Book One: On Lovely Creek (continued 4)

Every morning now he ran up in the Ford and worked at his cellar. He had heard that the deeper a cellar was, the better it was; and he meant that this one should be deep enough. One day Leonard Dawson stopped to see what progress he was making. Standing on the edge of the hole, he shouted to the lad who was sweating below.

"My God, Claude, what do you want of a cellar as deep as that? When your wife takes a notion to go to China, you can open a trap-door and drop her through!"

Claude flung down his pick and ran up the ladder. "Enid's not going to have notions of that sort," he said wrathfully.

"Well, you needn't get mad. I'm glad to hear it. I was sorry when the other girl went. It always looked to me like Enid had her face set for China, but I haven't seen her for a good while,—not since before she went off to Michigan with the old lady."

After Leonard was gone, Claude returned to his work, still out of humour. He was not altogether happy in his mind about Enid. When he went down to the mill it was usually Mr. Royce, not Enid, who sought to detain him, followed him down the path to the gate and seemed sorry to see him go. He could not blame Enid with any lack of interest in what he was doing. She talked and thought of nothing but the new house, and most of her suggestions were good. He often wished she would ask for something unreasonable and extravagant. But she had no selfish whims, and even insisted that the comfortable upstairs sleeping room he had planned with such care should be reserved for a guest chamber.

As the house began to take shape, Enid came up often in her car, to watch its growth, to show Claude samples of wallpapers and draperies, or a design for a window-seat she had cut from some magazine. There could be no question of her pride in every detail. The disappointing thing was that she seemed more interested in the house than in him. These months when they could be together as much as they pleased, she treated merely as a period of time in which they were building a house.

Everything would be all right when they were married, Claude told himself. He believed in the transforming power of marriage, as his mother believed in the miraculous effects of conversion. Marriage reduced all women to a common denominator; changed a cool, self-satisfied girl into a loving and generous one. It was quite right that Enid should be unconscious now of everything that she was to be when she was his wife. He told himself he wouldn't want it otherwise.

But he was lonely, all the same. He lavished upon the little house the solicitude and cherishing care that Enid seemed not to need. He stood over the carpenters urging the greatest nicety in the finish of closets and cupboards, the convenient placing of shelves, the exact joining of sills and casings. Often he stayed late in the evening, after the workmen with their noisy boots had gone home to supper. He sat down on a rafter or on the skeleton of the upper porch and quite lost himself in brooding, in anticipation of things that seemed as far away as ever. The dying light, the quiet stars coming out, were friendly and sympathetic. One night a bird flew in and fluttered wildly about among the partitions, shrieking with fright before it darted out into the dusk through one of the upper windows and found its way to freedom.

When the carpenters were ready to put in the staircase, Claude telephoned Enid and asked her to come and show them just what height she wanted the steps made. His mother had always had to climb stairs that were too steep. Enid stopped her car at the Frankfort High School at four o'clock and persuaded Gladys Farmer to drive out with her.

When they arrived they found Claude working on the lattice enclosure of the back porch. "Claude is like Jonah," Enid laughed. "He wants to plant gourd vines here, so they will run over the lattice and make shade. I can think of other vines that might be more ornamental."

Claude put down his hammer and said coaxingly: "Have you ever seen a gourd vine when it had something to climb on, Enid? You wouldn't believe how pretty they are; big green leaves, and gourds and yellow blossoms hanging all over them at the same time. An old German woman who keeps a lunch counter at one of those stations on the road to Lincoln has them running up her back porch, and I've wanted to plant some ever since I first saw hers."

Enid smiled indulgently. "Well, I suppose you'll let me have clematis for the front porch, anyway? The men are getting ready to leave, so we'd better see about the steps."

After the workmen had gone, Claude took the girls upstairs by the ladder. They emerged from a little entry into a large room which extended over both the front and back parlours. The carpenters called it "the pool hall". There were two long windows, like doors, opening upon the porch roof, and in the sloping ceiling were two dormer windows, one looking north to the timber claim and the other south toward Lovely Creek. Gladys at once felt a singular pleasantness about this chamber, empty and unplastered as it was. "What a lovely room!" she exclaimed.

