INDEX

Adoration of the Magi, The (Rouen), 43, 130; (Città della Pieve), 90, 91, 135, ill. 92; (Trevi), 109, 154

Adoration of the Shepherds, The (Nat. Gallery), 110, 123

Albani, Cardinal Giovanni Girolamo, 115

Albani MS., The, 115

Albani altar-piece, The, 29, 153, ill. 28

Albizzi, Luca degli', picture painted by Perugino for, 11

Annunciation, The (Villa Albani), 29, 153; (Fano), 69, 71, 137

Antonello da Messina, his influence on Perugino, 39

Apollo and Marsyas (Louvre), 62, 130

Arcimboldo, Guido, Archbishop of Milan, 40

Ashburnham, Lord, and the Albani MS., 117

Ascension, The (Lyons), 41, 42, 55, 96, 128; (Borgo San Sepolcro), 41, 42, 44, 96, 134, ill. 42

Assumption, The (Accademia), 64, 83, 84, 139, ill. 82; (SS. Annunziata), 83, 95, 96, 97, 141; studies for, 98

Baccio d'Agnolo, 87, 90

Baldassare, Abbot, portrait of, 84, 113, 139, ill. 84

Balsams, action of on colours, 36, 37

Baptism of Christ, The (Rouen), 16, 17, 44, 130, ill. 18; (Vienna), 19, 20, 121; (Foligno), 100, 137; (Città della Pieve), 104, 136

Baptism of Christ, The, in the Sistine Chapel, probably by Pinturicchio, 16

Bellini, Giovanni, his influence on Perugino, 39

Berenson, Mr. B. on Perugino, 2, 9; on "space composition," 13; attributes, the "Sposalizio" to Lo Spagna, 59-61

Bettona, Perugino's pictures at, 103, 104, 134

Bolleti, Signor Guiseppe, 91

Bonfigli, his influence on Perugino, 2, 3

Boto da Maraglia, votive picture at Bettona, commissioned by, 103

Cambio, The, at Perugia, Perugino's decoration of, 74-82, 149-151

Canova, 54, 55

Ceccheti, Signor Andrea, 91

Celandro, Santi di Polonio del, 21, 22

Cennini, Cennino, The "Trattato" of, 34

Certosa altar-piece, The, 67, 122, ill. 68

Cesarei, Mayor of Perugia, 51, 56

Christ giving the Keys to St. Peter, 13, 151, ill. 14

Christ in the Garden (Accademia), 24, 26, 139, ill. 26

Città della Pieve, Perugino's birthplace, 1; fresco in Sta. Maria de Bianca, 90, 91, 135; the town and people, 92; other pictures by Perugino at, 104, 105, 135, 136

Coronation of the Virgin, The (Perugia, Pinacoteca), 87, 88, 96, 97, 144

Costa, Lorenzo, his "Sposalizio," 60, 61

Crucifixion, The (La Calza), 9, 24, 142, ill. 24; (Villa Albani), 29, 153; (S. M. Maddalena dei Pazzi), 40, 63, 65-67, 73, 141, ill. 66; studies for, 67; (Accademia), 72, 73, 140, ill. 72; (Perugia, Pinacoteca), 87, 89, 146, ill. 88; (Assisi), 102, 133; (Siena), 103, 153, ill. 102

Crucifixion, The, by Raphael, 67

Daru, Count, 50, 51, 52

Denistoune, Mr., and the Albani MS., 115-117

Denon, Baron, 51, 53

Descent from the Cross (fragment, Città della Pieve), 105, 136

Descent from the Cross, The, by Filippino Lippi, completed by Perugino, 95, 140, ill. 94

