty should be destroyed for ever! All nations ought to clad themselves in wretched weeds one day in the week to mourn for the flower of the world, and especially ought the people of Spain to make such mourning.”—Chronica del Rey Don Rodrigo, p. 1. c. 55.

And again, when the last battle is approaching, he praises the king:—“Y el Rey era el mas esforçado hombre de coraçon que nunca se oyo dezir: y el mas franco de todo lo que podia aver; y preciava mas cobrar amigos que no quanto tesoro pudiesse estar en su reyno, hasta el dia que creyo el consejo del traydor del conde Don Julian; y a maravilla era buen cavallero que al tiempo que el no era rey, no se hallava cavallero que a la su bondad se ygualasse, y tanto sabed que sino por estas malandanças que le vinieron, nunca cavallero al mundo de tales condiciones fue; que nunca a el vino chico ni grande que del se partiesse despagado a culpa suya.”—P. 1. c. 213.

The manner in which Florinda calls upon her father to revenge her is curiously expressed by Lope de Vega:—

Al escrivirle tiemblan pluma y mano, Llega el agravio, la piedad retira, Pues quanto escrive la vengança, tanto Quiere borrar de la verguença el llanto. No son menos las letras que soldados, Los ringlones yleras y esquadrones, Que al son de los suspiros van formados Haciendo las distancias las diciones: Los mayores caracteres, armados Navios, tiendas, maquinas, pendones; Los puntos, los incisos, los acentos Capitanes, Alferez y Sargentos. Breve processo escrive, aunque el sucesso Significar quexosa determina, Pero en tan breve causa, en tal processo La perdicion de España se fulmina. Jerusalen Conquistada, l. 6. ff. 138.

I remember but one of the old poets who has spoken with compassion of Florinda: It is the Portugueze Bras Garcia Mascarenhas, a writer who, with many odd things in his poem, has some fine ones.

Refresca em Covilham a gente aflita, Nam se sabe que nome entam a honrava; Muyto deposis foy Cava Julia dita, Por nascer nella a desditada Cava. Nam a deslustra, antes a acredita Filha que a honra mais que hum Rey presava; Hespanha culpe a força sem desculpa, Nam culpe a bella, que nam teve culpa. Viriato Tragico, Canto ii. St. 118.

Wamba’s wars.—XII. p. 110.

In the valuable history of this king by a contemporary writer, the following character of the French is given:—

“Hujus igitur gloriosis temporibus, Galliarum terra altrix perfidiæ infami denotatur elogio, quæ utique inæstimabili infidelitatis febre vexata, genita a se infidelium depasceret membra. Quid enim non in illa crudele vel lubricum? ubi conjuratorum conciliabulum, perfidiæ signum, obscœnitas operum, fraus negotiorum, vænale judicium, et quod pejus his omnibus est, contra ipsum Salvatorem nostrum et Dominum, Judæorum blasphemantium prostibulum habebatur. Hæc enim terra suo, ut ita dixerim, partu, perditionis suæ sibimet præparavit excidium, et ex ventris sui generatione viperea eversionis suæ nutrivit decipulam. Etenim dum multo jam tempore his febrium diversitatibus ageretur, subito in ea unius nefandi capitis prolapsione turbo infidelitatis adsurgit, et conscensio perfidiæ per unum ad plurimos transit.”—S. Julian, Hist. Wambæ, § 5.—Espana Sagrada, 6. 544.

The bath, the bed, The vigil.—XII. p. 111.

The Partidas have some curious matter upon this subject.

“Cleanliness makes things appear well to those who behold them, even as propriety makes them seemly, each in its way. And therefore the ancients held it good that knights should be made cleanly. For even as they ought to have cleanliness within them in their manners and customs, so ought they to have it without in their garments, and in the arms which they wear. For albeit their business is hard and cruel, being to strike and to slay; yet notwithstanding they may not so far forego their natural inclinations, as not to be pleased with fair and goodly things, especially when they wear them. For on one part they give joy and delight, and on the other make them fearlessly perform feats of arms, because they are aware that by them they are known, and that because of them men take more heed to what they do. Therefore, for this reason, cleanliness and propriety do not diminish the hardihood and cruelty which they ought to have. Moreover, as is aforesaid, that which appears without is the signification of what they have in their inclinations within. And therefore the ancients ordained that the squire, who is of noble lineage, should keep vigil the day before he receives knighthood. And after mid-day the squires shall bathe him, and wash his head with their hands, and lay him in the goodliest bed that may be. And there the knights shall draw on his hose, and clothe him with the best garments that can be had. And when the cleansing of the body has been performed, they shall do as much to the soul, taking him to the church, where he is to labour in watching and beseeching mercy of God, that he will forgive him his sins, and guide him so that he may demean himself well in that order which he is about to receive; to the end that he may defend his law, and do all other things according as it behoveth him, and that he would be his defender and keeper in all dangers and in all difficulties. And he ought to bear in mind how God is powerful above all things, and can show his power in them when he listeth, and especially in affairs of arms. For in his hand are life and death, to give and to take away, and to make the weak strong, and the strong weak. And when he is making this prayer, he must be with his knees bent, and all the rest of the time on foot, as long as he can bear it. For the vigil of knights was not ordained to be a sport, nor for any thing else, except that they, and those who go there, should pray to God to protect them, and direct them in the right way, and support them, as men who are entering upon the way of death.”—Part. ii. Tit. 21. Ley 13.

