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Phil May

Sketches by Phil May From “PUNCH.”

Reading edition

Illustration from Phil May: Sketches from "Punch."

“AND SHE OUGHT TO KNOW!”

“That’s supposed to be a Portograph of Lady Solsbury But, bless yer, it ain’t like her a bit in Private!”

[First contribution to “Punch.“

Illustration from Phil May: Sketches from "Punch."

SELF-CRITICISM.

First Genius to Second Genius. “Why on Earth do you do your Hair in that absurd Fashion, Smith?”

Illustration from Phil May: Sketches from "Punch."

THE FINISHING-TOUCH.

“Arf a pound er Margarine, please; an’ Mother says will yer put the Cow on it, ’cos she’s got Company!”

Illustration from Phil May: Sketches from "Punch."

Q. E. D.

“What’s up wi’ Sal?” “Ain’t yer ’erd? She’s Married agin!”

Illustration from Phil May: Sketches from "Punch."

THE PLUNGER.

First Boy (much interested in the game of Buttons). “’As ’e lost?”

Second Ditto. “Yes; ’e lost all them Buttons what ’e won off Tommy Crowther yesterday, an’ then ’e cut all the Buttons off ’is Clothes, and ’e ’s lost them too!”

Illustration from Phil May: Sketches from "Punch."

AN IMPORTANT ’JUNCTION.

“You mind your Fader gets my Boots reddy by Four o’clock, ’cos I’m goin’ to a Party”

Illustration from Phil May: Sketches from "Punch."

WASTED EFFORTS.

New Assistant (after hair-cutting, to Jones, who has been away for a couple of weeks). “Your ’Air is very thin be’ind, Sir. Try Singeing!” Jones (after a pause). “Yes, I think I will.”

N. A. (after singeing). “Shampoo, Sir? Good for the ’Air, Sir.” Jones. “Thank you. Yes.”

N. A. “Your Moustaches curled?” Jones. “Please.”

N. A. “May I give you a Friction?” Jones. “Thank you.”

N. A. “Will you try some of our—”

Manager (who has just sighted his man, in Stage whisper). “You Idiot! He’s a Subscriber!!”

Illustration from Phil May: Sketches from "Punch."

A SUNDAY DINNER.

Father of Family (who has accidentally shot the leg of a Fowl under the table). “Mind t’Dog doesn’t get it!”

Young Hopeful (triumphantly). “All right, Feyther! I’ve gotten me Foot on it!”

Illustration from Phil May: Sketches from "Punch."

BLASÉ.

Kitty (reading a fairy tale). “‘Once upon a time there was a Frog——’”

Mabel (interrupting). “I bet it’s a Princess! Go on!”

Illustration from Phil May: Sketches from "Punch."

MUCH ADO.

“Mamma-a-a! Boo-hoo! We’s crying! Tum up ’tairs an’ see what’s de matter wiv us!”

Illustration from Phil May: Sketches from "Punch."

”A SOFT ANSWER,” &c.

Importunate Street Urchin (for the tenth time). “Gi’ us a Copper, Sir! Gi’ us a Copper!”

Testy Individual (losing patience). “Oh, go to“—(substitutes a milder form)—“BLAZES!”

Street Urchin. “Sure thin an’ I would in this bastly could weather, if I was only certain o’ comin’ back again!”

[Individual’s testiness overcome and Urchin rewarded.

Illustration from Phil May: Sketches from "Punch."

NOT WHAT HE MEANT.

Superior ’Arry. “Cabbie! To the—aw—the Prince of Wales’s.”

Cabbie. “Marlbro’ ’Ouse, my Lord?”

Illustration from Phil May: Sketches from "Punch."

PICKINGS FROM PICARDY.

After the Procession. A Solo by Grand-père.

Illustration from Phil May: Sketches from "Punch."

BOTANY; OR, A DAY IN THE COUNTRY.

“Say, Billee, shall we gaver Mushrooms?”

“Yus. I’m a Beggar to Climb!”

Illustration from Phil May: Sketches from "Punch."

A MODEL.