Ducci, Agostino, 72

Entombment, The (Pitti), 40, 44, 45, 138, ill. 44; studies for, 45-46

Este, Isabella d', and Perugino, 93

Fancelli, Chiare, wife of Perugino, 140

Federighi, Jacopo, 95

Fiesole altar-piece, The, 31, 139, ill. 30

Fiorenzo di Lorenzo, his influence on Perugino, 2, 4, 5

Francesco delle Opere, portrait of, 40, 44, 80, 85, 138, ill. 40

Galeotto, Pietro di Maestro, 20-22

Giovanni, The, Perugino's uncle and nephews, 87

Herringham, Mrs., 34

Holy Family, The (Cantiano), 69, 135

Horne, Mr. Herbert, on Perugino's technique, 33

Julius II., Pope, 27, 88, 101

Laurie, Dr. A. P., his Cantor Lectures, 36

Leonardo da Vinci, 12

Lippo, Filippino, his "Descent from the Cross," completed by Perugino, 95, 140

Lippi, Lippo, his "Vision of St. Bernard," 63

Lorenzo di Credi, 12, 95

Lo Spagna, "The Sposalizio," attributed to, 59; other works by, 93

Love and Chastity, 9, 62, 93, 94, 130

Madonna and Child (Louvre), 19, 129; (Verona), 19, 154; (Vatican), 23, 40, 152, ill. 22; (Uffizi), 31, 139; (Vienna), 31, 121; (Cremona), 39, 137; (Nat. Gallery, from the Certosa altar-piece), 67, 122; (Fano), 69-71, 137; (Sinigaglia), 69, 154; (Perugia, Pinacoteca), 69, 71, 146, ill. 70; (Nat. Gallery, the Schiavone altar-piece), 99, 100, 123, ill. 100; (Bettona), 104, 134; (Città della Pieve), 104, 135; (Perugia, Duomo), 109, 147

Masaccio, 12

Maturanzio, Francesco, 77, 80

Michel Angelo, choice of a site for his "David," 89; connection between Perugino and, 90

Milan, Il Moro, Duke of, anxious to secure Perugino, 39, 40, 69

Milanesi, Don Biagio, portrait of, 84, 113, 139, ill. 84

Moses and Zipporah, probably not by Perugino, 16

Nativity, The (Villa Albani), 29, 153; (Cambio), 77, 151; (Montefalco), 108, 142; (Perugia, Pinacoteca), 104, 147

Napoleon, his seizure of Italian pictures, 48; admiration of Perugino's paintings, 50

Niccolò da Foligno, his influence on Perugino, 2, 3, 11

Orvieto, story of Perugino's contract to decorate the cathedral at, 27-29; finally refused, 74

Panicale, Perugino's work at and connection with, 93, 99

Perugia, story of Perugino's dealings with the Priori of, 20, 23; altar-piece painted for San Pietro, 40, 41, 55, 128, ill. 52; the pillage of Perugino's pictures from, 47-57; altar-piece painted for the magistrates' chapel, 33, 40, 47, 49, 152; altar-piece painted for St. Agostino, 56, 70, 87, 88, 106; decoration of the Cambio, 74-82, 149-151, ill. 76, 78; double altar-piece for San Francesco al Monte, 87; the Schiavone altar-piece, 99, 100; figures in San Severo, 107, ill. 106; other pictures at, 144-151

Perugino, his birth, 1; early influences, 2-9; journey to Florence, 9; earliest works, 10, 11; figure of "San Sebastian" at Cerqueto, 11; "Christ giving the keys to St. Peter," 13, 16, 18; influence of Umbrian scenery on his work, 16; his other frescoes in the Sistine Chapel destroyed, 18; early pictures, 19-32; the Vatican "Madonna," 23; the La Calza "Crucifixion," 24, 26; commissioned to decorate Orvieto Cathedral, 27, 74; work for Cardinal Guiliano della Rovere, 27-29; the Villa Albani altar-piece, 29, 30; his technique, pigments, etc., 33-38; the Cremona altar-piece, 39; the "Ascension" altar-piece, 40-44; the "Entombment," 44-46; story of the pillage of his pictures from Perugia, 47-57; the "Sposalizio" attributed to Lo Spagna, 58-61; the "Apollo and Marsyas," 62; the "St. Bernard," 63; the "Family of St. Anne," 63-65; the "Crucifixion" at S. M. Maddalena dei Pazzi, 65-67; the Certosa altar-piece, 67-69; pictures at Fano, etc., 69-71; two "Madonnas" at Perugia, 71, 72; the St. Jerome "Crucifixion," 72, 73; residence in Florence, 74; decoration of the Cambio, 74-82; portrait of himself, 80, 85, ill. 78; Raphael his pupil, 81, 82; the Vallombrosa altar-piece, 83, 84; two portraits, 84, 85; civic duties in Perugia, 87; the double altar-piece for San Francesco al Monte, 87-89; connection with Michel Angelo, 90; the fresco at Città della Pieve, 90, 91; commission from Isabella d'Este, 93; the "Assumption" (SS. Annunziata), 95; repetition of figures in his pictures, 68, 96; retirement to Perugia, 97; the Schiavone altar-piece, 99, 100; frescoes in the Vatican, 101; works at Assisi, 102; Siena, 103; Bettona, 103, 104; Città della Pieve, 104, 105; Spello, 106; completion of Raphael's fresco in San Severo, Perugia, 107; works at Montefalco, and Trevi, 108; later pictures, 109, 110; death, 110; his burial-place unknown, 111; his wife, 112; his scholars, 112; characteristics, 112-114