“When the vigil is over, as soon as it is day, he ought first to hear mass, and pray God to direct all his feats to his service. And afterwards he who is to knight him shall come and ask him, if he would receive the order of knighthood; and if he answereth yea, then shall it be asked him, if he will maintain it as it ought to be maintained; and when he shall have promised to do this, that knight shall fasten on his spurs, or order some other knight to fasten them on, according to what manner of man he may be, and the rank which he holdeth. And this they do to signify, that as a knight putteth spurs on the right and on the left, to make his horse gallop straight forward, even so he ought to let his actions be straight forward, swerving on neither side. And then shall his sword be girt on over his brial.—Formerly it was ordained that when noble men were made knights, they should be armed at all points, as if they were about to do battle. But it was not held good that their heads should be covered, for they who cover their heads do so for two reasons: the one to hide something there which hath an ill look, and for that reason they may well cover them with any fair and becoming covering. The other reason is, when a man hath done some unseemly thing of which he is ashamed. And this in no wise becometh noble knights. For when they are about to receive so noble and so honourable a thing as knighthood, it is not fitting that they should enter into it with any evil shame, neither with fear. And when they shall have girded on his sword, they shall draw it from out the scabbard, and place it in his right hand, and make him swear these three things: first, That he shall not fear to die for his faith, if need be; secondly, For his natural Lord; thirdly, For his country; and when he hath sworn this, then shall the blow on the neck be given him, in order that these things aforesaid may come into his mind, saying, God guard him to his service, and let him perform all that he hath promised; and after this, he who hath conferred the order upon him, shall kiss him, in token of the faith and peace and brotherhood which ought to be observed among knights. And the same ought all the knights to do who are in that place, not only at that time, but whenever they shall meet with him during that whole year.”—Part. ii. Tit. 21. Ley 14.

“The gilt spurs which the knights put on have many significations; for the gold, which is so greatly esteemed, he puts upon his feet, denoting thereby, that the knight shall not for gold commit any malignity or treason, or like deed, that would detract from the honour of knighthood. The spurs are sharp, that they may quicken the speed of the horse; and this signifies that the knight ought to spur and prick on the people, and make them virtuous; for one knight with his virtues is sufficient to make many people virtuous, and on the other hand, he ought to prick a perverse people to make them fearful.”—Tirante il Blanco, p. 1. C. 19. ff. 44.

The Hermit reads to Tirante a chapter from the Arbor de battaglie explaining the origin of knighthood. The world, it is there said, was corrupted, when God, to the intent that he might be loved, honoured, served, and feared once more, chose out from every thousand men one who was more amiable, more affable, more wise, more loyal, more strong, more noble-minded, more virtuous, and of better customs than all the others: And then he sought among all beasts for that which was the goodliest, and the swiftest, and which could bear the greatest fatigue, and might be convenient for the service of man; and he chose the horse, and gave him to this man who was chosen from the thousand; and for this reason he was called cavallero, because the best animal was thus joined to the most noble man. And when Romulus founded Rome, he chose out a thousand young men to be knights, and furno nominati militi porche mille furono fatti in un tempo cavalleri.—P. 1. C. 14. ff. 40.

The custom which some kings had of knighting themselves is censured by the Partidas.—P. ii. T. 21. L. 11. It is there said, that there must be one to give, and another to receive the order. And a knight can no more knight, than a priest can ordain himself.

“When the Infante Hernando of Castile was chosen king of Aragon, he knighted himself on his coronation day:—De que tots los Barons nobles ho tengeren una gran maravella com el matex se feu cavaller, qui segons los dessus dits deyen nenguno pot esser cavaller, sino dones nos fa cavaller de ma de cavaller qui hage lorde de cavalleria.”—Tomich. C. 47. ff. 68.

“The qualifications for a knight, cavallero, or horse-soldier, in the barbarous stage of society, were three: 1st, That he should be able to endure fatigue, hardship, and privations. 2dly, That he should have been used to strike, that his blows might be the more deadly. 3dly, That he should be bloody-minded, and rob, hack, and destroy the enemy without compunction. The persons, therefore, who were preferred, were mountaineers, accustomed to hunting,—carpenters, blacksmiths, stone-cutters, and butchers. But it being found that such persons would sometimes run away, it was then discovered that they who were chosen for cavaliers ought to have a natural sense of shame. And for this reason it was appointed that they should be men of family.”—Partida, ii. T. 21. L. 2. Vegetius, l. 1. c. 7.

