Pictorial Photography in America 1921
Pictorial Photographers of America
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Table of contents
1. Front matter2. Illustrations3. PAINTING WITH LIGHT4. THE YEAR'S PROGRESS5. An Interview with Henry Hoyt Moore6. American Photographers Set the Pace7. The Soft Focus Lens8. No One Lens Is Sufficient9. Softness Desirable, Not Fuzziness10. Professional Photography Influenced by that of the Pictorialist11. The Popular Mediums12. Color Photography13. The “Secret” Is the Artist14. Hand Work vs. Straight Prints15. Commercial Possibilities for Pictorial Work16. Airplane Photography17. Elaborate Apparatus Not Always Necessary18. How Mr. White Judges a Photograph19. Motion Pictures and the Soft Focus Lens20. Is Photography to Remain a Black and White Art?21. Dr. Chaffee Tells How He Makes Bromoils—With Reservations22. Evaded the Statute, but Made a Picture23. A Few Beliefs of a Negative Tendency24. Photographing on a Rainy Day25. How a “Rembrandt” Was Made26. He Thought She Was Crazy27. The Last of the Square Riggers28. As to Certain Soft Focus Lenses29. Mr. Latimer Expresses His Views Somewhat at Length30. Night Pictures in the Streets31. How to “Work Up” a Negative32. An Experience with a Railway Detective33. From a “Bathroom” Expert34. Mr. White's Method with Children35. Dragging a View Camera Through the Sands36. The PICTORIAL PHOTOGRAPHERS of AMERICA