Little Guttersnipe (who is getting quite used to posing). “Will yer want me ter tike my Bun down?”

Illustration from Phil May: Sketches from "Punch."

A LECTURE IN STORE.

“Are you comin’ ’ome?”

“I’ll do ellythik you like in reasol, M’ria—(hic)—Bur I won’t come ’ome.”

Illustration from Phil May: Sketches from "Punch."

A SKETCH FROM LIFE.

Chorus (slow music). “We’re a rare old—fair old—rickety, rackety Crew!”

Illustration from Phil May: Sketches from "Punch."

A GOURMAND.

Youngster (who has just had a Penny given to him). “’Ow much is them Grapes, Mister?”

Shopkeeper (amused). “They are Four Shillings and Sixpence a Pound, my Lad.”

Youngster. “Well, then, give us a ’A’porth o’ Carrots. I’m a Demon for Fruit!”

Illustration from Phil May: Sketches from "Punch."

SO THAT DOESN’T COUNT.

“Are you sure they’re quite Fresh?”

“Wot a Question to arst! Can’t yer see they’re Alive?”

“Yes; but you’re Alive, you know!”

Illustration from Phil May: Sketches from "Punch."

A SPECIAL PLEADER.

First Boy. “Give us a Bite of your Apple, Bob.”

Second Boy. “Shan’t.”

First Boy. “What for?”

Second Boy. “Cos yer axed me!”

(After a pause.)

Small Boy. “Gi’ me a Bite, Bob. I never axed yer!”

Illustration from Phil May: Sketches from "Punch."

A NATURAL QUERY.

“What Bait are yer usin’, Billie?”

“Cheese.”

“What are yer tryin’ ter catch—Mice?”

Illustration from Phil May: Sketches from "Punch."

INAPPROPRIATE.

Street Serio (singing). “Er—yew will think hov me and Love me has in dies hov long ago-o-o!”

Illustration from Phil May: Sketches from "Punch."

A SKETCH NEAR PICCADILLY.

Illustration from Phil May: Sketches from "Punch."

A THREAT MISPLACED.

“Oi tell yez Oi will not clane out me Cell. Oi’d lave the Jail furrst!”

Illustration from Phil May: Sketches from "Punch."

OBVIOUS.

“Gentlemen, I am ready to admit that his Career in the Past has not been free from Blemish——”

Illustration from Phil May: Sketches from "Punch."

AN AWKWARD ADMISSION.

Enthusiastic Briton (to seedy American, who has been running down all our National Monuments). “But even if our Houses of Parliament ‘aren’t in it,’ as you say, with the Masonic Temple of Chicago, surely, Sir, you will admit the Thames Embankment, for instance——”

Seedy American. “Waal, guess I don’t think so durned much of your Thames Embankment, neither. It rained all the blarmed time the night I slep on it.”

Illustration from Phil May: Sketches from "Punch."

A HOMELY TEST.

Ethel (reading from book of familiar sayings). “‘A Man at Forty is either a Fool or a Physician.’ That’s rather funny, Kate. Daddy is more than Forty, and he’s certainly not a Physician!”

Illustration from Phil May: Sketches from "Punch."

AT A LITERARY AND ARTISTIC BANQUET.

Waiter (to Colleague). “Well, they may ’ave the Intellec’, Fred, but we certainly ’as the Good Looks!”

Illustration from Phil May: Sketches from "Punch."

NOTES OF TRAVEL.

Foreign Husband (whose Wife is going to remain longer). “Gif me Two Dickets. Von for Me to come back, and von for my Vife not to come back!”

Illustration from Phil May: Sketches from "Punch."

SENDING-IN-DAY AT THE R. A.

“But it is impossible for you to see the President. What do you want to see him for?”

“I want to show him exactly where i want my Picture hung.”

Illustration from Phil May: Sketches from "Punch."

FROM DOTTYVILLE.

Lunatic (suddenly popping his head over wall). “What are you doing there?” Brown. “Fishing.”

Lunatic. “Caught anything?” Brown. “No.”

Lunatic. “How long have you been there?” Brown. “Six hours.”

Lunatic. “Come inside!”