The privileges of knighthood were at one time so great, that if the goods of a knight were liable to seizure, they could not be seized where he or his wife were present, nor even where his cloak or shield was to be found.—Part. ii. Tit. 21. Ley 23.

The coated scales of steel Which o’er the tunic to his knees depend.—XII. p. 111.

Canciani (T. 3. p. 34.) gives a representation of Roland from the porch of the Cathedral at Verona, which is supposed to have been built about the beginning of the ninth century. The figure is identified by the inscription on the sword, ... Du-rin-dar-da. The lorica, which Canciani explains, Vestica bellica maculis ferreis contexta, is illustrated by this figure. It is a coat or frock of scale-mail reaching to the knees, and with half sleeves. The only hand which appears is unarmed, as far as the elbow. The right leg also is unarmed, the other leg and foot are in the same sort of armour as the coat. The end of a loose garment appears under the mail. The shield reaches from the chin to the middle of the leg, it is broad enough at the top to cover the breast and shoulder, and slopes gradually off to the form of a long oval.

At every saddle-bow A gory head was hung.—XIV. p. 127.

This picture frequently occurs in the Spanish Chronicles. Sigurd the elder, Earl of Orkney, owed his death to a like custom. “Suddenly clapping spurs to his horse, as he was returning home in triumph, bearing, like each of his followers, one of these bloody spoils, a large front tooth in the mouth of the head which hung dangling by his side, cut the calf of his leg,—the wound mortified, and he died.—The Earl must have been bare-legged.”—Torfæus, quoted in Edmonston’s View of the Zetland Islands, vol. i. p. 33.

In reverence to the priestly character.—XV. p. 135.

“At the synod of Mascou, laymen were enjoined to do honour to the honourable clergy by humbly bowing the head, and uncovering it, if they were both on horseback, and by alighting also if the clergyman were a-foot.”—Pierre de Marca. Hist. de Bearn, l. i. ch. 18. § 2.

Whom not the spoils of Atabalipa Could satisfy insatiate.—XVI. p. 142.

Hernando de Soto,—the history of whose expedition to Florida by the Inca Garcilaso, is one of the most delightful books in the Spanish language.

Nor wicker storehouse for the autumnal grain.—XVI. p. 144.

“Morales (8. 23. 3.), speaking of the Asturians, mentions with wonder their chairs, furniture, and granaries of basket-work, ... las sillas y otras cosas de servicio recias y firmas que hacen entretexidas de mimbres y varas de avellano. Y aun a me no me espantaba en aquella tierra tanto esto como ver los graneros, que ellos llaman los horreos, fabricados desta misma obra de varas entretexidas, y tan tapidas y de tanta firmeza, que sufren gran carga como buenas paredes.”

Covadonga.—XVI. p. 146.

The valley of Covadonga is thus described by the Conde de Saldueña;—and the description is a fair specimen of his poem;—

