JAMES RUSSELL LOWELL
Reading edition
WITH BIOGRAPHICAL SKETCH BY NATHAN HASKELL DOLE
NEW YORK THOMAS Y. CROWELL & CO. PUBLISHERS
Copyright, 1892, 1898, By T. Y. CROWELL & CO.
Norwood Press J. S. Cushing & Co.—Berwick & Smith Norwood Mass. U.S.A.
CONTENTS.
PAGE
Biographical Sketchix
EARLY POEMS.
Sonnet1
Hakon's Lay1
Out of Doors2
A Reverie4
In Sadness6
Farewell7
A Dirge10
Fancies about a Rosebud15
New Year's Eve, 184417
A Mystical Ballad20
Opening Poem to A Year's Life23
Dedication to Volume of Poems entitled A Year's Life24
The Serenade24
Song26
The Departed27
The Bobolink30
Forgetfulness32
Song33
The Poet34
Flowers35
The Lover39
To E. W. G.40
Isabel42
Music43
Song46
Ianthe48
Love's Altar52
Impartiality54
Bellerophon54
Something Natural58
A Feeling58
The Lost Child59
The Church60
The Unlovely61
Love-Song62
Song63
A Love-Dream65
Fourth of July Ode66
Sphinx67
"Goe, Little Booke!"69
Sonnets71
Sonnets on Names82
MISCELLANEOUS POEMS.
Threnodia85
The Sirens87
Irené90
Serenade93
With a Pressed Flower93
The Beggar94
My Love95
Summer Storm97
Love100
To Perdita, Singing101
The Moon103
Remembered Music104
Song105
Allegra105
The Fountain106
Ode107
The Fatherland112
The Forlorn112
Midnight114
A Prayer115
The Heritage116
The Rose: A Ballad118
A Legend of Brittany120
Prometheus139
Song147
Rosaline148
The Shepherd of King Admetus151
The Token152
An Incident in a Railroad Car153
Rhœcus156
The Falcon160
Trial161
A Requiem161
A Parable162
A Glance behind the Curtain164
Song172
A Chippewa Legend172
Stanzas on Freedom176
Columbus176
An Incident of the Fire at Hamburg183
The Sower185
Hunger and Cold187
The Landlord189
To a Pine-Tree190
Si Descendero in Infernum, Ades191
To the Past192
To the Future194
Hebe196
The Search197
The Present Crisis199
An Indian-Summer Reverie203
The Growth of the Legend211
A Contrast213
Extreme Unction214
The Oak216
Ambrose217
Above and Below219
The Captive220
The Birch-Tree223
An Interview with Miles Standish224
On the Capture of Certain Fugitive Slaves near Washington228
To the Dandelion230
The Ghost-Seer231
Studies for Two Heads236
On a Portrait of Dante by Giotto239
On the Death of a Friend's Child240
Eurydice242
She Came and Went245
The Changeling245
The Pioneer247
Longing248
Ode to France249
A Parable254
Ode255
Lines257
To ——258
Freedom259
Bibliolatres261
Beaver Brook262
Appledore263
Dara265
TO J. F. H.267
MEMORIAL VERSES.
Kossuth268
To Lamartine269
To John G. Palfrey271
To W. L. Garrison273
On the Death of C. T. Torrey274
Elegy on the Death of Dr. Channing275
To the Memory of Hood277
Sonnets278
L'envoi289
The Vision of Sir Launfal293
A Fable for Critics303
The Biglow Papers357
The Unhappy Lot of Mr Knott471
An Oriental Apologue496
JAMES RUSSELL LOWELL.
BIOGRAPHICAL SKETCH.
In the year 1639 Percival Lowle, or Lowell, a merchant of Bristol, England, landed at the little seaport town of Newbury, Mass.
We generally speak of a man's descent. In the case of James Russell Lowell's ancestry it was rather an ascent through eight generations. Percival Lowle's son, John Lowell, was a worthy cooper in old Newbury; his great-grandson was a shoemaker, his great-great-grandson was the Rev. John Lowell of Newburyport, the father of the Hon. John Lowell, who is regarded as the author of the clause in the Massachusetts Constitution abolishing slavery.
Judge Lowell's son, Charles, was a Unitarian minister, "learned, saintly, and discreet." He married Miss Harriet Traill Spence, of Portsmouth,—a woman of superior mind, of great wit, vivacity, and an impetuosity that reached eccentricity. She was of Keltic blood, of a family that came from the Orkneys, and claimed descent from the Sir Patrick Spens of "the grand old ballad." Several of her family were connected with the American navy. Her father was Keith Spence, purser of the frigate "Philadelphia," and a prisoner at Tripoli.
By ancestry on both sides, and by connections with the Russells and other distinguished families, Lowell was a good type of the New England gentleman.
He was born on the 22d of February, 1819, at Elmwood, not far from Brattle Street, Cambridge.
This three-storied colonial mansion of wood, was built in 1767 by Thomas Oliver, the last royal Lieutenant-Governor, before the Revolution.[1] Like other houses in "Tory Row," it was abandoned by its owners. Soon afterwards it came into possession of Elbridge Gerry, Governor of Massachusetts, and fifth Vice-President of the United States, whose memory and name are kept alive by the term "gerrymander." It next became the property of Dr. Lowell about a year before the birth of his youngest child, and it was the home of the poet until his death.
Lowell's early education was obtained mainly at a school kept nearly opposite Elmwood by a retired publisher, an Englishman, Mr. William Wells. He also studied in the classical school of Mr. Danial G. Ingraham in Boston. He was graduated from Harvard College in the class of 1838. He is reported as declaring that he read almost everything except the class-books prescribed by the faculty. Lowell says, in one of his early poems referring to Harvard,—
"Tho' lightly prized the ribboned parchments three, Yet collegisse juvat, I am glad That here what colleging was mine I had."
He was secretary of the Hasty Pudding Society, and one of the editors of the college periodical Harvardiana, to which he contributed various articles in prose and verse. His neglect of prescribed studies, and disregard of college discipline, resulted in his rustication just before commencement in 1838. He was sent to Concord, where he resided in the family of Barzillai Frost, and made the acquaintance of Emerson, then beginning to rouse the ire of conservative Unitarianism by his transcendental philosophy, of the brilliant but overestimated Margaret Fuller, who afterwards severely criticised Lowell's verse, and of other well-known residents of the pretty town. He had been elected poet of his class. His removal from college prevented him from delivering the poem which was afterwards published anonymously for private distribution. It contained a satire on abolitionists and reformers. "I know the village," he writes long afterwards in the person of Hosea Biglow, Esquire.
"I know the village though, was sent there once A-schoolin', 'cause to home I played the dunce!"
On his return to Cambridge he took up the study of law, and, in 1840, received the degree of LL.B. He even went so far as to open an office in Boston; but it is a question whether there was any actual basis of fact in a whimsical sketch of his entitled "My First Client," published in the short-lived Boston Miscellany, edited by Nathan Hale.
Several things engrossed Lowell's attention to the exclusion of law. Society at Cambridge was particularly attractive at that time. Allston the painter was living at Cambridgeport. Judge Story's pleasant home was on Brattle Street. The Fays then occupied the house which has since become the seat of Radcliffe College. Longfellow, described as "a slender, blond young professor," was established in the Craigie House. The famous names of Dr. Palfrey, Professor Andrews Norton, father of Lowell's friend and biographer, the "saintly" Henry Ware, and others will occur to the reader. He was fond of walking and knew every inch of the beautiful ground then called "Sweet Auburn," now turned by the hand of misguided man into that most distressing of monstrosities—a modern cemetery. He haunted the poetic shades of the Waverley Oaks, heard the charming music of Beaver Brook, and climbed the hills of Belmont and Arlington.
He himself took his turn in establishing a magazine. In January, 1843, he started The Pioneer, to which Hawthorne, John Neal, Miss Barrett, Poe, Whittier, Story, Parsons, and others contributed, and which, in spite of such an array of talent, perished untimely during the winds of March.
He had already published, in 1841, a little volume of poems entitled "A Year's Life." They were marked by no great originality, betrayed little promise of future eminence, and Margaret Fuller, who reviewed them, was quite right in asserting that "neither the imagery nor the music of Lowell's verses was his own." The first sonnet in the present volume (page 1) practically acknowledges the force of this criticism. The influence of Wordsworth and Tennyson may be distinctly traced in most of them. But many of the lines were harsh and many of the rhymes were careless. Lowell's later and correcter taste omitted most of them from his collected works.
Not far from Elmwood, but in the adjoining village of Watertown, lived one of Lowell's classmates, whose sister, Maria White, a slender, delicate girl, with a poetic genius in some respects more regulated and lofty than his own, early inspired him with a true and saving love. Speaking of the influences that moulded his life, George William Curtis says:—
"The first and most enduring was an early and happy passion for a lovely and high-minded woman who became his wife—the Egeria who exalted his youth and confirmed his noblest aspirations; a heaven-eyed counsellor of the serener air, who filled his mind with peace and his life with joy."
The young lady's prudent father objected to the marriage until the newly fledged lawyer should be in a position to support a wife.
Shortly after the shipwreck of The Pioneer, Lowell was offered a hundred dollars by Graham's Monthly for ten poems. When Pegasus is able to earn such princely sums, there seems no reason why Love should be kept waiting at the cottage door. In 1844 Lowell published a new edition of his poems, and married Miss White. It was her influence that decided him to cast in his lot with the abolitionists. It was her refined taste that shaped and tempered his impetuous verse. A volume of her poems was in 1855, in an edition of fifty copies, privately printed, and is now very rare. It is an odd circumstance that in Lowell's library, from which Harvard College was allowed to select any volumes not in Gore Hall, neither this book nor any of Lowell's own early poems was to be found.
The young couple took up their residence at Elmwood, and here were born three daughters and a son. All but one of his children died in infancy. Many of the tenderest of his poems refer with touching pathos to his bereavement: such for instance are "The Changeling" and "The First Snowfall."
In 1845 appeared "The Vision of Sir Launfal,"—a genuine inspiration composed in two days in a sort of ecstasy of poetic fervor. That more than anything established his fame. He recognized that he was dedicated to the Muses.
In 1846 he wrote:—
"If I have any vocation, it is the making of verse. When I take my pen for that, the world opens itself ungrudgingly before me; everything seems clear and easy, as it seems sinking to the bottom could be as one leans over the edge of his boat in one of those dear coves at Fresh Pond.... My true place is to serve the cause as a poet. Then my heart leaps before me into the conflict."
