Chapter XIII

MARIOLLE COPIES MME DE BURNE

When she appeared before him next morning bringing him his tea and toast, and their eyes met, she began to tremble so that the cup and sugar-bowl rattled on the salver. Mariolle went to her and relieved her of her burden and placed it on the table; then, as she still kept her eyes fastened on the floor, he said to her: "Look at me, little one."

She raised her eyes to him; they were full of tears.

"You must not cry," he continued. As he held her in his arms, she murmured: "Oh! mon Dieu!" He knew that it was not regret, nor sorrow, nor remorse that had elicited from her those three agitated words, but happiness, true happiness. It gave him a strange, selfish feeling of delight, physical rather than moral, to feel this small person resting against his heart, to feel there at last the presence of a woman who loved him. He thanked her for it, as a wounded man lying by the roadside would thank a woman who had stopped to succor him; he thanked her with all his lacerated heart, and he pitied her a little, too, in the depths of his soul. As he watched her thus, pale and tearful, with eyes alight with love, he suddenly said to himself: "Why, she is beautiful! How quickly a woman changes, becomes what she ought to be, under the influence of the desires of her feelings and the necessities of her existence!"

"Sit down," he said to her. He took her hands in his, her poor toiling hands that she had made white and pretty for his sake, and very gently, in carefully chosen phrases, he spoke to her of the attitude that they should maintain toward each other. She was no longer his servant, but she would preserve the appearance of being so for a while yet, so as not to create a scandal in the village. She would live with him as his housekeeper and would read to him frequently, and that would serve to account for the change in the situation. He would have her eat at his table after a little, as soon as she should be permanently installed in her position as his reader.

When he had finished she simply replied: "No, Monsieur, I am your servant, and I will continue to be so. I do not wish to have people learn what has taken place and talk about it."

He could not shake her determination, although he urged her strenuously, and when he had drunk his tea she carried away the salver while he followed her with a softened look.

When she was gone he reflected. "She is a woman," he thought, "and all women are equal when they are pleasing in our eyes. I have made my waitress my mistress. She is pretty, she will be charming! At all events she is younger and fresher than the mondaines and the cocottes. What difference does it make, after all? How many celebrated actresses have been daughters of concierges! And yet they are received as ladies, they are adored like heroines of romance, and princes bow before them as if they were queens. Is this to be accounted for on the score of their talent, which is often doubtful, or of their beauty, which is often questionable? Not at all. But a woman, in truth, always holds the place that she is able to create for herself by the illusion that she is capable of inspiring."

He took a long walk that day, and although he still felt the same distress at the bottom of his heart and his legs were heavy under him, as if his suffering had loosened all the springs of his energy, there was a feeling of gladness within him like the song of a little bird. He was not so lonely, he felt himself less utterly abandoned; the forest appeared to him less silent and less void.

He returned to his house with the glad thought that Elisabeth would come out to meet him with a smile upon her lips and a look of tenderness in her eyes.

The life that he now led for about a month on the bank of the little stream was a real idyl. Mariolle was loved as perhaps very few men have ever been, as a child is loved by its mother, as the hunter is loved by his dog. He was all in all to her, her Heaven and earth, her charm and delight. He responded to all her ardent and artless womanly advances, giving her in a kiss her fill of ecstasy. In her eyes and in her soul, in her heart and in her flesh there was no object but him; her intoxication was like that of a young man who tastes wine for the first time. Surprised and delighted, he reveled in the bliss of this absolute self-surrender, and he felt that this was drinking of love at its fountain-head, at the very lips of nature.

Nevertheless he continued to be sad, sad, and haunted by his deep, unyielding disenchantment. His little mistress was agreeable, but he always felt the absence of another, and when he walked in the meadows or on the banks of the Loing and asked himself: "Why does this lingering care stay by me so?" such an intolerable feeling of desolation rose within him as the recollection of Paris crossed his mind that he had to return to the house so as not to be alone.

Then he would swing in the hammock, while Elisabeth, seated on a camp-chair, would read to him. As he watched her and listened to her he would recall to mind conversations in the drawing-room of Michèle, in the days when he passed whole evenings alone with her. Then tears would start to his eyes, and such bitter regret would tear his heart that he felt that he must start at once for Paris or else leave the country forever.

Elisabeth, seeing his gloom and melancholy, asked him: "Are you suffering? Your eyes are full of tears."

"Give me a kiss, little one," he replied; "you could not understand."

She kissed him, anxiously, with a foreboding of some tragedy that was beyond her knowledge. He, forgetting his woes for a moment beneath her caresses, thought: "Oh! for a woman who could be these two in one, who might have the affection of the one and the charm of the other! Why is it that we never encounter the object of our dreams, that we always meet with something that is only approximately like them?"

He continued his vague reflections, soothed by the monotonous sound of the voice that fell unheeded on his ear, upon all the charms that had combined to seduce and vanquish him in the mistress whom he had abandoned. In the besetment of her memory, of her imaginary presence, by which he was haunted as a visionary by a phantom, he asked himself: "Am I condemned to carry her image with me to all eternity?"

He again applied himself to taking long walks, to roaming through the thicknesses of the forest, with the vague hope that he might lose her somewhere, in the depths of a ravine, behind a rock, in a thicket, as a man who wishes to rid himself of an animal that he does not care to kill sometimes takes it away a long distance so that it may not find its way home.

In the course of one of these walks he one day came again to the spot where the beeches grew. It was now a gloomy forest, almost as black as night, with impenetrable foliage. He passed along beneath the immense, deep vault in the damp, sultry air, thinking regretfully of his earlier visit when the little half-opened leaves resembled a verdant, sunshiny mist, and as he was following a narrow path, he suddenly stopped in astonishment before two trees that had grown together. It was a sturdy beech embracing with two of its branches a tall, slender oak; and there could have been no picture of his love that would have appealed more forcibly and more touchingly to his imagination. Mariolle seated himself to contemplate them at his ease. To his diseased mind, as they stood there in their motionless strife, they became splendid and terrible symbols, telling to him, and to all who might pass that way, the everlasting story of his love.

Then he went on his way again, sadder than before, and as he walked along, slowly and with eyes downcast, he all at once perceived, half hidden by the grass and stained by mud and rain, an old telegram that had been lost or thrown there by some wayfarer. He stopped. What was the message of joy or sorrow that the bit of blue paper that lay there at his feet had brought to some expectant soul?

He could not help picking it up and opening it with a mingled feeling of curiosity and disgust. The words "Come—me—four o'clock—" were still legible; the names had been obliterated by the moisture.

Memories, at once cruel and delightful, thronged upon his mind of all the messages that he had received from her, now to appoint the hour for a rendezvous, now to tell him that she could not come to him. Never had anything caused him such emotion, nor startled him so violently, nor so stopped his poor heart and then set it thumping again as had the sight of those messages, burning or freezing him as the case might be. The thought that he should never receive more of them filled him with unutterable sorrow.

Again he asked himself what her thoughts had been since he left her. Had she suffered, had she regretted the friend whom her coldness had driven from her, or had she merely experienced a feeling of wounded vanity and thought nothing more of his abandonment? His desire to learn the truth was so strong and so persistent that a strange and audacious, yet only half-formed resolve, came into his head. He took the road to Fontainebleau, and when he reached the city went to the telegraph office, his mind in a fluctuating state of unrest and indecision; but an irresistible force proceeding from his heart seemed to urge him on. With a trembling hand, then, he took from the desk a printed blank and beneath the name and address of Mme. de Burne wrote this dispatch:

"I would so much like to know what you think of me! For my part I can forget nothing. ANDRÉ MARIOLLE."

Then he went out, engaged a carriage, and returned to Montigny, disturbed in mind by what he had done and regretting it already.

He had calculated that in case she condescended to answer him he would receive a letter from her two days later, but the fear and the hope that she might send him a dispatch kept him in his house all the following day. He was in his hammock under the lindens on the terrace, when, about three o'clock, Elisabeth came to tell him that there was a lady at the house who wanted to see him.

The shock was so great that his breath failed him for a moment and his legs bent under him, and his heart beat violently as he went toward the house. And yet he could not dare hope that it was she.

When he appeared at the drawing-room door Mme. de Burne arose from the sofa where she was sitting and came forward to shake hands with a rather reserved smile upon her face, with a slight constraint of manner and attitude, saying: "I came to see how you are, as your message did not give me much information on the subject."

He had become so pale that a flash of delight rose to her eyes, and his emotion was so great that he could not speak, could only hold his lips glued to the hand that she had given him.

"Dieu! how kind of you!" he said at last.

"No; but I do not forget my friends, and I was anxious about you."

She looked him in the face with that rapid, searching woman's look that reads everything, fathoms one's thoughts to their very roots, and unmasks every artifice. She was satisfied, apparently, for her face brightened with a smile. "You have a pretty hermitage here," she continued. "Does happiness reside in it?"

"No, Madame."

"Is it possible? In this fine country, at the side of this beautiful forest, on the banks of this pretty stream? Why, you ought to be at rest and quite contented here."