Claude took her up eagerly. "Don't you think so? You see it's my idea to have the second floor for ourselves, instead of cutting it up into little boxes as people usually do. We can come up here and forget the farm and the kitchen and all our troubles. I've made a big closet for each of us, and got everything just right. And now Enid wants to keep this room for preachers!"

Enid laughed. "Not only for preachers, Claude. For Gladys, when she comes to visit us—you see she likes it—and for your mother when she comes to spend a week and rest. I don't think we ought to take the best room for ourselves."

"Why not?" Claude argued hotly. "I'm building the whole house for ourselves. Come out on the porch roof, Gladys. Isn't this fine for hot nights? I want to put a railing round and make this into a balcony, where we can have chairs and a hammock."

Gladys sat down on the low window-sill. "Enid, you'd be foolish to keep this for a guest room. Nobody would ever enjoy it as much as you would. You can see the whole country from here."

Enid smiled, but showed no sign of relenting. "Let's wait and watch the sun go down. Be careful, Claude. It makes me nervous to see you lying there."

He was stretched out on the edge of the roof, one leg hanging over, and his head pillowed on his arm. The flat fields turned red, the distant windmills flashed white, and little rosy clouds appeared in the sky above them.

"If I make this into a balcony," Claude murmured, "the peak of the roof will always throw a shadow over it in the afternoon, and at night the stars will be right overhead. It will be a fine place to sleep in harvest time."

"Oh, you could always come up here to sleep on a hot night," Enid said quickly.

"It wouldn't be the same."

They sat watching the light die out of the sky, and Enid and Gladys drew close together as the coolness of the autumn evening came on. The three friends were thinking about the same thing; and yet, if by some sorcery each had begun to speak his thoughts aloud, amazement and bitterness would have fallen upon all. Enid's reflections were the most blameless. The discussion about the guest room had reminded her of Brother Weldon. In September, on her way to Michigan with Mrs. Royce, she had stopped for a day in Lincoln to take counsel with Arthur Weldon as to whether she ought to marry one whom she described to him as "an unsaved man." Young Mr. Weldon approached this subject with a cautious tread, but when he learned that the man in question was Claude Wheeler, he became more partisan than was his wont. He seemed to think that her marrying Claude was the one way to reclaim him, and did not hesitate to say that the most important service devout girls could perform for the church was to bring promising young men to its support. Enid had been almost certain that Mr. Weldon would approve her course before she consulted him, but his concurrence always gratified her pride. She told him that when she had a home of her own she would expect him to spend a part of his summer vacation there, and he blushingly expressed his willingness to do so.

Gladys, too, was lost in her own thoughts, sitting with that ease which made her seem rather indolent, her head resting against the empty window frame, facing the setting sun. The rosy light made her brown eyes gleam like old copper, and there was a moody look in them, as if in her mind she were defying something. When he happened to glance at her, it occurred to Claude that it was a hard destiny to be the exceptional person in a community, to be more gifted or more intelligent than the rest. For a girl it must be doubly hard. He sat up suddenly and broke the long silence.

"I forgot, Enid, I have a secret to tell you. Over in the timber claim the other day I started up a flock of quail. They must be the only ones left in all this neighbourhood, and I doubt if they ever come out of the timber. The bluegrass hasn't been mowed in there for years,—not since I first went away to school, and maybe they live on the grass seeds. In summer, of course, there are mulberries."

Enid wondered whether the birds could have learned enough about the world to stay hidden in the timber lot. Claude was sure they had.

"Nobody ever goes near the place except Father; he stops there sometimes. Maybe he has seen them and never said a word. It would be just like him." He told them he had scattered shelled corn in the grass, so that the birds would not be tempted to fly over into Leonard Dawson's cornfield. "If Leonard saw them, he'd likely take a shot at them."

"Why don't you ask him not to?" Enid suggested.

Claude laughed. "That would be asking a good deal. When a bunch of quail rise out of a cornfield they're a mighty tempting sight, if a man likes hunting. We'll have a picnic for you when you come out next summer, Gladys. There are some pretty places over there in the timber."

Gladys started up. "Why, it's night already! It's lovely here, but you must get me home, Enid."

They found it dark inside. Claude took Enid down the ladder and out to her car, and then went back for Gladys. She was sitting on the floor at the top of the ladder. Giving her his hand he helped her to rise.

"So you like my little house," he said gratefully.