Yace de Asturias, donde el Sol infante Sus montes con primeras luces baña, De Covadonga el sitio, que triunfante Cuna fue en que nacio la insigne España Vierte en el Sela liquidos cristales Con Buena y Deba, que de la montaña Deben la vida a la fragosa copa, A quien la antiguedad llamò de Europa. Aqui la juventud de un bello llano Compite à flores, luces de la esphera; Y burlando el Invierno y el Verano Eterna vive en el la Primavera: Sobre sus glebas se derrama ufano El prodigioso cuerno de la Fiera De Amaltea, y aromas, y colores Confunden los matices con olores. Robustos troncos, con pobladas ramas Vuelven el sitio rustica Alameda, Y del Sol no permiten a las llamas Lo espeso penetrar de la Arboleda: Pierden sus rayos las ardientes famas, Pues la frondosidad opuesta veda La luz al dia, y denso verde muro Crepusculo le viste al ayre puro. Sigeiendo la ribera de Peonia Al Oriente Estival, y algo inclinado A la parte que mira al medio dia, Otro valle se vè mas dilatado: A la derecha de esta selva umbria Reynazo corre, que precipitado Va à dar à Bueña en liquidos abrazos Su pobre vena en cristalinos lazos. Sin passar de Reynazo el successivo Curso, dexando presto su torrente, Con el cristal se encuentra fugitivo De Deba, a quien la Cueba dio la fuente: La admiracion aqui raro motivo Vè, formando la senda su corriente, Pues lo estrecho del sitio peñascoso Hace camino del licor undoso. Hecho serpiente Deva del camino En circulo se enrosca tortuoso, Vomitando veneno cristalino En el liquido aljofar proceloso: En las orillas con vivaz destino, En tosigo se vuelve, que espumoso Inficiona lethal al pie ligero, Quando le pisa incanto el passagero. Ya de este valle cierran las campañas, Creciendo de sus riscos la estatura, Desmesuradas tanto las montanas Que ofuscan ya del Sol la lumbre pura Son rusticos los lados, las entrañas Del valle visten siempre la hermosura Fronsidad el ayre, y de colores El suelo texe alfombra de primores. Aunque los montes con espesas breñas El lado al sitio forman horroroso, Y contra su verdor desnudas peñas Compiten de lo llano lo frondoso; Pintados pajarillos dulces senas Al son del agua en trino sonoroso De ignorados idiomas en su canto Dan con arpados picos dulce encanto. Lo ultimo de este valle la alta sierra De Covadonga ocupa, donde fuerte Se expone el Heroe al juego de la guerra, Sin temor negro ocaso de la suerte: Los que animosos este sitio encierra El ceño despreciando de la muerte, Su pecho encienden en la altiva llama Que no cabra en las trompas de la Fama. De Diba en ella la preciosa fuente Al llano brota arroyos de cristales, Donde en pequena balsa su corriente Se detiene en suspensos manantiales Despues se precipita su torrente Quanto sus ondas enfreno neutrales, Con sonoroso ruido de la peña El curso de sus aguas se despeña. Cierra todo este valle esta robusta Peña, donde la Cueva està divina, Que amenaza tajada a ser injusta Del breve llano formidable ruina: Parece quiere ser con saña adusta Seco padron, y fiera se destina A erigirse epitafio peñascoso, Sepultando su horror el sitio hermoso. De piedra viva tan tremenda altura Que la vista al mirarla se estremece; Vasta grena se viste, y la hermosura De la fertilidad seca aborrece: Es tan desmesurada su estatura Que estrecha el ayre, y barbara parece Que quiere que la sirvan de Cimera Las fulminantes luces de la Esphera. Como a dos picas en la peña dura Construye en circo una abertura rara, De una pica de alto, y dos de anchura, Rica de sombras su mansion avara: Ventana, ò boca de la cueva obscura Donde el Sol no dispensa su luz clara, Tan corta, que su centro tenebroso Aun no admite crepusculo dudoso. En este sitio puez, donde compite La rustiquez con las pintadas flores, Puez la pelada sierra no permite A la vista, sino es yertos horrores: Por el contrario el llano que en si admite De los bellos matices los primores, Efecto siendo de naturaleza La union en lo fealdad, y la belleza. A tiorba de cristal las dulces aves Corresponden en trinos amorosos, Vertiendo en blando son tonos suaves Ecos los ayres beben harmoniosos: Enmudecen su canto quando graves Bemoles gorgeando mas preciosos, Es maestro à la barbara Capilla El Ruyseñor, plumada maravilla. Elige este distrito la Divina Providencia à lo grave de la hazaña, Pues aqui su justicia determina La monarquia fabricar de España: A las cortas reliquias, que à la ruina Reservò su piedad, enciende en saña Religiosa, que à Imperio sin regunda Abra futura llave Nuevo Mundo. El Pelayo, Cant. ix.

Christoval de Mesa also describes the scene.

Acercandose mas, oye el sonido Del agua, con un manso y sordo ruydo, El qual era de quatro claras fuentes Que estavan de la ermita en las esquinas, Cuyas puras de plata aguas corrientes Mostro la blanca Luna cristalinas; Y corriendo por partes diferentes Eran de grande maravilla dignas, Y en qualquiera de todas por su parte Naturaleza se esmero con arte. La una mana de una viva pena, Y qual si tambien fuera el agua viva, Parte la bana, y parte se despeña Con rapida corriente fugitiva: Despues distinto un largo arroyo enseña Que por diversas partes se derriba, Con diferente curso en vario modo, Hasta que a donde nace buelve todo. Otra, que alta descubre ancho Orizonte, Como agraviada del lugar segundo Sustenta un monstruo que parece un monte, Qual Atlante que tiene en peso el mundo: Y como suele el caudaloso Oronte Dar el ancho tributo al mar profundo, Assi se arroja con furiosas ondas, Por las partes mas baxas y mas hondas. Sale bramando la tercera fuente, Como un mar, y despues por el arena Va con tan mansa y placida corriente Tan grata y sossegada, y tan serena, Que a las fieras, ganados, peces, gente, Puede aplacar la sed, menguar la pena, Y da despues la buelta, y forma el cuerno De la Luna, imitando el curso eterno. Nace la quarta de una gran caverna, Y siguiendo su prospera derrota Parece que por arte se govierna, Segun va destilando gota a gota: No vido antigua edad, edad moderna En region muy propinqua, o muy remota, Fuente tan peregrina, obra tan nueva, En gruta artificiosa, o tosca cueva. Restauracion de Espana, Lib. 2. ff. 27.

