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My Commonplace Book

YOUTH AND AGE (continued 4)

Reading edition

Beddoes intended to destroy this poem, but it was published without his knowledge. This is one of the cases where artists have shown themselves incapable critics of their own work.

O Earth so full of dreary noises! O men with wailing in your voices! O delvèd gold, the wailers heap! O strife, O curse that o’er it fall! God strikes a silence through you all And giveth His beloved sleep. E. B. Browning (The Sleep).

Give all to love; Obey thy heart; Friends, kindred, days, Estate, good-fame, Plans, credit, and the Muse,— Nothing refuse ... Cling with life to the maid; But when the surprise, First vague shadow of surmise Flits across her bosom young Of a joy apart from thee, Free be she, fancy-free; Nor thou detain her vesture’s hem Nor the palest rose she flung From her summer diadem. Though thou loved her as thyself, As a self of purer clay, Though her parting dims the day, Stealing grace from all alive; Heartily know, When half-gods go The gods arrive. R. W. Emerson (Give all to Love).

On Dreamthorp centuries have fallen, and have left no more trace than have last winter’s snowflakes. This commonplace sequence and flowing on of life is immeasurably affecting. That winter morning when Charles lost his head in front of the banqueting-hall of his own palace, the icicles hung from the eaves of the houses here, and the clown kicked the snowballs from his clouted shoon, and thought but of his supper when, at three o’clock, the red sun set in the purple mist.... Battles have been fought, kings have died, history has transacted itself; but, all unheeding and untouched, Dreamthorp has watched apples-trees redden, and wheat ripen, and smoked its pipe, and quaffed its mug of beer, and rejoiced over its newborn children, and with proper solemnity carried its dead to the churchyard.

Alexander Smith (Dreamthorp).

O moon, tell me, Is constant love deemed there but want of wit? Are beauties there as proud as here they be? Do they above love to be loved, and yet Those lovers scorn, whom that love doth possess? Do they call virtue there ungratefulness? Sir P. Sidney.

“Do they call ungratefulness a virtue?”

Quixotism, or Utopianism: that is another of the devil’s pet words. I believe the quiet admission which we are all of us so ready to make, that, because things have long been wrong, it is impossible they should ever be right, is one of the most fatal sources of misery and crime from which this world suffers. Whenever you hear a man dissuading you from attempting to do well, on the ground that perfection is “Utopian,” beware of that man. Cast the word out of your dictionary altogether.

John Ruskin (Lectures on Architecture and Painting).

Two angels guide The path of man, both aged and yet young, As angels are, ripening through endless years. On one he leans: some call her Memory, And some Tradition; and her voice is sweet, With deep mysterious accord: the other, Floating above, holds down a lamp which streams A light divine and searching on the earth, Compelling eyes and footsteps. Memory yields, Yet clings with loving check, and shines anew Reflecting all the rays of that bright lamp Our angel Reason holds. We had not walked But for Tradition; we walk evermore To higher paths, by brightening Reason’s lamp. George Eliot (Spanish Gypsy).

Coleridge, I have not one truly elevated character among my acquaintance: not one Christian: not one but undervalues Christianity—singly, what am I to do? Wesley (have you read his life?) was he not an elevated character? Wesley has said “Religion is not a solitary thing.” Alas! it necessarily is so with me, or next to solitary.

Charles Lamb (1775-1834) (Letter to S. T. Coleridge, Jan. 10, 1797).

Poor lovable Charles Lamb! When he wrote this he was only twenty-one years of age, he had already been himself confined in an asylum, and now his sister in a moment of madness had killed her mother. When afterwards he was allowed to take care of Mary, he had still to take her back to the asylum from time to time, as a fresh attack of mania began to manifest itself. The picture of the weeping brother and sister on their way to the asylum is dreadfully sad. The passage seems interesting because of Lamb’s reference to Wesley.

Blissfully haven’d both from joy and pain: Blinded alike from sunshine and from rain: As though a rose should shut and be a bud again. Keats (The Eve of St. Agnes).

Madeline is lying asleep in bed—but the last line could be used in quite another sense as prettily expressing rejuvenation.

Beneath the moonlight and the snow Lies dead my latest year; The winter winds are wailing low Its dirges in my ear. I grieve not with the moaning wind As if a loss befell; Before me, even as behind, God is, and all is well! J. G. Whittier (My Birthday).

If on my theme I rightly think, There are five reasons why men drink:— Good wine; a friend; or being dry; Or lest we should be by and by; Or—any other reason why. Henry Aldrich (1647-1710).

Autres temps, autres moeurs! Aldrich was Dean of Christ Church, Oxford, when he wrote these lines.

INSCRIPTION FOR A BUST OF CUPID

Qui que tu sois, voici ton maître; Il l’est, le fut, ou le doit être. (Whatso’er thou art, thy master see! He was, or is, or is to be.) Voltaire.

UP-HILL

Does the road wind up-hill all the way? Yes, to the very end. Will the day’s journey take the whole long day? From morn to night, my friend. But is there for the night a resting-place? A roof for when the slow dark hours begin. May not the darkness hide it from my face? You cannot miss that inn. Shall I meet other wayfarers at night? Those who have gone before. Then must I knock, or call when just in sight? They will not keep you standing at that door. Shall I find comfort, travel-sore and weak? Of labour you shall find the sum[22] Will there be beds for me and all who seek? Yea, beds for all who come. Christina Rossetti.

A pebble in the streamlet scant Has turned the course of many a river, A dewdrop in the baby plant Has warped the giant oak for ever. Author not traced.

But now he walks the streets, And he looks at all he meets Sad and wan, And he shakes’ his feeble head, That it seems as if he said, “They are gone.” The mossy marbles rest On the lips that he has prest In their bloom, And the names he loved to hear Have been carved for many a year On the tomb. My grandmamma has said— Poor old lady, she is dead Long ago,— That he had a Roman nose, And his cheek was like a rose In the snow. But now his nose is thin. And it rests upon his chin Like a staff. And a crook is in his back, And a melancholy crack In his laugh.... O. W. Holmes (The Last Leaf).

“Beauty is truth, truth beauty,”—that is all Ye know on earth, and all ye need to know! John Keats (Ode on a Grecian Urn).

Matthew Arnold says of this: “No, it is not all; but it is true, deeply true, and we have deep need to know it.... To see things in their beauty is to see things in their truth, and Keats knew it. ‘What the Imagination seizes on as Beauty must be Truth,’ he says in prose.”

Were it not sadder, in the years to come, To feel the hand-clasp slacken for long use, The untuned heart-strings for long stress refuse To yield old harmonies, the songs grow dumb For weariness, and all the old spells lose The first enchantment? Yet this they must be: Love is but mortal, save in memory. John Payne (A Farewell).

Aux coeurs blessés—l’ombre et le silence.

(For the wounded heart—shade and silence.)

Balzac (Le Médecin de Campagne).

The huge mass of black crags that towered at the head of the gloomy defile was exactly what one would picture as the enchanted castle of the evil magician, within sight of which all vegetation withered, looking from over the desolate valley of ruins to the barren shore strewed with its sad wreckage, and the wild ocean beyond....

The land-crabs certainly looked their part of goblin guardians of the approaches to the wicked magician’s fastness. They were fearful as the firelight fell on their yellow cynical faces, fixed as that of the sphinx, but fixed in a horrid grin. Those who have observed this foulest species of crab will know my meaning. Smelling the fish we were cooking they came down the mountains in thousands upon us. We threw them lumps of fish, which they devoured with crab-like slowness, yet perseverance.

It is a ghastly sight, a land-crab at his dinner. A huge beast was standing a yard from me; I gave him a portion of fish, and watched him. He looked at me straight in the face with his outstarting eyes, and proceeded with his two front claws to tear up his food, bringing bits of it to his mouth with one claw, as with a fork. But all this while he never looked at what he was doing; his face was fixed in one position, staring at me. And when I looked around, lo! there were half a dozen others all steadily feeding, but with immovable heads turned to me with that fixed basilisk stare. It was indeed horrible, and the effect was nightmarish in the extreme. While we slept that night they attacked us, and would certainly have devoured us, had we not awoke; and did eat holes in our clothes. One of us had to keep watch, so as to drive them from the other two, otherwise we should have had no sleep.

Imagine a sailor cast alone on this coast, weary, yet unable to sleep a moment on account of these ferocious creatures. After a few days of an existence full of horror he would die raving mad, and then be consumed in an hour by his foes. In all Dante’s Inferno there is no more horrible a suggestion of punishment than this.

E. F. Knight (The Cruise of the “Falcon”).

The scene is in the Island of Trinidad, off the coast of Brazil.

... Nor the end of love is sure, (Alas! how much less sure than anything!) Whether the little love-light shall endure In the clear eyes of her we loved in Spring. Or if the faint flowers of remembering Shall blow, we know not: only this we know,— Afar Death comes with silent steps and slow. John Payne (Salvestra).

The stars of midnight shall be dear To her; and she shall lean her ear In many a secret place Where rivulets dance their wayward round, And beauty born of murmuring sound Shall pass into her face. W. Wordsworth (Three Years She Grew).

As the art of life is learned, it will be found at last that all lovely things are also necessary: the wild flower by the wayside, as well as the tended corn; and the wild birds and creatures of the forest, as well as the tended cattle: because man doth not live by bread alone, but also by the desert manna; by every wondrous word and unknowable work of God.

John Ruskin.

Alas! the long gray years have vanquished me, The shadow of the inexorable days! I am grown sad and silent: for the sea Of Time has swallowed all my pleasant ways. I am grown weary of the years that flee And bring no light to set my bound hope free, No sun to fill the promise of old Mays. Author not traced.

LOVE

Cet égoisme à deux.

De Staël.

It is the torment of one, the felicity of two, the strife and enmity of three.

