Note 25 — Chapter II · THE THEORY OF POETICAL DICTION IN THE EIGHTEENTH CENTURY

Vide especially Babbitt, “The New Laocoon, An Essay on the Confusion of the Arts” (1910), to which these paragraphs are indebted; and for a valuable survey of the relations of English poetry with painting and with music, see “English Poetry in Its Relation to Painting and the other Arts,” by Laurence Binyon (London, 1919), especially pp. 15-19.