Morales has given a minute description both of the scenery and antiquities of this memorable place. The Conde de Saldueña evidently had it before him. I also am greatly indebted to this faithful and excellent author.

The timid hare soon learns that she may trust The solitary penitent, and birds Will light upon the hermit’s harmless hand.—XVII. p. 154.

Con mil mortificaciones Sus passiones crucifican, Porque ellas de todo mueran Porque el alma solo viva. Hazen por huyr al ocio Cestos, y espuertas texidas De las hojas de las palmas Que alli crecen sin medida. Los arboles, y las plantas Porque a su gusto los sirvan Para esto vergas offrecen, De las mas tiernas que crian. Tambien de corcho hazen vasos Cuentas, Cruzes, y baxillas, Cuyo modo artificioso. El oro, y la plata embidian, Este los cilicios texe, Aquel haze disciplinas, El otro las calaveras En tosco palo esculpidas. Uno a sombra del aliso, Con la escritura divina Misticos sentidos saca De sus literales minas. Otro junto de la fuente Que murmura en dulce risa Mira en los libros las obras De los santos Eremitas. Qual cerca del arroyuelo Que saltando corre aprissa, Discurre como a la muerte Corre sin parar la vida. Qual con un Christe abraçado Besandole las heridas, Herido de sus dolores A sus pies llora, y suspira. Qual en las flores que al campo Entre esmeraldas matizan, Las grandezas soberanas Del immenso autor medita. Qual subida en las piçarras Que plata, y perlas distilan, Con lagrimas acrecienta Su corriente cristalina. Qual a las fieras convoca, Las aves llama, y combida A que al criador de todo Alaben agradecidas. Qual immoble todo el cuerpo, Con las acciones perdidas, Tiene arrebatada el alma Alla donde amando anima. Y de aquel extasi quando Parece que resuscita, Dize con razon que muere Porque no perdio lo vida. La fuerça de amor a vezes Sueño, y reposo los quita, Y saliendo de su estancia Buscan del Cielo la vista. Quando serena la noche Clara se descubre Cynthia, Bordando de azul, y plata El postrer mobil que pisa; Quando al oro de su hermano No puede tener embidia, Que llena del que le presta Haze de la noche dia; Del baculo acompañado El amante Anachorita Solo por las soledades Solitarios pasos guia. Y parando entre el silencio Las claras estrellas mira Que le deleitan por obra De la potencia divina. En altas bozes alaba Sin tener quien se lo impida Al amador soberano Cuya gracia solicita. Contempla sus perfeciones, Sus grandezas soleniza, Sus misericordias canta, Sus excelencias publica. La noche atenta entre tanto Callando porque el prosiga, Cruxen los vezinos ramos, Y blando el viento respira. Gimen las aves nocturnas Por hazerle compania, Suenan las fuentes, y arroyos, Retumban las penas frias. Todo ayuda al solitario, Mientras con el alma fixa En sus queridos amores Contemplandolos se alivia. Soledades de Busaco.

Fuller, the Worthy, has a beautiful passage in his Church History concerning “Primitive Monks with their Piety and Painfulness.”—“When the furnace of persecution in the infancy of christianity was grown so hot, that most cities, towns, and populous places were visited with that epidemical disease, many pious men fled into deserts, there to live with more safety, and serve God with less disturbance. No wild humour to make themselves miserable, and to choose and court their own calamity, put them on this project, much less any superstitious opinion of transcendant sanctity in a solitary life, made them willingly to leave their former habitations. For whereas all men by their birth are indebted to their country, there to stay and discharge all civil relations, it had been dishonesty in them like bankrupts to run away into the wilderness to defraud their country, their creditor, except some violent occasion (such as persecution was) forced them thereunto; and this was the first original of monks in the world, so called from μόνος, because living alone by themselves.

“Here they in the deserts hoped to find rocks and stocks, yea beasts themselves, more kind than men had been to them. What would hide and heat, cover and keep warm, served them for clothes, not placing (as their successors in after ages) any holiness in their habit, folded up in the affected fashion thereof. As for their food, the grass was their cloth, the ground their table, herbs and roots their diet, wild fruits and berries their dainties, hunger their sauce, their nails their knives, their hands their cups, the next well their wine-cellar; but what their bill of fare wanted in cheer it had in grace, their life being constantly spent in prayer, reading, musing, and such like pious employments. They turned solitariness itself into society; and cleaving themselves asunder by the divine art of meditation, did make of one, two or more, opposing, answering, moderating in their own bosoms, and busy in themselves with variety of heavenly recreations. It would do one good even but to think of their goodness, and at the rebound and second hand to meditate upon their meditations. For if ever poverty was to be envied it was here. And I appeal to the moderate men of these times, whether in the height of these woeful wars, they have not sometimes wisht (not out of passionate distemper, but serious recollection of themselves) some such private place to retire unto, where, out of the noise of this clamorous world, they might have reposed themselves, and served God with more quiet.”