Washington Irving.

I confess that I do not see why the very existence of an invisible world may not in part depend on the personal response which any one of us may make to the religious appeal. God himself, in short, may draw vital strength and increase of very being from our fidelity. For my own part, I do not know what the sweat and blood and tragedy of this life mean, if they mean anything short of this. If this life be not a real fight, in which something is eternally gained for the universe by success, it is no better than a game of private theatricals from which one may withdraw at will. But it feels like a real fight,—as if there were something really wild in the universe which we, with all our idealities and faithfulnesses, are needed to redeem; and first of all to redeem our own hearts from atheisms and fears. For such a half-wild, half-saved universe our nature is adapted. The deepest thing in our nature is this dumb region of the heart in which we dwell alone with our willingnesses and unwillingnesses, our faiths and fears.... In these depths of personality the sources of all our outer deeds and decisions take their rise. Here is our deepest organ of communication with the nature of things; and compared with these concrete movements of our soul all abstract statements and scientific arguments—the veto, for example, which the strict positivist pronounces upon our faith—sound to us like mere chatterings of the teeth.

William James (Is Life Worth Living?).

(Mr. T. R. Glover in The Jesus of History points out that when Christ said “Ye are they that have continued with me in my temptations” (Luke xxii, 26), He meant that the disciples had helped Him by their fidelity.)

The following is from Professor Hobhouse’s Questions of War and Peace, repeating what he had set out at length in his Development and Purpose (I take the quotation from The Spectator review, as the book is not yet procurable in Australia):

“I think, therefore, that we must go back into ourselves for faith, and away from ourselves into the world for reason. The deeper we go into ourselves the more we throw off forms and find the assurance not only that the great things exist, but that they are the heart of our lives, and, since after all we are of one stock, they must be at the heart of your lives as well as mine. You say there are bad men and wars and cruelties and wrong, I say all these are the collision of undeveloped forms. What is the German suffering from but a great illusion that the State is something more than man, and that power is more than justice! Strip him of this and he is a man like yourself, pouring out his blood for the cause that he loves, and that you and I detest. Probe inwards, then, and you find the same spring of life everywhere and it is good. Look outwards, and you find, as you yourself admit the slow movement towards a harmony which just means that these impulses of primeval energy come, so to say, to understand one another. Every form they take as they grow will provoke conflict, perish, and be cast aside until the whole unites, and there you have the secret of your successive efforts and failures which yet leave something behind them. God is not the creator who made the world in six days, rested on the seventh and saw that it was good. He is growing in the actual evolution of the world.”

And since (man) cannot spend and use aright The little time here given him in trust. But wasteth it in weary undelight Of foolish toil and trouble, strife and lust. He naturally claimeth to inherit The everlasting Future, that his merit May have full scope; as surely is most just. James Thomson (The City of Dreadful Night).

The moving waters at their priest-like task Of pure ablution round earth’s human shores. John Keats (His Last Sonnet, 1820).

With sweet May dews my wings were wet, And Phoebus fired my vocal rage; Love caught me in his silken net, And shut me in his golden cage. He loves to sit and hear me sing. Then, laughing, sports and plays with me; Then stretches out my golden wing, And mocks my loss of liberty. W. Blake (Song).

This poem was written before Blake was fourteen years of age.

When the fight was done, When I was dry with rage and extreme toil, Breathless and faint, leaning upon my sword, Came there a certain lord, neat, trimly dressed, Fresh as a bridegroom.... He was perfumèd like a milliner; And ’twixt his finger and his thumb he held A pouncet-box. And still he smiled and talked; And as the soldiers bore dead bodies by, He called them untaught knaves, unmannerly, To bring a slovenly unhandsome corse Betwixt the wind and his nobility. Shakespeare (1 Henry IV., i. 3).

... High-kilted perhaps, as once at Dundee I saw them, Petticoats up to the knees, or even, it might be, above them Matching their lily-white legs with the clothes that they trod in the wash-tub! ... ... In a blue cotton print tucked up over striped linsey-woolsey, Barefoot, barelegged he beheld her, with arms bare up to the elbows, Bending with fork in her hand in a garden uprooting potatoes! A. H. Clough (The Bothie of Tober-na Vuolich).

As I came through the desert thus it was, As I came through the desert: Eyes of fire Glared at me throbbing with a starved desire; The hoarse and heavy and carnivorous breath Was hot upon me from deep jaws of death; Sharp claws, swift talons, fleshless fingers cold Plucked at me from the bushes, tried to hold: But I strode on austere; No hope could have no fear. James Thomson (The City of Dreadful Night).

The five quotations above are from a series of word-pictures (see p. 85).

SHE COMES AS COMES THE SUMMER NIGHT

She comes as comes the summer night, Violet, perfumed, clad with stars, To heal the eyes hurt by the light Flung by Day’s brandish’d scimitars. The parted crimson of her lips Like sunset clouds that slowly die When twilight with cool finger-tips Unbraids her tresses in the sky. The melody of waterfalls Is in the music of her tongue, Low chanted in dim forest halls Ere Dawn’s loud bugle-call has rung. And as a bird with hovering wings Halts o’er her young one in the nest, Then droops to still his flutterings, She takes me to her fragrant breast. O star and bird at once thou art, And Night, with purple-petall’d charm, Shining and singing to my heart, And soothing with a dewy calm. Let Death assume this lovely guise, So darkly beautiful and sweet, And, gazing with those starry eyes, Lead far away my weary feet. And that strange sense of valleys fair With birds and rivers making song To lull the blossoms gleaming there, Be with me as I pass along. Ah! lovely sisters, Night and Death, And lovelier Woman—wondrous three, “Givers of Life,” my spirit saith, Unfolders of the mystery. Ah! only Love could teach me this, In memoried springtime long since flown; Red lips that trembled to my kiss, That sighed farewell, and left me lone. O Joy and Sorrow intertwined,— A kiss, a sigh, and blinding tears,— Yet ever after in the wind, The bird-like music of the spheres! Frank S. Williamson.

This is from the author’s “Purple and Gold,” a book of poems published in Melbourne (Thomas C. Lothian, publisher).

No indulgence of passion destroys the spiritual nature so much as respectable selfishness.

G. MacDonald (Robert Falconer).

WHEN LOVE MEETS LOVE

When love meets love, breast urged to breast, God interposes, An unacknowledged guest, And leaves a little child among our roses. O, gentle hap! O, sacred lap! O, brooding dove! But when he grows Himself to be a rose, God takes him—Where is then our love? O, where is all our love?

BETWEEN OUR FOLDING LIPS

Between our folding lips God slips An embryon life, and goes; And this becomes your rose. We love, God makes: in our sweet mirth God spies occasion for a birth. Then is it His, or is it ours? I know not—He is fond of flowers. T. E. Brown.

Compare the well-known lines by George MacDonald:

Where did you come from, baby dear? Out of the everywhere into here.... How did they all[23] just come to be you? God thought about me, and so I grew.

The suggestion that we are the result of God’s thought appears elsewhere in MacDonald, as in Robert Falconer:

If God were thinking me—ah! But if He be only dreaming me, I shall go mad.

And in The Marquis of Lossie:

I want to help you to grow as beautiful as God meant you to be when He thought of you first.

Some things are of that Nature as to make One’s fancy checkle, while his Heart doth ake. John Bunyan.

Checkle = chuckle.

My days are in the yellow leaf; The flowers and fruits of love are gone; The worm, the canker, and the grief Are mine alone! Lord Byron (On my Thirty-sixth Year).

’Tis a very good world to live in, To spend, and to lend, and to give in; But to beg, or to borrow, or ask for our own ’Tis the very worst world that ever was known. J. Bromfield.

Often ascribed to the Earl of Rochester. See Notes and Queries July 18, 1896.

Dead years have yet the fire of life In Memory’s holy urn; Her altars, heaped with frankincense Of bygone summers, burn; And, when in everlasting night We see yon sun decline, Deep in the soul his purple flames Eternally will shine. Albert Joseph Edmunds (b. 1857) (The Living Past).

Mr. Edmunds, when this was written in 1880, was a young English poet and spiritualist, but has since settled in Philadelphia. He has written a number of works, the principal being Buddhist and Christian Gospels now First Compared from the Originals.

In 1883 he was cataloguing a library at Sunderland, and came across books on the Alps, etc., by a Rev. Leslie Stephen. He wrote to the publishers to find out if they were by the same writer as the Leslie Stephen who had written on Ethics. Sir (then Mr.) Leslie Stephen had just been appointed Clark Lecturer at Cambridge. He replied to Edmunds, “I am one person,” adding that he had given up holy orders. Edmunds replied:

To Mr. Leslie Stephen, Sir, Confound your personality; I did, and now must here, aver Belief was not reality. I hope my slip may be excused, And doom this time decided not, For, though the persons I confused, Your substance I divided not. Now thanks to you, my mind’s relieved From mystified plurality, For, in your courteous note received, You’ve unified duality. Your Alpine thoughts will elevate Old Cantab’s flat vicinity, And give her church another state By unifying Trinity! You’ve left, you say, the fold of strife, Where desperate charges never end; Not handsome living, handsome life Henceforth will make you reverend. I’m Edmunds, Millfield, Sutherland, Where souls in sulphur barter, sir; But, please excuse an ending grand— My name to rhyme’s a Tartar, sir.

SPIRITUALISM

Only a rising billow, Only a deep sigh drawn By the great sea of chaos Before Creation’s dawn. Only a little princess Spelling the words of kings; Only the Godhead’s prattle In Sinai mutterings! The crowd mistakes and fears it, And Aaron has ignored, But Moses, far above them, Is talking with the Lord! Albert Joseph Edmunds.

See note to previous quotation. This poem was written in 1883.

