Practical Cinematography and Its Applications
Frederick Arthur Ambrose Talbot
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Table of contents
1. Front matter2. PREFACE3. CHAPTER I ATTRACTIONS AND OPPORTUNITIES OF THE ART4. CHAPTER II THE PRINCIPLES OF CINEMATOGRAPHY5. CHAPTER III THE MOVING-PICTURE CAMERA AND ITS MECHANISM6. CHAPTER IV THE CAMERA AND HOW TO USE IT7. CHAPTER V HAND CAMERA CINEMATOGRAPHY8. CHAPTER VI DEVELOPING THE FILM9. CHAPTER VII PRINTING THE POSITIVE10. CHAPTER VIII ABERRATIONS OF ANIMATED PHOTOGRAPHY11. CHAPTER IX SLOWING DOWN RAPID MOVEMENTS12. CHAPTER X SPEEDING-UP SLOW MOVEMENTS13. CHAPTER XI CONTINUOUS CINEMATOGRAPHIC RECORDS14. CHAPTER XII RADIO-CINEMATOGRAPHY: HOW THE X-RAYS ARE USED IN CONJUNCTION WITH THE MOVING-PICTURE CAMERA15. CHAPTER XIII COMBINING THE MICROSCOPE AND THE ULTRA-MICROSCOPE WITH THE MOVING-PICTURE CAMERA16. CHAPTER XIV MICRO-MOTION STUDY: HOW INCREASED WORKSHOP EFFICIENCY IS OBTAINABLE WITH MOVING PICTURES17. CHAPTER XV THE MOTION PICTURES AS AN AID TO SCIENTIFIC INVESTIGATION18. CHAPTER XVI THE MILITARY VALUE OF THE CINEMATOGRAPH19. CHAPTER XVII THE PREPARATION OF EDUCATIONAL FILMS20. CHAPTER XVIII PHOTO-PLAYS AND HOW TO WRITE THEM21. CHAPTER XIX RECENT DEVELOPMENTS IN STAGE PRODUCTIONS22. CHAPTER XX WHY NOT NATIONAL CINEMATOGRAPH LABORATORIES?23. INDEX