None but that heavenly Father, who alone Beholds the struggles of the heart, alone Sees and rewards the secret sacrifice.—XVIII. p. 163.

Meu amor faça em Deos seu fundamento Em Deos, que so conhece e so estima A nobreza e o valor de hum pensamento. Fernam Alvares do Oriente.

Sindered.—XVIII. p. 163.

“Per idem tempus divinæ memoriæ Sinderedus urbis Regiæ Metropolitanus Episcopus sanctimoniæ studio claret; atque longævos et merito honorabiles viros quos in suprafata sibi commissa Ecclesia repetit, non secundum scientiam zelo sanctitatis stimulat, atque instinctu jam dicti Witizæ Principis eos sub ejus tempore convexare non cessat; qui et post modicum incursus Arabum expavescens, non ut pastor, sed ut mercenarius, Christi oves contra decreta majorum deserens, Romanæ patriæ sese adventat.”—Isid. Pacensis, Espana Sagrada, T. 8. p. 298.

“E assi como el Arçobispo fue cierto de la mala andança partio de Cordova; y nunca cesso de andar dia ni noche fasta que llego a Toledo; y no embargante que el era hombre de buena vida, no se quiso mostrar por tal como deviera ser, y sufrir antes martyrio por amor de Jesu Christo y esforçar los suyos, porque se defendiessen, y que las gentes no desamparassen la tierra; ca su intencion fue de ser confessor antes que martyr.”—Cor. del K. D. Rodrigo, p. 2. C. 48.

While the Church Keeps in her annals the deserter’s name, But from the service which with daily zeal Devout her ancient prelacy recalls, Blots it, unworthy to partake her prayers.—XVIII. p. 163.

“Je ne serois pas en grande peine,” says Pierre de Marca, “de rechercher les noms des Evesques des Bearn, si la saincte et louable pratique des anciens Peres d’inserer dans les Diptyches, et cayers sacrés de chascune Eglise, les noms des Evesques orthodoxes, et qui estoient decedés dans la communion de l’Eglise Catholique, eust este continuée jusqu’aux derniers siècles. Et je pourrois me servir en cette rencontre du moyen que l’Empereur Justinian et le cinquiesme Concile General employerent, pour sçavoir si Theodore Evesque de Mopsuestie estoit reconnu apres sa mort pour Evesque de l’Eglise qu’il avoit possedée durant sa vie. Car ils ordonnerent a l’Evesque et au Clergé de cette ville, de revoir les Diptyches de leur Eglise, et de rapporter fidellement ce qu’ils y trouveroient. Ce qu’ayant exécuté diligemment, ils firent rapport qu’apres avoir fueilleté quatre divers cayers en parchemin, qui estoient leurs Diptyches, ils y avoient trouvé le nom de tous les Evesques de ce siege; horsmis qu’en la place de Theodore, avoit esté substitué le nom de Cyrille, qui estoit le Patriarche d’Alexandrie; lequel présidant au Concile d’Ephese avoit condamné l’heresie de Nestorius et de Theodore de Mopsuestie. D’ou il apert que les noms de tous les Evesques depuis l’origine et l’establissement de chascune des Eglises estoient enregistrés dans les cayers que l’on appelloit Diptyches, et que l’on les recitoit nom par nom en leur lieu, pendant la celebration de la Liturgie, tant pour tesmoigner la continuation de la communion avec les Evesques decedés, que l’on avoit euë avec euxmesmes vivans, qu’afin de procurer par les prieres publiques, et par l’efficace du Sacrifice non sanglant, en la celebration du quel ils estoient recommendés a Dieu, suivant l’ordonnance des Apostres, un grand profit, soulagement, et refraichissement pour leurs ames, comme enseignent Cyrille de Hierusalem, Chrysostome, et Epiphane.”—Histoire de Bearn, l. 4. c. 9. § 1.