"I am not, Madame."

"Why not, then?"

"Because I cannot forget."

"Is it indispensable to your happiness that you should forget something?"

"Yes, Madame."

"May one know what?"

"You know."

"And then?"

"And then I am very wretched."

She said to him with mingled fatuity and commiseration: "I thought that was the case when I received your telegram, and that was the reason that I came, with the resolve that I would go back again at once if I found that I had made a mistake." She was silent a moment and then went on: "Since I am not going back immediately, may I go and look around your place? That little alley of lindens yonder has a very charming appearance: it looks as if it might be cooler out there than here in this drawing-room."

They went out. She had on a mauve dress that harmonized so well with the verdure of the trees and the blue of the sky that she appeared to him like some amazing apparition, of an entirely new style of beauty and seductiveness. Her tall and willowy form, her bright, clean-cut features, the little blaze of blond hair beneath a hat that was mauve, like the dress, and lightly crowned by a long plume of ostrich-feathers rolled about it, her tapering arms with the two hands holding the closed sunshade crosswise before her, the loftiness of her carriage, and the directness of her step seemed to introduce into the humble little garden something exotic, something that was foreign to it. It was a figure from one of Watteau's pictures, or from some fairy-tale or dream, the imagination of a poet's or an artist's fancy, which had been seized by the whim of coming away to the country to show how beautiful it was. As Mariolle looked at her, all trembling with his newly lighted passion, he recalled to mind the two peasant women that he had seen in Montigny village.

"Who is the little person who opened the door for me?" she inquired.

"She is my servant."

"She does not look like a waitress."

"No; she is very good looking."

"Where did you secure her?"

"Quite near here; in an inn frequented by painters, where her innocence was in danger from the customers."

"And you preserved it?"

He blushed and replied: "Yes, I preserved it."

"To your own advantage, perhaps."

"Certainly, to my own advantage, for I would rather have a pretty face about me than an ugly one."

"Is that the only feeling that she inspires in you?"

"Perhaps it was she who inspired in me the irresistible desire of seeing you again, for every woman when she attracts my eyes, even if it is only for the duration of a second, carries my thoughts back to you."

"That was a very pretty piece of special pleading! And does she love her preserver?"

He blushed more deeply than before. Quick as lightning the thought flashed through his mind that jealousy is always efficacious as a stimulant to a woman's feelings, and decided him to tell only half a lie, so he answered, hesitatingly: "I don't know how that is; it may be so. She is very attentive to me."

Rather pettishly, Mme. de Burne murmured: "And you?"

He fastened upon her his eyes that were aflame with love, and replied: "Nothing could ever distract my thoughts from you."

This was also a very shrewd answer, but the phrase seemed to her so much the expression of an indisputable truth, that she let it pass without noticing it. Could a woman such as she have any doubts about a thing like that? So she was satisfied, in fact, and had no further doubts upon the subject of Elisabeth.

They took two canvas chairs and seated themselves in the shade of the lindens over the running stream. He asked her: "What did you think of me?"

"That you must have been very wretched."

"Was it through my fault or yours?"

"Through the fault of us both."

"And then?"

"And then, knowing how beside yourself you were, I reflected that it would be best to give you a little time to cool down. So I waited."

"What were you waiting for?"

"For a word from you. I received it, and here I am. Now we are going to talk like people of sense. So you love me still? I do not ask you this as a coquette—I ask it as your friend."

"I love you still."

"And what is it that you wish?"

"How can I answer that? I am in your power."

"Oh! my ideas are very clear, but I will not tell you them without first knowing what yours are. Tell me of yourself, of what has been passing in your heart and in your mind since you ran away from me."

"I have been thinking of you; I have had no other occupation." He told her of his resolution to forget her, his flight, his coming to the great forest in which he had found nothing but her image, of his days filled with memories of her, and his long nights of consuming jealousy; he told her everything, with entire truthfulness, always excepting his love for Elisabeth, whose name he did not mention.

She listened, well assured that he was not lying, convinced by her inner consciousness of her power over him, even more than by the sincerity of his manner, and delighted with her victory, glad that she was about to regain him, for she loved him still.

Then he bemoaned himself over this situation that seemed to have no end, and warming up as he told of all that he had suffered after having carried it so long in his thoughts, he again reproached her, but without anger, without bitterness, in terms of impassioned poetry, with that impotency of loving of which she was the victim. He told her over and over: "Others have not the gift of pleasing; you have not the gift of loving."

She interrupted him, speaking warmly, full of arguments and illustrations. "At least I have the gift of being faithful," she said. "Suppose I had adored you for ten months, and then fallen in love with another man, would you be less unhappy than you are?"

He exclaimed: "Is it, then, impossible for a woman to love only one man?"

But she had her answer ready for him: "No one can keep on loving forever; all that one can do is to be constant. Do you believe that that exalted delirium of the senses can last for years? No, no. As for the most of those women who are addicted to passions, to violent caprices of greater or less duration, they simply transform life into a novel. Their heroes are different, the events and circumstances are unforeseen and constantly changing, the dénouement varies. I admit that for them it is amusing and diverting, for with every change they have a new set of emotions, but for him—when it is ended, that is the last of it. Do you understand me?"

"Yes; what you say has some truth in it. But I do not see what you are getting at."

"It is this: there is no passion that endures a very long time; by that I mean a burning, torturing passion like that from which you are suffering now. It is a crisis that I have made hard, very hard for you to bear—I know it, and I feel it—by—by the aridity of my tenderness and the paralysis of my emotional nature. This crisis will pass away, however, for it cannot last forever."

"And then?" he asked with anxiety.

"Then I think that to a woman who is as reasonable and calm as I am you can make yourself a lover who will be pleasing in every way, for you have a great deal of tact. On the other hand you would make a terrible husband. But there is no such thing as a good husband, there never can be."

He was surprised and a little offended. "Why," he asked, "do you wish to keep a lover that you do not love?"

She answered, impetuously: "I do love him, my friend, after my fashion. I do not love ardently, but I love."

"You require above everything else to be loved and to have your lovers make a show of their love."

"It is true. That is what I like. But beyond that my heart requires a companion apart from the others. My vainglorious passion for public homage does not interfere with my capacity for being faithful and devoted; it does not destroy my belief that I have something of myself that I could bestow upon a lover that no other man should have: my loyal affection, the sincere attachment of my heart, the entire and secret trustfulness of my soul; in exchange for which I should receive from him, together with all the tenderness of a lover, the sensation, so sweet and so rare, of not being entirely alone upon the earth. That is not love from the way you look at it, but it is not entirely valueless, either."

He bent over toward her, trembling with emotion, and stammered: "Will you let me be that man?"

"Yes, after a little, when you are more yourself. In the meantime, resign yourself to a little suffering once in a while, for my sake. Since you have to suffer in any event, isn't it better to endure it at my side rather than somewhere far from me?" Her smile seemed to say to him: "Why can you not have confidence in me?" and as she eyed him there, his whole frame quivering with passion, she experienced through every fiber of her being a feeling of satisfied well-being that made her happy in her way, in the way that the bird of prey is happy when he sees his quarry lying fascinated beneath him and awaiting the fatal talons.

"When do you return to Paris?" she asked.

"Why—to-morrow!"

"To-morrow be it. You will come and dine with me?"

"Yes, Madame."

"And now I must be going," said she, looking at the watch set in the handle of her parasol.

"Oh! why so soon?"

"Because I must catch the five o'clock train. I have company to dinner to-day, several persons: the Princess de Malten, Bernhaus, Lamarthe, Massival, De Maltry, and a stranger, M. de Charlaine, the explorer, who is just back from upper Cambodia, after a wonderful journey. He is all the talk just now."

Mariolle's spirits fell; it hurt him to hear these names mentioned one after the other, as if he had been stung by so many wasps. They were poison to him.

"Will you go now?" he said, "and we can drive through the forest and see something of it."

"I shall be very glad to. First give me a cup of tea and some toast."

When the tea was served, Elisabeth was not to be found. The cook said that she had gone out to make some purchases. This did not surprise Mme. de Burne, for what had she to fear now from this servant? Then they got into the landau that was standing before the door, and Mariolle made the coachman take them to the station by a roundabout way which took them past the Gorge-aux-Loups. As they rolled along beneath the shade of the great trees where the nightingales were singing, she was seized by the ineffable sensation that the mysterious and all-powerful charm of nature impresses on the heart of man. "Dieu!" she said, "how beautiful it is, how calm and restful!"

He accompanied her to the station, and as they were about to part she said to him: "I shall see you to-morrow at eight o'clock, then?"

"To-morrow at eight o'clock, Madame."

She, radiant with happiness, went her way, and he returned to his house in the landau, happy and contented, but uneasy withal, for he knew that this was not the end.

Why should he resist? He felt that he could not. She held him by a charm that he could not understand, that was stronger than all. Flight would not deliver him, would not sever him from her, but would be an intolerable privation, while if he could only succeed in showing a little resignation, he would obtain from her at least as much as she had promised, for she was a woman who always kept her word.

