Part 2 — INDEX
Reading edition
A
Abnormality in Modern Life, 64
Accident at Sea, 45
Adaptation of physical functions, 22
Adequate training, 9
Age of Music, 36
Agitation, 6
Agitation tranquillized, 41
American craving for rhythm, 95
American industry, 8
American talent, 8
American type of music, 93
Animals and musical sound, 27
Appeal of the work, 14
Appreciation in music, 33
Aryan appreciation, 39
Aryan disturbances, 39
Aryan talent, 25
Auber and the social mind, 87
Austria, 114
Awakening in Italy, 67
B
Barbarism and its music, 37
Barders of Tacitus, 30
Bavaria, 115
Belgium, 117
Bellini and the social mind, 62
Berlioz and the social mind, 85
Bibliography, 138
Boildieu and the social mind, 86
British emotions, 69
C
Canada and its type of Music, 50
Catholicism and the ideo-Motor element, 51
Characterization in music, 30
Characteristic Italian composition, 67
Children and Sound, 29
Chinese use of music, 24
Chopin and the social mind, 85
Church influence and the ballad, 91
Church Choirs, 54
Church pressure in the United States, 94
Civilization and bodily disturbance, 7
Civilization and rhythm disturbances, 37
Classes reached by musical schools, 10
Complexity in social pressure, 93
Complexity in music, 32-36
Complications in Orchestration, 85-87
Concerted volition in music, 34
Concert Tests in Coney Island, 41
Concert Tests in England, 41
Concert Tests in Germany, 41
Concert Tests in Russia, 41
Concert Tests in United States, 41
Concert Tests upon Italian Stone Cutters, 50
Coney Island response to Musical Stimulus, 43
Contrasts in French and German re-actions, 84
D
Dancing a need, 65
Darwin’s theory of music, 19
Dawn of musical history, 38
Deafness and carriage motion, 48
Deafness and music, 48
Deafness and the telephone, 48
Decay of the Gens, 36-37
Denmark, 118
Depression and Musical stimulus, 46
Desire for music, 14
Development of ideas, 25
Development of internal integrations, 23
Disturbance expressions, 24
Disturbance of bodily rhythm, 6
Disturbances defined, 32
Dogmatic emotional need, 51
Donizetti and the social mind, 62
E
Economic movements, 5
Effects of rhythmic stimulus, 42-46
Emotional forces, 5
Emotional products in music, 56
Emotions and sound, 13
England, 119
English composition, 69
English support of musical culture, 70
Equador, 121
European recognition of Musical need, 10
Evolution Stages (a) Appreciation, 33
(b) Utilization, 33
(c) Characterization, 33
(d) Socialization, 33
Evolution of the Eye, 22
Ethnic music, 36
Excitable natures, 48
Experiments, 43
F
Fees, 105
First responses to stimuli, 22
First inter-change of ideas, 22
First rhythmic inventions, 23
Foreign talent, 94
France, 81-122
Franck and the social mind, 89
French intellectualism in music, 56
French opera, 85
French re-actions, 81
G
Gens system and emotionalism, 39
Gentile family, 36
German folk spirit, 74
German grand opera, 49
German lieder, 49
Germanic tribal music, 29
Germany, 71
Giddings note, 34
Greek Church type, 50
Gounod and the social mind, 89
Group re-action to music, 41
Group tendency in music, 7
H
Haeckel’s note, 21
Heart action and modern stimuli, 29
Heroic opera, 74
Hindus and the musical ideal, 24
Holland, 123
Human liking for like musical motion, 35
Hungary, 129-135
Hylobates syndactylus, 22
Hymnal music, 92
I
Ideo emotional groups, 49
Indebtedness for statistics, 16
Individual experiments, 47
Inspiration in Columbia College courses, 17
Intellectual stimuli of tribal life, 27
Italian Ideals, 65
Italian life and papal authority, 62
Italy, 125
J
Japan’s use of music, 24
K
Knightly ballad taste, 72
L
Laws of motion and the body, 58
Laws of need, 42
Lectures with music, 45