The same year he began his "Biglow Papers" in the Boston Courier. Such jeux d'esprit are apt to be ephemeral. Lowell's are immortal. They preserved in literary form a fast-fading dialect; they caught and embalmed the mighty issues of a tremendous world-problem. Their influence was incalculable. He gathered them into a volume in 1848, and became corresponding editor of the Anti-Slavery Standard. Fortunate man who throws himself into an unpopular cause which is in harmony with the Right! How different from Wordsworth who attacked the ballot and took sides against reform!
Lowell's penchant for satire was exemplified again the same year in his "Fable for Critics."
In this Lowell with no sparing hand laid on his portraits most droll and amusing colors. It is a comic portrait gallery, a series of caricatures whose greatest value (as in all good caricatures) lies in the accurate presentation of characteristic features. He did not spare himself:—
"There is Lowell, who's striving Parnassus to climb With a whole bale of isms tied together with rhyme. He might get on alone, spite of troubles and bowlders, But he can't with that bundle he has on his shoulders. The top of the hill he will ne'er come nigh reaching Till he learns the distinctions 'twixt singing and preaching; His lyre has some chords that would ring pretty well, But he'd rather by half make a drum of the shell, And rattle away till he's old as Methusalem At the head of a march to the last New Jerusalem."
Some of his thrusts left embittered feelings, but in general the tone was so good-natured that only the thin-skinned could object, and it must be confessed many of his judgments have been confirmed by Time.
In 1851 Lowell visited Europe, and spent upwards of a year widening his acquaintance with the polite languages. But it is remarkable that Lowell gave the world almost no metrical translations. Shortly after his return his wife died (Oct. 27, 1853) after a slow decline. In reference to this bereavement Longfellow wrote his beautiful poem, "The Two Angels."
The following year Longfellow resigned the Smith Professorship of the French and Spanish Languages and Literature and Belles Lettres, and Lowell was appointed his successor with two years' leave of absence. He had won his spurs. He had collected his poems in two volumes, not including "A Year's Life," the "Biglow Papers," or the "Fable for Critics." He was known as one of the most brilliant contributors to Putnam's Monthly and other magazines.
In 1854 he delivered a series of twelve lectures on English poetry before the Lowell Institute. Ten years before he had published a volume of "Conversations on the Poets." The contrast between the two works is no less pronounced than that between his earlier and later poems.
In both, however, there is a tendency toward a confusing over-elaboration—Metaphors trample on the heels of Similes, and quaint and often grotesque conceits sometimes pall upon the taste, just as in the poems a flash of incongruous wit sometimes disturbs the serenity that is desirable.
On his return from Europe, Mr. Lowell occupied the chair which he adorned by his brilliant attainments and made memorable by his fame. He lectured on Dante, Shakespeare, Chaucer, and Cervantes, and delighted his audiences. At the same time he was editor of the Atlantic Monthly for several years. From 1863 until 1872 he was associated with Professor Charles Eliot Norton in the conduct of the North American Review.
In 1857 he married Miss Frances Dunlap of Portland, Me., a cultivated lady who had been the governess of his daughter. She had unerring literary taste and sound judgment, and Mr. Lowell soon came to entrust to her the management of his financial affairs. She was enabled to make their comparatively small income more than meet the exigencies of an exacting position.
The second series of the "Biglow Papers," relating to the War of the Rebellion, were first published in the Atlantic. They were collected into a volume in 1865. That year was rendered notable by his "Commemoration Ode," the worthy crowning of one of the grandest poetic opportunities ever granted to man. "Under the Willows" appeared in 1869; "The Cathedral" in 1870.
In 1864 he had issued a collection of his early descriptive articles under the title, "Fireside Travels." In 1870 came "Among my Books." The second series followed in 1876. "My Study Windows" was published in 1871. All these prose works were marked by an exuberant, vivid, poetic, impassioned style. The tropical efflorescence of imagery was characteristic of them all. He ought to have remembered his own words,—
"Over-ornament ruins both poem and prose."
In 1876 appeared three memorial poems: that read at Concord, April 19, 1875; that read at Cambridge under the Washington Elm, July 3, 1875; and the Fourth of July Ode of 1876. This year Mr. Lowell was appointed one of the presidential electors; and the following year President Hayes first offered him the Austrian mission, and, on his refusal of that, gave him the honorary post at Madrid, which had been adorned by Everett, Irving, and Prescott. He was there three years, and, on the retirement of Mr. Welsh in 1880, was transferred to the Court of St. James, or, as one of the English papers expressed it, he became "His Excellency the Ambassador of American Literature to the Court of Shakespeare."
He was extremely popular. Known in private as "one of the most marvellous of story-tellers," he became the lion of many public occasions. The London News spoke of the "Extraordinary felicity of his occasional speeches." At Birmingham he delivered a noble address on Democracy. He was selected to deliver the oration at the dedication of the Dean Stanley Memorial. He spoke on Fielding at Taunton, on Coleridge at Westminster Abbey, on Gray at Cambridge. He was President of the Wordsworth Society. All sorts of honors were heaped upon him, both at home and abroad.
He returned to America in 1885, and once more occupied the somewhat dilapidated historic mansion at Elmwood. Once more he moved amid his rare and precious books, and heard the birds singing in the elms that his father had planted, or in the clustered bushes back of the house. He took a deep interest in the struggle for international copyright. He was President of the American Copyright League, and wrote the memorable lines:—
"In vain we call old notions fudge, And bend our conscience to our dealing; The Ten Commandments will not budge; And stealing will continue stealing."
He used the leisure of his failing health in revising his works. His last volume of poems was entitled "Heart's Ease and Rue." One of his latest poems, "My Book," appeared in the Christmas number of the New York Ledger in 1890. In the December number of the Atlantic his hand was visible in the anonymous "Contributor's Club."
During the last years his health was a matter of grave anxiety to his friends. In the spring of 1891 he seemed better. He was engaged in writing a life of Nathaniel Hawthorne. When the present writer call to see him one beautiful spring day, he found him in his library, at that moment engaged in making suggestions for the inscriptions on the new Boston Public Library. His manner was the perfection of courtesy and high breeding. His keen eyes seemed to read the very soul. Simplicity and beautiful dignity, tempered by evident feebleness of health, made him a memorable figure.
Toward the end of the summer he suddenly grew more seriously ill. He suffered severely, and his last words were, "Oh! why don't you let me die?"
He drew his last breath in the early morning of Aug. 12, 1891. He was buried at Mount Auburn, in the shadow of Indian Ridge, not far from Longfellow's grave, in a lot unenclosed and marked by no monument.
Memorial services were held in many places. Lord Tennyson cabled a message of sympathy: "England and America will mourn Mr. Lowell's death. They loved him and he loved them." The Queen publicly expressed her respect and sorrow.
Few men have left a deeper impress on their age. Few men have used noble powers more nobly. In private life and public station there is not a shadow to stain the whiteness of his fame.
As a poet he stands in the front rank of those who have yet appeared in America. As a critic he was generous and just; as a humorist he used his shafts of ridicule only to wound wrong; as a statesman and diplomat he was actuated by broad, far-seeing views; as a man he was a type to be upheld and followed. America has just cause to reverence his memory; and the whole English-speaking world, without geographical distinction, claims him as its own.
Nathan Haskell Dole.
EARLY POEMS.
SONNET. If some small savor creep into my rhyme Of the old poets, if some words I use, Neglected long, which have the lusty thews Of that gold-haired and earnest-hearted time, Whose loving joy and sorrow all sublime Have given our tongue its starry eminence,— It is not pride, God knows, but reverence Which hath grown in me since my childhood's prime; Wherein I feel that my poor lyre is strung With soul-strings like to theirs, and that I have No right to muse their holy graves among, If I can be a custom-fettered slave, And, in mine own true spirit, am not brave To speak what rusheth upward to my tongue.
HAKON'S LAY. Then Thorstein looked at Hakon, where he sate, Mute as a cloud amid the stormy hall, And said: "O, Skald, sing now an olden song, Such as our fathers heard who led great lives; And, as the bravest on a shield is borne Along the waving host that shouts him king, So rode their thrones upon the thronging seas!" Then the old man arose: white-haired he stood, White-bearded, and with eyes that looked afar From their still region of perpetual snow, Over the little smokes and stirs of men: His head was bowed with gathered flakes of years, As winter bends the sea-foreboding pine, But something triumphed in his brow and eye, Which whoso saw it, could not see and crouch: Loud rang the emptied beakers as he mused, Brooding his eyried thoughts; then, as an eagle Circles smooth-winged above the wind-vexed woods, So wheeled his soul into the air of song High o'er the stormy hall; and thus he sang: "The fletcher for his arrow-shaft picks out Wood closest-grained, long-seasoned, straight as light; And, from a quiver full of such as these, The wary bow-man, matched against his peers, Long doubting, singles yet once more the best. Who is it that can make such shafts as Fate? What archer of his arrows is so choice, Or hits the white so surely? They are men, The chosen of her quiver; nor for her Will every reed suffice, or cross-grained stick At random from life's vulgar fagot plucked: Such answer household ends; but she will have Souls straight and clear, of toughest fibre, sound Down to the heart of heart; from these she strips All needless stuff, all sapwood, hardens them, From circumstance untoward feathers plucks Crumpled and cheap, and barbs with iron will: The hour that passes is her quiver-boy; When she draws bow, 'tis not across the wind, Nor 'gainst the sun, her haste-snatched arrow sings, For sun and wind have plighted faith to her: Ere men have heard the sinew twang, behold, In the butt's heart her trembling messenger! "The song is old and simple that I sing: Good were the days of yore, when men were tried By ring of shields, as now by ring of gold; But, while the gods are left, and hearts of men, And the free ocean, still the days are good; Through the broad Earth roams Opportunity And knocks at every door of hut or hall, Until she finds the brave soul that she wants." He ceased, and instantly the frothy tide Of interrupted wassail roared along; But Leif, the son of Eric, sate apart Musing, and, with his eyes upon the fire, Saw shapes of arrows, lost as soon as seen; But then with that resolve his heart was bent, Which, like a humming shaft, through many a strife Of day and night across the unventured seas, Shot the brave prow to cut on Vinland sands The first rune in the Saga of the West.