Illustration from Phil May: Sketches from "Punch."

ANOTHER FROM DOTTYVILLE.

Harmless Lunatic (who is occasionally allowed out with a pop-gun). “Oh, I say, do you know how to catch a Rabbit?”

Nervous Stranger. “No, I don’t.”

Harmless Lunatic. “Well, you just get behind the Hedge and make a noise like a Turnip!”

Illustration from Phil May: Sketches from "Punch."

JAM SATIS.

Commissionaire. “Would you like a Four-wheeler or a ’Ansom, Sir?”

Convivial Party (indistinctly). “Ver’ mush oblige—but—reely don’t think I could take ’ny more!”

Illustration from Phil May: Sketches from "Punch."

PETTICOAT LANE.

Illustration from Phil May: Sketches from "Punch."

FELINE IMPRESSIONS.

Chemist (to battered female, who is covered with scratches). “The Cat, I suppose?”

Battered Female. “No. Another Lydy!”

Illustration from Phil May: Sketches from "Punch."

AN AWAKENING.

“I say, ’Arry, don’t we look Frights?”

Illustration from Phil May: Sketches from "Punch."

POOR LETTER H.

Tenor (singing). “Oh, ’appy, ’appy, ’appy be thy Dreams——”

Professor. “Stop, stop! Why don’t you sound the H?”

Tenor. “It don’t go no ’igher than G!”

Illustration from Phil May: Sketches from "Punch."

DISADVANTAGES OF PERFORMING AT A COUNTRY HOUSE IN THE WASP SEASON.

(Just in the most important passage, too.)

Illustration from Phil May: Sketches from "Punch."

ART IN WHITECHAPEL.

“Well, that’s what I calls a himpossible Persition to get yerself into!”

Illustration from Phil May: Sketches from "Punch."

THE NATIONAL SPORTING CLUB, LONDON.

Illustration from Phil May: Sketches from "Punch."

FLIPPANCY.

Serious Old Party. “Eh, but this is a wicked World!”

Flippant Individual. “You are right, Mrs. Mumble. For my part, I shall be quite satisfied if I get out of it alive!”

Illustration from Phil May: Sketches from "Punch."

A REJOINDER.

’Arry (whose “Old Dutch” has been shopping, and has kept him waiting a considerable time). “Wot d’yer mean, keepin’ me standin’ abaat ’ere like a bloomin’ Fool?”

’Arriet. “I can’t ’elp the Way yer stand, ’Arry!”

Illustration from Phil May: Sketches from "Punch."

AN INJURED INNOCENT.

Minister’s Wife. “Tommy Crowther, you haven’t washed your Face to-day!”

Tommy Crowther. “’Tain’t Sunday!”

Illustration from Phil May: Sketches from "Punch."

NOTES FROM MR. PUNCH’S FOREIGN SKETCH-BOOK.

Feeding the Pigeons at St. Mark’s Square, Venice.

Illustration from Phil May: Sketches from "Punch."

CRITICS FROM THE QUARTIER LATIN.

First Student. “Quant à moi, je reconnais surtout la manque merveilleuse d’expression qui dénote un vrai maître!”

Illustration from Phil May: Sketches from "Punch."

’ARRY IN ’OLLAND.

’Arry. “I say, Bill, ain’t he a rum-lookin’ Cove?”

Illustration from Phil May: Sketches from "Punch."

MISTRUST.

Gran’pa Macpherson. “How many does Two and Two make, Donald?”

Donald. “Six.”

Gran’pa. “What are ye talking about? Two and Two make Four.”

Donald. “Yes, I know; but I thought you’d ’beat me down’ a bit!”

Illustration from Phil May: Sketches from "Punch."

AN UNEXPECTED REPLY.

Father O’Flynn. “And now, Pat Murphy, in this season of Lent, what is it ye’ll do by way of Penance?”

Pat Murphy. “Sure, then, I’ll—I’ll come an’ hear your Riverance prayche!”

Illustration from Phil May: Sketches from "Punch."

“THE GREY MARE.”

Scrumble. “Been to see the Old Masters?”

