Notes.

MR. PEPYS AND EAST LONDON TOPOGRAPHY, ETC.

In "N. & Q." (Vol. i., p. 141.) there appeared an article upon the Isle of Dogs, &c., which spoke of the neglected topography of the east of London, and requested information on one or two points. Having felt much interested in this matter, I have endeavoured to obtain information by personal investigation, and send you the following from among a mass of Notes:—

1. Isle of Dogs. In a map drawn up in 1588 by Robert Adams, engraved in 1738, this name is applied to an islet in the river Thames, still in part existing, at the south-west corner of the peninsula. From this spot the name appears to have extended to the entire marsh.

2. Dick Shore, Limehouse. This is now called Duke Shore, Fore Street. In Gascoyne's Map of Stepney, 1703, it is called Dick Shoar. Since that time Dick has become a Duke. Mr. Pepys would find boats there now if he visited the spot.

3. Mr. Pepys, in his Diary of Mar. 23, 1660, speaks of "the great breach," near Limehouse. The spot now forming the entrance to the City Canal or South Dock of the West India Dock Company was called "the breach," when the canal was formed.

4. July 31, 1665. Mr. Pepys speaks of the Ferry in the Isle of Dogs. This ferry is named as a horse-ferry by Norden in the Britanniæ Speculum, 1592 (MS.). The ferry is still used, but only seldom as a horse-ferry.

5. Oct. 9, 1661. Mr. P. mentions Captain Marshe's, at Limehouse, close by the lime-house. There is still standing there a large old brick house, which may be the same; and the lime-kiln yet exists, for, as Norden says, "ther is a kiln contynually used."

6. Sept. 22, 1665. Mr. P. speaks of a discovery made "in digging the late docke." This discovery consisted of nut trees, nuts, yew, ivy, &c., twelve feet below the surface. Johnson no doubt told him the truth. The same discovery was made in 1789, in digging the Brunswick Dock, also at Blackwall, and elsewhere in the neighbourhood.

This very week (Aug. 25, 1853) I procured specimens of several kinds of wood, with land and freshwater shells, from as great a depth in an excavation at the West India Docks; the wood from a bed of peat, the shells from a bed of clay resting upon it. There exists an ancient house at the dock which Mr. P. visited, and which is probably the same.

Other illustrations of the Diary from this quarter might be adduced; let these, however, suffice as a specimen.

It may probably be new to most of your readers, as it is to me, that an ancient house in Blackwall (opposite the Artichoke Tavern) is said to have been the residence of Sebastian Cabot at one time, and at another that of Sir Walter Raleigh. Whether the tradition be true or not, the house is very curious, and worth a visit, if not worthy of being sketched and engraved to preserve its memory. Perhaps the photograph in this case could be applied.

It is not impossible that Sir John de Pulteney or Poultney, to whom the manor of Poplar was granted in the 24th of Edward III., resided on this spot. My reasons for thinking it are—this fact, which connects him with the neighbourhood; and the inference from two other facts, viz. that the house in which Sir John resided in town was called Cold Harbour, and that Cold Harbour is here also to be found. Sir John Pulteney is thus connected with both the places known by this name.

I would give my name in verification, but you have it, as you should have the names and addresses of all your correspondents.

B. H. C.

Poplar.

PICTS' HOUSES IN ABERDEENSHIRE.

A short time ago, one of those remarkable remains of a very remote antiquity, and called by the country-people Picts' Houses, Yird, Eirde, or Erde houses, was discovered by Mr. Douglass, farmer, Culsh, in the parish of Tarland, Aberdeenshire, near his farm-steading, on the property of our noble Premier. It is a subterranean vault, of a form approaching the semicircular, but elongated at the farther end. Its extreme length is thirty-eight feet; its breadth at the entrance a little more than two feet, gradually widening towards the middle, where the width is about six feet, and it continues at about that average. The height is from five and a half to six feet. The sides are built with stones, some of them in the bottom very large; the roof is formed of large stones, six or seven feet long, and some of them weighing above a ton and a half. They must have been brought from the neighbouring hill of Saddle-lick, about two miles distant, being of a kind of granite not found nearer the spot. The floor is formed of the native rock (hornblende), and is very uneven. When discovered it was full of earth, and in the process of excavation there was found some wood ashes, fragments of a glass bottle, and an earthenware jar (modern), some small fragments of bones, and one or two teeth of a ruminant animal, and the upper stone of a querne (hand-corn-mill, mica schist), together with a small fragment, probably of the lower stone. But, alas! there were no hieroglyphics or cuneiform inscriptions to assist the antiquary in his researches. These underground excavations have been found in various parishes in Aberdeenshire, as well as in several of the neighbouring counties. In the parish of Old Deer, about fifty years ago, a whole village of them was come upon; and about the same time, in a den at the back of Stirlinghill, in the parish of Peterhead, one was discovered which contained some fragments of bones and several flint arrow-heads, and battle-axes in the various stages of manufacture. In no case, however, have any of those previously discovered been of the same magnitude as the one described above. They were generally of from twelve to fifteen feet in length, and from three to four feet in height, and some only six feet in length, so that this must have been in its day (when?) a rather aristocratic affair. Have any similar excavations been found in England? The earliest mention of the parish of Tarland, of which there is any account, is in a charter granted by Moregun, Earl of Mar, to the Canons of St. Andrews, of the Church of S. Machulnoche (S. Mochtens, Bishop and Confessor) of Tharuclund, with its tithes and oblations, its land and mill, and timber from the Earl's woods for the buildings of the canons, A.D. 1165-71; and a charter of King William the Lion, and one of Eadward, Bishop of Aberdeen, both of same date, confirming the said grant.