OUT OF DOORS. 'Tis good to be abroad in the sun, His gifts abide when day is done; Each thing in nature from his cup Gathers a several virtue up; The grace within its being's reach Becomes the nutriment of each, And the same life imbibed by all Makes each most individual: Here the twig-bending peaches seek The glow that mantles in their cheek— Hence comes the Indian-summer bloom That hazes round the basking plum, And, from the same impartial light, The grass sucks green, the lily white. Like these the soul, for sunshine made, Grows wan and gracile in the shade, Her faculties, which God decreed Various as Summer's dædal breed, With one sad color are imbued, Shut from the sun that tints their blood; The shadow of the poet's roof Deadens the dyes of warp and woof; Whate'er of ancient song remains Has fresh air flowing in its veins, For Greece and eldest Ind knew well That out of doors, with world-wide swell Arches the student's lawful cell. Away, unfruitful lore of books, For whose vain idiom we reject The spirit's mother-dialect, Aliens among the birds and brooks, Dull to interpret or believe What gospels lost the woods retrieve, Or what the eaves-dropping violet Reports from God, who walketh yet His garden in the hush of eve! Away, ye pedants city-bred, Unwise of heart, too wise of head, Who handcuff Art with thus and so, And in each other's footprints tread, Like those who walk through drifted snow; Who, from deep study of brick walls Conjecture of the water-falls, By six square feet of smoke-stained sky Compute those deeps that overlie The still tarn's heaven-anointed eye, And, in your earthen crucible, With chemic tests essay to spell How nature works in field and dell! Seek we where Shakspeare buried gold? Such hands no charmed witch-hazel hold; To beach and rock repeats the sea The mystic Open Sesame; Old Greylock's voices not in vain Comment on Milton's mountain strain, And cunningly the various wind Spenser's locked music can unbind.
A REVERIE. In the twilight deep and silent Comes thy spirit unto mine, When the moonlight and the starlight Over cliff and woodland shine, And the quiver of the river Seems a thrill of joy benign. Then I rise and wander slowly To the headland by the sea, When the evening star throbs setting Through the cloudy cedar tree, And from under, mellow thunder Of the surf comes fitfully. Then within my soul I feel thee Like a gleam of other years, Visions of my childhood murmur Their old madness in my ears, Till the pleasance of thy presence Cools my heart with blissful tears. All the wondrous dreams of boyhood— All youth's fiery thirst of praise— All the surer hopes of manhood Blossoming in sadder days— Joys that bound me, griefs that crowned me With a better wreath than bays— All the longings after freedom— The vague love of human kind, Wandering far and near at random Like a winged seed in the wind— The dim yearnings and fierce burnings Of an undirected mind— All of these, oh best belovèd, Happiest present dreams and past, In thy love find safe fulfilment, Ripened into truths at last; Faith and beauty, hope and duty To one centre gather fast. How my nature, like an ocean, At the breath of thine awakes, Leaps its shores in mad exulting And in foamy thunder breaks, Then downsinking, lieth shrinking At the tumult that it makes! Blazing Hesperus hath sunken Low within the pale-blue west, And with golden splendor crowneth The horizon's piny crest; Thoughtful quiet stills the riot Of wild longing in my breast. Home I loiter through the moonlight, Underneath the quivering trees, Which, as if a spirit stirred them, Sway and bend, till by degrees The far surge's murmur merges In the rustle of the breeze.
IN SADNESS. There is not in this life of ours One bliss unmixed with fears, The hope that wakes our deepest powers A face of sadness wears, And the dew that showers our dearest flowers Is the bitter dew of tears. Fame waiteth long, and lingereth Through weary nights and morns— And evermore the shadow Death With mocking finger scorns That underneath the laurel wreath Should be a wreath of thorns. The laurel leaves are cool and green, But the thorns are hot and sharp, Lean Hunger grins and stares between The poet and his harp; Though of Love's sunny sheen his woof have been, Grim want thrusts in the warp. And if beyond this darksome clime Some fair star Hope may see, That keeps unjarred the blissful chime Of its golden infancy— Where the harvest-time of faith sublime Not always is to be— Yet would the true soul rather choose Its home where sorrow is, Than in a sated peace to lose Its life's supremest bliss— The rainbow hues that bend profuse O'er cloudy spheres like this— The want, the sorrow and the pain, That are Love's right to cure— The sunshine bursting after rain— The gladness insecure That makes us fain strong hearts to gain, To do and to endure. High natures must be thunder-scarred With many a searing wrong; From mother Sorrow's breasts the bard Sucks gifts of deepest song, Nor all unmarred with struggles hard Wax the Soul's sinews strong. Dear Patience, too, is born of woe, Patience that opes the gate Wherethrough the soul of man must go Up to each nobler state, Whose voice's flow so meek and low Smooths the bent brows of Fate. Though Fame be slow, yet Death is swift, And, o'er the spirit's eyes, Life after life doth change and shift With larger destinies: As on we drift, some wider rift Shows us serener skies. And though naught falleth to us here But gains the world counts loss, Though all we hope of wisdom clear When climbed to seems but dross, Yet all, though ne'er Christ's faith they wear, At least may share his cross.
FAREWELL. Farewell! as the bee round the blossom Doth murmur drowsily, So murmureth round my bosom The memory of thee; Lingering, it seems to go, When the wind more full doth flow, Waving the flower to and fro, But still returneth, Marian! My hope no longer burneth, Which did so fiercely burn, My joy to sorrow turneth, Although loath, loath to turn— I would forget— And yet—and yet My heart to thee still yearneth, Marian! Fair as a single star thou shinest, And white as lilies are The slender hands wherewith thou twinest Thy heavy auburn hair; Thou art to me A memory Of all that is divinest: Thou art so fair and tall, Thy looks so queenly are, Thy very shadow on the wall, Thy step upon the stair, The thought that thou art nigh, The chance look of thine eye Are more to me than all, Marian, And will be till I die! As the last quiver of a bell Doth fade into the air, With a subsiding swell That dies we know not where, So my hope melted and was gone: I raised mine eyes to bless the star That shared its light with me so far Below its silver throne, And gloom and chilling vacancy Were all was left to me, In the dark, bleak night I was alone! Alone in the blessed Earth, Marian, For what were all to me— Its love, and light, and mirth, Marian, If I were not with thee? My heart will not forget thee More than the moaning brine Forgets the moon when she is set; The gush when first I met thee That thrilled my brain like wine, Doth thrill as madly yet; My heart cannot forget thee, Though it may droop and pine, Too deeply it had set thee In every love of mine; No new moon ever cometh, No flower ever bloometh, No twilight ever gloometh But I'm more only thine. Oh look not on me, Marian, Thine eyes are wild and deep, And they have won me, Marian, From peacefulness and sleep; The sunlight doth not sun me, The meek moonshine doth shun me, All sweetest voices stun me— There is no rest Within my breast And I can only weep, Marian! As a landbird far at sea Doth wander through the sleet And drooping downward wearily Finds no rest for her feet, So wandereth my memory O'er the years when we did meet: I used to say that everything Partook a share of thee, That not a little bird could sing, Or green leaf flutter on a tree, That nothing could be beautiful Save part of thee were there, That from thy soul so clear and full All bright and blessèd things did cull The charm to make them fair; And now I know That it was so, Thy spirit through the earth doth flow And face me wheresoe'er I go— What right hath perfectness to give Such weary weight of woe Unto the soul which cannot live On anything more low? Oh leave me, leave me, Marian, There's no fair thing I see But doth deceive me, Marian, Into sad dreams of thee! A cold snake gnaws my heart And crushes round my brain, And I should glory but to part So bitterly again, Feeling the slow tears start And fall in fiery rain: There's a wide ring round the moon, The ghost-like clouds glide by, And I hear the sad winds croon A dirge to the lowering sky; There's nothing soft or mild In the pale moon's sickly light, But all looks strange and wild Through the dim, foreboding night: I think thou must be dead In some dark and lonely place, With candles at thy head, And a pall above thee spread To hide thy dead, cold face; But I can see thee underneath So pale, and still, and fair, Thine eyes closed smoothly and a wreath Of flowers in thy hair; I never saw thy face so clear When thou wast with the living, As now beneath the pall, so drear, And stiff, and unforgiving; I cannot flee thee, Marian, I cannot turn away, Mine eyes must see thee, Marian, Through salt tears night and day.