“Some time before they made oblation for the dead, it was usual in some ages to recite the names of such eminent bishops, or saints, or martyrs, as were particularly to be mentioned in this part of the service. To this purpose they had certain books, which they called their Holy Books, and commonly their Diptychs, from their being folded together, wherein the names of such persons were written, that the deacon might rehearse them as occasion required in the time of divine service. Cardinal Bona and Schelstrate make three sorts of these Diptychs; one wherein the names of bishops only were written, and more particularly such bishops as had been governors of that particular church: a second, wherein the names of the living were written, who were eminent and conspicuous either for any office and dignity, or some benefaction and good work, whereby they had deserved well of the church; in this rank were the patriarchs and bishops of great sees, and the bishop and clergy of that particular church: together with the emperors and magistrates, and others most conspicuous among the people; the third was the book containing the names of such as were deceased in catholic communion.—These therefore were of use, partly to preserve the memory of such eminent men as were dead in the communion of the church, and partly to make honourable mention of such general councils as had established the chief articles of the faith: and to erase the names either of men or councils out of these Diptychs, was the same thing as to declare that they were heterodox, and such as they thought unworthy to hold communion with, as criminals, or some way deviating from the faith. Upon this account St. Cyprian ordered the name of Geminius Victor to be left out among those that were commemorated at the holy table, because he had broken the rules of the church. And Evagrius observes of Theodorus bishop of Mopsuestia, that his name was struck out of the Holy Books, that is, the Diptychs, upon the account of his heretical opinions, after death. And St. Austin, speaking of Cæcilian, Bishop of Carthage, whom the Donatists falsely accused of being ordained by Traditores, or men who had delivered up the Bible to be burned in the times of persecution, tells them that if they could make good any real charge against him, they would no longer name him among the rest of the bishops, whom they believed to be faithful and innocent, at the altar.”—Bingham, b. 15. ch. 3. sect. 17.

Orary.—XVIII. p. 164.

“The Council of Laodicea has two canons concerning the little habit called the Orarium, which was a scarf or tippet to be worn upon the shoulders; and might be used by bishops, presbyters, and deacons, but not by subdeacons, singers, or readers, who are expressly debarred the use of it in that council.—The first council of Braga speaks of the tunica and the orarium as both belonging to deacons. And the third council of Braga orders priests to wear the orarium on both shoulders when they ministered at the altar. By which we learn that the tunica or surplice was common to all the clergy, the orarium on the left shoulder proper to deacons, and on both shoulders the distinguishing badge of priests.—The fourth council of Toledo is most particular in these distinctions. For in one canon it says, that if a bishop, presbyter, or deacon, be unjustly degraded, and be found innocent by a synod, yet they shall not be what they were before, unless they receive the degrees they had lost from the hands of the bishops before the altar. If he be a bishop, he must receive his orarium, his ring, and his staff: if a presbyter, his orarium and planeta: if a deacon, his orarium and alba. And in another canon, that the deacon shall wear but one orarium, and that upon his left shoulder, wherewith he is to give the signal of prayers to the people. Where we may observe also the reason of the name orarium in the ecclesiastical sense ab orando, from praying, though in common acceptation it signifies no more than an handkerchief to wipe the face, and so comes ab ore, in which signification it is sometimes used by St. Ambrose and St. Austin, as well as by the old Roman authors. But here we take it in the ecclesiastical sense for a sacred habit appropriated to bishops, priests, and deacons, in the solemnities of divine service, in which sense it appears to have been a habit distinct from that of civil and common use, by all the authorities that have been mentioned.”—Bingham, b. 13. c. 8. sect. 2.

Nor wore he mitre here, Precious or auriphrygiate.—XVIII. p. 164.

“Mitræ usus antiquissimus est, et ejus triplex est species: una quæ pretiosa dicitur, quia gemmis et lapidibus pretiosis, vel laminis aureis, vel argenteis contexta esse solet; altera auriphrygiata sine gemmis, et sine laminis aureis vel argenteis; sed vel aliquibus parvis margaritis composita, vel ex serico albo auro intermisto, vel ex tela aurea simplici sine laminis et margaritis; tertia, quæ simplex vocatur, sine auro, ex simplici sirico Damasceno, vel alio, aut etiam linea, ex tela alba confecta, rubeis laciniis seu frangiis et vittis pendentibus. Pretiosa utitur Episcopus in solemnioribus festis, et generaliter quandocumque in officio dicitur hymnus Te Deum laudamus, &c. et in missa Gloria in excelsis Deo. Nihilominus in eisdem festis etiam auriphrygiata uti poterit, sed potius ad commoditatem quam ex necessitate; ne scilicet Episcopus nimis gravetur, si in toto officio pretiosa utatur: propterea usu receptum est, tam in Vesperis, quam in Missis, ut pretiosa utatur Episcopus in principio et in fine Vesperarum et Missarum solemnium, ac eundo ad Ecclesiam et redeundo ab ea; et quando lavat manus et dat benedictionem solemnem. Intermedio autem spatio loco pretiosæ accipit auriphrygiatam.—Auriphrygiata mitra utitur Episcopus ab Adventu Domini usque ad festum Nativitatis, excepta Dominica tertia Adventus, in qua dicitur Introitus Gaudete, &c. ideoque in signum lætitiæ utitur tunc pretiosa. Item a Septuagesima usque ad feriam quartam majoris hebdomadæ inclusivè, excepta Dominica quarta Quadragesimæ, in qua dicitur Introitus Lætare, &c. Item in omnibus vigiliis, quæ jejunantur, et in omnibus quatuor temporibus; in Rogationibus, Litaniis et processionibus, quæ ex causa penitentiæ fiunt; in festo Innocentium, nisi veniat in Dominica; et benedictionibus, et consecrationibus, quæ private aguntur. Quibus quidem temporibus abstinet, Episcopus a mitra pretiosa. Poterit tamen Episcopus dum utitur auriphrygiata, uti etiam simplici eodem modo et forma, prout de pretiosa et auriphrygiata dictum est. Simplici vero mitra utitur Episcopus feria sexta in Parasceve, et in officiis et Missis defunctorum.”—Cæremoniale Episcoporum, l. 1. c. 17.