"Yes. Oh, yes!" Her voice was full of feeling, but she did not exert herself to say more. Claude descended in front of her to keep her from slipping. She hung back while he led her through confusing doorways and helped her over the piles of laths that littered the floors. At the edge of the gaping cellar entrance she stopped and leaned wearily on his arm for a moment. She did not speak, but he understood that his new house made her sad; that she, too, had come to the place where she must turn out of the old path. He longed to whisper to her and beg her not to marry his brother. He lingered and hesitated, fumbling in the dark. She had his own cursed kind of sensibility; she would expect too much from life and be disappointed. He was reluctant to lead her out into the chilly evening without some word of entreaty. He would willingly have prolonged their passage,— through many rooms and corridors. Perhaps, had that been possible, the strength in him would have found what it was seeking; even in this short interval it had stirred and made itself felt, had uttered a confused appeal. Claude was greatly surprised at himself.

XI

Enid decided that she would be married in the first week of June. Early in May the plasterers and painters began to be busy in the new house. The walls began to shine, and Claude went about all day, oiling and polishing the hard-pine floors and wainscoting. He hated to have anybody step on his floors. He planted gourd vines about the back porch, set out clematis and lilac bushes, and put in a kitchen garden. He and Enid were going to Denver and Colorado Springs for their wedding trip, but Ralph would be at home then, and he had promised to come over and water the flowers and shrubs if the weather was dry.

Enid often brought her work and sat sewing on the front porch while Claude was rubbing the woodwork inside the house, or digging and planting outside. This was the best part of his courtship. It seemed to him that he had never spent such happy days before. If Enid did not come, he kept looking down the road and listening, went from one thing to another and made no progress. He felt full of energy, so long as she sat there on the porch, with lace and ribbons and muslin in her lap. When he passed by, going in or out, and stopped to be near her for a moment, she seemed glad to have him tarry. She liked him to admire her needlework, and did not hesitate to show him the featherstitching and embroidery she was putting on her new underclothes. He could see, from the glances they exchanged, that the painters thought this very bold behaviour in one so soon to be a bride. He thought it very charming behaviour himself, though he would never have expected it of Enid. His heart beat hard when he realized how far she confided in him, how little she was afraid of him! She would let him linger there, standing over her and looking down at her quick fingers, or sitting on the ground at her feet, gazing at the muslin pinned to her knee, until his own sense of propriety told him to get about his work and spare the feelings of the painters.

"When are you going over to the timber claim with me?" he asked, dropping on the ground beside her one warm, windy afternoon. Enid was sitting on the porch floor, her back against a pillar, and her feet on one of those round mats of pursley that grow over hard-beaten earth. "I've found my flock of quail again. They live in the deep grass, over by a ditch that holds water most of the year. I'm going to plant a few rows of peas in there, so they'll have a feeding ground at home. I consider Leonard's cornfield a great danger. I don't know whether to take him into my confidence or not."

"You've told Ernest Havel, I suppose?"

"Oh, yes!" Claude replied, trying not to be aware of the little note of acrimony in her voice. "He's perfectly safe. That place is a paradise for birds. The trees are full of nests. You can stand over there in the morning and hear the young robins squawking for their breakfast. Come up early tomorrow morning and go over with me, won't you? But wear heavy shoes; it's wet in the long grass."

While they were talking a sudden whirlwind swept round the corner of the house, caught up the little mound of folded lace corset-covers and strewed them over the dusty yard. Claude ran after them with Enid's flowered workbag and thrust them into it as he came upon one after another, fluttering in the weeds. When he returned, Enid had folded her needle-case and was putting on her hat. "Thank you," she said with a smile. "Did you find everything?"

"I think so." He hurried toward the car to hide his guilty face. One little lace thing he had not put into the bag, but had thrust into his pocket.

The next morning Enid came up early to hear the birds in the timber.

XII

On the night before his wedding Claude went to bed early. He had been dashing about with Ralph all day in the car, making final preparations, and was worn out. He fell asleep almost at once. The women of the household could not so easily forget the great event of tomorrow. After the supper dishes were washed, Mahailey clambered up to the attic to get the quilt she had so long been saving for a wedding present for Claude. She took it out of the chest, unfolded it, and counted the stars in the pattern—counting was an accomplishment she was proud of—before she wrapped it up. It was to go down to the mill house with the other presents tomorrow. Mrs. Wheeler went to bed many times that night. She kept thinking of things that ought to be looked after; getting up and going to make sure that Claude's heavy underwear had been put into his trunk, against the chance of cold in the mountains; or creeping downstairs to see that the six roasted chickens which were to help out at the wedding supper were securely covered from the cats. As she went about these tasks, she prayed constantly. She had not prayed so long and fervently since the battle of the Marne.

