Note 1431 — Chapter IV · VICTOR STATUES REPRESENTED IN MOTION.
Reading edition
To the fifth by Kalkmann, Bulle, Furtwaengler (Sitzb. Muen. Akad., 1907, Pt. II, pp. 219–220, = Hadrianic copy), and others; to the fourth by Winter, Collignon, and von Mach; Collignon, II, pp. 359 f., connects it stylistically with the so-called Ilioneus of the Glyptothek, represented in a similar pose (= Furtw.-Wolters, Beschr.,2 270; B. B., 432; F. W., 1263), and with the Hypnos in the Prado, Madrid (= Huebner, Die ant. Bildw. in Madrid, no. 39; Furtw., Mw., pp. 648 f.; Collignon, II, p. 357, fig. 181; F. W., 1287; for small replicas in bronze, see Winnefeld, Hypnos, p. 8, n. 2), and assigns all three to the fourth century B. C. and to Skopaic art. Amelung assigns the Subiaco youth to Hellenistic times: Mus. and Ruins of Rome, I, fig. 60.