Abredonensis.

FOLK LORE.

Legends of the County Clare.—How Fuen-Vic-Couil (Fingall) obtained the knowledge of future events.—Once upon a time, when Fuen-Vic-Couil was young, he fell into the hands of a giant, and was compelled to serve him for seven years, during which time the giant was fishing for the salmon which had this property—that whoever ate the first bit of it he would obtain the gift of prophecy; and during the seven years the only nourishment which the giant could take was after this manner: a sheaf of oats was placed to windward of him, and he held a needle before his mouth, and lived on the nourishment that was blown from the sheaf of corn through the eye of the needle. At length, when the seven years were passed, the giant's perseverance was rewarded, and he caught the famous salmon and gave it to Fuen-Vic-Couil to roast, with threats of instant destruction if he allowed any accident to happen to it. Fuen-Vic-Couil hung the fish before the fire by a string, but, like Alfred in a similar situation, being too much occupied with his own reflections, forgot to turn the fish, so that a blister rose on the side of it. Terrified at the probable consequences of his carelessness, he attempted to press down the blister with his thumb, and feeling the smart caused by the burning fish, by a natural action put the injured member into his mouth. A morsel of the fish adhered to his thumb, and immediately he received the knowledge for which the giant had toiled so long in vain. Knowing that his master would kill him if he remained, he fled, and was soon pursued by the giant breathing vengeance: the chace was long, but whenever he was in danger of being caught, his thumb used to pain him, and on putting it to his mouth he always obtained knowledge how to escape, until at last he succeeded in putting out the giant's eyes and killing him; and always afterwards, when in difficulty or danger, his thumb used to pain him, and on putting it to his mouth he obtained knowledge how to escape.

Compare this legend with the legend of Ceridwen, Hanes Taliessin, Mabinogion, vol. iii. pp. 322, 323., the coincidence of which is very curious. Where also did Shakspeare get the speech he makes one of the witches utter in Macbeth:

Francis Robert Davies.

Devonshire Cures for the Thrush.—"Take three rushes from any running stream, and pass them separately through the mouth of the infant: then plunge the rushes again into the stream, and as the current bears them away, so will the thrush depart from the child."

Should this, as is not unlikely, prove ineffectual, "Capture the nearest duck that can be met with, and place its mouth, wide open, within the mouth of the sufferer. The cold breath of the duck will be inhaled by the child, and the disease will gradually, and as I have been informed, not the less surely, take its departure."

T. Hughes.

Chester.

HERALDIC NOTES.

Arms of Granville.—The meaning of the peculiar bearing which, since the thirteenth century, has appertained to this noble family, has always been a matter of uncertainty to heraldic writers: it has been variously blazoned as a clarion, clavicord, organ-rest, lance-rest, and sufflue. The majority of heralds, ancient and modern, term it a clarion without quite defining what a clarion is: that it is meant for a musical instrument (probably a kind of hand-organ), I have very little doubt; for, in the woodcut Mrs. Jameson gives in her Legends of the Madonna (p. 19.) of Piero Laurati's painting of the "Maria Coronata," the uppermost angel on the left is represented as carrying an instrument exactly similar to this charge as it is usually drawn. The date of this painting is 1340. This is probably about the date of the painted glass window in the choir of Tewkesbury Abbey Church, where Robert Earl of Gloucester bears three of these clarions on his surcoat; and upon a careful examination of these, I was convinced that they were intended to represent instruments similar to that carried by the angel in Laurati's painting.