The horses trotted along under the trees and he reflected that not once during that interview had she put up her lips to him for a kiss. She was ever the same; nothing in her would ever change and he would always, perhaps, have to suffer at her hands in just that same way. The remembrance of the bitter hours that he had already passed, with the intolerable certainty that he would never succeed in rousing her to passion, laid heavy on his heart, and gave him a clear foresight of struggles to come and of similar distress in the future. Still, he was content to suffer everything rather than lose her again, resigned even to that everlasting, ever unappeased desire that rioted in his veins and burned into his flesh.

The raging thoughts that had so often possessed him on his way back alone from Auteuil were now setting in again. They began to agitate his frame as the landau rolled smoothly along in the cool shadows of the great trees, when all at once the thought of Elisabeth awaiting him there at his door, she, too, young and fresh and pretty, her heart full of love and her mouth full of kisses, brought peace to his soul. Presently he would be holding her in his arms, and, closing his eyes and deceiving himself as men deceive others, confounding in the intoxication of the embrace her whom he loved and her by whom he was loved, he would possess them both at once. Even now it was certain that he had a liking for her, that grateful attachment of soul and body that always pervades the human animal as the result of love inspired and pleasure shared in common. This child whom he had made his own, would she not be to his dry and wasting love the little spring that bubbles up at the evening halting place, the promise of the cool draught that sustains our energy as wearily we traverse the burning desert?

When he regained the house, however, the girl had not come in. He was frightened and uneasy and said to the other servant: "You are sure that she went out?"

"Yes, Monsieur."

Thereupon he also went out in the hope of finding her. When he had taken a few steps and was about to turn into the long street that runs up the valley, he beheld before him the old, low church, surmounted by its square tower, seated upon a little knoll and watching the houses of its small village as a hen watches over her chicks. A presentiment that she was there impelled him to enter. Who can tell the strange glimpses of the truth that a woman's heart is capable of perceiving? What had she thought, how much had she understood? Where could she have fled for refuge but there, if the shadow of the truth had passed before her eyes?

The church was very dark, for night was closing in. The dim lamp, hanging from its chain, suggested in the tabernacle the ideal presence of the divine Consoler. With hushed footsteps Mariolle passed up along the lines of benches. When he reached the choir he saw a woman on her knees, her face hidden in her hands. He approached, recognized her, and touched her on the shoulder. They were alone.

She gave a great start as she turned her head. She was weeping.

"What is the matter?" he said.

She murmured: "I see it all. You came here because she had caused you to suffer. She came to take you away."

He spoke in broken accents, touched by the grief that he in turn had caused: "You are mistaken, little one. I am going back to Paris, indeed, but I shall take you with me."

She repeated, incredulously: "It can't be true, it can't be true."

"I swear to you that it is true."

"When?"

"To-morrow."

She began again to sob and groan: "My God! My God!"

Then he raised her to her feet and led her down the hill through the thick blackness of the night, but when they came to the river-bank he made her sit down upon the grass and placed himself beside her. He heard the beating of her heart and her quick breathing, and clasping her to his heart, troubled by his remorse, he whispered to her gentle words that he had never used before. Softened by pity and burning with desire, every word that he uttered was true; he did not endeavor to deceive her, and surprised himself at what he said and what he felt, he wondered how it was that, thrilling yet with the presence of that other one whose slave he was always to be, he could tremble thus with longing and emotion while consoling this love-stricken heart.

He promised that he would love her,—he did not say simply "love"—, that he would give her a nice little house near his own and pretty furniture to put in it and a servant to wait on her. She was reassured as she listened to him, and gradually grew calmer, for she could not believe that he was capable of deceiving her, and besides his tone and manner told her that he was sincere. Convinced at length and dazzled by the vision of being a lady, by the prospect—so undreamed of by the poor girl, the servant of the inn—of becoming the "good friend" of such a rich, nice gentleman, she was carried away in a whirl of pride, covetousness, and gratitude that mingled with her fondness for André. Throwing her arms about his neck and covering his face with kisses, she stammered: "Oh! I love you so! You are all in all to me!"

He was touched and returned her caresses. "Darling! My little darling!" he murmured.

Already she had almost forgotten the appearance of the stranger who but now had caused her so much sorrow. There must have been some vague feeling of doubt floating in her mind, however, for presently she asked him in a tremulous voice: "Really and truly, you will love me as you love me now?"

And unhesitatingly he replied: "I will love you as I love you now."

THE OLIVE GROVE

AND

OTHER TALES

THE OLIVE GROVE

When the 'longshoremen of Garandou, a little port of Provence, situated in the bay of Pisca, between Marseilles and Toulon, perceived the boat of the Abbé Vilbois entering the harbor, they went down to the beach to help him pull her ashore.

The priest was alone in the boat. In spite of his fifty-eight years, he rowed with all the energy of a real sailor. He had placed his hat on the bench beside him, his sleeves were rolled up, disclosing his powerful arms, his cassock was open at the neck and turned over his knees, and he wore a round hat of heavy, white canvas. His whole appearance bespoke an odd and strenuous priest of southern climes, better fitted for adventures than for clerical duties.

He rowed with strong and measured strokes, as if to show the southern sailors how the men of the north handle the oars, and from time to time he turned around to look at the landing point.

The skiff struck the beach and slid far up, the bow plowing through the sand; then it stopped abruptly. The five men watching for the abbé drew near, jovial and smiling.

"Well!" said one, with the strong accent of Provence, "have you been successful, Monsieur le Curé?"

The abbé drew in the oars, removed his canvas head-covering, put on his hat, pulled down his sleeves, and buttoned his coat. Then having assumed the usual appearance of a village priest, he replied proudly: "Yes, I have caught three red-snappers, two eels, and five sunfish."

The fishermen gathered around the boat to examine, with the air of experts, the dead fish, the fat red-snappers, the flat-headed eels, those hideous sea-serpents, and the violet sunfish, streaked with bright orange-colored stripes.

Said one: "I'll carry them up to your house, Monsieur le Curé."

"Thank you, my friend."

Having shaken hands all around, the priest started homeward, followed by the man with the fish; the others took charge of the boat.

The Abbé Vilbois walked along slowly with an air of dignity. The exertion of rowing had brought beads of perspiration to his brow and he uncovered his head each time that he passed through the shade of an olive grove. The warm evening air, freshened by a slight breeze from the sea, cooled his high forehead covered with short, white hair, a forehead far more suggestive of an officer than of a priest.

The village appeared, built on a hill rising from a large valley which descended toward the sea.

It was a summer evening. The dazzling sun, traveling toward the ragged crests of the distant hills, outlined on the white, dusty road the figure of the priest, the shadow of whose three-cornered hat bobbed merrily over the fields, sometimes apparently climbing the trunks of the olive-trees, only to fall immediately to the ground and creep among them.

With every step he took, he raised a cloud of fine, white dust, the invisible powder which, in summer, covers the roads of Provence; it clung to the edge of his cassock turning it grayish white. Completely refreshed, his hands deep in his pockets, he strode along slowly and ponderously, like a mountaineer. His eyes were fixed on the distant village where he had lived twenty years, and where he hoped to die. Its church—his church—rose above the houses clustered around it; the square turrets of gray stone, of unequal proportions and quaint design, stood outlined against the beautiful southern valley; and their architecture suggested the fortifications of some old château rather than the steeples of a place of worship.

The abbé was happy; for he had caught three red-snappers, two eels, and five sunfish. It would enable him to triumph again over his flock, which respected him, no doubt, because he was one of the most powerful men of the place, despite his years. These little innocent vanities were his greatest pleasures. He was a fine marksman; sometimes he practiced with his neighbor, a retired army provost who kept a tobacco shop; he could also swim better than anyone along the coast.

In his day he had been a well-known society man, the Baron de Vilbois, but had entered the priesthood after an unfortunate love-affair. Being the scion of an old family of Picardy, devout and royalistic, whose sons for centuries had entered the army, the magistracy, or the Church, his first thought was to follow his mother's advice and become a priest. But he yielded to his father's suggestion that he should study law in Paris and seek some high office.

While he was completing his studies his father was carried off by pneumonia; his mother, who was greatly affected by the loss, died soon afterward. He came into a fortune, and consequently gave up the idea of following a profession to live a life of idleness. He was handsome and intelligent, but somewhat prejudiced by the traditions and principles which he had inherited, along with his muscular frame, from a long line of ancestors.

Society gladly welcomed him and he enjoyed himself after the fashion of a well-to-do and seriously inclined young man. But it happened that a friend introduced him to a young actress, a pupil of the Conservatoire, who was appearing with great success at the Odéon. It was a case of love at first sight.

His sentiment had all the violence, the passion of a man born to believe in absolute ideas. He saw her act the romantic rôle in which she had achieved a triumph the first night of her appearance. She was pretty, and, though naturally perverse, possessed the face of an angel.