Early the next morning Ralph loaded the big car with the presents and baskets of food and ran down to the Royces'. Two motors from town were already standing in the mill yard; they had brought a company of girls who came with all the June roses in Frankfort to trim the house for the wedding. When Ralph tooted his horn, half-a-dozen of them ran out to greet him, reproaching him because he had not brought his brother along. Ralph was immediately pressed into service. He carried the step-ladder wherever he was told, drove nails, and wound thorny sprays of rambler roses around the pillars between the front and back parlours, making the arch under which the ceremony was to take place.

Gladys Farmer had not been able to leave her classes at the High School to help in this friendly work, but at eleven o'clock a livery automobile drove up, laden with white and pink peonies from her front yard, and bringing a box of hothouse flowers she had ordered for Enid from Hastings. The girls admired them, but declared that Gladys was extravagant, as usual; the flowers from her own yard would really have been enough. The car was driven by a lank, ragged boy who worked about the town garage, and who was called "Silent Irv," because nobody could ever get a word out of him. He had almost no voice at all,—a thin little squeak in the top of his throat, like the gasping whisper of a medium in her trance state. When he came to the front door, both arms full of peonies, he managed to wheeze out:

"These are from Miss Farmer. There are some more down there."

The girls went back to his car with him, and he took out a square box, tied up with white ribbons and little silver bells, containing the bridal bouquet.

"How did you happen to get these?" Ralph asked the thin boy. "I was to go to town for them."

The messenger swallowed. "Miss Farmer told me if there were any other flowers at the station marked for here, I should bring them along."

"That was nice of her." Ralph thrust his hand into his trousers pocket. "How much? I'll settle with you before I forget."

A pink flush swept over the boy's pale face,—a delicate face under ragged hair, contracted by a kind of shrinking unhappiness. His eyes were always half-closed, as if he did not want to see the world around him, or to be seen by it. He went about like somebody in a dream. "Miss Farmer," he whispered, "has paid me."

"Well, she thinks of everything!" exclaimed one of the girls. "You used to go to school to Gladys, didn't you, Irv?"

"Yes, mam." He got into his car without opening the door, slipping like an eel round the steering-rod, and drove off.

The girls followed Ralph up the gravel walk toward the house. One whispered to the others: "Do you suppose Gladys will come out tonight with Bayliss Wheeler? I always thought she had a pretty warm spot in her heart for Claude, myself."

Some one changed the subject. "I can't get over hearing Irv talk so much. Gladys must have put a spell on him."

"She was always kind to him in school," said the girl who had questioned the silent boy. "She said he was good in his studies, but he was so frightened he could never recite. She let him write out the answers at his desk."

Ralph stayed for lunch, playing about with the girls until his mother telephoned for him. "Now I'll have to go home and look after my brother, or he'll turn up tonight in a striped shirt."

"Give him our love," the girls called after him, "and tell him not to be late."

As he drove toward the farm, Ralph met Dan, taking Claude's trunk into town. He slowed his car. "Any message?" he called.

Dan grinned. "Naw. I left him doin' as well as could be expected."

Mrs. Wheeler met Ralph on the stairs. "He's up in his room. He complains his new shoes are too tight. I think it's nervousness. Perhaps he'll let you shave him; I'm sure he'll cut himself. And I wish the barber hadn't cut his hair so short, Ralph. I hate this new fashion of shearing men behind the ears. The back of his neck is the ugliest part of a man." She spoke with such resentment that Ralph broke into a laugh.

"Why, Mother, I thought all men looked alike to you! Anyhow, Claude's no beauty."

"When will you want your bath? I'll have to manage so that everybody won't be calling for hot water at once." She turned to Mr. Wheeler who sat writing a check at the secretary. "Father, could you take your bath now, and be out of the way?"