Arms of Richard, King of the Romans.—This celebrated man, the second son of King John, Earl of Cornwall and Poictou, was elected King of the Romans at Frankfort on St. Hilary's Day (Jan. 13th) 1256. His earldom of Cornwall was represented by—Argent, a lion rampant gules crowned or; his earldom of Poictou by a bordure sable, bezantée, or rather of peas (poix) in reference to the name Poictou; and as king of the Romans he is said to have borne these arms upon the breast of the German double-headed eagle displayed sable, which represented that dignity. I do not recollect having seen them under this last form, but I have "made a Note of" several other variations I have met with:—

1. In Dorchester Church, Oxfordshire, in painted glass: Argent, a lion rampant, gules crowned or, within a bordure sable bezantée.

2. On the seal of a charter granted by the earl to the monks of Okeburry: a lion rampant crowned. No bordure.

3. On an encaustic tile in the old Singing-school at Worcester: A lion rampant not crowned, with a bordure bezantée. Another tile has the eagle, single-headed, displayed.

4. Encaustic tiles at Woodperry, Oxfordshire: A row of tiles with the lion rampant, apparently within a bordure, but without the bezants; followed by another row which has the eagle displayed, but not double-headed.

5. On an encaustic tile at Hailes Abbey, Gloucestershire, founded by him: The double-headed eagle only, countercharged.

6. On a tile in the Priory Church of Great Malvern: The double-headed eagle displayed, within a circular bordure bezantée.

7. On a tile which I have seen, but cannot just now recollect where: The double-headed eagle, bezantée, without any bordure.

A curious instance of ex-officio arms added to the paternal coat, occurs on the monument of Dr. Samuel Blythe, at the east end of St. Edward's Church, Cambridge. He was Master of Clare Hall, and in this example his paternal arms—Argent, a chevron gules, between three lions rampant sable—occupy the lower part of the shield, being divided at the fess point by something like an inverted chevron, from the arms of Clare Hall, which thus occupy the upper half of the shield. The date is 1713. Is this way of dividing the arms a blunder of the painter's, or can any of your readers point out a similar instance?

Norris Deck.

SHAKSPEARE CORRESPONDENCE.

Difficulty of avoiding Coincident Suggestions on the Text of Shakspeare.—A correspondent in Vol. viii., p. 193., is somewhat unnecessarily severe on Mr. Collier and Mr. Singer, for having overlooked some suggestions in Jackson's work: the enormous number of useless conjectures in that publication rendering it so tedious and unprofitable to consider them attentively, the student is apt to think his time better engaged in investigating other sources of information. I think, therefore, little of Mr. Collier overlooking the few coincident suggestions in Jackson, which are smaller in number than I had anticipated; the real cause for wonder consisting in the ignoring so many conjectures that have been treated of years ago, often at great length, by some of the most distinguished critics this country has produced. Generally speaking, however, there is in these matters such a tendency for reproduction, I should for one hesitate to accuse any critic of intentional unfairness, merely because he puts forth conjectures as new, when they have been previously published; and I have found so many of my own attempts at emendation, thought to be original, in other sources, that I now hesitate at introducing any as novel. These attempts, like most others, have only resulted occasionally in one that will bear the test of examination after it has been placed aside, and carefully considered when the impression of novelty has worn off. I think we may safely appeal to all critics who occupy themselves much with conjectural criticism, and ask them if Time does not frequently impair the complacency with which they regard their efforts on their first production.

Vol. viii., p. 216., contains more instances of coincident suggestions, R. H. C. indulging in two conjectures, both supported very ably, but in the perfect unconsciousness that the first, rude day's, was long since mentioned by Mr. Dyce, in his Remarks, 1844, p. 172., and that the second, the change of punctuation in All's Well that Ends Well, is the reading adopted by Theobald, and it is also introduced by Mr. Knight in the text of his "National Edition," p 262., and has, I believe, been mentioned elsewhere. It may be said that this kind of repetition might be obviated by the publication of the various readings that have been suggested in the text of Shakspeare, but who is there to be found Quixotic enough to undertake so large and thankless a task, one which at best can only be most imperfectly executed: the materials being so scattered, and often so worthless, the compiler would, I imagine, abandon the design before he had made great progress in it. No fair comparison can be entertained in this respect between the text of Shakspeare and the texts of the classic authors. What has happened to R. H. C., happens, as I am about to show, to all who indulge in conjectural criticism.