A DIRGE. Poet! lonely is thy bed, And the turf is overhead— Cold earth is thy cover; But thy heart hath found release, And it slumbers full of peace 'Neath the rustle of green trees And the warm hum of the bees, Mid the drowsy clover; Through thy chamber, still as death, A smooth gurgle wandereth, As the blue stream murmureth To the blue sky over. Three paces from the silver strand, Gently in the fine, white sand, With a lily in thy hand, Pale as snow, they laid thee; In no coarse earth wast thou hid, And no gloomy coffin-lid Darkly overweighed thee. Silently as snow-flakes drift, The smooth sand did sift and sift O'er the bed they made thee; All sweet birds did come and sing At thy sunny burying— Choristers unbidden, And, beloved of sun and dew, Meek forget-me-nots upgrew Where thine eyes so large and blue 'Neath the turf were hidden. Where thy stainless clay doth lie, Blue and open is the sky, And the white clouds wander by, Dreams of summer silently Darkening the river; Thou hearest the clear water run; And the ripples every one, Scattering the golden sun, Through thy silence quiver; Vines trail down upon the stream, Into its smooth and glassy dream A green stillness spreading, And the shiner, perch, and bream Through the shadowed waters gleam 'Gainst the current heading. White as snow, thy winding sheet Shelters thee from head to feet, Save thy pale face only; Thy face is turned toward the skies, The lids lie meekly o'er thine eyes, And the low-voiced pine-tree sighs O'er thy bed so lonely. All thy life thou lov'dst its shade: Underneath it thou art laid, In an endless shelter; Thou hearest it forever sigh As the wind's vague longings die In its branches dim and high— Thou hear'st the waters gliding by Slumberously welter. Thou wast full of love and truth, Of forgiveness and ruth— Thy great heart with hope and youth Tided to o'erflowing. Thou didst dwell in mysteries, And there lingered on thine eyes Shadows of serener skies, Awfully wild memories, That were like foreknowing; Through the earth thou would'st have gone, Lighted from within alone, Seeds from flowers in Heaven grown With a free hand sowing. Thou didst remember well and long Some fragments of thine angel-song, And strive, through want of woe and wrong, To win the world unto it; Thy sin it was to see and hear Beyond To-day's dim hemisphere— Beyond all mists of hope and fear, Into a life more true and clear, And dearly thou didst rue it; Light of the new world thou hadst won, O'erflooded by a purer sun— Slowly Fate's ship came drifting on, And through the dark, save thou, not one Caught of the land a token. Thou stood'st upon the farthest prow, Something within thy soul said "Now!" And leaping forth with eager brow, Thou fell'st on shore heart-broken. Long time thy brethren stood in fear; Only the breakers far and near, White with their anger, they could hear; The sounds of land, which thy quick ear Caught long ago, they heard not. And, when at last they reached the strand, They found thee lying on the sand With some wild flowers in thy hand, But thy cold bosom stirred not; They listened, but they heard no sound Save from the glad life all around A low, contented murmur. The long grass flowed adown the hill, A hum rose from a hidden rill, But thy glad heart, that knew no ill But too much love, lay dead and still— The only thing that sent a chill Into the heart of summer. Thou didst not seek the poet's wreath But too soon didst win it; Without 'twas green, but underneath Were scorn and loneliness and death, Gnawing the brain with burning teeth, And making mock within it. Thou, who wast full of nobleness, Whose very life-blood 'twas to bless, Whose soul's one law was giving, Must bandy words with wickedness, Haggle with hunger and distress, To win that death which worldliness Calls bitterly a living. "Thou sow'st no gold, and shalt not reap!" Muttered earth, turning in her sleep; "Come home to the Eternal Deep!" Murmured a voice, and a wide sweep Of wings through thy soul's hush did creep, As of thy doom o'erflying; It seem'd that thy strong heart would leap Out of thy breast, and thou didst weep, But not with fear of dying; Men could not fathom thy deep fears, They could not understand thy tears, The hoarded agony of years Of bitter self-denying. So once, when high above the spheres Thy spirit sought its starry peers, It came not back to face the jeers Of brothers who denied it; Star-crowned, thou dost possess the deeps Of God, and thy white body sleeps Where the lone pine forever keeps Patient watch beside it. Poet! underneath the turf, Soft thou sleepest, free from morrow, Thou hast struggled through the surf Of wild thoughts and want and sorrow. Now, beneath the moaning pine, Full of rest, thy body lieth, While far up is clear sunshine, Underneath a sky divine, Her loosed wings thy spirit trieth; Oft she strove to spread them here, But they were too white and clear For our dingy atmosphere. Thy body findeth ample room In its still and grassy tomb By the silent river; But thy spirit found the earth Narrow for the mighty birth Which it dreamed of ever; Thou wast guilty of a rhyme Learned in a benigner clime, And of that more grievous crime, An ideal too sublime For the low-hung sky of Time. The calm spot where thy body lies Gladdens thy soul in Paradise, It is so still and holy; Thy body sleeps serenely there, And well for it thy soul may care, It was so beautiful and fair, Lily white so wholly. From so pure and sweet a frame Thy spirit parted as it came, Gentle as a maiden; Now it lieth full of rest— Sods are lighter on its breast Than the great, prophetic guest Wherewith it was laden.
FANCIES ABOUT A ROSEBUD, PRESSED IN AN OLD COPY OF SPENSER. Who prest you here? The Past can tell, When summer skies were bright above, And some full heart did leap and swell Beneath the white new moon of love. Some Poet, haply, when the world Showed like a calm sea, grand and blue, Ere its cold, inky waves had curled O'er the numb heart once warm and true; When, with his soul brimful of morn, He looked beyond the vale of Time, Nor saw therein the dullard scorn That made his heavenliness a crime; When, musing o'er the Poets olden, His soul did like a sun upstart To shoot its arrows, clear and golden, Through slavery's cold and darksome heart. Alas! too soon the veil is lifted That hangs between the soul and pain, Too soon the morning-red hath drifted Into dull cloud, or fallen in rain! Or were you prest by one who nurst Bleak memories of love gone by, Whose heart, like a star fallen, burst In dark and erring vacancy? To him you still were fresh and green As when you grew upon the stalk, And many a breezy summer scene Came back—and many a moonlit walk; And there would be a hum of bees, A smell of childhood in the air, And old, fresh feelings cooled the breeze That, like loved fingers, stirred his hair! Then would you suddenly be blasted By the keen wind of one dark thought, One nameless woe, that had outlasted The sudden blow whereby 'twas brought. Or were you prest here by two lovers Who seemed to read these verses rare, But found between the antique covers What Spenser could not prison there: Songs which his glorious soul had heard, But his dull pen could never write, Which flew, like some gold-wingèd bird, Through the blue heaven out of sight? My heart is with them as they sit, I see the rosebud in her breast, I see her small hand taking it From out its odorous, snowy nest; I hear him swear that he will keep it, In memory of that blessed day, To smile on it or over-weep it When she and spring are far away. Ah me! I needs must droop my head, And brush away a happy tear, For they are gone, and, dry and dead, The rosebud lies before me here. Yet is it in no stranger's hand, For I will guard it tenderly, And it shall be a magic wand To bring mine own true love to me. My heart runs o'er with sweet surmises, The while my fancy weaves her rhyme, Kind hopes and musical surprises Throng round me from the olden time. I do not care to know who prest you: Enough for me to feel and know That some heart's love and longing blest you, Knitting to-day with long-ago.
NEW YEAR'S EVE, 1844. A FRAGMENT. The night is calm and beautiful; the snow Sparkles beneath the clear and frosty moon And the cold stars, as if it took delight In its own silent whiteness; the hushed earth Sleeps in the soft arms of the embracing blue, Secure as if angelic squadrons yet Encamped about her, and each watching star Gained double brightness from the flashing arms Of wingèd and unsleeping sentinels. Upward the calm of infinite silence deepens, The sea that flows between high heaven and earth, Musing by whose smooth brink we sometimes find A stray leaf floated from those happier shores, And hope, perchance not vainly, that some flower Which we had watered with our holiest tears, Pale blooms, and yet our scanty garden's best, O'er the same ocean piloted by love, May find a haven at the feet of God, And be not wholly worthless in his sight. O, high dependence on a higher Power, Sole stay for all these restless faculties That wander, Ishmael-like, the desert bare Wherein our human knowledge hath its home, Shifting their light-framed tents from day to day, With each new-found oasis, wearied soon, And only certain of uncertainty! O, mighty humbleness that feels with awe, Yet with a vast exulting feels, no less, That this huge Minster of the Universe, Whose smallest oratories are glorious worlds, With painted oriels of dawn and sunset; Whose carvèd ornaments are systems grand, Orion kneeling in his starry niche, The Lyre whose strings give music audible To holy ears, and countless splendors more, Crowned by the blazing Cross high-hung o'er all; Whose organ music is the solemn stops Of endless Change breathed through by endless Good; Whose choristers are all the morning stars; Whose altar is the sacred human heart Whereon Love's candles burn unquenchably, Trimmed day and night by gentle-handed Peace; With all its arches and its pinnacles That stretch forever and forever up, Is founded on the silent heart of God, Silent, yet pulsing forth exhaustless life Through the least veins of all created things. Fit musings these for the departing year; And God be thanked for such a crystal night As fills the spirit with good store of thoughts, That, like a cheering fire of walnut, crackle Upon the hearthstone of the heart, and cast A mild home-glow o'er all Humanity! Yes, though the poisoned shafts of evil doubts Assail the skyey panoply of Faith, Though the great hopes which we have had for man, Foes in disguise, because they based belief On man's endeavor, not on God's decree— Though these proud-visaged hopes, once turned to fly, Hurl backward many a deadly Parthian dart That rankles in the soul and makes it sick With vain regret, nigh verging on despair— Yet, in such calm and earnest hours as this, We well can feel how every living heart That sleeps to-night in palace or in cot, Or unroofed hovel, or which need hath known Of other homestead than the arching sky, Is circled watchfully with seraph fires; How our own erring will it is that hangs The flaming sword o'er Eden's unclosed gate, Which gives free entrance to the pure in heart, And with its guarding walls doth fence the meek. Sleep then, O Earth, in thy blue-vaulted cradle, Bent over always by thy mother Heaven! We all are tall enough to reach God's hand, And angels are no taller: looking back Upon the smooth wake of a year o'erpast, We see the black clouds furling, one by one, From the advancing majesty of Truth, And something won for Freedom, whose least gain Is as a firm and rock-built citadel Wherefrom to launch fresh battle on her foes; Or, leaning from the time's extremest prow, If we gaze forward through the blinding spray, And dimly see how much of ill remains, How many fetters to be sawn asunder By the slow toil of individual zeal, Or haply rusted by salt tears in twain, We feel, with something of a sadder heart, Yet bracing up our bruisèd mail the while, And fronting the old foe with fresher spirit, How great it is to breathe with human breath, To be but poor foot-soldiers in the ranks Of our old exiled king, Humanity; Encamping after every hard-won field Nearer and nearer Heaven's happy plains. Many great souls have gone to rest, and sleep Under this armor, free and full of peace: If these have left the earth, yet Truth remains, Endurance, too, the crowning faculty Of noble minds, and Love, invincible By any weapons; and these hem us round With silence such that all the groaning clank Of this mad engine men have made of earth Dulls not some ears for catching purer tones, That wander from the dim surrounding vast, Or far more clear melodious prophecies, The natural music of the heart of man, Which by kind Sorrow's ministry hath learned That the true sceptre of all power is love And humbleness the palace-gate of truth. What man with soul so blind as sees not here The first faint tremble of Hope's morning-star, Foretelling how the God-forged shafts of dawn, Fitted already on their golden string, Shall soon leap earthward with exulting flight To thrid the dark heart of that evil faith Whose trust is in the clumsy arms of Force, The ozier hauberk of a ruder age? Freedom! thou other name for happy Truth, Thou warrior-maid, whose steel-clad feet were never Out of the stirrup, nor thy lance uncouched, Nor thy fierce eye enticèd from its watch, Thou hast learned now, by hero-blood in vain Poured to enrich the soil which tyrants reap; By wasted lives of prophets, and of those Who, by the promise in their souls upheld, Into the red arms of a fiery death Went blithely as the golden-girdled bee Sinks in the sleepy poppy's cup of flame By the long woes of nations set at war, That so the swollen torrent of their wrath May find a vent, else sweeping off like straws The thousand cobweb threads, grown cable-huge By time's long gathered dust, but cobwebs still, Which bind the Many that the Few may gain Leisure to wither by the drought of ease What heavenly germs in their own souls were sown;— By all these searching lessons thou hast learned To throw aside thy blood-stained helm and spear And with thy bare brow daunt the enemy's front, Knowing that God will make the lily stalk, In the soft grasp of naked Gentleness, Stronger than iron spear to shatter through The sevenfold toughness of Wrong's idle shield.