Although I preserved these verses, I may add that I had no interest whatever in spiritualism, permeated as it was with childishness and fraud. But, nevertheless, it (together with the so-called “Theosophy”) led to the happy result that the Society for Psychical Research was founded in 1882. Although spiritualism did good in this way, its unhappy associations do harm to the Society and hamper it in the important work it has carried on during the last thirty-eight years. Popular prejudice continues to associate it with the old spiritualism, and in consequence no proper attention is paid to its intensely interesting and most valuable investigations. For example, there are, apart from Public Libraries and Universities, only six members or associates in the whole of Australia! And yet, besides important work in other directions, it must be admitted by any open-minded person that the evidence collected by the Society that the dead (by telepathy or otherwise) communicate with the living is unanswerable.

He had catched a great cold, had he had no other clothes to wear than the skin of a bear not yet killed.

Thomas Fuller.

This refers to the French proverb, “Il ne faut pas vendre la peau de l’ours avant de l’avoir tué,” or, as we say, “Do not count your chickens before they are hatched.”

Habit dulls the senses and puts the critical faculty to sleep. The fierceness and hardness of ancient manners is apparent to us, but the ancients themselves were not shocked by sights which were familiar to them. To us it is sickening to think of the gladiatorial show, of the massacres common in Roman warfare, of the infanticide practised by grave and respectable citizens, who did not merely condemn their children to death, but often in practice, as they well knew, to what was still worse—a life of prostitution and beggary. The Roman regarded a gladiatorial show as we regard a hunt; the news of the slaughter of two hundred thousand Helvetians by Cæsar or half a million Jews by Titus excited in his mind a thrill of triumph; infanticide committed by a friend appeared to him a prudent measure of household economy.

Sir J. R. Seeley (Ecce Homo).

It is still more important to realize that the exposure of children was a recognized practice also among the Greeks, and that no one, not even Plato, their noblest philosopher, saw anything wrong in it. It is only by letting the mind dwell on such facts as these, until their significance is fully appreciated, that we can realize the width and depth of the great gulf that separates the Pagan and the Christian, the ancient and the modern world. Take this one fact only: imagine the Greek father looking at his helpless babe and coldly deciding that to rear it will be inconvenient,[24] or that there are already enough children to divide the inheritance, or that the child is sickly or deformed, or that its person offends his idea of beauty—and then consigning his own offspring to slavery, prostitution, or death! (The child would either die or be picked up to be reared for some such purpose.) Even in the very imperfect state of our own civilization, we at least have children’s hospitals and crèches, and are inflamed with righteous rage when even an unknown baby is ill-treated. (We, indeed, go further, and have laws and societies for prevention of cruelty to animals.)

The consideration of such a fact leads us also to inquire as to the relations of husband and wife, seeing that the woman would have at least the affection for her offspring that is common among the lower animals. We then find that the modern chivalrous idea of womanhood was unknown to the Greeks; the wife was not educated, and was considered an inferior being; she was married mainly in order to provide sons to carry out certain ritual observances necessary for the father’s welfare after death; she was kept in an almost Eastern seclusion (and therefore had to improve her pallid complexion by paint); she would associate mainly with the children and slaves. We also find that fidelity of the husband to the wife was neither required nor esteemed; and that there was little marital love or family life. (Plato in his model Republic would abolish both the latter, for there was to be promiscuity of women, and all children were to be brought up by the State.)

Considering further this practice of exposing children, we realize that it indicates the want of pity for the helpless and suffering, which is seen among the lower animals (but with exceptions even among them). From this we may reasonably infer that the Greeks would show little humanity in treating other helpless or suffering people, the sick or distressed, dependents or slaves, conquered enemies or others in their power. (In this respect, however, they, as an intellectual people, would subject themselves to and be controlled by necessary social laws and practical considerations; and also, as a fact, they at times showed generosity to a valiant foe.) Again we can infer that, where even the spirit of mercy was so wanting, the gospel of love could not possibly exist, and that the Greeks lived on a far lower moral plane than ours. These questions are far too large to discuss in this book, and I must leave them to be dealt with elsewhere.

But, even from this very small portion of the available evidence, we can arrive at three resulting facts: First, that when in translations from the Greek we find such words as “kindness,” “love,” “morality,” “purity,” “virtue,” “religion,” etc., they have for us a far larger and higher content than the Greek words in the original; secondly, that therefore, the reader must get incorrect impressions of Greek literature and thought; and, thirdly, that truly marvellous as the Greeks were in art and literature, the current conception of them as a noble-minded and refined people is erroneous.

In referring to the Greeks, one needs to limit the people and period, and I am referring to the great age of the Attic or Athenian Greeks, say the Fifth Century, B.C. There would, of course, be gradations of character among them, and, no doubt, some would be kind-hearted, others would have affection for their wives, and so on. But this can only be assumption, for there is little in their literature to support it. This will be seen if the evidence adduced by Mr. Livingstone (“The Greek Genius,” pp. 117-122) is carefully and critically examined. (His references to Homer, who lived in a far distant age must be omitted.) Also the fact that Herodotus, in the course of his narrative, tells us that some men of another state had a moment of compassion for a baby whom they were about to slay, does not prove in the slightest degree that he was himself humane. The wording of Mr. Livingstone’s translation, p. 118, “It happened by a divine chance that the baby smiled, etc.,” would appear to confirm this view of his; but the Greek words simply mean that a god by chance intervened. Knowing what we do of the Greek gods, that intervention would certainly not be actuated by any kindly feeling towards the infant—the object presumably was that the child should live to fulfil the destiny prophesied by the Delphic Oracle. (Herodotus was a typical Greek to whom the world was peopled with gods, and he sees them constantly interposing in human affairs.) As regards the exposure of children, the point is that it was a recognized and common practice, duly sanctioned by law, and never condemned by any writer. Indeed Plato and Aristotle definitely approve of it, and in Plato’s Ideal Republic the weakly and deformed children were to be killed by the State.

As regards the current conception of the Greeks, Shelley in his “Preface to Hellas” describes them as “those glorious beings whom the imagination almost refuses to figure to itself as belonging to our kind.” Similar statements could be gathered from innumerable English and European writers.

THE PACE THAT KILLS

The gallop of life was once exciting, Madly we dashed over pleasant plains, And the joy, like the joy of a brave man fighting, Poured in a flood through our eager veins, Hot youth is the time for the splendid ardour, That stamps and startles, that throbs and thrills And ever we pressed our horses harder, Galloping on at the pace that kills! So rapid the pace, so keen the pleasure, Scarcely we paused to glance aside, As we mocked the dullards, who watched at leisure The frantic race that we chose to ride. Yes, youth is the time when a master-passion, Or love or ambition, our nature fills; And each of us rode in a different fashion— All of us rode at the pace that kills! And vainly, O friends, ye strive to bind us; Flippantly, gaily, we answer you:— “Should atra cura[25] jump up behind us, Strong are our steeds and can carry two!” But we find the road, so smooth at morning, Rugged at night ’mid the lonely hills; And all too late we recall the warning Weary at last of the pace that kills.... The gallop of life was just beginning; Strength we wasted in efforts vain; And now, when the prizes are worth the winning, We’ve scarcely the spirit to ride again! The spirit, forsooth! ’Tis our strength has failed us, And sadly we ask, as we count our ills, “What pitiful, pestilent folly ailed us? Why did we ride at the pace that kills?” W. J. Prowse.

Cato said ‘he had rather people should inquire why he had not a statue erected to his memory, than why he had.’

Plutarch (Political Precepts).

CHAMOUNI AND RYDAL.

I stood one shining morning, where The last pines stand on Montanvert, Gazing on giant spires that grow From the great frozen gulfs below. How sheer they soared, how piercing rose Above the mists, beyond the snows! No thinnest veil of vapour hid Each sharp and airy pyramid. No breeze moaned there, nor cooing bird, Deep down the torrent raved, unheard, Only the cow-bells’ clang, subdued, Shook in the fields below the wood. The vision vast, the lone large sky, The kingly charm of mountains high, The boundless silence, woke in me Abstraction, reverence, reverie. Days dawned that felt as wide away As the far peaks of silvery grey, Life’s lost ideal, love’s last pain In those full moments throbbed again. And a much differing scene was born In my mind’s eye on that blue morn; No splintered snowy summits there Shot arrowy heights in crystal air: But a calm sunset slanted still O’er hoary crag and heath-flushed hill, And at their foot, by birchen brake Dimpled and smiled an English lake. I roamed where I had roamed before With heart elate in years of yore, Through the green glens by Rotha side, Which Arnold loved, where Wordsworth died. That flower of heaven, eve’s tender star, Trembled with light above Nab Scar; And from his towering throne aloft Fairfield poured purple shadows soft. The tapers twinkled through the trees From Rydal’s bower-bound cottages, And gentle was the river’s flow, Like love’s own quivering whisper low. One held my arm will walk no more On Loughrigg steeps by Rydall shore, And a sweet voice was speaking clear— Earth had no other sound so dear. Her words were, as we passed along, Of noble sons of truth and song— Of Arnold brave, and Wordsworth pure. And how their influences endure. “They have not left us—are not dead” (The earnest voice beside me said,) “For teacher strong and poet sage Are deeply working in the age. “For aught we know they now may brood O’er this enchanted solitude, With thought and feeling more intense Than we in the blind life of sense.”... Those tones are hushed, that light is cold, And we (but not the world) grow old; The joy, “the bloom of young desire,” The zest, the force, the strenuous fire, Enthusiasms bright, sublime, That heaven-like made that early time:— These all are gone: must faith go too? Is truth too lovely to be true? In nature dwells no kindling soul? Moves no vast life throughout the whole? Are not thought, knowledge, love’s sweet might, Shadows of substance infinite? Shall rippling river, bow of rain, Blue mountains, and the bluer main. Red dawn, gold sundown, pearly star Be fair, nor something fairer far? That awful hope, so deep, that swells At the keen clash of Easter bells Is it a waning moon, that dies As morn-like lights of science rise? By all that yearns in art and song, By the vague dreams that make men strong, By memory’s penance, by the glow Of lifted mood poetic,—No! No! by the stately forms that stand Like angels in yon snowy land; No! by the stars that, pure and pale, Look down each night on Rydal-vale. J. Truman.