"Bath?" Mr. Wheeler shouted, "I don't want any bath! I'm not going to be married tonight. I guess we don't have to boil the whole house for Enid."

Ralph snickered and shot upstairs. He found Claude sitting on the bed, with one shoe off and one shoe on. A pile of socks lay scattered on the rug. A suitcase stood open on one chair and a black travelling bag on another.

"Are you sure they're too small?" Ralph asked.

"About four sizes."

"Well, why didn't you get them big enough?"

"I did. That shark in Hastings worked off another pair on me when I wasn't looking. That's all right," snatching away the shoe his brother had picked up to examine. "I don't care, so long as I can stand in them. You'd better go telephone the depot and ask if the train's on time."

"They won't know yet. It's seven hours till it's due."

"Then telephone later. But find out, somehow. I don't want to stand around that station, waiting for the train."

Ralph whistled. Clearly, his young man was going to be hard to manage. He proposed a bath as a soothing measure. No, Claude had had his bath. Had he, then, packed his suitcase?

"How the devil can I pack it when I don't know what I'm going to put on?"

"You'll put on one shirt and one pair of socks. I'm going to get some of this stuff out of the way for you." Ralph caught up a handful of socks and fell to sorting them. Several had bright red spots on the toe. He began to laugh.

"I know why your shoe hurts, you've cut your foot!"

Claude sprang up as if a hornet had stung him. "Will you get out of here," he shouted, "and let me alone?"

Ralph vanished. He told his mother he would dress at once, as they might have to use force with Claude at the last moment. The wedding ceremony was to be at eight, supper was to follow, and Claude and Enid were to leave Frankfort at 10:25, on the Denver express. At six o'clock, when Ralph knocked at his brother's door, he found him shaved and brushed, and dressed, except for his coat. His tucked shirt was not rumpled, and his tie was properly knotted. Whatever pain they concealed, his patent leather shoes were smooth and glistening and resolutely pointed.

"Are you packed?" Ralph asked in astonishment.

"Nearly. I wish you'd go over things and make them look a little neater, if you can. I'd hate to have a girl see the inside of that suitcase, the way it is. Where shall I put my cigars? They'll make everything smell, wherever I put them. All my clothes seem to smell of cooking, or starch, or something. I don't know what Mahailey does to them," he ended bitterly.

Ralph looked outraged. "Well, of all ingratitude! Mahailey's been ironing your damned old shirts for a week!"

"Yes, yes, I know. Don't rattle me. I forgot to put any handkerchiefs in my trunk, so you'll have to get the whole bunch in somewhere."

Mr. Wheeler appeared in the doorway, his Sunday black trousers gallowsed up high over a white shirt, wafting a rich odor of bayrum from his tumbled hair. He held a thin folded paper delicately between his thick fingers.

"Where is your bill-book, son?"

Claude caught up his discarded trousers and extracted a square of leather from the pocket. His father took it and placed the bit of paper inside with the bank notes. "You may want to pick up some trifle your wife fancies," he said. "Have you got your railroad tickets in here? Here is your trunk check Dan brought back. Don't forget, I've put it in with your tickets and marked it C. W., so you'll know which is your check and which is Enid's."

"Yes, sir. Thank you, sir."

Claude had already drawn from the bank all the money he would need. This additional bank check was Mr. Wheeler's admission that he was sorry for some sarcastic remarks he had made a few days ago, when he discovered that Claude had reserved a stateroom on the Denver express. Claude had answered curtly that when Enid and her mother went to Michigan they always had a stateroom, and he wasn't going to ask her to travel less comfortably with him.

At seven o'clock the Wheeler family set out in the two cars that stood waiting by the windmill. Mr. Wheeler drove the big Cadillac, and Ralph took Mahailey and Dan in the Ford. When they reached the mill house the outer yard was already black with motors, and the porch and parlours were full of people talking and moving about.

Claude went directly upstairs. Ralph began to seat the guests, arranging the folding chairs in such a way as to leave a passage from the foot of the stairs to the floral arch he had constructed that morning. The preacher had his Bible in his hand and was standing under the light, hunting for his chapter. Enid would have preferred to have Mr. Weldon come down from Lincoln to marry her, but that would have wounded Mr. Snowberry deeply. After all, he was her minister, though he was not eloquent and persuasive like Arthur Weldon. He had fewer English words at his command than most human beings, and even those did not come to him readily. In his pulpit he sought for them and struggled with them until drops of perspiration rolled from his forehead and fell upon his coarse, matted brown beard. But he believed what he said, and language was so little an accomplishment with him that he was not tempted to say more than he believed. He had been a drummer boy in the Civil War, on the losing side, and he was a simple, courageous man.