Stippleton (who has married money). “No. Fact is“—(sotto voce)—”I’ve got quite enough on my hands with the old Missus!”

Illustration from Phil May: Sketches from "Punch."

AT A GARDEN PARTY

Lady Vere de Vere (to distinguished foreigner). “You must excuse me. I know it’s awfully silly of me. I know your Name so well, but I can’t remember your Face!”

Illustration from Phil May: Sketches from "Punch."

THE VERY LATEST DISCOVERY.

Amateur Astronomical Student (returning home, after attending scientific Bachelor Dinner, where “the reported discovery of a new Satellite of Saturn” has been warmly discussed). “Where am I? Letsh shee—(considering)—Earth’s got one Moon. Mars’s got five Moo—Jup’tush nine—I shee two Moons. Then—Where am I?”

Illustration from Phil May: Sketches from "Punch."

CHRISTMAS COMES BUT ONCE A YEAR.

Cabby (to Gent who has been dining out). “’Ere y’are, Sir. This is your ’ouse—get out—be careful, Sir—’ere’s the step.”

Gent. “Yesh! Thash allri, but wersh my Feet?”

Illustration from Phil May: Sketches from "Punch."

MALAPROPOS.

Mrs. Snobson (who is doing a little slumming for the first time and wishes to appear affable, but is at a loss to know how to commence conversation). “Town very Empty!”

Illustration from Phil May: Sketches from "Punch."

OVERHEARD AT A COUNTRY FAIR.

“’Ere y’are! All the Jolly Fun! Lidies’ Tormentors two a Penny!”

Illustration from Phil May: Sketches from "Punch."

CONVINCING.

Illustration from Phil May: Sketches from "Punch."

OVERHEARD ON THE STEPS OF THE ARMY AND NAVY STORES.

Commissionaire. “Uniforms? Top Floor, Sir!”

Illustration from Phil May: Sketches from "Punch."

EUREKA!

Portrait of a Calculating Gentleman (not at all a bad-looking Chap) who has solved the Problem as to whether we are in the Nineteenth or Twentieth Century.

Illustration from Phil May: Sketches from "Punch."

A SOLILOQUY.

Tragedian. “Cheap! Ha, Ha! Why in my time they threw them at us!”

Illustration from Phil May: Sketches from "Punch."

A BREEZY CUSTOMER.

“Shave, or Hair Cut, Sir?”

“Corns, you Fool!”

Illustration from Phil May: Sketches from "Punch."

A MISUNDERSTANDING.

Old Maid. “Is this a Smoking Compartment, young man?”

Obliging Passenger. “No, Mum. ’Igher up!”

Illustration from Phil May: Sketches from "Punch."

GRAPHIC.

“Yer know, them Boers ’as bin storin’ Guns and Hambition for years!”

Illustration from Phil May: Sketches from "Punch."

HARD LINES.

“Just my luck! This sort of thing always happens just when i’m invited to a Party!”

Illustration from Phil May: Sketches from "Punch."

FROM ERIN’S ISLE.

“Sure, Terence, if yez go to the Front, kape at the Back, or ye’ll be kilt. Oi know ut!”

“Faith, an’ isn’t that the way oi get my livin’?”

Illustration from Phil May: Sketches from "Punch."

MAFEKING NIGHT.

(Or rather 3 A.M. the following morning.)

Voice (from above). “Good gracious, William! Why don’t you come to Bed?”

William (huskily). “My dear Maria, you know it’s been the rule of my life to go to Bed shober—and I can’t posh’bly come to Bed yet!”

Illustration from Phil May: Sketches from "Punch."

ANOTHER WAY OF PUTTING IT.

Little Effie (not at all inclined to go to sleep—to Nurse who is about to switch off the electric light). “Oh, please, Nanna, don’t turn on the dark!”

Illustration from Phil May: Sketches from "Punch."

AN ARTLESS QUERY.

Mamma. “To-morrow’s Christmas Day, Effie dear, and you will go to Church for the first time.” (Encouragingly.) “There will be beautiful music——”

Effie. “Oh, Mummy dear, may I dance?”