Wordsworth lived at Rydal Mount. These verses were published in Macmillan’s, 1879.

“Nor something fairer far.” In Sir F. Younghusband’s Kashmir (1911) there is another suggestion, supplementary to this: “There came upon me this thought, which doubtless has occurred to many another besides myself—why the scene should so influence me and yet make no impression on the men about me. Here were men with far keener eyesight than my own, and around me were animals with eyesight keener still.... Clearly it is not the eye, but the soul that sees. But then comes the still further reflection: what may there not be staring me straight in the face which I am as blind to as the Kashmir stags are to the beauties amidst which they spend their entire lives? The whole panorama may be vibrating with beauties man has not yet the soul to see. Some already living, no doubt, see beauties that we ordinary men cannot appreciate. It is only a century ago that mountains were looked upon as hideous. And in the long centuries to come may we not develop a soul for beauties unthought of now? Undoubtedly we must. And often in reverie on the mountains I have tried to imagine what still further loveliness they may yet possess for men.”

He that dies in an earnest pursuit is like one that is wounded in hot blood, who for the time scarce feels the hurt; and therefore a mind, fixed and bent upon somewhat that is good, doth best avert the dolours of death.

Bacon.

Underneath this stone doth lie As much beauty as could die; Which in life did harbour give To more virtue than doth live. Ben Jonson (Epigram CXXIV).

As Dr. Johnson said; “In lapidary inscriptions a man is not upon oath.”

“En Angleterre,” said a cynical Dutch diplomatist, “numéro deux va chez numéro un, pour s’en glorifier auprès de numéro trois.”

(In England, Number Two goes to Number One’s house in order to boast about it to Number Three.)

Laurence Oliphant (Piccadilly).

Lord Jesus Christ, I know not how— With this blue air, blue sea, This yellow sand, that grassy brow, All isolating me— Thy thoughts to mine themselves impart, My thoughts to thine draw near; But thou canst fill who mad’st my heart, Who gay’st me words must hear. Thou mad’st the hand with which I write, The eye that watches slow Through rosy gates that rosy light Across thy threshold go, Those waves that bend in golden spray, As if thy foot they bore: I think I know thee, Lord, to-day, Shall know thee evermore. I know thy father, thine and mine: Thou the great fact hast bared: Master, the mighty words are thine— Such I had never dared! Lord, thou hast much to make me yet— Thy father’s infant still: Thy mind, Son, in my bosom set, That I may grow thy will. My soul with truth clothe all about, And I shall question free: The man that feareth, Lord, to doubt, In that fear doubteth thee. G. Macdonald (The Disciple).

Our ideas, like the children of our youth, often die before us, and our minds represent to us those tombs to which we are fast approaching—where, though the brass and marble may remain, the inscriptions are effaced by time and the imagery moulders away.

John Locke (1632-1704).

What makes such a passage attractive is its use of poetic imagery; and yet Locke had no regard for poetry. See next quotation.

If these may be any reasons against children’s making Latin themes at school, I have much more to say, and of more weight, against their making verses—verses of any sort. For if he has no genius to Poetry, ’tis the most unreasonable thing in the world to torment a child and waste his time about that which can never succeed; and if he have a poetic vein, ’tis to me the strangest thing in the world that the father should desire or suffer it to be cherished or improved. Methinks the parents should labour to have it stifled and suppressed as much as may be; and I know not what reason a father can have to wish his son a poet, who does not desire to have him bid defiance to all other callings and business.... For it is very seldom seen that any one discovers mines of gold or silver in Parnassus.... Poetry and Gaming usually go together.... If, therefore, you would not have your son the fiddle to every jovial company, without whom the Sparks could not relish their wine, nor know how to pass an afternoon idly; if you would not have him to waste his time and estate to divert others, and contemn the dirty acres left him by his ancestors, I do not think you will very much care he should be a Poet.

John Locke (1632-1704) (Some Thoughts Concerning Education, 1693).

Locke was writing during the dreary Dryden period, when poetry had so greatly degenerated since the brilliant Elizabethan epoch. He himself evidently had no interest in poetry. We know that he did not appreciate Milton (whose Paradise Lost appeared in 1667, when Locke was in his prime).

Compare with the above quotation p. 357.

Weeping, we hold Him fast, who wept For us, we hold Him fast, And will not let Him go, except He bless us first or last. Christina Rossetti.

INDWELLING.

If thou couldst empty all thyself of self, Like to a shell dishabited, Then might He find thee on the Ocean shelf, And say, “This is not dead,” And fill thee with Himself instead: But thou art all replete with very thou. And hast such shrewd activity, That, when He comes, He says, “This is enow Unto itself—’Twere better let it be: It is so small and full, there is no room for Me.” T. E. Brown (1830-1897).

Oh! ever thus from childhood’s hour, I’ve seen my fondest hopes decay; I never loved a tree or flower, But ’twas the first to fade away. I never nursed a dear gazelle To glad me with its soft black eye, But when it came to know me well, And love me, it was sure to die! Thomas Moore (Lalla Rookh).

As in other cases mentioned in the Preface, I find that these lines, so familiar in my day, appear to be unknown to younger men.

ON BLACKSTONE’S COMMENTARIES.

In taking leave of our Author (Sir William Blackstone) I finish gladly with this pleasing peroration: a scrutinizing judgment, perhaps, would not be altogether satisfied with it; but the ear is soothed by it, and the heart is warmed.

Jeremy Bentham (1748-1832) (A Fragment of Government).

I think it worth while quoting from my notes this amusing piece of sarcasm aimed by a young man of twenty-eight at the most renowned legal writer of the time. A Fragment of Government (1776), the first of Bentham’s works, not only showed the utter folly of Blackstone’s praise of the English constitution, but also laid the foundation of political science. (The passage, which the quotation refers to, is in Sec. 2 of the Introduction to the Commentaries, “Thus far as to the right of the supreme power to make law ... public tranquillity.”)

Not only was the English constitution a subject of eulogy in Bentham’s day, but also English law, then in a most barbarous state, was alleged to be the perfection of human reason! Through the efforts of this great and original thinker many dreadful abuses were removed, but it is a remarkable illustration of the blind strength of English conservatism that his wise counsel has not yet been followed in many exceedingly important directions.

In the seventy-eighty period, with which this book mainly deals there was a strong agitation for law reform, which had some results.

It was the boast of Augustus, that he found Rome of brick and left it of marble. But how much nobler will be our Sovereign’s boast when he shall have it to say that he found law dear, and left it cheap; found it a sealed book—left it a living letter; found it the patrimony of the rich—left it the inheritance of the poor; found it the two-edged sword of craft and oppression—left it the staff of honesty and the shield of innocence!

Lord Brougham (1778-1868) (Speech in Parliament, 1828).

It would indeed be a proud boast—but not one of these objects has yet been achieved.

When Lord Ellenborough was trying one of the Government charges against Horne Tooke, he found occasion to praise the impartial manner in which justice is administered. “In England, Mr. Tooke, the law is open to all men, rich or poor.” “Yes, my lord,” answered the prisoner, “and so is the London Tavern.”

Henry S. Leigh (Jeux d’Esprit).

The same story is told in Rogers’ Table Talk, but a different judge is named. (Probably both are wrong, but it is immaterial.) The London Tavern was where Horne Tooke’s Constitutional Society met, and must have been often referred to during the trial; but of course the meaning simply is that the throne of justice cannot be approached with an empty purse.

Revenons à nos moutons.

(Let us return to our sheep.)

(La Farce de Maistre Pierre Patelin, Anon. 15 Cent.).

In the farce, a cloth merchant, who is suing his shepherd for stolen sheep, discovers also that the attorney on the other side is a man who had robbed him of some cloth. Dropping the charge against the shepherd, he begins accusing the lawyer of his offence; and, to recall him to the point, the judge impatiently interrupts him with Sus revenons à nos moutons, “Come, let us get back to our sheep.”

Compare Martial VI, 19: “My suit has nothing to do with assault, or battery, or poisoning, but is about three goats, which, I complain, have been stolen by my neighbour. This the judge desires to have proved to him; but you, with swelling words and extravagant gestures, dilate on the Battle of Cannae, the Mithridatic war, and the perjuries of the insensate Carthaginians, the Syllae, the Marii, and the Mucii. It is time, Postumus, to say something about my three goats.”

The reference to the French play I owe to King’s Classical and Foreign Quotations.

(The wife of a poor man deserted him for another man, and he married again. On being convicted for bigamy Mr. Justice Maule sentenced him as follows:) Prisoner at the bar: You have been convicted of the offence of bigamy, that is to say, of marrying a woman while you had a wife still alive, though it is true she has deserted you and is living in adultery with another man. You have, therefore, committed a crime against the laws of your country, and you have also acted under a very serious misapprehension of the course which you ought to have pursued. You should have gone to the ecclesiastical court and there obtained against your wife a decree a mensa et thoro. You should then have brought an action in the courts of common law and recovered, as no doubt you would have recovered, damages against your wife’s paramour. Armed with these decrees, you should have approached the legislature and obtained an Act of Parliament which would have rendered you free and legally competent to marry the person whom you have taken on yourself to marry with no such sanction. It is quite true that these proceedings would have cost you many hundreds of pounds, whereas you probably have not as many pence. But the law knows no distinction between rich and poor. The sentence of the court upon you, therefore, is that you be imprisoned for one day, which period has already been exceeded, as you have been in custody since the commencement of the assizes.