A MYSTICAL BALLAD. I. The sunset scarce had dimmed away Into the twilight's doubtful gray; One long cloud o'er the horizon lay, 'Neath which, a streak of bluish white, Wavered between the day and night; Over the pine trees on the hill The trembly evening-star did thrill, And the new moon, with slender rim, Through the elm arches gleaming dim, Filled memory's chalice to the brim. II. On such an eve the heart doth grow Full of surmise, and scarce can know If it be now or long ago, Or if indeed it doth exist;— A wonderful enchanted mist From the new moon doth wander out, Wrapping all things in mystic doubt, So that this world doth seem untrue, And all our fancies to take hue From some life ages since gone through. III. The maiden sat and heard the flow Of the west wind so soft and low The leaves scarce quivered to and fro; Unbound, her heavy golden hair Rippled across her bosom bare, Which gleamed with thrilling snowy white Far through the magical moonlight: The breeze rose with a rustling swell, And from afar there came the smell Of a long-forgotten lily-bell. IV. The dim moon rested on the hill, But silent, without thought or will, Where sat the dreamy maiden still; And now the moon's tip, like a star, Drew down below the horizon's bar; To her black noon the night hath grown, Yet still the maiden sits alone, Pale as a corpse beneath a stream And her white bosom still doth gleam Through the deep midnight like a dream. V. Cloudless the morning came and fair, And lavishly the sun doth share His gold among her golden hair, Kindling it all, till slowly so A glory round her head doth glow; A withered flower is in her hand, That grew in some far distant land, And, silently transfigurèd, With wide calm eyes, and undrooped head, They found the stranger-maiden dead. VI. A youth, that morn, 'neath other skies, Felt sudden tears burn in his eyes, And his heart throng with memories; All things without him seemed to win Strange brotherhood with things within, And he forever felt that he Walked in the midst of mystery, And thenceforth, why, he could not tell, His heart would curdle at the smell Of his once-cherished lily-bell. VII. Something from him had passed away; Some shifting trembles of clear day, Through starry crannies in his clay, Grew bright and steadfast, more and more, Where all had been dull earth before; And, through these chinks, like him of old, His spirit converse high did hold With clearer loves and wider powers, That brought him dewy fruits and flowers From far Elysian groves and bowers. VIII. Just on the farther bound of sense, Unproved by outward evidence, But known by a deep influence Which through our grosser clay doth shine With light unwaning and divine, Beyond where highest thought can fly Stretcheth the world of Mystery— And they not greatly overween Who deem that nothing true hath been Save the unspeakable Unseen. IX. One step beyond life's work-day things, One more beat of the soul's broad wings, One deeper sorrow sometimes brings The spirit into that great Vast Where neither future is nor past; None knoweth how he entered there, But, waking, finds his spirit where He thought an angel could not soar, And, what he called false dreams before, The very air about his door. X. These outward seemings are but shows Whereby the body sees and knows; Far down beneath, forever flows A stream of subtlest sympathies That make our spirits strangely wise In awe, and fearful bodings dim Which, from the sense's outer rim, Stretch forth beyond our thought and sight, Fine arteries of circling light, Pulsed outward from the Infinite.
opening poem to A YEAR'S LIFE. Hope first the youthful Poet leads, And he is glad to follow her; Kind is she, and to all his needs With a free hand doth minister. But, when sweet Hope at last hath fled, Cometh her sister, Memory; She wreathes Hope's garlands round her head, And strives to seem as fair as she. Then Hope comes back, and by the hand She leads a child most fair to see, Who with a joyous face doth stand Uniting Hope and Memory. So brighter grew the Earth around, And bluer grew the sky above; The Poet now his guide hath found, And follows in the steps of Love.
DEDICATION to volume of poems entitled A YEAR'S LIFE. The gentle Una I have loved, The snowy maiden, pure and mild, Since ever by her side I roved, Through ventures strange, a wondering child, In fantasy a Red Cross Knight, Burning for her dear sake to fight. If there be one who can, like her, Make sunshine in life's shady places, One in whose holy bosom stir As many gentle household graces— And such I think there needs must be— Will she accept this book from me?
THE SERENADE. Gentle, Lady, be thy sleeping, Peaceful may thy dreamings be, While around thy soul is sweeping, Dreamy-winged, our melody; Chant we, Brothers, sad and slow, Let our song be soft and low As the voice of other years, Let our hearts within us melt, To gentleness, as if we felt The dropping of our mother's tears. Lady! now our song is bringing Back again thy childhood's hours— Hearest thou the humbee singing Drowsily among the flowers? Sleepily, sleepily In the noontide swayeth he, Half rested on the slender stalks That edge those well-known garden walks; Hearest thou the fitful whirring Of the humbird's viewless wings— Feel'st not round thy heart the stirring Of childhood's half-forgotten things? Seest thou the dear old dwelling With the woodbine round the door? Brothers, soft! her breast is swelling With the busy thoughts of yore; Lowly sing ye, sing ye mildly, House her spirit not so wildly, Lest she sleep not any more. 'Tis the pleasant summertide, Open stands the window wide— Whose voices, Lady, art thou drinking? Who sings the best belovèd tune In a clear note, rising, sinking, Like a thrush's song in June? Whose laugh is that which rings so clear And joyous in thine eager ear? Lower, Brothers, yet more low Weave the song in mazy twines; She heareth now the west wind blow At evening through the clump of pines; O! mournful is their tune, As of a crazèd thing Who, to herself alone, Is ever murmuring, Through the night and through the day, For something that hath passed away. Often, Lady, hast thou listened, Often have thy blue eyes glistened, Where the summer evening breeze Moaned sadly through those lonely trees, Or with the fierce wind from the north Wrung their mournful music forth. Ever the river floweth In an unbroken stream, Ever the west wind bloweth, Murmuring as he goeth, And mingling with her dream; Onward still the river sweepeth With a sound of long-agone; Lowly, Brothers, lo! she weepeth, She is now no more alone; Long-loved forms and long-loved faces Round about her pillow throng, Through her memory's desert places Flow the waters of our song. Lady! if thy life be holy As when thou wert yet a child, Though our song be melancholy, It will stir no anguish wild; For the soul that hath lived well, For the soul that child-like is, There is quiet in the spell That brings back early memories.
SONG. I. Lift up the curtains of thine eyes And let their light outshine! Let me adore the mysteries Of those mild orbs of thine, Which ever queenly calm do roll, Attunèd to an ordered soul! II. Open thy lips yet once again And, while my soul doth hush With awe, pour forth that holy strain Which seemeth me to gush, A fount of music, running o'er From thy deep spirit's inmost core! III. The melody that dwells in thee Begets in me as well A spiritual harmony, A mild and blessèd spell; Far, far above earth's atmosphere I rise, whene'er thy voice I hear.
THE DEPARTED. Not they alone are the departed, Who have laid them down to sleep In the grave narrow and lonely, Not for them only do I vigils keep, Not for them only am I heavy-hearted, Not for them only! Many, many, there are many Who no more are with me here, As cherished, as beloved as any Whom I have seen upon the bier. I weep to think of those old faces, To see them in their grief or mirth; I weep—for there are empty places Around my heart's once crowded hearth; The cold ground doth not cover them, The grass hath not grown over them, Yet are they gone from me on earth;— O! how more bitter is this weeping, Than for those lost ones who are sleeping Where sun will shine and flowers blow, Where gentle winds will whisper low, And the stars have them in their keeping! Wherefore from me who loved you so, O! wherefore did ye go? I have shed full many a tear, I have wrestled oft in prayer— But ye do not come again; How could anything so dear, How could anything so fair, Vanish like the summer rain? No, no, it cannot be, But ye are still with me! And yet, O! where art thou, Childhood, with sunny brow And floating hair? Where art thou hiding now? I have sought thee everywhere, All among the shrubs and flowers Of those garden-walks of ours— Thou art not there! When the shadow of Night's wings Hath darkened all the Earth, I listen for thy gambolings Beside the cheerful hearth— Thou art not there! I listen to the far-off bell, I murmur o'er the little songs Which thou didst love so well, Pleasant memories come in throngs And mine eyes are blurred with tears, But no glimpse of thee appears: Lonely am I in the Winter, lonely in the Spring, Summer and Harvest bring no trace of thee— Oh! whither, whither art thou wandering, Thou who didst once so cleave to me? And Love is gone;— I have seen him come, I have seen him, too, depart, Leaving desolate his home, His bright home in my heart. I am alone! Cold, cold is his hearth-stone, Wide open stands the door; The frolic and the gentle one Shall I see no more, no more? At the fount the bowl is broken, I shall drink it not again, All my longing prayers are spoken, And felt, ah, woe is me, in vain! Oh, childish hopes and childish fancies, Whither have ye fled away? I long for you in mournful trances, I long for you by night and day; Beautiful thoughts that once were mine, Might I but win you back once more, Might ye about my being twine And cluster as ye did of yore! O! do not let me pray in vain— How good and happy I should be, How free from every shade of pain, If ye would come again to me! O, come again! come, come again! Hath the sun forgot its brightness, Have the stars forgot to shine, That they bring not their wonted lightness To this weary heart of mine? 'Tis not the sun that shone on thee, Happy childhood, long ago— Not the same stars silently Looking on the same bright snow— Not the same that Love and I Together watched in days gone by! No, not the same, alas for me! Would God that those who early went To the house dark and low, For whom our mourning heads were bent, For whom our steps were slow; O, would that these alone had left us, That Fate of these alone had reft us, Would God indeed that it were so! Many leaves too soon must wither, Many flowers too soon must die, Many bright ones wandering hither, We know not whence, we know not why, Like the leaves and like the flowers, Vanish, ere the summer hours, That brought them to us, have gone by. O for the hopes and for the feelings, Childhood, that I shared with thee— The high resolves, the bright revealings Of the soul's might, which thou gav'st me, Gentle Love, woe worth the day, Woe worth the hour when thou wert born, Woe worth the day thou fled'st away— A shade across the wind-waved corn— A dewdrop falling from the leaves Chance-shaken in a summer's morn! Woe, woe is me! my sick heart grieves, Companionless and anguish-worn! I know it well, our manly years Must be baptized in bitter tears; Full many fountains must run dry That youth has dreamed for long hours by, Choked by convention's siroc blast Or drifting sands of many cares; Slowly they leave us all at last, And cease their flowing unawares.