She conquered him completely; she transformed him into a delirious fool, into one of those ecstatic idiots whom a woman's look will forever chain to the pyre of fatal passions. She became his mistress and left the stage. They lived together four years, his love for her increasing during the time. He would have married her in spite of his proud name and family traditions, had he not discovered that for a long time she had been unfaithful to him with the friend who had introduced them.

The awakening was terrible, for she was about to become a mother, and he was awaiting the birth of the child to make her his wife.

When he held the proof of her transgressions,—some letters found in a drawer,—he confronted her with his knowledge and reproached her with all the savageness of his uncouth nature for her unfaithfulness and deceit. But she, a child of the people, being as sure of this man as of the other, braved and insulted him with the inherited daring of those women, who, in times of war, mounted with the men on the barricades.

He would have struck her to the ground—but she showed him her form. As white as death, he checked himself, remembering that a child of his would soon be born to this vile, polluted creature. He rushed at her to crush them both, to obliterate this double shame. Reeling under his blows, and seeing that he was about to stamp out the life of her unborn babe, she realized that she was lost. Throwing out her hands to parry the blows, she cried:

"Do not kill me! It is his, not yours!"

He fell back, so stunned with surprise that for a moment his rage subsided. He stammered:

"What? What did you say?"

Crazed with fright, having read her doom in his eyes and gestures, she repeated: "It's not yours, it's his."

Through his clenched teeth he stammered:

"The child?"

"Yes."

"You lie!"

And again he lifted his foot as if to crush her, while she struggled to her knees in a vain attempt to rise. "I tell you it's his. If it was yours, wouldn't it have come much sooner?"

He was struck by the truth of this argument. In a moment of strange lucidity, his mind evolved precise, conclusive, irresistible reasons to disclaim the child of this miserable woman, and he felt so appeased, so happy at the thought, that he decided to let her live.

He then spoke in a calmer voice: "Get up and leave, and never let me see you again."

Quite cowed, she obeyed him and went. He never saw her again.

Then he left Paris and came south. He stopped in a village situated in a valley, near the coast of the Mediterranean. Selecting for his abode an inn facing the sea, he lived there eighteen months in complete seclusion, nursing his sorrow and despair. The memory of the unfaithful one tortured him; her grace, her charm, her perversity haunted him, and withal came the regret of her caresses.

He wandered aimlessly in those beautiful vales of Provence, baring his head, filled with the thoughts of that woman, to the sun that filtered through the grayish-green leaves of the olive-trees.

His former ideas of religion, the abated ardor of his faith, returned to him during his sorrowful retreat. Religion had formerly seemed a refuge from the unknown temptations of life, now it appeared as a refuge from its snares and tortures. He had never given up the habit of prayer. In his sorrow, he turned anew to its consolations, and often at dusk he would wander into the little village church, where in the darkness gleamed the light of the lamp hung above the altar, to guard the sanctuary and symbolize the Divine Presence.

He confided his sorrow to his God, told Him of his misery, asking advice, pity, help, and consolation. Each day, his fervid prayers disclosed stronger faith.

The bleeding heart of this man, crushed by love for a woman, still longed for affection; and soon his prayers, his seclusion, his constant communion with the Savior who consoles and cheers the weary, wrought a change in him, and the mystic love of God entered his soul, casting out the love of the flesh.

He then decided to take up his former plans and to devote his life to the Church.

He became a priest. Through family connections he succeeded in obtaining a call to the parish of this village which he had come across by chance. Devoting a large part of his fortune to the maintenance of charitable institutions, and keeping only enough to enable him to help the poor as long as he lived, he sought refuge in a quiet life filled with prayer and acts of kindness toward his fellow-men.

Narrow-minded but kind-hearted, a priest with a soldier's temperament, he guided his blind, erring flock forcibly through the mazes of this life in which every taste, instinct, and desire is a pitfall. But the old man in him never disappeared entirely. He continued to love out-of-door exercise and noble sports, but he hated every woman, having an almost childish fear of their dangerous fascination.

II.

The sailor who followed the priest, being a southerner, found it difficult to refrain from talking. But he did not dare start a conversation, for the abbé exerted a great prestige over his flock. At last he ventured a remark: "So you like your lodge, do you, Monsieur le Curé?"

This lodge was one of the tiny constructions that are inhabited during the summer by the villagers and the town people alike. It was situated in a field not far from the parish-house, and the abbé had hired it because the latter was very small and built in the heart of the village next to the church.

During the summer time, he did not live altogether at the lodge, but would remain a few days at a time to practice pistol-shooting and be close to nature.

"Yes, my friend," said the priest, "I like it very well."

The low structure could now be seen; it was painted pink, and the walls were almost hidden under the leaves and branches of the olive-trees that grew in the open field. A tall woman was passing in and out of the door, setting a small table at which she placed, at each trip, a knife and fork, a glass, a plate, a napkin, and a piece of bread. She wore the small cap of the women of Arles, a pointed cone of silk or black velvet, decorated with a white rosette.

When the abbé was near enough to make himself heard, he shouted:

"Eh! Marguerite!"

She stopped to ascertain whence the voice came, and recognizing her master: "Oh! it's you, Monsieur le Curé!"

"Yes. I have caught some fine fish, and want you to broil this sunfish immediately, do you hear?"

The servant examined, with a critical and approving glance, the fish that the sailor carried.

"Yes, but we are going to have a chicken for dinner," she said.

"Well, it cannot be helped. To-morrow the fish will not be as fresh as it is now. I mean to enjoy a little feast—it does not happen often—and the sin is not great."

The woman picked out a sunfish and prepared to go into the house. "Ah!" she said, "a man came to see you three times while you were out, Monsieur le Curé."

Indifferently he inquired: "A man! What kind of man?"

"Why, a man whose appearance was not in his favor."

"What! a beggar?"

"Perhaps—I don't know. But I think he is more of a 'maoufatan.'"

The abbé smiled at this word, which, in the language of Provence means a highwayman, a tramp, for he was well aware of Marguerite's timidity, and knew that every day and especially every night she fancied they would be murdered.

He handed a few sous to the sailor, who departed. And just as he was saying: "I am going to wash my hands,"—for his past dainty habits still clung to him,—Marguerite called to him from the kitchen where she was scraping the fish with a knife, thereby detaching its blood-stained, silvery scales:

"There he comes!"

The abbé looked down the road and saw a man coming slowly toward the house; he seemed poorly dressed, indeed, so far as he could distinguish. He could not help smiling at his servant's anxiety, and thought, while he waited for the stranger: "I think, after all, she is right; he does look like a 'maoufatan.'"

The man walked slowly, with his eyes on the priest and his hands buried deep in his pockets. He was young and wore a full, blond beard; strands of curly hair escaped from his soft felt hat, which was so dirty and battered that it was impossible to imagine its former color and appearance. He was clothed in a long, dark overcoat, from which emerged the frayed edge of his trousers; on his feet were bathing shoes that deadened his steps, giving him the stealthy walk of a sneak thief.

When he had come within a few steps of the priest, he doffed, with a sweeping motion, the ragged hat that shaded his brow. He was not bad looking, though his face showed signs of dissipation and the top of his head was bald, an indication of premature fatigue and debauch, for he certainly was not over twenty-five years old.

The priest responded at once to his bow, feeling that this fellow was not an ordinary tramp, a mechanic out of work, or a jail-bird, hardly able to speak any other tongue but the mysterious language of prisons.

"How do you do, Monsieur le Curé?" said the man. The priest answered simply, "I salute you," unwilling to address this ragged stranger as "Monsieur." They considered each other attentively; the abbé felt uncomfortable under the gaze of the tramp, invaded by a feeling of unrest unknown to him.

At last the vagabond continued: "Well, do you recognize me?"

Greatly surprised, the priest answered: "Why, no, you are a stranger to me."

"Ah! you do not know me? Look at me well."

"I have never seen you before."

"Well, that may be true," replied the man sarcastically, "but let me show you some one whom you will know better."

He put on his hat and unbuttoned his coat, revealing his bare chest. A red sash wound around his spare frame held his trousers in place. He drew an envelope from his coat pocket, one of those soiled wrappers destined to protect the sundry papers of the tramp, whether they be stolen or legitimate property, those papers which he guards jealously and uses to protect himself against the too zealous gendarmes. He pulled out a photograph about the size of a folded letter, one of those pictures which were popular long ago; it was yellow and dim with age, for he had carried it around with him everywhere and the heat of his body had faded it.

Pushing it under the abbé's eyes, he demanded:

"Do you know him?"

The priest took a step forward to look and grew pale, for it was his own likeness that he had given Her years ago.

Failing to grasp the meaning of the situation he remained silent.

The tramp repeated:

"Do you recognize him?"

And the priest stammered: "Yes."

"Who is it?"

"It is I."

"It is you?"

"Yes."

"Well, then, look at us both,—at me and at your picture!"

Already the unhappy man had seen that these two beings, the one in the picture and the one by his side, resembled each other like brothers; yet he did not understand, and muttered: "Well, what is it you wish?"