Illustration from Phil May: Sketches from "Punch."

NOT A WATER DRINKER.

Talkative Old Lady (drinking a glass of Milk, to enthusiastic Teetotaler, who is doing ditto). “Yes, Sir, since they’re begun poisoning the Beer, we must drink something, mustn’t we?”

Illustration from Phil May: Sketches from "Punch."

A CONNOISSEUR.

Old Lady (giving a very diminutive nip of Whisky to her Gardener). “There, Dennis, that Whisky is twenty years old!”

Dennis. “Is it that, Marm? Sure ’tis mighty small for its age!”

Illustration from Phil May: Sketches from "Punch."

ON THE VILLAGE GREEN.

Amateur Bowler (to Umpire). “Here, I say! I can’t see the Wicket. How can I bowl him?”

Umpire. “Fire away! If you ’it ’im in front, it’s ‘Leg before.’ If you ’it ’im behind, it’s a ‘Wide’!”

Illustration from Phil May: Sketches from "Punch."

”AN ENGLISHMAN’S HOUSE,” &c.

Maid (looking over wall, to newly-married couple just returned from their honeymoon). “Oh, please ’m, that Dog was sent here yesterday as a Wedding Present; and none of us can’t go near him. You’ll have to come in by the back way!”

Illustration from Phil May: Sketches from "Punch."

SELF-SATISFIED.

Little Griggs (to caricaturist). “By Jove, old feller, I wish you’d been with me this morning; you’d have seen such a funny looking chap!”

Illustration from Phil May: Sketches from "Punch."

ANOTHER MR. WELLER.

Club Attendant (to stout party, who is struggling into overcoat). “Allow me, Sir.”

Stout Party. “No, don’t trouble! This is the only exercise i ever take!”

Illustration from Phil May: Sketches from "Punch."

ANOTHER FROM IRELAND.

Mrs. O’Brady. “Shure oi want to bank twinty pounds. Can I draw it out quick if I want it?”

Postmaster. “Indade, Mrs. O’Brady, you can draw it out to-morrow if you give me a wake’s notice!”

Illustration from Phil May: Sketches from "Punch."

VANITAS.

Pantomime Child (to admiring friend). “Yus, and there’s another hadvantage in bein’ a hactress. You get yer fortygraphs took for noffink!”

Illustration from Phil May: Sketches from "Punch."

BROTHERS IN ART.

New Arrival. “What should I charge for teaching ze Pianoforte?”

Old Stager. “Oh, I don’t know.”

N. A. “Vell, tell me vot you charge.”

O. S. “I charge five guineas a lesson.”

N. A. “Himmel! how many Pupils have you got?”

O. S. “Oh, I have no Pupils!”

Illustration from Phil May: Sketches from "Punch."

THE NEW PLAY.

Low Comedian. “Have you seen the Notice?”

Tragedian. “No; is it a good one?”

Low Comedian. “It’s a Fortnight’s.”

Illustration from Phil May: Sketches from "Punch."

QUITE ANOTHER THING.

Conversationalist. “Do you play Ping-Pong?”

Actor. “No. I play Hamlet!”

Illustration from Phil May: Sketches from "Punch."

A BIG ORDER.

Stout Party (to waitress). “Put me on a Pancake, please!”

Illustration from Phil May: Sketches from "Punch."

INDIRECT ORATION.

“Oh, if you please, Mum, there’s no meat for dinner. The Butcher as been and gone and never come this morning!”

Illustration from Phil May: Sketches from "Punch."

BEGINNING EARLY.

“That new Boy’s a bad Boy, Teacher. He smokes!”

“No, I don’t smoke now, Teacher. I used to!”

Illustration from Phil May: Sketches from "Punch."

CANDID.

Loafer. “Any chance of a job o’ work ere, mister?”

Foreman. “No. We’re not wanting any more hands now.”

Loafer. “Well, the little bit o’ work I’d do wouldn’t make no difference!”

Illustration from Phil May: Sketches from "Punch."

A DIFFERENT VIEW.

First Workman. “Why don’t yer buy yer own matches, stead of always cadgin’ mine?”