THE BOBOLINK. Anacreon of the meadow, Drunk with the joy of spring! Beneath the tall pine's voiceful shadow I lie and drink thy jargoning; My soul is full with melodies, One drop would overflow it, And send the tears into mine eyes— But what car'st thou to know it? Thy heart is free as mountain air, And of thy lays thou hast no care, Scattering them gayly everywhere, Happy, unconscious poet! Upon a tuft of meadow grass, While thy loved-one tends the nest, Thou swayest as the breezes pass, Unburthening thine o'erfull breast Of the crowded songs that fill it, Just as joy may choose to will it. Lord of thy love and liberty, The blithest bird of merry May, Thou turnest thy bright eyes on me, That say as plain as eye can say— "Here sit we, here in the summer weather, I and my modest mate together; Whatever your wise thoughts may be, Under that gloomy old pine tree, We do not value them a feather." Now, leaving earth and me behind, Thou beatest up against the wind, Or, floating slowly down before it, Above thy grass-hid nest thou flutterest And thy bridal love-song utterest, Raining showers of music o'er it, Weary never, still thou trillest, Spring-gladsome lays, As of moss-rimmed water-brooks Murmuring through pebbly nooks In quiet summer days. My heart with happiness thou fillest, I seem again to be a boy Watching thee, gay, blithesome lover, O'er the bending grass-tops hover, Quivering thy wings for joy. There's something in the apple-blossom, The greening grass and bobolink's song, That wakes again within my bosom Feelings which have slumbered long. As long, long years ago I wandered, I seem to wander even yet, The hours the idle school-boy squandered, The man would die ere he'd forget. O hours that frosty eld deemed wasted, Nodding his gray head toward my books, I dearer prize the lore I tasted With you, among the trees and brooks, Than all that I have gained since then From learnèd books or study-withered men! Nature, thy soul was one with mine, And, as a sister by a younger brother Is loved, each flowing to the other, Such love for me was thine. Or wert thou not more like a loving mother With sympathy and loving power to heal, Against whose heart my throbbing heart I'd lay And moan my childish sorrows all away, Till calm and holiness would o'er me steal? Was not the golden sunset a dear friend? Found I no kindness in the silent moon, And the green trees, whose tops did sway and bend, Low singing evermore their pleasant tune? Felt I no heart in dim and solemn woods— No loved-one's voice in lonely solitudes? Yes, yes! unhoodwinked then my spirit's eyes, Blind leaders had not taught me to be wise. Dear hours! which now again I over-live, Hearing and seeing with the ears and eyes Of childhood, ye were bees, that to the hive Of my young heart came laden with rich prize, Gathered in fields and woods and sunny dells, to be My spirit's food in days more wintery. Yea, yet again ye come! ye come! And, like a child once more at home After long sojourning in alien climes, I lie upon my mother's breast, Feeling the blessedness of rest, And dwelling in the light of other times. O ye whose living is not Life, Whose dying is but death, Song, empty toil and petty strife, Rounded with loss of breath! Go, look on Nature's countenance, Drink in the blessing of her glance; Look on the sunset, hear the wind, The cataract, the awful thunder; Go, worship by the sea; Then, and then only, shall ye find, With ever-growing wonder, Man is not all in all to ye; Go with a meek and humble soul, Then shall the scales of self unroll From off your eyes—the weary packs Drop from your heavy-laden backs; And ye shall see, With reverent and hopeful eyes, Glowing with new-born energies, How great a thing it is to be!
FORGETFULNESS. There's a haven of sure rest From the loud world's bewildering stress As a bird dreaming on her nest, As dew hid in a rose's breast, As Hesper in the glowing West; So the heart sleeps In thy calm deeps, Serene Forgetfulness! No sorrow in that place may be, The noise of life grows less and less: As moss far down within the sea, As, in white lily caves, a bee, As life in a hazy reverie; So the heart's wave In thy dim cave, Hushes, Forgetfulness! Duty and care fade far away What toil may be we cannot guess: As a ship anchored in the bay, As a cloud at summer-noon astray, As water-blooms in a breezeless day; So,'neath thine eyes, The full heart lies, And dreams, Forgetfulness!
SONG. I. What reck I of the stars, when I May gaze into thine eyes, O'er which the brown hair flowingly Is parted maidenwise From thy pale forehead, calm and bright, Over thy cheeks so rosy white? II. What care I for the red moon-rise? Far liefer would I sit And watch the joy within thine eyes Gush up at sight of it; Thyself my queenly moon shall be, Ruling my heart's deep tides for me! III. What heed I if the sky be blue? So are thy holy eyes, And bright with shadows ever new Of changeful sympathies, Which in thy soul's unruffled deep Rest evermore, but never sleep.
THE POET. He who hath felt Life's mystery Press on him like thick night, Whose soul hath known no history But struggling after light;— He who hath seen dim shapes arise In the soundless depths of soul, Which gaze on him with meaning eyes Full of the mighty whole, Yet will no word of healing speak, Although he pray night-long, "O, help me, save me! I am weak, And ye are wondrous strong!"— Who, in the midnight dark and deep, Hath felt a voice of might Come echoing through the halls of sleep From the lone heart of Night, And, starting from his restless bed, Hath watched and wept to know What meant that oracle of dread That stirred his being so; He who hath felt how strong and great This Godlike soul of man, And looked full in the eyes of Fate, Since Life and Thought began; The armor of whose moveless trust Knoweth no spot of weakness, Who hath trod fear into the dust Beneath the feet of meekness;— He who hath calmly borne his cross, Knowing himself the king Of time, nor counted it a loss To learn by suffering;— And who hath worshipped woman still With a pure soul and lowly, Nor ever hath in deed or will Profaned her temple holy— He is the Poet, him unto The gift of song is given, Whose life is lofty, strong, and true, Who never fell from Heaven; He is the Poet, from his lips To live forevermore, Majestical as full-sailed ships, The words of Wisdom pour.
FLOWERS. "Hail be thou, holie hearbe, Growing on the ground, All in the mount Calvary First wert thou found; Thou art good for manie a sore, Thou healest manie a wound, In the name of sweete Jesus I take thee from the ground." —Ancient Charm-verse. I. When, from a pleasant ramble, home Fresh-stored with quiet thoughts, I come, I pluck some wayside flower And press it in the choicest nook Of a much-loved and oft-read book; And, when upon its leaves I look In a less happy hour, Dear memory bears me far away Unto her fairy bower, And on her breast my head I lay, While, in a motherly, sweet strain, She sings me gently back again To by-gone feelings, until they Seem children born of yesterday. II. Yes, many a story of past hours I read in these dear withered flowers, And once again I seem to be Lying beneath the old oak tree, And looking up into the sky, Through thick leaves rifted fitfully, Lulled by the rustling of the vine, Or the faint low of far-off kine; And once again I seem To watch the whirling bubbles flee, Through shade and gleam alternately, Down the vine-bowered stream; Or 'neath the odorous linden trees, When summer twilight lingers long, To hear the flowing of the breeze And unseen insects' slumberous song, That mingle into one and seem Like dim murmurs of a dream; Fair faces, too, I seem to see, Smiling from pleasant eyes at me, And voices sweet I hear, That, like remembered melody, Flow through my spirit's ear. III. A poem every flower is, And every leaf a line, And with delicious memories They fill this heart of mine: No living blossoms are so clear As these dead relics treasured here; One tells of Love, of friendship one, Love's quiet after-sunset time, When the all-dazzling light is gone, And, with the soul's low vesper-chime, O'er half its heaven doth out-flow A holy calm and steady glow. Some are gay feast-songs, some are dirges, In some a joy with sorrow merges; One sings the shadowed woods, and one the roar Of ocean's everlasting surges, Tumbling upon the beach's hard-beat floor, Or sliding backward from the shore To meet the landward waves and slowly plunge once more. O flowers of grace, I bless ye all By the dear faces ye recall! IV. Upon the banks of Life's deep streams Full many a flower groweth, Which with a wondrous fragrance teems, And in the silent water gleams, And trembles as the water floweth, Many a one the wave upteareth, Washing ever the roots away, And far upon its bosom beareth, To bloom no more in Youth's glad May; As farther on the river runs, Flowing more deep and strong, Only a few pale, scattered ones Are seen the dreary banks along; And where those flowers do not grow, The river floweth dark and chill, Its voice is sad, and with its flow Mingles ever a sense of ill; Then, Poet, thou who gather dost Of Life's best flowers the brightest, O, take good heed they be not lost While with the angry flood thou fightest! V. In the cool grottos of the soul, Whence flows thought's crystal river, Whence songs of joy forever roll To Him who is the Giver— There store thou them, where fresh and green Their leaves and blossoms may be seen, A spring of joy that faileth never; There store thou them, and they shall be A blessing and a peace to thee, And in their youth and purity Thou shalt be young forever! Then, with their fragrance rich and rare, Thy living shall be rife, Strength shall be thine thy cross to bear, And they shall be a chaplet fair, Breathing a pure and holy air, To crown thy holy life. VI. O Poet! above all men blest, Take heed that thus thou store them; Love, Hope, and Faith shall ever rest, Sweet birds (upon how sweet a nest!) Watchfully brooding o'er them. And from those flowers of Paradise Scatter thou many a blessèd seed, Wherefrom an offspring may arise To cheer the hearts and light the eyes Of after-voyagers in their need. They shall not fall on stony ground, But, yielding all their hundred-fold, Shall shed a peacefulness around, Whose strengthening joy may not be told, So shall thy name be blest of all, And thy remembrance never die; For of that seed shall surely fall In the fair garden of Eternity. Exult then in the nobleness Of this thy work so holy, Yet be not thou one jot the less Humble and meek and lowly, But let thine exultation be The reverence of a bended knee; And by thy life a poem write, Built strongly day by day— And on the rock of Truth and Right Its deep foundations lay. VII. It is thy duty! Guard it well! For unto thee hath much been given, And thou canst make this life a Hell, Or Jacob's-ladder up to Heaven. Let not thy baptism in Life's wave Make thee like him whom Homer sings— A sleeper in a living grave, Callous and hard to outward things; But open all thy soul and sense To every blessèd influence That from the heart of Nature springs: Then shall thy Life-flowers be to thee, When thy best years are told, As much as these have been to me— Yea, more, a thousand-fold!