Then in an ugly voice, the tramp replied: "What do I wish? Why, first I wish you to recognize me."

"Who are you?"

"Who am I? Ask anybody by the roadside, ask your servant, let's go and ask the mayor and show him this; and he will laugh, I tell you that! Ah! you will not recognize me as your son, papa curé?"

The old man raised his arms above his head, with a patriarchal gesture, and muttered despairingly: "It cannot be true!"

The young fellow drew quite close to him.

"Ah! It cannot be true, you say! You must stop lying, do you hear?" His clenched fists and threatening face, and the violence with which he spoke, made the priest retreat a few steps, while he asked himself anxiously which one of them was laboring under a mistake.

Again he asserted: "I never had a child."

The other man replied: "And no mistress, either?"

The aged priest resolutely uttered one word, a proud admission:

"Yes."

"And was not this mistress about to give birth to a child when you left her?"

Suddenly the anger which had been quelled twenty-five years ago, not quelled, but buried in the heart of the lover, burst through the wall of faith, resignation, and renunciation he had built around it. Almost beside himself, he shouted:

"I left her because she was unfaithful to me and was carrying the child of another man; had it not been for this, I should have killed both you and her, sir!"

The young man hesitated, taken aback at the sincerity of this outburst. Then he replied in a gentler voice:

"Who told you that it was another man's child?"

"She told me herself and braved me."

Without contesting this assertion the vagabond assumed the indifferent tone of a loafer judging a case:

"Well, then, mother made a mistake, that's all!"

After his outburst of rage, the priest had succeeded in mastering himself sufficiently to be able to inquire:

"And who told you that you were my son?"

"My mother, on her deathbed, M'sieur le Curé. And then—this!" And he held the picture under the eyes of the priest.

The old man took it from him; and slowly, with a heart bursting with anguish, he compared this stranger with his faded likeness and doubted no longer—it was his son.

An awful distress wrung his very soul, a terrible, inexpressible emotion invaded him; it was like the remorse of some ancient crime. He began to understand a little, he guessed the rest. He lived over the brutal scene of the parting. It was to save her life, then, that the wretched and deceitful woman had lied to him, her outraged lover. And he had believed her. And a son of his had been brought into the world and had grown up to be this sordid tramp, who exhaled the very odor of vice as a goat exhales its animal smell.

He whispered: "Will you take a little walk with me, so that we can discuss these matters?"

The young man sneered: "Why, certainly! Isn't that what I came for?"

They walked side by side through the olive grove. The sun had gone down and the coolness of southern twilights spread an invisible cloak over the country. The priest shivered, and raising his eyes with a familiar motion, perceived the trembling gray foliage of the holy tree which had spread its frail shadow over the Son of Man in His great trouble and despondency.

A short, despairing prayer rose within him, uttered by his soul's voice, a prayer by which Christians implore the Savior's aid: "O Lord! have mercy on me."

Turning to his son he said: "So your mother is dead?"

These words, "Your mother is dead," awakened a new sorrow; it was the torment of the flesh which cannot forget, the cruel echo of past sufferings; but mostly the thrill of the fleeting, delirious bliss of his youthful passion.

The young man replied: "Yes, Monsieur le Curé, my mother is dead."

"Has she been dead a long while?"

"Yes, three years."

A new doubt entered the priest's mind. "And why did you not find me out before?"

The other man hesitated.

"I was unable to, I was prevented. But excuse me for interrupting these recollections—I will enter into more details later—for I have not had anything to eat since yesterday morning."

A tremor of pity shook the old man and holding forth both hands: "Oh! my poor child!" he said.

The young fellow took those big, powerful hands in his own slender and feverish palms.

Then he replied, with that air of sarcasm which hardly ever left his lips: "Ah! I'm beginning to think that we shall get along very well together, after all!"

The curé started toward the lodge.

"Let us go to dinner," he said.

He suddenly remembered, with a vague and instinctive pleasure, the fine fish he had caught, which, with the chicken, would make a good meal for the poor fellow.

The servant was in front of the door, watching their approach with an anxious and forbidding face.

"Marguerite," shouted the abbé, "take the table and put it into the dining-room, right away; and set two places, as quick as you can."

The woman seemed stunned at the idea that her master was going to dine with this tramp.

But the abbé, without waiting for her, removed the plate and napkin and carried the little table into the dining-room.

A few minutes later he was sitting opposite the beggar, in front of a soup-tureen filled with savory cabbage soup, which sent up a cloud of fragrant steam.

III.

When the plates were filled, the tramp fell to with ravenous avidity. The abbé had lost his appetite and ate slowly, leaving the bread in the bottom of his plate. Suddenly he inquired:

"What is your name?"

The man smiled; he was delighted to satisfy his hunger.

"Father unknown," he said, "and no other name but my mother's, which you probably remember. But I possess two Christian names, which, by the way, are quite unsuited to me—Philippe-Auguste."

The priest whitened.

"Why were you named thus?" he asked.

The tramp shrugged his shoulders. "I fancy you ought to know. After mother left you, she wished to make your rival believe that I was his child. He did believe it until I was about fifteen. Then I began to look too much like you. And he disclaimed me, the scoundrel. I had been christened Philippe-Auguste; now, if I had not resembled a soul, or if I had been the son of a third person, who had stayed in the background, to-day I should be the Vicomte Philippe-Auguste de Pravallon, son of the count and senator bearing this name. I have christened myself 'No-luck.'"

"How did you learn all this?"

"They discussed it before me, you know; pretty lively discussions they were, too. I tell you, that's what shows you the seamy side of life!"

Something more distressing than all he had suffered during the last half hour now oppressed the priest. It was a sort of suffocation which seemed as if it would grow and grow till it killed him; it was not due so much to the things he heard as to the manner in which they were uttered by this wayside tramp. Between himself and this beggar, between his son and himself, he was discovering the existence of those moral divergencies which are as fatal poisons to certain souls. Was this his son? He could not yet believe it. He wanted all the proofs, every one of them. He wanted to hear all, to listen to all. Again he thought of the olive-trees that shaded his little lodge, and for the second time he prayed: "O Lord! have mercy upon me."

Philippe-Auguste had finished his soup. He inquired: "Is there nothing else, abbé?"

The kitchen was built in an annex. Marguerite could not hear her master's voice. He always called her by striking a Chinese gong hung on the wall behind his chair. He took the brass hammer and struck the round metal plate. It gave a feeble sound, which grew and vibrated, becoming sharper and louder till it finally died away on the evening breeze.

The servant appeared with a frowning face and cast angry glances at the tramp, as if her faithful instinct had warned her of the misfortune that had befallen her master. She held a platter on which was the sunfish, spreading a savory odor of melted butter through the room. The abbé divided the fish lengthwise, helping his son to the better half: "I caught it a little while ago," he said, with a touch of pride in spite of his keen distress.

Marguerite had not left the room.

The priest added: "Bring us some wine, the white wine of Cape Corse."

She almost rebelled, and the priest, assuming a severe expression was obliged to repeat: "Now, go, and bring two bottles, remember," for, when he drank with anybody, a very rare pleasure, indeed, he always opened one bottle for himself.

Beaming, Philippe-Auguste remarked: "Fine! A splendid idea! It has been a long time since I've had such a dinner." The servant came back after a few minutes. The abbé thought it an eternity, for now a thirst for information burned his blood like infernal fire.

After the bottles had been opened, the woman still remained, her eyes glued on the tramp.

"Leave us," said the curé.

She intentionally ignored his command.

He repeated almost roughly: "I have ordered you to leave us."

Then she left the room.

Philippe-Auguste devoured the fish voraciously, while his father sat watching him, more and more surprised and saddened at all the baseness stamped on the face that was so like his own. The morsels the abbé raised to his lips remained in his mouth, for his throat could not swallow; so he ate slowly, trying to choose, from the host of questions which besieged his mind, the one he wished his son to answer first. At last he spoke:

"What was the cause of her death?"

"Consumption."

"Was she ill a long time?"

"About eighteen months."

"How did she contract it?"

"We could not tell."

Both men were silent. The priest was reflecting. He was oppressed by the multitude of things he wished to know and to hear, for since the rupture, since the day he had tried to kill her, he had heard nothing. Certainly, he had not cared to know, because he had buried her, along with his happiest days, in forgetfulness; but now, knowing that she was dead and gone, he felt within himself the almost jealous desire of a lover to hear all.

He continued: "She was not alone, was she?"

"No, she lived with him."

The old man started: "With him? With Pravallon?"

"Why, yes."

And the betrayed man rapidly calculated that the woman who had deceived him, had lived over thirty years with his rival.

Almost unconsciously he asked: "Were they happy?"

The young man sneered. "Why, yes, with ups and downs! It would have been better had I not been there. I always spoiled everything."

"How, and why?" inquired the priest.

"I have already told you. Because he thought I was his son up to my fifteenth year. But the old fellow wasn't a fool, and soon discovered the likeness. That created scenes. I used to listen behind the door. He accused mother of having deceived him. Mother would answer: 'Is it my fault? you knew quite well when you took me that I was the mistress of that other man.' You were that other man."