Sir W. H. Maule (1788-1858).

This fine piece of irony, well known to lawyers, materially helped to end the old bad state of the law of divorce. We need more men of the same stamp to draw attention to other abuses.

Is this pleading causes, Cinna? Is this speaking eloquently to say nine words in ten hours? Just now you asked with a loud voice for four more clepsydrae.[26] What a long time you take to say nothing, Cinna!

Martial VIII, 7.

In Racine’s comedy, Les Plaideurs, Act III, Sc. III, a prolix advocate begins his speech by referring to the Creation of the world. “Avocat, passons au déluge” (Let us get along to the Deluge), says the judge. See also The Merchant of Venice, Act I, Sc. I:—

Gratiano speaks an infinite deal of nothing; more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff: you shall seek all day ere you find them; and, when you have them, they are not worth the search.

“There’s nae place like hame,” quoth the de’il, when he found himself in the Court o’ Session.

Scottish Proverb.

I understand that the original wording was “‘Hame’s hamely,’ quoth the de’il, etc.” Perhaps the only English Institution which the Hindu appreciates is that of English Law—but not as a system of Justice. To his acute mind it is a remarkably clever and most ingenious gambling game. It is said that two Hindus will even fabricate mutual complaints, the one against the other, to bring before the Courts—and that it is almost equivalent to a patent of nobility to have had a case taken to the Privy Council. The following incident actually happened to a friend of mine who was Resident in a Native State. Sitting in his judicial capacity he reproved a Hindu gentleman for his excessive litigiousness. The latter retorted that it was a case of the pot calling the kettle black; that he had seen the Resident put his rupees on the totalisator the day before; and the British race-course wasn’t a bit more of a gamble than the British Law Courts. For his part he preferred to have his flutter on the latter.

BALDER’S RETURN TO EARTH[27]

He sat down in a lonely land Of mountain, moor, and mere, And watch’d, with chin upon his hand, Dark maids that milk’d the deer. And while the sun set in the skies, And stars shone in the blue, They sang sweet songs, till Balder’s eyes Were sad with kindred dew. He passed along the hamlets dim With twilight’s breath of balm, And whatsoe’er was touch’d by him Grew beautiful and calm.... He came unto a hut forlorn As evening shadows fell, And saw the man among the corn, The woman at the well. And entering the darken’d place, He found the cradled child; Stooping he lookt into its face, Until it woke and smiled! Then Balder passed into the night With soft and shining tread, The cataract called upon the height, The stars gleam’d overhead. He raised his eyes to those cold skies Which he had left behind,— And saw the banners of the gods Blown back upon the wind. He watched them as they came and fled, Then his divine eyes fell. “I love the green Earth best,” he said, “And I on Earth will dwell!” ... Then Balder said, “The Earth is fair, and fair Yea fairer than the stormy lives of gods, The lives of gentle dwellers on the Earth; For shapen are they in the likenesses Of goddesses and gods, and on their limbs Sunlight and moonlight mingle, and they lie Happy and calm in one another’s arms O’er-canopied with greenness; and their hands Have fashioned fire that springeth beautiful Straight as a silvern lily from the ground, Wondrously blowing; and they measure out Glad seasons by the pulses of the stars.”... And Balder bends above them, glory-crown’d. Marking them as they creep upon the ground. Busy as ants that toil without a sound, With only gods to mark. But list! O list! what is that cry of pain, Faint as the far-off murmur of the main? Stoop low and hearken, Balder! List again! “Lo! Death makes all things dark!” Ay me, it is the earthborn souls that sigh, Coming and going underneath the sky; They move, they gather, clearer grows their cry— O Balder, bend, and hark!... (Oh, listen! listen!) “Blessed is the light, We love the golden day, the silvern night, ... “And yet though life is glad and love divine, This Shape we fear is here i’ the summer shine,— He blights the fruit we pluck, the wreath we twine, And soon he leaves us stark. “He haunts us fleetly on the snowy steep, He finds us as we sow and as we reap, He creepeth in to slay us as we sleep,— Ah, Death makes all things dark.” Bright Balder cried, “Curst be this thing Which will not let man rest, Slaying with swift and cruel sting The very babe at breast! “On man and beast, on flower and bird, He creepeth evermore; Unseen he haunts the Earth; unheard He crawls from door to door. “I will not pause in any land, Nor sleep beneath the skies, Till I have held him by the hand And gazed into his eyes!”... He sought him on the mountains bleak and bare And on the windy moors; He found his secret footprints everywhere, Yea, ev’n by human doors. All round the deerfold on the shrouded height The starlight glimmer’d clear; Therein sat Death, wrapt round with vapours white Touching the dove-eyed deer. And thither Balder silent-footed flew, But found the Phantom not; The rain-wash’d moon had risen cold and blue Above that lonely spot. Then as he stood and listen’d, gazing round In the pale silvern glow, He heard a wailing and a weeping sound From the wild huts below. He marked the sudden flashing of the lights He heard cry answering cry— And lo! he saw upon the silent heights A shadowy form pass by. Wan was the face, the eyeballs pale and wild, The robes like rain wind-blown, And as it fled it clasp’d a naked child Unto its cold breast-bone. And Balder clutch’d its robe with fingers weak To stay it as it flew— A breath of ice blew chill upon his cheek, Blinding his eyes of blue. ’Twas Death! ’twas gone!—All night the shepherds sped, Searching the hills in fear; At dawn they found their lost one lying dead Up by the lone black mere. ... R. Buchanan (Balder the Beautiful).

I retain this extract from Buchanan’s poem for the reason set out in the preface.

How many an acorn falls to die For one that makes a tree! How many a heart must pass me by For one that cleaves to me! How many a suppliant wave of sound Must still unheeded roll, For one low utterance that found An echo in my soul. John Banister Tabb (b. 1845)

I have “Compensation” as the title of these verses, but it must surely be incorrect. If a man passes through life unrecognised by kindred souls, it is the reverse of ‘compensation’ to him if he also fails to recognise other sympathetic natures.

The author is, or was, an American Catholic priest.

What we gave, we have; What we spent, we had; What we left, we lost. (Epitaph on Earl of Devonshire, about 1200 A.D.)

ALL SUNG

What shall I sing when all is sung And every tale is told, And in the world is nothing young That was not long since old? Why should I fret unwilling ears With old things sung anew While voices from the old dead year Still go on singing too? A dead man singing of his maid Makes all my rhymes in vain, Yet his poor lips must fade and fade, And mine shall sing again. Why should I strive thro’ weary moons To make my music true? Only the dead men know the tunes The live world dances to. R. le Gallienne.

Mr. le Gallienne was not the first to complain that poetic subjects were exhausted. A recent Spectator quotes the following from Choerilus, a Samian poet of the Fifth Century, B.C. (2,000 years before Shakespeare): “Happy was the follower of the muses in that time, when the field was still virgin soil. But now when all has been divided up and the arts have reached their limits, we are left behind in the race, and, look where’er we may, there is no room anywhere for a new-yoked chariot to make its way to the front.” (St. John Thackeray, Anthologia Graeca).

Go out into the woods and valleys, when your heart is rather harassed than bruised, and when you suffer from vexation more than grief. Then the trees all hold out their arms to you to relieve you of the burthen of your heavy thoughts; and the streams under the trees glance at you as they run by, and will carry away your trouble along with the fallen leaves; and the sweet-breathing air will draw it off together with the silver multitudes of the dew. But let it be with anguish or remorse in your heart that you go forth into Nature, and instead of your speaking her language, you make her speak yours. Your distress is then infused through all things and clothes all things, and Nature only echoes and seems to authenticate your self-loathing or your hopelessness. Then you find the device of your sorrow on the argent shield of the moon, and see all the trees of the field weeping and wringing their hands with you, while the hills, seated at your side in sackcloth, look down upon you prostrate, and reprove you like the comforters of Job.

Robert Alfred Vaughan (1823-1857) (Hours with the Mystics).

If this fine writer had lived, much might have been expected of him. He is one of the many instances of “the fatal thirty-fours and thirty-sevens.”

First man appeared in the class of inorganic things, Next he passed therefrom into that of plants, For years he lived as one of the plants, Remembering nought of his inorganic state so different; And, when he passed from the vegetive to the animal state, He had no remembrance of his state as a plant, Except the inclination he felt to the world of plants, Especially at the time of spring and sweet flowers; Like the inclination of infants towards their mothers, Which know not the cause of their inclination to the breast. Again, the great Creator, as you know, Drew man out of the animal into the human state. Thus man passed from one order of nature to another, Till he became wise and knowing and strong as he is now. Of his first souls he has now no remembrance, And he will be again changed from his present soul.[28] Masnair (Bk. IV) of Jalal ad Din (13th century).

The gases gather to the solid firmament; the chemic lump arrives at the plant and grows; arrives at the quadruped and walks; arrives at the man and thinks.

Emerson (Uses of Great Men).

