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Origin and Development of Form and Ornament in Ceramic Art

ILLUSTRATIONS.

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Fig.

464.—Form derived from a gourd 446

465.—Form derived from a conch, shell 447

466.—Form derived from a stone pot 448

467.—Form derived from a wooden tray 448

468.—Form derived from a horn spoon 448

469.—Form derived from a bark vessel 446

470.—Form derived from basketry 449

471.—Form derived from basketry 449

472.—Form derived from a wooden vessel 449

473.—Coincident forms 451

474.—Form produced by accident 451

475.—Scroll derived from the spire of a conch shell 454

476.—Theoretical development of current scroll 455

477.—Ornament derived through modification of handles 455

478.—Scroll derived from coil of clay 456

479.—Ornamental use of fillets of clay 456

480.—Variation through, the influence of form 459

481.—Theoretical development of the current scroll 460

482.—Forms of the same motive expressed in different arts 461

483.—Forms of the same motive expressed in different arts 461

484.—Forms of the same motive expressed in different arts 461

485.—Geometric form of textile ornament 462

486.—Loss of geometric accuracy in painting 462

487.—Design painted upon pottery 463

488.—Theoretical development of fret work 464

489.—Theoretical development of scroll work 465

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