Piero della Francesca, his influence on Perugino, 3, 6, 26, 30

Pietà (Accademia), 9, 24, 26, 140, ill. 26

Pinturicchio, the "Baptism" in the Sistine Chapel by, 16, 18; work in Orvieto Cathedral, 29; the "Apollo and Marsyas," possibly by, 63

Phillips, Mr. Claud, 63

Portraits by Perugino, 40, 44, 80, 84, 85, 113

Prophets and Sibyls (Cambio), 77, 82, 83, 151

Raffaelino del Garbo, 25

Raphael, his "Sposalizio," 59, 60, 81; his "Crucifixion," 67; Perugino's pupil, 81, 82; his decorations in the Camera dell' Incendio, 100; fresco in San Severo, Perugia, added to by Perugino, 107

"Raphael of Morris Moore," The, 62, 130

Repetition of figures in Perugino's pictures, 68, 96

Resurrection, The (Rouen), 43, 130; (Vatican), 79, 85, 86, 152, ill. 86

Roederer, Baron, 51, 53

Rossi, Prof. Adam, 58, 81

Rovere, Cardinal Guiliano della, Perugino's work for, 27, 28, 29

St. Agostino altar-piece, The, 56, 70, 87, 88, 106, ill. 106

St. Anne, Family of, 63, 64, 128, ill. Frontis.

St. Anthony (Città della Pieve), 104, 135; (Bettona), 103, 136

San Bernardino of Siena, 71, 72

St. Bernard, Vision of (Munich), 63, 132, ill. 62; study for, 63

St. Francis of Assisi, 72, ill. 70

Santi, Giovanni, lines referring, to Perugino, 12; story of his taking Raphael to Perugino, 81

San Sebastian, Comparison of Perugino's various representations of, 118-120

San Sebastian (Cerqueto), 11, 118, 135, ill. 10; (Panicale), 93, 99, 118, 143; (Perugia), 118, 144, ill. 118; with other saints (Perugia), 106, 149; (Albani MS.), 117, 118

Schiavone, Giovanni, altar-piece painted for, 99, 100, 123, ill. 100

Signorelli, Luca, his influence on Perugino, 8, 9, 11, 25; his decorations in the cathedral at Orvieto, 29

Sixtus IV., Pope, pictures by Perugino executed for, 10, 12

Space composition, Mr. Berenson on, 13

Spello, Perugino's pictures at, 106

Sposalizio, The, attributed to Lo Spagna, 49, 58-61; compared with pictures by Raphael and Lorenzo Costa, 60, 61

St. John Baptist and Saints (Perugia, Pinacoteca), 106, 147

Tempera painting, 33-36

Thompson, Mr. Henry Yates, 117, 118

Tiberio d' Assisi, 108, 109

Tinet, Napoleon's commissioner, 48, 49

Tofanelli, 51, 52

Transfiguration, The (Cambio), 77, 78, 150; (Perugia, Pinacoteca), 78, 109, 146; (Sta. Maria Nuova), 79, 137

Triumph of Religion, The (Cambio), 78

Ultramarine, story of Perugino's use of, 37

Umbria, The scenery of, 15, 16

Vallombrosa altar-piece, The, 64, 83, 84

Vannucci, John Battista, 111

Vannucci, Pietro, see Perugino

Verrocchio, his influence on Perugino doubtful, 9

Virgin in Glory, The (Bologna), 63, 136, ill. 64

Vite, Timoteo, 61, 62, 81

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