HIAWATHA’S PHOTOGRAPHING

From his shoulder Hiawatha Took the camera of rosewood, Made of sliding, folding rosewood; This he perched upon a tripod— Crouched beneath its dusky cover— Stretched his hand, enforcing silence— Said, “Be motionless, I beg you!” Mystic, awful was the process. All the family in order Sat before him for their pictures: Each in turn, as he was taken, Volunteered his own suggestions, His ingenious suggestions. First the Governor, the Father: He suggested velvet curtains Looped about a massy pillar; And the corner of a table, Of a rosewood dining-table. He would hold a scroll of something, Hold it firmly in his left-hand; He would keep his right-hand buried (Like Napoleon) in his waistcoat; He would contemplate the distance With a look of pensive meaning, As of ducks that die in tempests. Grand, heroic was the notion: Yet the picture failed entirely: Failed, because he moved a little, Moved, because he couldn’t help it, Next, his better half took courage; She would have her picture taken, She came dressed beyond description, Dressed in jewels and in satin Far too gorgeous for an empress. Gracefully she sat down sideways, With a simper scarcely human, Holding in her hand a bouquet Rather larger than a cabbage. All the while that she was sitting, Still the lady chattered, chattered, Like a monkey in the forest, “Am I sitting still?” she asked him “Is my face enough in profile? Shall I hold the bouquet higher? Will it come into the picture?” And the picture failed completely. Next the Son, the Stunning-Cantab He suggested curves of beauty, Curves pervading all his figure, Which the eye might follow onward, Till they centered in the breast-pin, Centered in the golden breast-pin. He had learnt it all from Ruskin And perhaps he had not fully Understood his author’s meaning; But, whatever was the reason, All was fruitless, as the picture Ended in an utter failure. Next to him the eldest daughter: She suggested very little, Only asked if he would take her With her look of “passive beauty.” Her idea of passive beauty Was a squinting of the left-eye, Was a drooping of the right-eye, Was a smile that went up sideways To the corner of the nostrils. Hiawatha, when she asked him, Took no notice of the question, Looked as if he hadn’t heard it; But, when pointedly appealed to, Smiled in his peculiar manner, Coughed and said it “didn’t matter,” Bit his lip and changed the subject. Nor in this was he mistaken, As the picture failed completely. So in turn the other sisters. Last, the youngest son was taken: Very rough and thick his hair was, Very round and red his face was, Very dusty was his jacket, Very fidgety his manner. And his overbearing sisters Called him names he disapproved of: Called him Johnny, “Daddy’s Darling,” Called him Jacky, “Scrubby School-boy.” And, so awful was the picture, In comparison the others Seemed, to his bewildered fancy, To have partially succeeded. Finally my Hiawatha Tumbled all the tribe together, (“Grouped” is not the right expression). And, as happy chance would have it, Did at last obtain a picture Where the faces all succeeded: Each came out a perfect likeness. Then they joined and all abused it, Unrestrainedly abused it, As “the worst and ugliest picture They could possibly have dreamed of. Giving one such strange expressions— Sullen, stupid, pert expressions. Really any one would take us (Any one that did not know us) For the most unpleasant people!” (Hiawatha seemed to think so, Seemed to think it not unlikely). All together rang their voices, Angry, loud, discordant voices, As of dogs that howl in concert, As of cats that wail in chorus. But my Hiawatha’s patience, His politeness and his patience, Unaccountably had vanished, And he left that happy party. Neither did he leave them slowly, With the calm deliberation, The intense deliberation Of a photographic artist: But he left them in a hurry, Left them in a mighty hurry, Stating that he would not stand it, Stating in emphatic language What he’d be before he’d stand it. Thus departed Hiawatha. Lewis Carroll (C. L. Dodgson) 1832-1898.

It is a sad weakness in us, after all, that the thought of a man’s death hallows him anew to us; as if life were not sacred too,—as if it were comparatively a light thing to fail in love and reverence to the brother who has to climb the whole toilsome steep with us, and all our tears and tenderness were due to the one who is spared that hard journey.

George Eliot (Janet’s Repentance).

It has been said by Schiller, in his letters on aesthetic culture, that the sense of beauty never farthered the performance of a single duty.

Although this gross and inconceivable falsity will hardly be accepted by any one in so many terms, seeing that there are few so utterly lost but that they receive, and know that they receive, at certain moments, strength of some kind, or rebuke from the appealings of outward things; and that it is not possible for a Christian man to walk across so much as a rood of the natural earth, with mind unagitated and rightly poised, without receiving strength and hope from stone, flower, leaf or sound, nor without a sense of a dew falling upon him out of the sky; though I say this falsity is not wholly and in terms admitted, yet it seems to be partly and practically so in much of the doing and teaching even of holy men, who in the recommending of the love of God to us, refer but seldom to those things in which it is most abundantly and immediately shown; though they insist much on his giving of bread, and raiment, and health (which he gives to all inferior creatures), they require us not to thank him for that glory of his works which he has permitted us alone to perceive: they tell us often to meditate in the closet, but they send us not, like Isaac, into the fields at even; they dwell on the duty of self-denial, but they exhibit not the duty of delight.[29]

John Ruskin (Modern Painters, III, I, XV).

Not on the vulgar mass Called “work” must sentence pass, Things done, that took the eye and had the price; O’er which, from level stand, The low world laid its hand, Found straightway to its mind, could value in a trice: But all, the world’s coarse thumb And finger failed to plumb, So passed in making up the main account; All instincts immature, All purposes unsure, That weighed not as his work, yet swelled the man’s amount: Thoughts hardly to be packed Into a narrow act, Fancies that broke through language and escaped; All, I could never be, All, men ignored in me, This, I was worth to God, whose wheel the pitcher shaped, So, take and use thy work: Amend what flaws may lurk, What strain o’ the stuff, what warpings past the aim! My times be in Thy hand! Perfect the cup as planned! Let age approve of youth, and death complete the same. Robert Browning (Rabbi ben Ezra).

“All (that) I could never be, All (that) man ignored in me.” All that the world could not know, a man’s thoughts, desires, and intentions, all that he wished or tried to be or do, although unknown to his fellows, have their value in God’s eyes. Man is the Cup, whose shape (i.e., character) has been formed by the wheel of the great Potter, God. See further as to this Eastern metaphor.

The late Mrs. A. W. Verrall, widow of Doctor Verrall and herself a brilliant scholar, pointed out in the Proceedings of the Society for Psychical Research, June, 1911, a probable connection between “Rabbi ben Ezra,” and “Omar Khayyam,” and I do not think that her interesting views have been published elsewhere.

Both poems centre round the idea of man as a Cup, but treat the metaphor from very different standpoints. Omar’s cup (quoting from the first edition) is to be filled with “Life’s Liquor” (ii), with “Wine! Red Wine!” (vi), with what “clears To-Day of past regrets” (xx); the object is to drown the memory of the fact that “without asking” we are “hurried hither” and “hurried hence” (xxx); the “Ruby Vintage” is to be drunk “with old Khayyam,” and “when the Angel with his darker Draught draws up” to us we are to take that draught without shrinking (xlviii). On the other hand Rabbi ben Ezra’s Cup is to be used by the great Potter. We are told to look “not down but up! to uses of a cup” (30). The Rabbi asks “God who mouldest men ... to take and use His work” (32) and the ultimate purpose of the Cup, when it has been made “perfect as planned,” is to slake the thirst of the Master.

The comparison of man to the Clay of the Potter in both poems is not sufficient in itself to show any connection between them. Such a comparison is found, as Fitzgerald reminds us, “in the Literature of the World from the Hebrew Prophets to the present time”[30]; and it is as appropriately employed by the Hebrew as by the Persian thinker. But Mrs. Verrall has other grounds:

The little pamphlet in its brown wrapper containing the Rubaiyat of Omar Khayyam was first published by Edward Fitzgerald in 1859, and, as is well known, attracted so little attention that, although there were only 250 copies, it found its way into the two-penny boxes of the book-sellers, (It now sells for about £50!) But, nevertheless, the poem was eagerly read and enthusiastically praised by a small group, among whom were Swinburne and Rossetti. In 1861 Robert Browning came to live in London, and often saw Rossetti, who was his friend. It is, therefore, very improbable that he did not learn of the poem, which had so impressed Rossetti. In 1864 “Rabbi ben Ezra” was published in the volume called Dramatis Personae.

Again, there is intrinsic evidence that Browning intended a direct refutation of Omar’s theory of life. Compare verses 26 and 27 of “Rabbi ben Ezra” with verses xxxvi and xxxvii of “Omar Khayyam” (first edition).

Omar says that he “watched the Potter thumping his wet clay,” and, thereupon advises:

Ah, fill the Cup;—what boots it to repeat How Time is slipping underneath our Feet: Unborn To-morrow and dead Yesterday, Why fret about them if To-day be sweet!

Rabbi ben Ezra says:

... Note that Potter’s wheel. That metaphor!

and proceeds:

Thou, to whom fools propound, When the wine makes its round, “Since life fleets, all is change; the Past gone, seize To-day!” Fool! all that is, at all, Lasts ever, past recall; Earth changes, but thy soul and God stand sure.

Although the “carpe diem” (“seize to-day”) theory of life is no doubt common to all literatures, the cumulative effect of Mrs. Verrall’s argument is strong, although not conclusive.

As regards the above verses, compare the next quotation.

From Thy will stream the worlds, life and nature, Thy dread Sabaoth: I will?—the mere atoms despise me! Why am I not loth To look that, even that, in the face too? Why is it I dare Think but lightly of such impuissance? What stops my despair? This:—’tis not what man Does which exalts him, but what man Would do! R. Browning (Saul).

Sabaoth, armies, hosts. “Holy, Holy, Holy, Lord God of Sabaoth.”

Let the thick curtain fall; I better know than all How little I have gained. How vast the unattained. Not by the page word-painted Let life be banned or sainted; Deeper than written scroll The colours of the soul. Sweeter than any sung My songs that found no tongue; Nobler than any fact My wish that failed of act. J. G. Whittier (My Triumph).

Between the great things that we cannot do, and the small things we will not do, the danger is that we shall do nothing.

Adolph Monod (1802-1856).

Reputation is what men and women think of us; Character is what God and the angels know of us.

Thomas Paine.

Love is the Amen of the Universe.

Novalis.

He (Dr. Johnson) would not allow Scotland to derive any credit from Lord Mansfield, for he was educated in England. “Much,” said he, “may be made of a Scotchman, if he be caught young.”

Boswell (Life of Johnson).