"Ah! They spoke of me sometimes?"

"Yes, but never mentioned your name before me, excepting toward the end, when mother knew she was lost. I think they distrusted me."

"And you—and you learned quite early the irregularity of your mother's position?"

"Why, certainly. I am not innocent and I never was. Those things are easy to guess as soon as one begins to know life."

Philippe-Auguste had been filling his glass repeatedly. His eyes now were beginning to sparkle, for his long fast was favorable to the intoxicating effects of the wine. The priest noticed it and wished to caution him. But suddenly the thought that a drunkard is imprudent and loquacious flashed through him, and lifting the bottle he again filled the young man's glass.

Meanwhile Marguerite had brought the chicken. Having set it on the table, she again fastened her eyes on the tramp, saying in an indignant voice: "Can't you see that he's drunk, Monsieur le Curé?"

"Leave us," replied the priest, "and return to the kitchen."

She went out, slamming the door.

He then inquired: "What did your mother say about me?"

"Why, what a woman usually says of a man she has jilted: that you were hard to get along with, very strange, and that you would have made her life miserable with your peculiar ideas."

"Did she say that often?"

"Yes, but sometimes only in allusions, for fear I would understand; but nevertheless I guessed all."

"And how did they treat you in that house?"

"Me? They treated me very well at first and very badly afterward. When mother saw that I was interfering with her, she shook me."

"How?"

"How? very easily. When I was about sixteen years old, I got into various scrapes, and those blackguards put me into a reformatory to get rid of me." He put his elbows on the table and rested his cheeks in his palms. He was hopelessly intoxicated, and felt the unconquerable desire of all drunkards to talk and boast about themselves.

He smiled sweetly, with a feminine grace, an arch grace the priest knew and recognized as the hated charm that had won him long ago, and had also wrought his undoing. Now it was his mother whom the boy resembled, not so much because of his features, but because of his fascinating and deceptive glance, and the seductiveness of the false smile that played around his lips, the outlet of his inner ignominy.

Philippe-Auguste began to relate: "Ah! Ah! Ah!—I've had a fine life since I left the reformatory! A great writer would pay a large sum for it! Why, old Père Dumas's Monte Cristo has had no stranger adventures than mine."

He paused to reflect with the philosophical gravity of the drunkard, then he continued slowly:

"When you wish a boy to turn out well, no matter what he has done, never send him to a reformatory. The associations are too bad. Now, I got into a bad scrape. One night about nine o'clock, I, with three companions—we were all a little drunk—was walking along the road near the ford of Folac. All at once a wagon hove in sight, with the driver and his family asleep in it. They were people from Martinon on their way home from town. I caught hold of the bridle, led the horse to the ferryboat, made him walk into it, and pushed the boat into the middle of the stream. This created some noise and the driver awoke. He could not see in the dark, but whipped up the horse, which started on a run and landed in the water with the whole load. All were drowned! My companions denounced me to the authorities, though they thought it was a good joke when they saw me do it. Really, we didn't think that it would turn out that way. We only wanted to give the people a ducking, just for fun. After that I committed worse offenses to revenge myself for the first one, which did not, on my honor, warrant the reformatory. But what's the use of telling them? I will speak only of the latest one, because I am sure it will please you. Papa, I avenged you!"

The abbé was watching his son with terrified eyes; he had stopped eating.

Philippe-Auguste was preparing to begin. "No, not yet," said the priest, "in a little while."

And he turned to strike the Chinese gong.

Marguerite appeared almost instantly. Her master addressed her in such a rough tone that she hung her head, thoroughly frightened and obedient: "Bring in the lamp and the dessert, and then do not appear until I summon you."

She went out and returned with a porcelain lamp covered with a green shade, and bringing also a large piece of cheese and some fruit.

After she had gone, the abbé turned resolutely to his son.

"Now I am ready to hear you."

Philippe-Auguste calmly filled his plate with dessert and poured wine into his glass. The second bottle was nearly empty, though the priest had not touched it.

His mouth and tongue, thick with food and wine, the man stuttered: "Well, now for the last job. And it's a good one. I was home again,—stayed there in spite of them, because they feared me,—yes, feared me. Ah! you can't fool with me, you know,—I'll do anything, when I'm roused. They lived together on and off. The old man had two residences. One official, for the senator, the other clandestine, for the lover. Still, he lived more in the latter than in the former, as he could not get along without mother. Mother was a sharp one—she knew how to hold a man! She had taken him body and soul, and kept him to the last! Well, I had come back and I kept them down by fright. I am resourceful at times—nobody can match me for sharpness and for strength, too—I'm afraid of no one. Well, mother got sick and the old man took her to a fine place in the country, near Meulan, situated in a park as big as a wood. She lasted about eighteen months, as I told you. Then we felt the end to be near. He came from Paris every day—he was very miserable—really.

"One morning they chatted a long time, over an hour, I think, and I could not imagine what they were talking about. Suddenly mother called me in and said:

"'I am going to die, and there is something I want to tell you beforehand, in spite of the Count's advice.' In speaking of him she always said 'the Count.' 'It is the name of your father, who is alive.' I had asked her this more than fifty times—more than fifty times—my father's name—more than fifty times—and she always refused to tell. I think I even beat her one day to make her talk, but it was of no use. Then, to get rid of me, she told me that you had died penniless, that you were worthless and that she had made a mistake in her youth, an innocent girl's mistake. She lied so well, I really believed you had died.

"Finally she said: 'It is your father's name.'

"The old man, who was sitting in an armchair, repeated three times, like this: 'You do wrong, you do wrong, you do wrong, Rosette.'

"Mother sat up in bed. I can see her now, with her flushed cheeks and shining eyes; she loved me, in spite of everything; and she said: 'Then you do something for him, Philippe!' In speaking to him she called him 'Philippe' and me 'Auguste.'

"He began to shout like a madman: 'Do something for that loafer—that blackguard, that convict? never!'

"And he continued to call me names, as if he had done nothing else all his life but collect them.

"I was angry, but mother told me to hold my tongue, and she resumed: 'Then you must want him to starve, for you know that I leave no money.'

"Without being deterred, he continued: 'Rosette, I have given you thirty-five thousand francs a year for thirty years,—that makes more than a million. I have enabled you to live like a wealthy, a beloved, and I may say, a happy woman. I owe nothing to that fellow, who has spoiled our late years, and he will not get a cent from me. It is useless to insist. Tell him the name of his father, if you wish. I am sorry, but I wash my hands of him.'

"Then mother turned toward me. I thought: 'Good! now I'm going to find my real father—if he has money, I'm saved.'

"She went on: 'Your father, the Baron de Vilbois, is to-day the Abbé Vilbois, curé of Garandou, near Toulon. He was my lover before I left him for the Count!'

"And she told me all, excepting that she had deceived you about her pregnancy. But women, you know, never tell the whole truth."

Sneeringly, unconsciously, he was revealing the depths of his foul nature. With beaming face he raised the glass to his lips and continued:

"Mother died two days—two days later. We followed her remains to the grave, he and I—say—wasn't it funny?—he and I—and three servants—that was all. He cried like a calf—we were side by side—we looked like father and son.

"Then he went back to the house alone. I was thinking to myself: 'I'll have to clear out now and without a penny, too.' I owned only fifty francs. What could I do to revenge myself?

"He touched me on the arm and said: 'I wish to speak to you.' I followed him into his office. He sat down in front of the desk and, wiping away his tears, he told me that he would not be as hard on me as he had said he would to mother. He begged me to leave you alone. That—that concerns only you and me. He offered me a thousand-franc note—a thousand—a thousand francs. What could a fellow like me do with a thousand francs?—I saw that there were very many bills in the drawer. The sight of the money made me wild. I put out my hand as if to take the note he offered me, but instead of doing so, I sprang at him, threw him to the ground and choked him till he grew purple. When I saw that he was going to give up the ghost, I gagged and bound him. Then I undressed him, laid him on his stomach and—ah! ah! ah!—I avenged you in a funny way!"

He stopped to cough, for he was choking with merriment. His ferocious, mirthful smile reminded the priest once more of the woman who had wrought his undoing.

"And then?" he inquired.

"Then,—ah! ah! ah!—There was a bright fire in the fireplace—it was in the winter—in December—mother died—a bright coal fire—I took the poker—I let it get red-hot—and I made crosses on his back, eight or more, I cannot remember how many—then I turned him over and repeated them on his stomach. Say, wasn't it funny, papa? Formerly they marked convicts in this way. He wriggled like an eel—but I had gagged him so that he couldn't scream. I gathered up the bills—twelve in all—with mine it made thirteen—an unlucky number. I left the house, after telling the servants not to bother their master until dinner-time, because he was asleep. I thought that he would hush the matter up because he was a senator and would fear the scandal. I was mistaken. Four days later I was arrested in a Paris restaurant. I got three years for the job. That is the reason why I did not come to you sooner." He drank again, and stuttering so as to render his words almost unintelligible, continued:

"Now—papa—isn't it funny to have one's papa a curé? You must be nice to me, very nice, because, you know, I am not commonplace,—and I did a good job—didn't I—on the old man?"