Any reader who will take a quantity of disputed passages in Shakspeare, and happens to be ignorant of what has been suggested by others, will discover that, in most of the cases, if he merely tries his skill on a few simple permutations of the letters, he will in one way or another stumble on the suggested words. Let us take, for example, what may be considered in its way as one of the most incomprehensible lines in Shakspeare—"Will you go, An-heires?" the last word being printed with a capital. Running down with the vowels from a, we get at once an apparently plausible suggestion, "Will you go on here?" but a little consideration will show how extremely unlikely this is to be the genuine reading, and that Mr. Dyce is correct in preferring Mynheers—a suggestion which belongs to Theobald, and not, as he mentions, to Hanmer. But what I maintain is, that on here would be the correction that would occur to most readers, in all probability to be at once dismissed. Mr. Collier, however, says "it is singular that nobody seems ever to have conjectured that on here might be concealed under An-heires;" and it would have been singular had this been the case, but the suggestion of on here is to be found in Theobald's common edition. Oddly enough, about a year before Mr. Collier's volume appeared, it was again suggested as if it were new.

Let us select a still more palpable instance (Measure for Measure, Act II. Sc. 1.): "If this law hold in Vienna ten years, I'll rent the fairest house in it after threepence a bay." If this reading be wrong, which I do not admit, the second change in the first letter creates an obvious alteration, day, making at least some sort of sense, if not the correct one. Some years ago, I was rash enough to suggest day, not then observing the alteration was to be found in Pope's edition, and Mr. Collier has fallen into the same oversight, when he gives it as one of the corrector's new emendations. I regard these oversights as very pardonable, and inseparable from any extensive attempt to correct the state of the text. All Shakspearian conjectures either anticipate or are anticipated.

Mr. Dyce being par excellence the most judicious verbal critic of the day, it will scarcely be thought egotistical to claim for myself the priority for one of his emendations—"Avoid thee, friend," in the Few Notes, p. 31., a reading I had mentioned in print before the appearance of that work. This is merely one of the many evidences that all verbal conjecturers must often stumble on the same suggestions. Even the MS. corrector's alteration of the passage is not new, it being found in Pope's and in several other editions of the last century; another circumstance that exhibits the great difficulty and danger of asserting a conjecture to be absolutely unknown.

J. O. Halliwell

P.S. The subject is, of course, capable of almost indefinite extension, but the above hasty notes will probably occupy as much space as you would be willing to spare for its consideration.

Alcides' Shoes.—There is merit, in my opinion, in elucidating, if it were only a single word in our great dramatist. Even the attempt, though mayhap a failure, is laudable. I therefore have made, and shall make, hit or miss, some efforts that way. For example, I now grapple with that very odd line—

out of which no one has as yet extracted, or I think ever will extract, any good meaning: Argal, it is corrupt. Now it appears to me that the critic who proposed to read shows, came very near the truth, and would have hit it completely if he had retained Alcides', for it is the genitive with robe understood. To explain:

Austria has on him the "skin-coat" of Cœur-de-Lion, and Blanch cries,—

"It lies," observes the Bastard,

Were it not that doth is the usual word in this play, I might be tempted to read does. In reading or acting, then, the cæsura should be made at Alcides', with a slight pause to give the hearer time to supply robe. I need not say that the robe is the lion's skin, and that there is an allusion to the fable of the ass.

Now to justify this reading. Our ancestors knew nothing of our mode of making genitives by turned commas. They formed the gen. sing., and nom. and gen. pl., by simply adding s to the nom. sing.; thus king made kings, kings, kings (not king's, kings, kings'), and the context gave the case. If the noun ended in se, ce, she, or che, the addition of s added a syllable, as horses, princes, &c., but it was not always added. Shakspeare, for example, uses Lucrece and cockatrice as genitives. I find the first instances of such words as James's, &c., about the middle of the seventeenth century, but I am not deeply read in old books, so it may have been used earlier.

In foreign words like Alcides, no change ever took place; it was the same for all numbers and cases, and the explanation was left to the context. Here are a couple of examples from Shakspeare himself:

"To Brutus, to Cassius. Burn all. Some to Decius house, and some to Cascas; some to Ligarius. Away! go!"—Julius Cæsar, Act III. Sc. 3.

All here are genitives, as well as Cascas. If any doubt, Brutus and Cassius, we have just been told, "Are rid like madmen through the gates of Rome," so they could not be burned. I say now, judicet lector!

I must not neglect to add that there was another mode of forming the genitive, namely, by the possessive pronoun, as the king his palace. "A fly that flew into my mistress her eye," is the title of one of Carew's poems.

Thos. Keightley.