(A Mr. Strahan, a Scotchman, asked Dr. Johnson what he thought of Scotland) “That it is a very vile country to be sure, Sir,” returned for answer Dr. Johnson. “Well, Sir!” replied the other, somewhat mortified, “God made it.” “Certainly he did,” answered Mr. Johnson again, “but we must always remember that he made it for Scotchmen.”

Mrs. Piozzi (Johnsoniana).

These are the two best of Johnson’s chaffing jibes against Scotchmen. The neatness of the latter is, to my mind, spoilt by the words at the end, which I have omitted: “and—comparisons are odious, Mr. Strahan,—but God made hell.” The following may also be quoted as showing both Johnson and that clever charlatan, Wilkes, quizzing Boswell (year 1781):

Wilkes: “Pray, Boswell, how much may be got in a year by an advocate at the Scotch bar?”

Boswell: “I believe two thousand pounds.”

Wilkes: “How can it be possible to spend that money in Scotland?”

Johnson: “Why, Sir, the money may be spent in England; but there is a harder question. If one man in Scotland gets possession of two thousand pounds, what remains for all the rest of the nation?”

Many Scotchmen undoubtedly enjoy chaff against themselves and their country, and I think this was so with Boswell. It is a phase of social psychology that needs explaining.

In these jokes Johnson was, consciously or not, influenced by the fine Royalist poet, John Cleveland (1613-1658); but the latter was very much in earnest. He detested the Scotch for fighting against Charles I. His references to Scotland in The Rebel Scot are wonderfully clever:—

A land that brings in question and suspense God’s omnipresence.

And again:—

Had Cain been Scot, God would have changed his doom; Not forced him wander, but confined him home!

God is present by His essence; which, because it is infinite, cannot be contained within the limits of any place; and because He is of an essential purity and spiritual nature, He cannot be undervalued by being supposed present in the places of unnatural uncleanness: because, as the sun, reflecting upon the mud of strands and shores, is unpolluted in its beams, so is God not dishonoured when we suppose Him in every one of His creatures, and in every part of every one of them.

Jeremy Taylor (Holy Living, Ch. 1, Sec. 3).

There is an old Scottish proverb, “The sun is no waur for shining on the midden.”

I dare say Alexander the Great was somewhat staggered in his plans of conquest by Parmenio’s way of putting things. “After you have conquered Persia what will you do?” “Then I shall conquer India.” “After you have conquered India, what will you do?” “Conquer Scythia.” “And after you have conquered Scythia, what will you do?” “Sit down and rest.” “Well,” said Parmenio to the conqueror, “why not sit down and rest now?”

A. K. H. Boyd (The Recreations of a Country Parson).

I include this because it is a good short paraphrase of the actual story of Pyrrhus and Cineas (Plutarch’s Lives—“Pyrrhus”) and because of the curious absurdity of attributing such philosophic advice to the warrior, Parmenio. This general was the only one of Alexander’s old advisers who urged him to invade Asia! (Plutarch’s Lives—“Alexander”).

Sorrow and care and anxiety may quite well live in Elizabethan cottages, grown over with honeysuckle and jasmine; and very sad eyes may look forth from windows around which roses twine.

A. K. H. Boyd (The Recreations of a Country Parson).

This book had a great vogue, but not sufficient merit to preserve it from oblivion.

CANADIAN BOAT-SONG

From the Gaelic.

Listen to me, as when ye heard our father Sing long ago the song of other shores— Listen to me, and then in chorus gather All your deep voices, as ye pull your oars: CHORUS. Fair these broad meads—these hoary woods are grand; But we are exiles from our father’s land. From the lone sheiling of the misty island Mountains divide us, and the waste of seas— Yet still the blood is strong, the heart is Highland, And we in dreams behold the Hebrides: Fair these broad meads, etc. We ne’er shall tread the fancy-haunted valley, Where ’tween the dark hills creeps the small clear stream, In arms around the patriarch banner rally, Nor see the moon on royal tombstones gleam: Fair these broad meads, etc. When the bold kindred, in the time long vanish’d, Conquered the soil and fortified the keep,— No seer foretold the children would be banish’d, That a degenerate Lord might boast his sheep; Fair these broad meads, etc. Come foreign rage—let Discord burst in slaughter! O then for clansmen true, and stern claymore— The hearts that would have given their blood like water, Beat heavily beyond the Atlantic roar. Fair these broad meads—these hoary woods are grand; But we are exiles from our fathers’ land.

The authorship of these verses is uncertain, but it probably lies between John Galt, author of Annals of the Parish, and Lockhart, son-in-law of Sir Walter Scott. The verses were quoted by Professor Wilson (Christopher North) in his Noctes Ambrosianae in Blackwood, Sept., 1829, but, because Wilson was not the author, they are not reproduced in his collected works (Blackwood, 1855).

A degenerate Lord, &c. This refers to the eviction of the Highland crofters and cottars. In 1829 the Duke of Hamilton had just cleared the population out of the Isle of Arran.

Sheiling or Shealing, a hut used by shepherds, fishermen, or others for shelter when at work at a distance from home.

Love took up the harp of Life, and smote on all the chords with might; Smote the chord of Self, that, trembling, passed in music out of sight. Tennyson (Locksley Hall).

If thou wouldst have high God thy soul assure That she herself shall as herself endure, Shall in no alien semblance, thine and wise, Fulfil her and be young in Paradise, One way I know; forget, forswear, disdain Thine own best hopes, thine utmost loss and gain, Till when at last thou scarce rememberest now If on the earth be such a man as thou, Nor hast one thought of self-surrender,—no, For self is none remaining to forego,— If ever, then shall strong persuasion fall That in thy giving thou hast gained thine all, Given the poor present, gained the boundless scope, And kept thee virgin for the further hope.... When all base thoughts like frighted harpies flown In her own beauty leave the soul alone; When Love,—not rosy-flushed as he began, But Love, still Love, the prisoned God in man,— Shows his face glorious, shakes his banner free, Cries like a captain for Eternity:— O halcyon air across the storms of youth, O trust him, he is true, he is one with Truth! Nay, is he Christ? I know not; no man knows The right name of the heavenly Anterôs,— But here is God, whatever God may be, And whomsoe’er we worship, this is He. F. W. Myers (The Implicit Promise of Immortality).

Anterôs is the god of mutual love, who punishes those who do not return the love of others, as otherwise his brother Erôs, god of love, will be unhappy.

The fine poem from which this is quoted represents one of the phases of Myers’ experience. It was published in 1882, but written about ten years before. He had then lost his faith in Christianity, but believed in a future life on grounds based partly upon philosophy and partly on “vision.” He had those moments of exaltation when, as he says:

The open secret flashes on the brain, As if one almost guessed it, almost knew Whence we have sailed and voyage whereunto.

For entrance into the future life, Love and complete Self-surrender are the best equipment for the soul.

But all through life I see a Cross, Where sons of God yield up their breath: There is no gain except by loss, There is no life except by death, There is no vision but by Faith. Nor glory but by bearing shame, Nor Justice but by taking blame; And that Eternal Passion saith, “Be emptied of glory and right and name.” W. C. Smith (Olrig Grange).

Life is short, and we have not too much time for gladdening the lives of those who are travelling the dark road with us. Oh, be swift to love, make haste to be kind.

Amiel’s Journal.

SELF-SACRIFICE

What though thine arm hath conquered in the fight,— What though the vanquished yield unto thy sway, Or riches garnered pave thy golden way,— Not therefore hast thou gained the sovran height Of man’s nobility! No halo’s light From these shall round thee shed its sacred ray; If these be all thy joy,—then dark thy day, And darker still thy swift approaching night! But if in thee more truly than in others Hath dwelt Love’s charity;—if by thine aid Others have passed above thee, and if thou, Though victor, yieldest victory to thy brothers, Though conquering conquered, and a vassal made— Then take thy crown, well mayst thou wear it now. Samuel Waddington.

We bury decay in the earth; we plant in it the perishing; we feed it with offensive refuse: but nothing grows out of it that is not clean; it gives us back life and beauty.

Charles Dudley Warner (My Summer in a Garden).

SOUL’S BEAUTY

Under the arch of Life, where love and death, Terror and mystery guard her shrine, I saw Beauty enthroned; and though her gaze struck awe, I drew it in as simply as my breath. Hers are the eyes which, over and beneath, The sky and sea bend on thee,—which can draw, By sea or sky or woman, to one law, The allotted bondman of her palm and wreath. This is that Lady Beauty, in whose praise Thy voice and hand shake still,—long known to thee By flying hair and fluttering hem,—the beat Following her daily of thy heart and feet, How passionately and irretrievably, In what fond flight, how many ways and days! D. G. Rossetti.

Although Rossetti was not a classical student, he seems here to have arrived at the Platonic idea of an abstract Beauty, of whose essence are all beautiful things, “sea or sky or woman.” Love and death, terror and mystery guard her, as a goddess on her throne, and all lovers of the beautiful are worshippers at her shrine.

Thinking is only a dream of feeling; a dead feeling; a pale-grey, feeble life.

Novalis.

A whetstone cannot cut, but it makes iron sharp, and gives it a keen edge.

Isocrates (436-338 B.C.).

This is quoted in Plutarch’s Lives. Isocrates was asked why he taught rhetoric so much and yet spoke so rarely; and this was his reply. Horace (Ars Poetica 304) playfully says that he is no longer able to write verses but he will teach others to write, adding “a whetstone is not used for cutting, but is used for sharpening steel nevertheless.”

The career of Isocrates, “that old man eloquent,”[31] is extremely interesting. He preserved his energy and his influence to the end of his long life of 98 years.

From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods there be That no life lives for ever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea. Swinburne (The Garden of Proserpine).

A very musical expression of a very ugly thought.

Women never betray themselves to men as they do to each other.

George Eliot (Middlemarch).