Second Workman. “You’re uncommon mean with yer matches. I’ll just take a few“—(helps himself to two-thirds)—”AND BE HINDERPENDENT OF YER!”

Illustration from Phil May: Sketches from "Punch."

PARADOXICAL.

Manager of “Freak” Show. “Have I got a vacancy for a Giant. Why, you don’t look five feet!”

Candidate. “Yes, that’s just it. I’m the smallest Giant on record!”

Illustration from Phil May: Sketches from "Punch."

DOTTYVILLE AGAIN.

Dotty One (to gorgeous visitor, mysteriously). “Excuse me, but have you such a thing as a bit of Toast about you?”

Gorgeous Visitor. “Great Scott! No! Why should I carry Toast about with me? And, besides, what do you want it for?”

Dotty One (more mysteriously). “I’m a poached egg, and I’m tired. I want to sit down!”

Illustration from Phil May: Sketches from "Punch."

AWKWARD.

Bull-dogs do get so attached to people!

Illustration from Phil May: Sketches from "Punch."

AN UNPOPULAR IDOL!

How Billy and his Sunday-schoolmates intend to wreak their vengeance, if only a snow-storm be propitious on the Embankment some Sunday afternoon about christmas-time.

Illustration from Phil May: Sketches from "Punch."

AN EMPTY EMBRACE.

“’Ere y’are! Humberella rings, two a penny!”

Illustration from Phil May: Sketches from "Punch."

OVERHEARD OUTSIDE A FAMOUS RESTAURANT.

“Hullo, Gus! What are you waiting about here for?”

“I’m waiting till the Banks close. I want to cash a cheque!”

Illustration from Phil May: Sketches from "Punch."

UNEXPECTED EFFECT.

Snooks (who fancies himself very much). “What’s she crying for?”

Arabella. “It’s all right, Sir. She was frightened. When she saw you she thought it was a Man!”

Illustration from Phil May: Sketches from "Punch."

RECKONING HIM UP.

Old Lady (describing a cycling accident). “’E elped me hup, an’ brushed the dust off on me, an’ put five shillin’ in my ’and, an’ so I says, ‘Well, Sir, I’m sure you’re hactin’ like a gentleman,’ I says, ‘though I don’t suppose you are one,’ I says.”

Illustration from Phil May: Sketches from "Punch."

SHAKSPEARE ILLUSTRATED.

“The Glass of Fashion and the Mould of Form.”

Hamlet, Act III., Sc. 1.

Illustration from Phil May: Sketches from "Punch."

SHAKSPEARE ILLUSTRATED.

“Oh, my prophetic soul! My Uncle!” Hamlet, Act I., Sc. 5.

Illustration from Phil May: Sketches from "Punch."

DECISIVE.

Impecunious One (halting abruptly). “I beg pardon, Sir.”

The Accosted (moving off abruptly). “Granted. Don’t beg anything else!”

Illustration from Phil May: Sketches from "Punch."

AMENITIES OF THE PROFESSION.

Rising Young Dramatist. “Saw your Wife in front last night. What did she think of my new Comedy?”

Brother Playwright. “Oh, I think she liked it. She told me she had a good laugh.”

R. Y. D. “Ah—er—when was that?”

B. P. “During the Entr’acte. One of the Attendants dropped an Ice down her Neighbour’s neck.”

Illustration from Phil May: Sketches from "Punch."

BROWN’S COUNTRY HOUSE.—No. 1.

Brown (who takes a friend home to see his new purchase, and strikes a light to show it). “Confound it, the beastly thing’s stopped!”

Illustration from Phil May: Sketches from "Punch."

BROWN’S COUNTRY HOUSE—No. 2.

Visitor. “What on earth do you want with a Tortoise?”

Mrs. Brown. “Well, when Fred had that frightful Accident with his new Motor-Car, he sold it, and bought the Tortoise. Says it soothes his Nerves!”

Illustration from Phil May: Sketches from "Punch."

THE NEW ACT AGAIN!

Careful Publican (to Chimney-sweep). “’Ere, I can’t serve you! Go and wash yerself. I can’t see yer Face! ’Ow am I to know as yer not on the Black List?”

