Note 1568 — Chapter IV · VICTOR STATUES REPRESENTED IN MOTION.
Reading edition
E. g., on the reverse of a r.-f. kylix in the British Museum signed by Pheidippos: B. M. Vases, III, Pl. I, E 6; J. H. S., l. c., p. 13, fig. 3; Gardiner, p. 323, fig. 76; Perrot-Chipiez, X, p. 368, fig. 214; on a b.-f. kelebe in the British Museum: B. M. Vases, E 361; Gardiner, p. 324, fig. 77; on an Attic b.-f. panel-amphora in the University of Pennsylvania Museum, Philadelphia: Museum Journal, VI, No. 4 (Dec., 1915), fig. 90, p. 170; A. J. A., XX, 1916, p. 440, fig. 4; (the obverse of this vase, representing a boxing scene, is given in our Fig. 56); on a b.-f. amphora pictured by Gerhard, IV, Pl. CCLX., and Pernice, l. c., fig. on p. 98. The left foot is generally forward in this position: e. g., on a r.-f. kylix in Munich, no. 795; J. H. S., l. c., p. 26, fig. 14; the right is forward on two b.-f. vases: Gerhard, Pls. CCLIX, 2 (= our Pl. 36 B), and CCLX. On a r.-f. amphora in Naples (Pernice, fig. on p. 96), a youth is represented holding the diskos with the right hand on the shoulder, against which his face is silhouetted as in the famous archaic relief from the Dipylon gate discussed supra, Ch. III, p. 127.