THE LOVER. I. Go from the world from East to West, Search every land beneath the sky, You cannot find a man so blest, A king so powerful as I, Though you should seek eternally. II. For I a gentle lover be, Sitting at my loved-one's side; She giveth her whole soul to me Without a wish or thought of pride, And she shall be my cherished bride. III. No show of gaudiness hath she, She doth not flash with jewels rare; In beautiful simplicity She weareth leafy garlands fair, Or modest flowers in her hair. IV. Sometimes she dons a robe of green, Sometimes a robe of snowy white, But, in whatever garb she's seen, It seems most beautiful and right, And is the loveliest to my sight. V. Not I her lover am alone, Yet unto all she doth suffice, None jealous is, and every one Reads love and truth within her eyes, And deemeth her his own dear prize. VI. And so thou art, Eternal Nature! Yes, bride of Heaven, so thou art; Thou, wholly lovest every creature, Giving to each no stinted part, But filling every peaceful heart.
TO E. W. G. "Dear Child! dear happy Girl! if thou appear Heedless—untouched with awe or serious thought, Thy nature is not therefore less divine: Thou liest in Abraham's bosom all the year; And worship'st at the Temple's inner shrine, God being with thee when we know it not." —Wordsworth. As through a strip of sunny light A white dove flashes swiftly on, So suddenly before my sight Thou gleamed'st a moment and wert gone; And yet I long shall bear in mind The pleasant thoughts thou left'st behind. Thou mad'st me happy with thine eyes, And happy with thine open smile, And, as I write, sweet memories Come thronging round me all the while; Thou mad'st me happy with thine eyes— And gentle feelings long forgot Looked up and oped their eyes, Like violets when they see a spot Of summer in the skies. Around thy playful lips did glitter Heat-lightnings of a girlish scorn; Harmless they were, for nothing bitter In thy dear heart was ever born— That merry heart that could not lie Within its warm nest quietly, But ever from each full, dark eye Was looking kindly night and morn. There was an archness in thine eyes, Born of the gentlest mockeries, And thy light laughter rang as clear As water-drops I loved to hear In days of boyhood, as they fell Tinkling far down the dim, still well; And with its sound come back once more The feelings of my early years, And half aloud I murmured o'er— "Sure I have heard that sound before, It is so pleasant in mine ears." Whenever thou didst look on me I thought of merry birds, And something of spring's melody Came to me in thy words; Thy thoughts did dance and bound along Like happy children in their play, Whose hearts run over into song For gladness of the summer's day; And mine grew dizzy with the sight, Still feeling lighter and more light, Till, joining hands, they whirled away, As blithe and merrily as they. I bound a larch-twig round with flowers, Which thou didst twine among thy hair, And gladsome were the few, short hours When I was with thee there; So now that thou art far away, Safe-nestled in thy warmer clime, In memory of a happier day I twine this simple wreath of rhyme. Dost mind how she, whom thou dost love More than in light words may be said, A coronal of amaranth wove About thy duly-sobered head, Which kept itself a moment still That she might have her gentle will? Thy childlike grace and purity O keep forevermore, And as thou art, still strive to be, That on the farther shore Of Time's dark waters ye may meet, And she may twine around thy brow A wreath of those bright flowers that grow Where blessèd angels set their feet!
ISABEL. As the leaf upon the tree, Fluttering, gleaming constantly, Such a lightsome thing was she, My gay and gentle Isabel! Her heart was fed with love-springs sweet, And in her face you'd see it beat To hear the sound of welcome feet— And were not mine so, Isabel? She knew it not, but she was fair, And like a moonbeam was her hair, That falls where flowing ripples are In summer evenings, Isabel! Her heart and tongue were scarce apart, Unwittingly her lips would part, And love came gushing from her heart, The woman's heart of Isabel. So pure her flesh-garb, and like dew, That in her features glimmered through Each working of her spirit true, In wondrous beauty, Isabel! A sunbeam struggling through thick leaves, A reaper's song mid yellow sheaves, Less gladsome were;—my spirit grieves To think of thee, mild Isabel! I know not when I loved thee first; Not loving, I had been accurst, Yet, having loved, my heart will burst, Longing for thee, dear Isabel! With silent tears my cheeks are wet, I would be calm, I would forget, But thy blue eyes gaze on me yet, When stars have risen, Isabel. The winds mourn for thee, Isabel, The flowers expect thee in the dell, Thy gentle spirit loved them well; And I for thy sake, Isabel! The sunsets seem less lovely now Than when, leaf checkered, on thy brow They fell as lovingly as thou Lingered'st till moon-rise, Isabel! At dead of night I seem to see Thy fair, pale features constantly Upturned in silent prayer for me, O'er moveless clasped hands, Isabel! I call thee, thou dost not reply; The stars gleam coldly on thine eye, As like a dream thou flittest by, And leav'st me weeping, Isabel!
MUSIC. I. I seem to lie with drooping eyes, Dreaming sweet dreams, Half longings and half memories, In woods where streams With trembling shades and whirling gleams, Many and bright, In song and light, Are ever, ever flowing; While the wind, if we list to the rustling grass, Which numbers his footsteps as they pass, Seems scarcely to be blowing; And the far-heard voice of Spring, From sunny slopes comes wandering, Calling the violets from the sleep, That bound them under snow-drifts deep, To open their childlike, asking eyes On the new summer's paradise, And mingled with the gurgling waters— As the dreamy witchery Of Acheloüs' silver-voiced daughters Rose and fell with the heaving sea, Whose great heart swelled with ecstasy— The song of many a floating bird, Winding through the rifted trees, Is dreamily half-heard— A sister stream of melodies Rippled by the flutterings Of rapture-quivered wings. II. And now beside a cataract I lie, and through my soul, From over me and under, The never-ceasing thunder Arousingly doth roll; Through the darkness all compact, Through the trackless sea of gloom, Sad and deep I hear it boom; At intervals the cloud is cracked And a livid flash doth hiss Downward from its floating home, Lighting up the precipice And the never-resting foam With a dim and ghastly glare, Which, for a heart-beat, in the air, Shows the sweeping shrouds Of the midnight clouds And their wildly-scattered hair. III. Now listening to a woman's tone, In a wood I sit alone— Alone because our souls are one;— All around my heart it flows, Lulling me in deep repose; I fear to speak, I fear to move, Lest I should break the spell I love— Low and gentle, calm and clear, Into my inmost soul it goes, As if my brother dear, Who is no longer here, Had bended from the sky And murmured in my ear A strain of that high harmony, Which they may sing alone Who worship round the throne. IV. Now in a fairy boat, On the bright waves of song, Full merrily I float, Merrily float along; My helm is veered, I care not how, My white sail bellies over me, And bright as gold the ripples be That plash beneath the bow; Before, behind, They feel the wind, And they are dancing joyously— While, faintly heard, along the far-off shore The surf goes plunging with a lingering roar; Or anchored in a shadowy cove, Entranced with harmonies, Slowly I sink and rise As the slow waves of music move. V. Now softly dashing, Bubbling, plashing, Mazy, dreamy, Faint and streamy, Ripples into ripples melt, Not so strongly heard as felt; Now rapid and quick, While the heart beats thick, The music silver wavelets crowd, Distinct and clear, but never loud And now all solemnly and slow, In mild, deep tones they warble low, Like the glad song of angels, when They sang good will and peace to men; Now faintly heard and far, As if the spirit's ears Had caught the anthem of a star Chanting with his brother-spheres In the midnight dark and deep, When the body is asleep And wondrous shadows pour in streams From the twofold gate of dreams; Now onward roll the billows, swelling With a tempest-sound of might, As of voices doom foretelling To the silent ear of Night; And now a mingled ecstasy Of all sweet sounds it is;— O! who may tell the agony Of rapture such as this? VI. I have drunk of the drink of immortals, I have drunk of the life-giving wine, And now I may pass the bright portals That open into a realm divine! I have drunk it through mine ears In the ecstasy of song, When mine eyes would fill with tears That its life were not more long; I have drunk it through mine eyes In beauty's every shape, And now around my soul it lies, No juice of earthly grape! Wings! wings are given to me, I can flutter, I can rise, Like a new life gushing through me Sweep the heavenly harmonies!
SONG. O! I must look on that sweet face once more before I die; God grant that it may lighten up with joy when I draw nigh; God grant that she may look on me as kindly as she seems In the long night, the restless night, i' the sunny land of dreams! I hoped, I thought, she loved me once, and yet, I know not why, There is a coldness in her speech, and a coldness in her eye. Something that in another's look would not seem cold to me, And yet like ice I feel it chill the heart of memory. She does not come to greet me so frankly as she did, And in her utmost openness I feel there's something hid; She almost seems to shun me, as if she thought that I Might win her gentle heart again to feelings long gone by. I sought the first spring-buds for her, the fairest and the best, And she wore them for their loveliness upon her spotless breast, The blood-root and the violet, the frail anemone, She wore them, and alas! I deemed it was for love of me! As flowers in a darksome place stretch forward to the light, So to the memory of her I turn by day and night; As flowers in a darksome place grow thin and pale and wan, So is it with my darkened heart, now that her light is gone. The thousand little things that love doth treasure up for aye, And brood upon with moistened eyes when she that's loved's away, The word, the look, the smile, the blush, the ribbon that she wore, Each day they grow more dear to me, and pain me more and more. My face I cover with my hands, and bitterly I weep, That the quick-gathering sands of life should choke a love so deep, And that the stream, so pure and bright, must turn it from its track, Or to the heart-springs, whence it rose, roll its full waters back! As calm as doth the lily float close by the lakelet's brim, So calm and spotless, down time's stream, her peaceful days did swim, And I had longed, and dreamed, and prayed, that closely by her side, Down to a haven still and sure, my happy life might glide. But now, alas! those golden days of youth and hope are o'er, And I must dream those dreams of joy, those guiltless dreams no more; Yet there is something in my heart that whispers ceaselessly, "Would God that I might see that face once more before I die!"