Ralph was to be both usher and best man. Gladys Farmer could not be one of the bridesmaids because she was to play the wedding march. At eight o'clock Enid and Claude came downstairs together, conducted by Ralph and followed by four girls dressed in white, like the bride. They took their places under the arch before the preacher. He began with the chapter from Genesis about the creation of man, and Adam's rib, reading in a laboured manner, as if he did not quite know why he had selected that passage and was looking for something he did not find. His nose-glasses kept falling off and dropping upon the open book. Throughout this prolonged fumbling Enid stood calm, looking at him respectfully, very pretty in her short veil. Claude was so pale that he looked unnatural,—nobody had ever seen him like that before. His face, between his very black clothes and his smooth, sandy hair, was white and severe, and he uttered his responses in a hollow voice. Mahailey, at the back of the room, in a black hat with green gooseberries on it, was standing, in order to miss nothing. She watched Mr. Snowberry as if she hoped to catch some visible sign of the miracle he was performing. She always wondered just what it was the preacher did to make the wrongest thing in the world the rightest thing in the world.

When it was over, Enid went upstairs to put on her travelling dress, and Ralph and Gladys began seating the guests for supper. Just twenty minutes later Enid came down and took her place beside Claude at the head of the long table. The company rose and drank the bride's health in grape-juice punch. Mr. Royce, however, while the guests were being seated, had taken Mr. Wheeler down to the fruit cellar, where the two old friends drank off a glass of well-seasoned Kentucky whiskey, and shook hands. When they came back to the table, looking younger than when they withdrew, the preacher smelled the tang of spirits and felt slighted. He looked disconsolately into his ruddy goblet and thought about the marriage at Cana. He tried to apply his Bible literally to life and, though he didn't dare breathe it aloud in these days, he could never see why he was better than his Lord.

Ralph, as master of ceremonies, kept his head and forgot nothing. When it was time to start, he tapped Claude on the shoulder, cutting his father short in one of his best stories. Contrary to custom, the bridal couple were to go to the station unaccompanied, and they vanished from the head of the table with only a nod and a smile to the guests. Ralph hurried them into the light car, where he had already stowed Enid's hand luggage. Only wizened little Mrs. Royce slipped out from the kitchen to bid them good-bye.

That evening some bad boys had come out from town and strewn the road near the mill with dozens of broken glass bottles, after which they hid in the wild plum bushes to wait for the fun. Ralph's was the first car out, and though his lights glittered on this bed of jagged glass, there was no time to stop; the road was ditched on either side, so he had to drive straight ahead, and got into Frankfort on flat tires. The express whistled just as he pulled up at the station. He and Claude caught up the four pieces of hand luggage and put them in the stateroom. Leaving Enid there with the bags, the two boys went to the rear platform of the observation car to talk until the last moment. Ralph checked off on his fingers the list of things he had promised Claude to attend to. Claude thanked him feelingly. He felt that without Ralph he could never have got married at all. They had never been such good friends as during the last fortnight.

The wheels began to turn. Ralph gripped Claude's hand, ran to the front of the car and stepped off. As Claude passed him, he stood waving his handkerchief,—a rather funny figure under the station lights, in his black clothes and his stiff straw hat, his short legs well apart, wearing his incurably jaunty air.

The train glided quietly out through the summer darkness, along the timbered river valley. Claude was alone on the back platform, smoking a nervous cigar. As they passed the deep cut where Lovely Creek flowed into the river, he saw the lights of the mill house flash for a moment in the distance. The night air was still; heavy with the smell of sweet clover that grew high along the tracks, and of wild grapevines wet with dew. The conductor came to ask for the tickets, saying with a wise smile that he had been hunting for him, as he didn't like to trouble the lady.

After he was gone, Claude looked at his watch, threw away the end of his cigar, and went back through the Pullman cars. The passengers had gone to bed; the overhead lights were always turned low when the train left Frankfort. He made his way through the aisles of swaying green curtains, and tapped at the door of his state room. It opened a little way, and Enid stood there in a white silk dressing-gown with many ruffles, her hair in two smooth braids over her shoulders.