Lectures without music, 45
Life preservation and music, 58
Live force in musical vibrations, 26
M
Massenet and the social mind, 89
Mascagni and the social mind, 67
Mean rhythm of aggregates, 31
Measurement of musical effects, 26
Mental attitude of 1821, 74
Mendelssohn and the social pressure, 76
Meyerbeer and the social mind, 87
Milder stimuli and musical expression, 80
Mission of music, 13
Music and Motion, 31
Music as a health measure, 55
Music as a national need, 28
Music and national disturbances, 60
Music as an incident force, 59
Music and social control, 16
Music for rhythm maintenance, 31
Music as an industry, 9
Music in Colleges, 10
Music taxation, 11
Music of birds, 27
Music in carriage motion, 48
Musical employment field, 8-94
Musical madness, 89
Musical statistics, 12
Musical tone in railway motions, 48
Musical tone in telephones, 48
Musical tone in wash of waves, 48
Musical tone in winds, 48
Musical valves for American emotionalism, 95
N
Napoleon’s influence on music, 83
National control of music, 7
National stimuli, 60
National type of music, 10-55
Nature and music, 19
New combination of tone and nerve, 59
New organs for new stimuli, 37
Normal pulse action, 56
Normalizing effect of music, 48
Northern immigration, 92
Norway, 124
O
Ocean Grove mental type, 51
Opera comique under Mehul, 86
Orchestral complexity, 85
P
Paleolithic man and percussion, 36
Panic calmed by National songs, 46
Partially deaf re-actions to music, 27
Passion for homogeneity, 36
Peace and Parsifal, 80
Peace and religious agitation, 88
Periodic Motions, 39
Phlegmatic natures, 48
Pioneer life and social pressure, 91
Popular waves of feeling, 6
Primitive man’s rhythmic life, 21
Primitive speech as rhythmic disturber, 23
Proper study of music, 15
Prussia, 127
Public emotionalism, 6
Public school musical instruction, 94
R
Rational thinking and Gidding’s definition, 40
Rationalistic group, 52
Rationalistic music, 52
Real elements of music, 22
Rebellious fanaticism, 83
Recent absurdities in musical form, 62
Recent immigration, 93
Realm of musical need, 53
Reflective Sympathy and music, 35
Response of the masses, 5
Registration of rhythm, 39
Religious atmosphere in U. S., 92
Revolutionary character of Tristan 1865, 78
Rise of industrial complications, 92
Rossini and the social mind, 62-86
Russia, 130
Russian audiences, 49
S
Saint-Saens and the social mind, 89
Savagery and its music, 37
Saxony, 131
Schumann and the social mind, 49
Science and musical study, 15
Schubert and the social mind, 72
Separation of church and state, 89
Social want, 10
Social welfare, 15
Social mind in France, 82
Sociological terminology in music, 35
Sources of conclusions, 41
Sources of statistics, 74-99
Spencer’s theory of music, 20
Spontini and the Napoleonic regime, 86
State and Municipal expenditure, 10
Strenuous years 1848 to 1860, 65
T
Tension in strikes, 46
Tests among revolutionary elements, 54
Tendency toward musical equality, 36
Theory of rhythm, 12
Thesis, 7
Toneurology, 56
Tragedy element in Italian life, 61
Tribal life and rhythmic disturbances, 23
U
United States, 91-133
Untalented citizens, 15
Universal craving for music, 53
Utility aspect of music, 33
V
Value of New York expenditures, 10
Value of percussion, 23
Value of music with the dance, 64
Verdi and the social mind, 65
Vibratory impulse, 30
Vita, 143
Vocalism extraordinary, 62
Von Weber and the social mind, 74
W
Wagner and the social mind, 50
Wallascheks, 20
Waltz, social significance of, 77
War factor in music of tribes, 25
Wave (the) of emotionalism 1861, 92
Western music, 9
Working girl’s tests, 41-54
Working girl’s club, 46