The pall Of wool undyed, which on the Apostle’s tomb Gregory had laid.—XVIII. p. 164.

“By the way, the pall is a pontifical vestment, considerable for the matter, making, and mysteries thereof. For the matter, it is made of lamb’s wooll and superstition. I say of lamb’s wooll, as it comes from the sheep’s back, without any other artificiall colour, spun, say some, by a peculiar order of nunnes, first cast into the tombe of St. Peter, taken from his body, say others, surely most sacred if from both; and superstitiously adorned with little black crosses. For the form thereof; the breadth exceeded not three fingers, one of our bachelours’ lambskin hoods in Cambridge would make three of them, having two labells hanging down before and behind, which the archbishops onely, when going to the altar, put about their necks, above their other pontificall ornaments. Three mysteries were couched therein. First, Humility, which beautifies the clergy above all their costly copes. Secondly, Innocency, to imitate lamb-like simplicitie. And, Thirdly, Industry, to follow him who fetched his wandering sheep home on his shoulders. But to speak plainly, the mystery of mysteries in the pall was, that the archbishops receiving it shewed therein their dependence on Rome; and a mote in this manner ceremoniously taken was a sufficient acknowledgement of their subjection. And as it owned Rome’s power, so in after ages it increased their profit. For, though now such palls were freely given to archbishops, whose places in Britain for the present were rather cumbersome than commodious, having little more than their paines for their labour; yet in after ages the archbishop of Canterburie’s pall was sold for five thousand florenes, so that the pope might well have the golden fleece if he could sell all his lamb’s wooll at that rate. Onely let me add, that the author of Canterbury-book stiles this pall Tanquam grande Christi Sacramentum. It is well tanquam came in to help it, or else we should have had eight sacraments.”—Fuller’s Church History, page 71.

The relics and the written works of Saints, Toledo’s choicest treasure, prized beyond All wealth, their living and their dead remains; These to the mountain fastnesses he bore Of unsubdued Cantabria, there deposed, One day to be the boast of yet unbuilt Oviedo, and the dear idolatry Of multitudes unborn.—XVIII. p. 163.

“Among those,” says Morales, “who then passed from Toledo to Asturias, was the archbishop of Toledo, named Urban.—He, with a holy foresight, collected the sacred relics which he could, and the most precious books of his own church and of others, determining to carry them all to the Asturias, in order that the holy relics might not be profaned or treated with little reverence by the infidels; and that the books of the Holy Scriptures, and of the ecclesiastical offices, and the works of our holy doctors, might not be lost.—And although many relics are mentioned which the archbishop then carried from Toledo, especial mention is made of a holy ark full of many and most remarkable relics, which through divers chances and dangers, had been brought from Jerusalem to Toledo, and of which all that is fitting shall be related in its place, if it please God that this history should proceed. It is also expressly said, that the cope which Our Lady gave to St. Ildefonso, was then carried to the Asturias with the other relics; and being so capital a relic, it was a worthy thing to write of it thus particularly. Of the sacred books which were saved at that time, there are specified the Holy Scriptures, the Councils, the works of St. Isidore, and St. Ildefonso, and of St. Julian the archbishop of Toledo. And as there is at this day in the church of Oviedo that holy ark, together with many others of the relics which were then removed, so do I verily believe that there are in the library of that church three or four books of those which were then brought from Toledo. I am led to this belief by seeing that they are written in a form of Gothic letters, which being compared with writings six hundred years old, are without doubt much older, and of characters so different, that they may well be attributed to the times of the Goths. One is the volume of the Councils, another is a Santoral, another contains the books of St. Isidore de Naturis Rerum, with other works of other authors. And there are also some leaves of a Bible.—To put these sacred relics in greater security, and avoid the danger of the Moors, they hid them in a cave, and in a sort of deep pit therein, two leagues from the city of Oviedo, (which was not at that time built,) in a mountain, which was for this reason called Montesacro. It is now by a slight corruption called Monsagro; and the people of that country hold the cave in great veneration, and a great romery, or pilgrimage, is made on St. Magdalen’s day.”—Morales, l. 12. c. 71.

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