"Claude," she said in a low voice, "would you mind getting a berth somewhere out in the car tonight? The porter says they are not all taken. I'm not feeling very well. I think the dressing on the chicken salad must have been too rich."

He answered mechanically. "Yes, certainly. Can't I get you something?"

"No, thank you. Sleep will do me more good than anything else. Good-night."

She closed the door, and he heard the lock slip. He stood looking at the highly polished wood of the panel for a moment, then turned irresolutely and went back along the slightly swaying aisle of green curtains. In the observation car he stretched himself out upon two wicker chairs and lit another cigar. At twelve o'clock the porter came in.

"This car is closed for the night, sah. Is you the gen'leman from the stateroom in fourteen? Do you want a lower?"

"No, thank you. Is there a smoking car?"

"They is the day-coach smokah, but it ain't likely very clean at this time o' night."

"That's all right. It's forward?" Claude absently handed him a coin, and the porter conducted him to a very dirty car where the floor was littered with newspapers and cigar stumps, and the leather cushions were grey with dust. A few desperate looking men lay about with their shoes off and their suspenders hanging down their backs. The sight of them reminded Claude that his left foot was very sore, and that his shoes must have been hurting him for some time. He pulled them off, and thrust his feet, in their silk socks, on the opposite seat.

On that long, dirty, uncomfortable ride Claude felt many things, but the paramount feeling was homesickness. His hurt was of a kind that made him turn with a sort of aching cowardice to the old, familiar things that were as sure as the sunrise. If only the sagebrush plain, over which the stars were shining, could suddenly break up and resolve itself into the windings of Lovely Creek, with his father's house on the hill, dark and silent in the summer night! When he closed his eyes he could see the light in his mother's window; and, lower down, the glow of Mahailey's lamp, where she sat nodding and mending his old shirts. Human love was a wonderful thing, he told himself, and it was most wonderful where it had least to gain.

By morning the storm of anger, disappointment, and humiliation that was boiling in him when he first sat down in the observation car, had died out. One thing lingered; the peculiarly casual, indifferent, uninterested tone of his wife's voice when she sent him away. It was the flat tone in which people make commonplace remarks about common things.

Day broke with silvery brightness on the summer sage. The sky grew pink, the sand grew gold. The dawn-wind brought through the windows the acrid smell of the sagebrush: an odour that is peculiarly stimulating in the early morning, when it always seems to promise freedom… large spaces, new beginnings, better days.

The train was due in Denver at eight o'clock. Exactly at seven thirty Claude knocked at Enid's door,—this time firmly. She was dressed, and greeted him with a fresh, smiling face, holding her hat in her hand.

"Are you feeling better?" he asked.

"Oh, yes! I am perfectly all right this morning. I've put out all your things for you, there on the seat."

He glanced at them. "Thank you. But I won't have time to change, I'm afraid."

"Oh, won't you? I'm so sorry I forgot to give you your bag last night. But you must put on another necktie, at least. You look too much like a groom."

"Do I?" he asked, with a scarcely perceptible curl of his lip.

Everything he needed was neatly arranged on the plush seat; shirt, collar, tie, brushes, even a handkerchief. Those in his pockets were black from dusting off the cinders that blew in all night, and he threw them down and took up the clean one. There was a damp spot on it, and as he unfolded it he recognized the scent of a cologne Enid often used. For some reason this attention unmanned him. He felt the smart of tears in his eyes, and to hide them bent over the metal basin and began to scrub his face. Enid stood behind him, adjusting her hat in the mirror.

"How terribly smoky you are, Claude. I hope you don't smoke before breakfast?"

"No. I was in the smoking car awhile. I suppose my clothes got full of it."

"You are covered with dust and cinders, too!" She took the clothes broom from the rack and began to brush him.

Claude caught her hand. "Don't, please!" he said sharply. "The porter can do that for me."

Enid watched him furtively as he closed and strapped his suitcase. She had often heard that men were cross before breakfast.

"Sure you've forgotten nothing?" he asked before he closed her bag.

"Yes. I never lose things on the train,—do you?"

"Sometimes," he replied guardedly, not looking up as he snapped the catch.