The anger which years ago had driven the Abbé Vilbois to desperation rose within him at the sight of this miserable man.

He, who in the name of the Lord, had so often pardoned the infamous secrets whispered to him under the seal of confession, was now merciless in his own behalf. No longer did he implore the help of a merciful God, for he realized that no power on earth or in the sky could save those who had been visited by such a terrible disaster.

All the ardor of his passionate heart and of his violent blood, which long years of resignation had tempered, awoke against the miserable creature who was his son. He protested against the likeness he bore to him and to his mother, the wretched mother who had formed him so like herself; and he rebelled against the destiny that had chained this criminal to him, like an iron ball to a galley-slave.

The shock roused him from the peaceful and pious slumber which had lasted twenty-five years; with a wonderful lucidity he saw all that would inevitably ensue.

Convinced that he must talk loud so as to intimidate this man from the first, he spoke with his teeth clenched with fury:

"Now that you have told all, listen to me. You will leave here to-morrow morning. You will go to a country that I shall designate, and never leave it without my permission. I will give you a small income, for I am poor. If you disobey me once, it will be withdrawn and you will learn to know me."

Though Philippe-Auguste was half dazed with wine, he understood the threat. Instantly the criminal within him rebelled. Between hiccoughs he sputtered: "Ah! papa, be careful what you say—you're a curé, remember—I hold you—and you have to walk straight, like the rest!"

The abbé started. Through his whole muscular frame crept the unconquerable desire to seize this monster, to bend him like a twig, so as to show him that he would have to yield.

Shaking the table, he shouted: "Take care, take care—I am afraid of nobody."

The drunkard lost his balance and seeing that he was going to fall and would forthwith be in the priest's power, he reached with a murderous look for one of the knives lying on the table. The abbé perceived his motion, and he gave the table a terrible shove; his son toppled over and landed on his back. The lamp fell with a crash and went out.

During a moment the clinking of broken glass was heard in the darkness, then the muffled sound of a soft body creeping on the floor, and then all was silent.

With the crashing of the lamp a complete darkness spread over them; it was so prompt and unexpected that they were stunned by it as by some terrible event. The drunkard, pressed against the wall, did not move; the priest remained on his chair in the midst of the night which had quelled his rage. The somber veil that had descended so rapidly, arresting his anger, also quieted the furious impulses of his soul; new ideas, as dark and dreary as the obscurity, beset him.

The room was perfectly silent, like a tomb where nothing draws the breath of life. Not a sound came from outside, neither the rumbling of a distant wagon, nor the bark of a dog, nor even the sigh of the wind passing through the trees.

This lasted a long time, perhaps an hour. Then suddenly the gong vibrated! It rang once, as if it had been struck a short, sharp blow, and was instantly followed by the noise of a falling body and an overturned chair.

Marguerite came running out of the kitchen, but as soon as she opened the door she fell back, frightened by the intense darkness. Trembling, her heart beating as if it would burst, she called in a low, hoarse voice: "M'sieur le Curé! M'sieur le Curé!"

Nobody answered, nothing stirred.

"Mon Dieu, mon Dieu," she thought, "what has happened, what have they done?"

She did not dare enter the room, yet feared to go back to fetch a light. She felt as if she would like to run away, to screech at the top of her voice, though she knew her legs would refuse to carry her. She repeated: "M'sieur le Curé! M'sieur le Curé! it is me, Marguerite."

But, notwithstanding her terror, the instinctive desire of helping her master and a woman's courage, which is sometimes heroic, filled her soul with a terrified audacity, and running back to the kitchen she fetched a lamp.

She stopped at the doorsill. First, she caught sight of the tramp lying against the wall, asleep, or simulating slumber; then she saw the broken lamp, and then, under the table, the feet and black-stockinged legs of the priest, who must have fallen backward, striking his head on the gong.

Her teeth chattering and her hands trembling with fright, she kept on repeating: "My God! My God! what is this?"

She advanced slowly, taking small steps, till she slid on something slimy and almost fell.

Stooping, she saw that the floor was red and that a red liquid was spreading around her feet toward the door. She guessed that it was blood. She threw down her light so as to hide the sight of it, and fled from the room out into the fields, running half crazed toward the village. She ran screaming at the top of her voice, and bumping against the trees she did not heed, her eyes fastened on the gleaming lights of the distant town.

Her shrill voice rang out like the gloomy cry of the night-owl, repeating continuously, "The maoufatan—the maoufatan—the maoufatan——"

When she reached the first house, some excited men came out and surrounded her; but she could not answer them and struggled to escape, for the fright had turned her head.

After a while they guessed that something must have happened to the curé, and a little rescuing party started for the lodge.

The little pink house standing in the middle of the olive grove had grown black and invisible in the dark, silent night. Since the gleam of the solitary window had faded, the cabin was plunged in darkness, lost in the grove, and unrecognizable for anyone but a native of the place.

Soon lights began to gleam near the ground, between the trees, streaking the dried grass with long, yellow reflections. The twisted trunks of the olive-trees assumed fantastic shapes under the moving lights, looking like monsters or infernal serpents. The projected reflections suddenly revealed a vague, white mass, and soon the low, square wall of the lodge grew pink from the light of the lanterns. Several peasants were carrying the latter, escorting two gendarmes with revolvers, the mayor, the garde-champêtre, and Marguerite, supported by the men, for she was almost unable to walk.

The rescuing party hesitated a moment in front of the open, grewsome door. But the brigadier, snatching a lantern from one of the men, entered, followed by the rest.

The servant had not lied, blood covered the floor like a carpet. It had spread to the place where the tramp was lying, bathing one of his hands and legs.

The father and son were asleep, the one with a severed throat, the other in a drunken stupor. The two gendarmes seized the latter and before he awoke they had him handcuffed. He rubbed his eyes, stunned, stupefied with liquor, and when he saw the body of the priest, he appeared terrified, unable to understand what had happened.

"Why did he not escape?" said the mayor.

"He was too drunk," replied the officer.

And every man agreed with him, for nobody ever thought that perhaps the Abbé Vilbois had taken his own life.

REVENGE

As they were still speaking of Pranzini, M. Maloureau, who had been Attorney-General under the Empire, said:

"I knew another case like that, a very curious affair, curious from many points, as you shall see.

"I was at that time Imperial attorney in the province, and stood very well at Court, thanks to my father, who was first President at Paris. I had charge of a still celebrated case, called 'The Affair of Schoolmaster Moiron.'

"M. Moiron, a schoolmaster in the north of France, bore an excellent reputation in all the country thereabout. He was an intelligent, reflective, very religious man, and had married in the district of Boislinot, where he practiced his profession. He had had three children, who all died in succession from weak lungs. After the loss of his own little ones, he seemed to lavish upon the urchins confided to his care all the tenderness concealed in his heart. He bought, with his own pennies, playthings for his best pupils, the diligent and good. He allowed them to have play dinners, and gorged them with dainties of candies and cakes. Everybody loved and praised this brave man, this brave heart, and it was like a blow when five of his pupils died of the same disease that had carried off his children. It was believed that an epidemic prevailed, caused by the water being made impure from drought. They looked for the cause, without discovering it, more than they did at the symptoms, which were very strange. The children appeared to be taken with a languor, could eat nothing, complained of pains in the stomach, and finally died in most terrible agony.

"An autopsy was made of the last to die, but nothing was discovered. The entrails were sent to Paris and analyzed, but showed no sign of any toxic substance.

"For one year no further deaths occurred; then two little boys, the best pupils in the class, favorites of father Moiron, expired in four days' time. An examination was ordered, and in each body fragments of pounded glass were found imbedded in the organs. They concluded that the two children had eaten imprudently of something carelessly prepared. Sufficient broken glass remained in the bottom of a bowl of milk to have caused this frightful accident, and the matter would have rested there had not Moiron's servant been taken ill in the interval. The physician found the same morbid signs that he observed in the preceding attacks of the children, and, upon questioning her, finally obtained the confession that she had stolen and eaten some bonbons, bought by the master for his pupils.

"Upon order of the court, the schoolhouse was searched and a closet was found, full of sweetmeats and dainties for the children. Nearly all these edibles contained fragments of glass or broken needles.

"Moiron was immediately arrested. He was so indignant and stupefied at the weight of suspicion upon him that he was nearly overcome. Nevertheless, the indications of his guilt were so apparent that they fought hard in my mind against my first conviction, which was based upon his good reputation, his entire life of truthfulness, and the absolute absence of any motive for such a crime.

"Why should this good, simple religious man kill children, and the children whom he seemed to love best? Why should he select those he had feasted with dainties, for whom he had spent in playthings and bonbons half his stipend?

"To admit this, it must be concluded that he was insane. But Moiron seemed so reasonable, so calm, so full of judgment and good sense! It was impossible to prove insanity in him.