Illustration from Phil May: Sketches from "Punch."

!!!!

Estate Agent (to Labourer’s Son). “Here, my Boy, where can I find your Father?”

Boy. “In the Pig-stye, Sir. You’ll know him by ’is brown ’at!”

Illustration from Phil May: Sketches from "Punch."

READY FOR THE FRAY.

Illustration from Phil May: Sketches from "Punch."

AN ECHO FROM BROADWAY.

Old Lady. “Yes—Madam ’as bin a dear good soul to us Poor People this Cold Weather. If it ’adn’t ’ave bin for ’er, some of us old ones would ’ave bin nipped in the Bud!”

Illustration from Phil May: Sketches from "Punch."

SMART.

Jones. “Do you Drink between Meals?”

Smith. “No. I eat between Drinks.”

Jones. “Which did you do last?”

Smith. “Drink.”

Jones. “Then we’d better go and have a Sandwich at once!”

Illustration from Phil May: Sketches from "Punch."

QUITE OF HER OPINION.

Gushing Young Woman (to famous Actor). “Oh, do you know, Mr. Starleigh, I’m simply mad to go on the Stage!”

Famous Actor. “Yes, I should think you would be, my dear young Lady!”

Illustration from Phil May: Sketches from "Punch."

THE GENIAL SEASON.

Hungry-looking Acquaintance (with eye to invitation). “So glad to see you enjoying yourself!”

Fat Chap (evidently doing well). “Wrong again, Old Man. I’m enjoying my Dinner!”

Illustration from Phil May: Sketches from "Punch."

SO LIKELY!

Scene—Bar of a Railway Refreshment Room.

Barmaid. “Tea, Sir?”

Mr. Boozy. “Tea!!! ME!!!!”

Illustration from Phil May: Sketches from "Punch."

A EUPHEMISM.

Coster (to acquaintance, who has been away for some months). “Wot are yer bin doin’ all this time?”

Bill Robbins (who has been “doing time”). “Oh, I’ve bin Wheelin’ a bit, Ole Man—Wheelin’ a bit!”

Illustration from Phil May: Sketches from "Punch."

RATHER DIFFICULT FOR HIM.

Jones. “I am never at a loss in conversation.”

His Fair Hostess. “But surely, Mr. Jones, there must be some subjects you don’t understand. What do you do then?”

Jones. “Oh, then—I say nothing, and look intelligent.”

Illustration from Phil May: Sketches from "Punch."

THE RULING PASSION.

Genial Doctor (after laughing heartily at a joke of his patient’s). “Ha! ha! ha! There’s not much the matter with you! Though I do believe that if you were on your death-bed you’d make a joke!”

Irrepressible Patient. “Why, of course I should. It would be my last chance!”

Illustration from Phil May: Sketches from "Punch."

TIT FOR TAT.

Eccentric Old Gent (whose pet aversion is a dirty child). “Go away, you Dirty Girl, and wash your Face!”

Indignant Youngster. “You go ’ome, you Dirty Old Man, and do yer ’air!”

Illustration from Phil May: Sketches from "Punch."

ALL THE DIFFERENCE.

“Oi be eighty-foive, Zur.”

“Dear me! You don’t look it. And how old is your Wife?”

“Oh, she be eighty-foive too. But she’ve looked it fer the last fowrty year!”

Illustration from Phil May: Sketches from "Punch."

STRONG LANGUAGE.

It is necessary in some parts of Ireland for carmen to have their names legibly written on the tailboard of the car.

Inspector. “What’s the meanin’ of this, Pat? Your name’s o-bliterated.”

Pat. “Ye lie—it’s O’Brien!”

Illustration from Phil May: Sketches from "Punch."

SHAKSPEARE ILLUSTRATED.

“Tedious as a twice-told tale, Vexing the dull ear of a drowsy man.”

King John, Act III., Sc. 4.

SHAKSPEARE ILLUSTRATED.

“Tedious as a twice-told tale, Vexing the dull ear of a drowsy man.”

King John, Act III., Sc. 4.

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