Note 402 — Part 8.

There is much splendid tapestry—German, and especially Bavarian,—to be seen at Munich; and, indeed, the more one seeks, the more one finds that private looms were constantly at work in the Middle Ages for votive offerings. There is a tapestry altar-piece at Coire, in the Grisons, of the Crucifixion, which is evidently of the fourteenth century. The colours are still brilliant, and the whole background is beautifully composed of growing flowers. No sky is seen. There is at Munich an altar frontal of tapestry, Gothic of the fifteenth century, exquisitely beautiful. The weaver has introduced a little portrait of herself at her loom, under the folds of the virgin’s cloak at her feet.