"Proofs accumulated, nevertheless! Bonbons, cakes, pâtés of marshmallow, and other things seized at the shops where the schoolmaster got his supplies were found to contain no suspected fragment.

"He pretended that some unknown enemy had opened his closet with a false key and placed the glass and needles in the eatables. And he implied a story of heritage dependent on the death of a child, sought out and discovered by a peasant, and so worked up as to make the suspicion fall upon the schoolmaster. This brute, he said, was not interested in the other poor children who had to die also.

"This theory was plausible. The man appeared so sure of himself and so pitiful, that we should have acquitted him without doubt, if two overwhelming discoveries had not been made at one blow. The first was a snuffbox full of ground glass! It was his own snuffbox, in a secret drawer of his secretary, where he kept his money.

"He explained this in a manner not acceptable, by saying that it was the last ruse of an unknown guilty one. But a merchant of Saint-Marlouf presented himself at the house of the judge, telling him that Moiron had bought needles of him many times, the finest needles he could find, breaking them to see whether they suited him.

"The merchant brought as witnesses a dozen persons who recognized Moiron at first glance. And the inquest revealed the fact that the schoolmaster was at Saint-Marlouf on the days designated by the merchant.

"I pass over the terrible depositions of the children upon the master's choice of dainties, and his care in making the little ones eat in his presence and destroying all traces of the feast.

"Public opinion, exasperated, recalled capital punishment, and took on a new force from terror which permitted no delays or resistance.

"Moiron was condemned to death. His appeal was rejected. No recourse remained to him for pardon. I knew from my father that the Emperor would not grant it.

"One morning, as I was at work in my office, the chaplain of the prison was announced. He was an old priest who had a great knowledge of men and a large acquaintance among criminals. He appeared troubled and constrained. After talking a few moments of other things, he said abruptly, on rising:

"'If Moiron is decapitated, Monsieur Attorney-General, you will have allowed the execution of an innocent man.'

"Then, without bowing, he went out, leaving me under the profound effect of his words. He had pronounced them in a solemn, affecting fashion, opening lips, closed and sealed by confession, in order to save a life.

"An hour later I was on my way to Paris, and my father, at my request, asked an immediate audience with the Emperor.

"I was received the next day. Napoleon III. was at work in a little room when we were introduced. I exposed the whole affair, even to the visit of the priest, and, in the midst of the story, the door opened behind the chair of the Emperor, and the Empress, who believed in him alone, entered. His Majesty consulted her. When she had run over the facts, she exclaimed:

"'This man must be pardoned! He must, because he is innocent.'

"Why should this sudden conviction of a woman so pious throw into my mind a terrible doubt?

"Up to that time I had ardently desired a commutation of the sentence. And now I felt myself the puppet, the dupe of a criminal ruse, which had employed the priest and the confession as a means of defense.

"I showed some hesitation to their Majesties. The Emperor remained undecided, solicited on one hand by his natural goodness, and on the other held back by the fear of allowing himself to play a miserable part; but the Empress, convinced that the priest had obeyed a divine call, repeated: 'What does it matter? It is better to spare a guilty man than to kill an innocent one.' Her advice prevailed. The penalty of death was commuted, and that of hard labor was substituted.

"Some years after I heard that Moiron, whose exemplary conduct at Toulon had been made known again to the Emperor, was employed as a domestic by the director of the penitentiary. And then I heard no word of this man for a long time.

"About two years after this, when I was passing the summer at the house of my cousin, De Larielle, a young priest came to me one evening, as we were sitting down to dinner, and wished to speak to me.

"I told them to let him come in, and he begged me to go with him to a dying man, who desired, before all else, to see me. This had happened often, during my long career as judge, and, although I had been put aside by the Republic, I was still called upon from time to time in like circumstances.

"I followed the ecclesiastic, who made me mount into a little miserable lodging, under the roof of a high house. There, upon a pallet of straw, I found a dying man, seated with his back against the wall, in order to breathe. He was a sort of grimacing skeleton, with deep, shining eyes.

"When he saw me he murmured: 'You do not know me?'

"'No.'

"'I am Moiron.'

"I shivered, but said: 'The schoolmaster?'

"'Yes.'

"'How is it you are here?'

"'That would be too long—I haven't time—I am going to die—They brought me this curate—and as I knew you were here, I sent him for you—It is to you that I wish to confess—since you saved my life before—the other time——'

"He seized with his dry hands the straw of his bed, and continued, in a rasping, bass voice:

"'Here it is—I owe you the truth—to you, because it is necessary to tell it to some one before leaving the earth.

"'It was I who killed the children—all—it was I—for vengeance!

"'Listen. I was an honest man, very honest—very honest—very pure—adoring God—the good God—the God that they teach us to love, and not the false God, the executioner, the robber, the murderer who governs the earth—I had never done wrong, never committed a villainous act. I was pure as one unborn.

"'After I was married I had some children, and I began to love them as never father or mother loved their own. I lived only for them. I was foolish. They died, all three of them! Why? Why? What had I done? I? I had a change of heart, a furious change. Suddenly I opened my eyes as of one awakening; and I learned that God is wicked. Why had He killed my children? I opened my eyes and I saw that He loved to kill. He loves only that, Monsieur. He exists only to destroy! God is a murderer! Some death is necessary to Him every day. He causes them in all fashions, the better to amuse Himself. He has invented sickness and accident in order to divert Himself through all the long months and years. And, when He is weary, He has epidemics, pests, the cholera, quinsy, smallpox.

"'How do I know all that this monster has imagined? All these evils are not enough to suffice. From time to time He sends war, in order to see two hundred thousand soldiers laid low, bruised in blood and mire, with arms and legs torn off, heads broken by bullets, like eggs that fall along the road.

"'That is not all. He has made men who eat one another. And then, as men become better than He, He has made beasts to see the men chase them, slaughter, and nourish themselves with them. That is not all. He has made all the little animals that live for a day, flies which increase by myriads in an hour, ants, that one crushes, and others, many, so many that we cannot even imagine them. And all kill one another, chase one another, devour one another, murdering without ceasing. And the good God looks on and is amused, because He sees all for Himself, the largest as well as the smallest, those which are in drops of water, as well as those in the stars. He looks at them all and is amused! Ugh! Beast!

"'So I, Monsieur, I also have killed some children. I acted the part for Him. It was not He who had them. It was not He, it was I. And I would have killed still more, but you took me away. That's all!

"'I was going to die, guillotined. I! How He would have laughed, the reptile! Then I asked for a priest, and lied to him. I confessed. I lied, and I lived.

"'Now it is finished. I can no longer escape Him. But I have no fear of Him, Monsieur, I understand Him too well.'

"It was frightful to see this miserable creature, hardly able to breathe, talking in hiccoughs, opening an enormous mouth to eject some words scarcely heard, pulling up the cloth of his straw bed, and, under a cover nearly black, moving his meager limbs as if to save himself.

"Oh! frightful being and frightful remembrance!

"I asked him: 'You have nothing more to say?'

"'No, Monsieur.'

"'Then, farewell.'

"'Farewell, sir, one day or the other.'

"I turned toward the priest, whose somber silhouette was on the wall.

"'You will remain, M. Abbé?'

"'I will remain.'

"Then the dying man sneered: 'Yes, yes, he sends crows to dead bodies.'

"As for me, I had seen enough. I opened the door and went away in self-protection."

AN OLD MAID

In Argenteuil they called her Queen Hortense. No one ever knew the reason why. Perhaps because she spoke firmly, like an officer in command. Perhaps because she was large, bony, and imperious. Perhaps because she governed a multitude of domestic animals, hens, dogs, cats, canaries, and parrots,—those animals so dear to old maids. But she gave these familiar subjects neither dainties, nor pretty words, nor those tender puerilities which seem to slip from the lips of a woman to the velvety coat of the cat she is fondling. She governed her beasts with authority. She ruled.

She was an old maid, one of those old maids with cracked voice, and awkward gesture, whose soul seems hard. She never allowed contradiction from any person, nor argument, nor would she tolerate hesitation, or indifference, or idleness, or fatigue. No one ever heard her complain, or regret what was, or desire what was not. "Each to his part," she said, with the conviction of a fatalist. She never went to church, cared nothing for the priests, scarcely believed in God, and called all religious things "mourning merchandise."

For thirty years she had lived in her little house, with its tiny garden in front, extending along the street, never modifying her garments, changing only maids, and that mercilessly, when they became twenty-one years old.

She replaced, without tears and without regrets, her dogs or cats or birds, when they died of old age, or by accident, and she buried trespassing animals in a flower-bed, heaping the earth above them and treading it down with perfect indifference.

She had in the town some acquaintances, the families of employers, whose men went to Paris every day. Sometimes they would invite her to go to the theater with them. She inevitably fell asleep on these occasions, and they were obliged to wake her when it was time to go home. She never allowed anyone to accompany her, having no fear by night or day. She seemed to have no love for children.