IANTHE. I. There is a light within her eyes, Like gleams of wandering fire-flies; From light to shade it leaps and moves Whenever in her soul arise The holy shapes of things she loves; Fitful it shines and changes ever, Like star-lit ripples on a river, Or summer sunshine on the eaves Of silver-trembling poplar leaves, Where the lingering dew-drops quiver. I may not tell the blessedness Her mild eyes send to mine, The sunset-tinted haziness Of their mysterious shine, The dim and holy mournfulness Of their mellow light divine; The shadow of the lashes lie Over them so lovingly, That they seem to melt away In a doubtful twilight-gray, While I watch the stars arise In the evening of her eyes, I love it, yet I almost dread To think what it foreshadoweth; And, when I muse how I have read That such strange light betokened death— Instead of fire-fly gleams, I see Wild corpse-lights gliding waveringly. II. With wayward thoughts her eyes are bright, Like shiftings of the northern-light, Hither, thither, swiftly glance they, In a mazy twining dance they, Like ripply lights the sunshine weaves, Thrown backward from a shaken nook, Below some tumbling water-brook, On the o'erarching platan-leaves, All through her glowing face they flit, And rest in their deep dwelling-place, Those fathomless blue eyes of hers, Till, from her burning soul re-lit, While her upheaving bosom stirs, They stream again across her face And with such hope and glory fill it, Death could not have the heart to chill it. Yet when their wild light fades again, I feel a sudden sense of pain, As if, while yet her eyes were gleaming, And like a shower of sun-lit rain Bright fancies from her face were streaming, Her trembling soul might flit away As swift and suddenly as they. III. A wild, inspirèd earnestness Her inmost being fills, And eager self-forgetfulness, That speaks not what it wills, But what unto her soul is given, A living oracle from Heaven, Which scarcely in her breast is born When on her trembling lips it thrills, And, like a burst of golden skies Through storm-clouds on a sudden torn, Like a glory of the morn, Beams marvellously from her eyes. And then, like a Spring-swollen river, Roll the deep waves of her full-hearted thought Crested with sun-lit spray, Her wild lips curve and quiver, And my rapt soul, on the strong tide upcaught, Unwittingly is borne away, Lulled by a dreamful music ever, Far—through the solemn twilight-gray Of hoary woods—through valleys green Which the trailing vine embowers, And where the purple-clustered grapes are seen Deep-glowing through rich clumps of waving flowers— Now over foaming rapids swept And with maddening rapture shook— Now gliding where the water-plants have slept For ages in a moss-rimmed nook— Enwoven by a wild-eyed band Of earth-forgetting dreams, I float to a delicious land By a sunset heaven spanned, And musical with streams;— Around, the calm, majestic forms And god-like eyes of early Greece I see, Or listen, till my spirit warms, To songs of courtly chivalry, Or weep, unmindful if my tears be seen, For the meek, suffering love of poor Undine. IV. Her thoughts are never memories, But ever changeful, ever new, Fresh and beautiful as dew That in a dell at noontide lies, Or, at the close of summer day, The pleasant breath of new-mown hay: Swiftly they come and pass As golden birds across the sun, As light-gleams on tall meadow-grass Which the wind just breathes upon. And when she speaks, her eyes I see Down-gushing through their silken lattices, Like stars that quiver tremblingly Through leafy branches of the trees, And her pale cheeks do flush and glow With speaking flashes bright and rare As crimson North-lights on new-fallen snow, From out the veiling of her hair— Her careless hair that scatters down On either side her eyes, A waterfall leaf-tinged with brown And lit with the sunrise. V. When first I saw her, not of earth, But heavenly both in grief and mirth, I thought her; she did seem As fair and full of mystery, As bodiless, as forms we see In the rememberings of a dream; A moon-lit mist, a strange, dim light, Circled her spirit from my sight;— Each day more beautiful she grew, More earthly every day, Yet that mysterious, moony hue Faded not all away; She has a sister's sympathy With all the wanderers of the sky, But most I've seen her bosom stir When moonlight round her fell, For the mild moon it loveth her, She loveth it as well, And of their love perchance this grace Was born into her wondrous face. I cannot tell how it may be, For both, methinks, can scarce be true, Still, as she earthly grew to me, She grew more heavenly too; She seems one born in Heaven With earthly feelings, For, while unto her soul are given More pure revealings Of holiest love and truth, Yet is the mildness of her eyes Made up of quickest sympathies, Of kindliness and ruth; So, though some shade of awe doth stir Our souls for one so far above us, We feel secure that she will love us, And cannot keep from loving her. She is a poem, which to me In speech and look is written bright, And to her life's rich harmony Doth ever sing itself aright; Dear, glorious creature! With eyes so dewy bright, And tenderest feeling Itself revealing In every look and feature, Welcome as a homestead light To one long-wandering in a clouded night, O, lovelier for her woman's weakness, Which yet is strongly mailed In armor of courageous meekness And faith that never failed! VI. Early and late, at her soul's gate, Sits Chastity in warderwise, No thoughts unchallenged, small or great, Go thence into her eyes; Nor may a low, unworthy thought Beyond that virgin warder win, Nor one, whose password is not "ought," May go without or enter in. I call her, seeing those pure eyes, The Eve of a new Paradise, Which she by gentle word and deed, And look no less, doth still create About her, for her great thoughts breed A calm that lifts us from our fallen state, And makes us while with her both good and great— Nor is their memory wanting in our need: With stronger loving, every hour, Turneth my heart to this frail flower, Which, thoughtless of the world, hath grown To beauty and meek gentleness, Here in a fair world of its own— By woman's instinct trained alone— A lily fair which God did bless, And which from Nature's heart did draw Love, wisdom, peace, and Heaven's perfect law.
LOVE'S ALTAR. I. I built an altar in my soul, I builded it to one alone; And ever silently I stole, In happy days of long-agone, To make rich offerings to that ONE. II. 'Twas garlanded with purest thought, And crowned with fancy's flowers bright, With choicest gems 'twas all inwrought Of truth and feeling; in my sight It seemed a spot of cloudless light. III. Yet when I made my offering there, Like Cain's, the incense would not rise; Back on my heart down-sank the prayer, And altar-stone and sacrifice Grew hateful in my tear-dimmed eyes. IV. O'er-grown with age's mosses green, The little altar firmly stands; It is not, as it once hath been, A selfish shrine;—these time-taught hands Bring incense now from many lands. V. Knowledge doth only widen love; The stream, that lone and narrow rose, Doth, deepening ever, onward move, And with an even current flows Calmer and calmer to the close. VI. The love, that in those early days Girt round my spirit like a wall, Hath faded like a morning haze, And flames, unpent by self's mean thrall, Rise clearly to the perfect all.
IMPARTIALITY. I. I cannot say a scene is fair Because it is beloved of thee, But I shall love to linger there, For sake of thy dear memory; I would not be so coldly just As to love only what I must. II. I cannot say a thought is good Because thou foundest joy in it; Each soul must choose its proper food Which Nature hath decreed most fit; But I shall ever deem it so Because it made thy heart o'erflow. III. I love thee for that thou art fair; And that thy spirit joys in aught Createth a new beauty there, With thine own dearest image fraught; And love, for others' sake that springs, Gives half their charm to lovely things.
BELLEROPHON. DEDICATED TO MY FRIEND, JOHN F. HEATH. I. I feel the bandages unroll That bound my inward seeing; Freed are the bright wings of my soul, Types of my god-like being; High thoughts are swelling in my heart And rushing through my brain; May I never more lose part In my soul's realm again! All things fair, where'er they be, In earth or air, in sky or sea, I have loved them all, and taken All within my throbbing breast; No more my spirit can be shaken From its calm and kingly rest! Love hath shed its light around me, Love hath pierced the shades that bound me; Mine eyes are opened, I can see The universe's mystery, The mighty heart and core Of After and Before I see, and I am weak no more! II. Upward! upward evermore, To Heaven's open gate I soar! Little thoughts are far behind me, Which, when custom weaves together, All the nobler man can tether— Cobwebs now no more can bind me! Now fold thy wings a little while, My trancèd soul, and lie At rest on this Calypso-isle That floats in mellow sky, A thousand isles with gentle motion Rock upon the sunset ocean; A thousand isles of thousand hues, How bright! how beautiful! how rare! Into my spirit they infuse A purer, a diviner air; The earth is growing dimmer, And now the last faint glimmer Hath faded from the hill; But in my higher atmosphere The sun-light streameth red and clear, Fringing the islets still;— Love lifts us to the sun-light, Though the whole world would be dark; Love, wide Love, is the one light, All else is but a fading spark; Love is the nectar which doth fill Our soul's cup even to overflowing, And, warming heart, and thought, and will, Doth lie within us mildly glowing, From its own centre raying out Beauty and Truth on all without. III. Each on his golden throne, Full royally, alone, I see the stars above me, With sceptre and with diadem; Mildly they look down and love me, For I have ever yet loved them; I see their ever-sleepless eyes Watching the growth of destinies; Calm, sedate, The eyes of Fate, They wink not, nor do roll, But search the depths of soul— And in those mighty depths they see The germs of all Futurity, Waiting but the fitting time To burst and ripen into prime, As in the womb of mother Earth The seeds of plants and forests lie Age upon age and never die— So in the souls of all men wait, Undyingly the seeds of Fate; Chance breaks the clod and forth they spring, Filling blind men with wondering. Eternal stars! with holy awe, As if a present God I saw, I look into those mighty eyes And see great destinies arise, As in those of mortal men Feelings glow and fade again! All things below, all things above, Are open to the eyes of Love. IV. Of Knowledge Love is master-key, Knowledge of Beauty; passing dear Is each to each, and mutually Each one doth make the other clear; Beauty is Love, and what we love Straightway is beautiful, So is the circle round and full, And so dear Love doth live and move And have his being, Finding his proper food By sure inseeing, In all things pure and good, Which he at will doth cull, Like a joyous butterfly Hiving in the sunny bowers Of the soul's fairest flowers, Or, between the earth and sky, Wandering at liberty For happy, happy hours! V. The thoughts of Love are Poesy, As this fair earth and all we see Are the thoughts of Deity— And Love is ours by our birthright! He hath cleared mine inward sight; Glorious shapes with glorious eyes Round about my spirit glance, Shedding a mild and golden light On the shadowy face of Night; To unearthly melodies, Hand in hand, they weave their dance, While a deep, ambrosial lustre From their rounded limbs doth shine, Through many a rich and golden cluster Of streaming hair divine. In our gross and earthly hours We cannot see the Love-given powers Which ever round the soul await To do its sovereign will, When, in its moments calm and still, It re-assumes its royal state, Nor longer sits with eyes downcast, A beggar, dreaming of the past, At its own palace-gate. VI. I too am a Maker and a Poet; Through my whole soul I feel it and know it; My veins are fired with ecstasy! All-mother Earth Did ne'er give birth To one who shall be matched with me; The lustre of my coronal Shall cast a dimness over all.— Alas! alas! what have I spoken? My strong, my eagle wings are broken, And back again to earth I fall!