THE RETREAT

Happy those early days, when I Shined in my Angel-infancy! Before I understood this place Appointed for my second race, Or taught my soul to fancy aught But a white celestial thought: When yet I had not walk’d above A mile or two from my first Love, And looking back, at that short space, Could see a glimpse of His bright face: When on some gilded cloud or flower My gazing soul would dwell an hour, And in those weaker glories spy Some shadows of eternity: Before I taught my tongue to wound My Conscience with a sinful sound, Or had the black art to dispense A several sin to ev’ry sense, But felt through all this fleshly dress Bright shoots of everlastingness. O how I long to travel back, And tread again that ancient track! That I might once more reach that plain Where first I left my glorious train; From whence th’ enlighten’d spirit sees That shady City of Palm-trees! But ah! my soul with too much stay Is drunk, and staggers in the way! Some men a forward motion love, But I by backward steps would move; And when this dust falls to the urn, In that state I came, return. Henry Vaughan (1621-1695).

I include this poem, although it is in the anthologies, because from my own experience a young reader will not see its beauty without some words of explanation. It is the precursor of the greatest ode ever written, Wordsworth’s Ode on Intimations of Immortality from Recollections of Early Childhood. Wordsworth, Vaughan, and many others believe that we had a separate existence before we came into this world (and there is much in the experience of each of us to warrant that belief). Wordsworth says:

Our birth is but a sleep and a forgetting; The Soul that rises with us, our life’s Star, Hath had elsewhere its setting, And cometh from afar.

But in order to appreciate either Wordsworth’s or Vaughan’s poem it is not necessary to have this belief in a past separate existence—it is enough to realize that

Trailing clouds of glory do we come From God, who is our home.

One may see the small value God has for riches by the people He gives them to.

Alexander Pope.

There’s a fancy some lean to and others hate— That, when this life is ended, begins New work for the soul in another state, Where it strives and gets weary, loses and wins: Where the strong and the weak, this world’s congeries, Repeat in large what they practised in small, Through life after life in unlimited series; Only the scale’s to be changed, that’s all. Yet I hardly know. When a soul has seen By the means of Evil that Good is best, And, through earth and its noise, what is heaven’s serene,— When our faith in the same has stood the test— Why, the child grown man, you burn the rod, The uses of labour are surely done; There remaineth a rest for the people of God: And I have had troubles enough, for one. R. Browning (Old Pictures in Florence).

Browning in his last poem, the well-known “Epilogue,” speaks with another voice. He wishes his friends to think of him after death as he was when alive:—

One who never turned his back but marched breast-forward. Held we fall to rise, are baffled to fight better, Sleep to wake. No, at noonday in the bustle of man’s work-time Greet the unseen with a cheer! Bid him forward, breast and back as either should be, “Strive and thrive!” cry, “Speed,—fight on, fare ever, There as here!”

F. W. H. Myers wrote:—

We need a summons to no houri-haunted paradise, no passionless contemplation, no monotony of prayer and praise; but to endless advance by endless effort, and, if need be, by endless pain. Be it mine, then, to plunge among the unknown Destinies—to dare and still to dare!

Emerson’s heaven also was

Built of furtherance and pursuing, Not of spent deeds, but of doing. (“Threnody.”)

In life, Love comes first. Indeed, we only come because Love calls for us. We find it waiting with outstretched arms on arrival. Love is the beginning of everything.

F. W. Boreham (Faces in the Fire).

Our daies are full of dolor and disease, Our life afflicted with incessant paine, That nought on earth may lessen or appease. Why then should I desire here to remaine? Or why should he that loves me, sorie bee For my deliverence, or at all complaine My good to hear, and tóward joyes to see? Edmund Spenser (Daphnaïda).

Tóward, “approaching.”

My closing remark is as to avoiding debates that are in their very nature interminable.... There is a certain intensity of emotion, interest, bias or prejudice if you will, that can neither reason nor be reasoned with. On the purely intellectual side, the disqualifying circumstances are complexity and vagueness. If a topic necessarily hauls in numerous other topics of difficulty, the essay may do something for it, but not the debate. Worst of all is the presence of several large, ill-defined, and unsettled terms. A not unfrequent case is a combination of the several defects, each, perhaps, in a small degree. A tinge of predilection or party, a double or triple complication of doctrines, and one or two hazy terms will make a debate that is pretty sure to end as it began. Thus it is that a question, plausible to appearance, may contain within it capacities of misunderstanding, cross-purposes, and pointless issues, sufficient to occupy the long night of Pandemonium, or beguile the journey to the nearest fixed star.

Alexander Bain (Contemporary Review, April, 1877).

From an address to the Edinburgh University Philosophical Society.

Diogenes, seeing Neptune’s temple with votive pictures of those saved from wreck, says, “Yea, but where are they painted, that have been drowned?”

Bacon.

THE BELLE OF THE BALL-ROOM

I saw her at the County Ball: There, when the sounds of flute and fiddle Gave signal sweet in that old hall Of hands across and down the middle, Hers was the subtlest spell by far Of all that set young hearts romancing; She was our queen, our rose, our star; And then she danced—O Heaven, her dancing! Through sunny May, through sultry June, I loved her with a love eternal; I spoke her praises to the moon, I wrote them to the Sunday Journal: My mother laugh’d: I soon found out That ancient ladies have no feeling; My father frown’d: but how should gout See any happiness in kneeling?... She smiled on many, just for fun,— I knew that there was nothing in it; I was the first—the only one Her heart had thought of for a minute.— I knew it, for she told me so, In phrase which was divinely moulded; She wrote a charming hand,—and oh! How sweetly all her notes were folded! ... We parted; months and years roll’d by We met again four summers after: Our parting was all sob and sigh; Our meeting was all mirth and laughter: For in my heart’s most secret cell There had been many other lodgers; And she was not the ball-room’s Belle, But only—Mrs. Something Rogers! W. M. Praed.

A canon of my own in judging verses is that no man has a right to put into metre what he can as well say out of metre. To which I may add, as a corollary, that a fortiore he has no right to put into metre what he can better say out of metre.

W. S. Lilly (Essay on George Eliot).

Aujourd’hui, ce qui ne vaut pas la peine d’être dit, on le chante.

(Now-a-days when a thing is not worth saying they sing it—i.e. put it in a song.)

Beaumarchais (Le Barbier de Séville, Act I. Sc. I.)

I do not know whether I gave you at any time the details of my work here, or the principles upon which I have been proceeding.... Some of the work set down includes Ancient Ethics—which is almost entirely grossly wrong and great rubbish also. This part I have persistently refused to get up, not because I disliked it, but because it is decidedly injurious to warp and twist the brain by impressing it with wrong thoughts and systems—just as it would be insane in the polisher of a mirror to think it would reflect the external world more truly, if he gave it a dint here, a scratch there, a bulge in another place, and so forth. It would take me too long to describe the details. Suffice it to say that one of the examiners in Mental Philosophy and in Moral and Political Philosophy is an old, blind (literally) man of the old school, who gave a very abnormally large amount of questions relating to Ancient Ethics, and an abnormally large amount to the early part of English Ethics—leaving hardly any marks to be scored by thorough understanding and ability to use the principles of the subjects.

The consequence was that those, who had crammed up the earlier text-books and could reproduce them, had an enormous advantage. This old fogey moreover is strongly anti-Spencerian. Indeed I heard that he had objected to my answers because “there was too much of Spencer and myself!” So that instead of criticism and originality, he avowedly preferred mere reproduction, a good example of the slavishness of that method of examination predominant mostly, which, as Spencer wrote to me some time ago, is devised for testing a man’s “power of acquisition instead of using that which has been acquired.”

Richard Hodgson (1855-1905) (Letter, Dec., 1881).

This letter was written to me from Cambridge, when Hodgson (see Preface) had found his immediate prospects blasted by the results of the Moral Science Tripos. No one was placed in the First Class and he (although at the head of the Tripos) only in the Second Class. This meant that he had no hope of a Fellowship, which would have enabled him to go on with original work in philosophy, and he would have to employ his time in earning a livelihood. Added to this was the cruel disappointment to his family and friends.

Hodgson was one of the most gifted men that Australia has produced. He had completed his M.A. and LL.D. courses in Melbourne by 1877, when he was twenty-two years of age, and then, discarding the profession of the law, left for Cambridge to read Mental and Moral Science. While still an undergraduate there he had written an article in reply to T. H. Green, and submitted it to Herbert Spencer, who highly approved of it, and sent it to the Contemporary. However, as stated above, Hodgson’s immediate future depended on the result of the examination. (He was at the time preparing one of the articles he contributed to Mind, and had in view further original work.)

When the result of the Tripos appeared, Henry Sidgwick and Venn who were then Lecturers and by far the best Moral Science men in Cambridge, came to sympathize with Hodgson, on the unfair result. They urged him to go to Germany so that he might acquire that perfect command of the German language which was necessary for his philosophic work. On learning that he was not in a position to do this, Sidgwick insisted—as he said, “in the interests of philosophy”—on defraying the whole of the expenses of Hodgson’s residence in Germany. As he insisted strongly, Hodgson accepted the offer, and went to Jena, armed with a very flattering letter of introduction from Herbert Spencer to Haeckel.

Almost immediately after his return from Germany the Society for Psychical Research was founded, and Hodgson joined it. He came to the conclusion that the work of this Society was more important than any other study, while probably it would also be of fundamental assistance to philosophy. He went out to India in 1884, and thoroughly exposed Madame Blavatsky and her “Theosophy,” and, from about 1886, devoted the rest of his life to Psychical Research. Although maintaining his reading and his intimacy with Henry Sidgwick, William James, and others, his services practically became lost to philosophy. This, however, does not affect the important fact illustrated by the Tripos incident. We learn what ineptitude can exist in a great university, and what grave results must necessarily follow therefrom.

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