Motion pictures, 1940-1949, Motion Pictures 1940–1949 (continued 17) — Read Online

LOOSE IN THE CABOOSE. Paramount Pictures Inc., c1947. 8 min., sd., color, 35mm. (Little Lulu Cartoon)

Credits: Director, Seymour Kneitel; story, Bill Turner, Larry Riley.

THE LOOSE NUT. c1945. Presented by Universal. 1 reel, sd., color. (A Walt Lantz Cartune) (A Woody Woodpecker Cartune)

Credits: Producer, Walter Lantz; director, James Culhane; story, Ben Hardaway, Milt Schaffer; animation, LaVerne Harding, Emery Hawkins; music Darrell Calker. Technicolor.

LOOT BELOW. SEE Desperate Cargo.

LORD MALETROIT'S DOOR. Marshall Grant-Realm Television Productions, c1949. 2 reels, sd., b&w, 16mm. Based on the story "The Sire de Maletroit's Door" by Robert Louis Stevenson.

Summary: A romantic drama about a young man who stumbles through an unlocked door. Setting, France in the early 15th century.

Credits: Screenplay, Charles Haas.

LORETTA. Soundies Distributing Corp. of America, Inc., c1942. 1 reel, sd.

221LOST AND FOUNDLING. Warner Bros. Cartoons, Inc., c1944. 7 min., sd., color. (Merrie Melodies)

Credits: Story, Tedd Pierce; animation, Ben Washam; music director, Carl W. Stalling. Technicolor.

LOST ANGEL. Loew's Inc., c1943. Presented by Metro-Goldwyn-Mayer, 9 reels, sd. Based on an idea by Angna Enters.

Credits: Producer, Robert Sisk; director, Roy Rowland; original screenplay, Isobel Lennart; music score, Daniele Amfitheatrof; film editor, Frank E. Hull.

LOST BOUNDARIES. Film Classics, Inc., c1949. 99 min., sd., b&w, 35mm. Based on the story by W. L. White.

Summary: A documentary study of the Negro's plight in surmounting the barriers of discrimination. A white-skinned Negro family "passes" for twenty years, is discovered, shunned, and finally reaccepted in the community. Filmed in Portsmouth, N.H.

Credits: Producer, Louis de Rochemont; director, Alfred L. Werker; screenplay, Virginia Shaler, Eugene Ling; adaptation, Charles Palmer; music score, Louis Applebaum; music director, Jack Shaindlin; film editor, Angelo Ross.

Cast: Beatrice Pearson, Mel Ferrer, Susan Douglas, Robert A. Dunn, Richard Hylton.

LOST CANYON. Released thru United Artists, c1942. Presented by Harry Sherman Productions, 61 min., sd. Based on characters created by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Lesley Selander; screenplay, Harry O. Hoyt; music direction, Irvin Talbot; photography, Russell Harlan; editor, Carol Lewis.

LOST CITY OF THE JUNGLE. Universal Pictures Co., Inc., c1946. 2 reels each (no. 1, 3 reels), sd. © Universal Pictures Co., Inc.

Credits: Director, Lewis D. Collins; original screenplay, Joseph F. Poland, Paul Huston, Tom Gibson.

1. Himalaya Horror. © 10May46; LP460.

2. The Death Flood. © 10May46; LP461.

3. Wave Length for Doom. © 10May46; LP462.

4. The Pit of Pendrang. © 10May46; LP463.

5. Fiery Danger. © 10May46; LP464.

6. Death's Shining Face. © 10May46; LP465.

7. Speedboat Missing. © 6Jun46; LP466.

8. Fire Jet Torture. © 6Jun46; LP472.

9. Zalabar Death Watch. © 6Jun46; LP471.

10. Booby Trap Rendezvous. © 6Jun46; LP470.

11. Pendrang Guillotine. © 6Jun46; LP469.

12. Jungle Smash Up. © 6Jun46; LP467.

13. Atomic Vengeance. © 6Jun46; LP468.

THE LOST DREAM. Paramount Pictures Inc., c1949. 8 min., sd., color, 35mm. (Noveltoon)

Credits: Story, Bill Turner, I. Klein; animation, Dave Tendlar, John Gentiella.

LOST HONEYMOON. Eagle Lion Films, Inc., c1947, 69 min., sd., b&w, 35mm. A Bryan Foy production.

Credits: Producer, Lee Marcus; director, Leigh Jason; original screenplay, Joseph Fields; music, Werner Heymann; music director, Irving Friedman; film editor, Norman Colbert.

Cast: Franchot Tone, Ann Richards, Tom Conway.

LOST IN A HAREM. Loew's Inc., c1944. Presented by Metro-Goldwyn-Mayer. 10 reels, sd., b&w.

Credits: Producer, George Haight; director, Charles Riesner; screenplay, Harry Ruskin, John Grant, Harry Crane, music director, David Snell; orchestrations, Sonny Burke, Ted Duncan, Wally Heglin; film editor, George Hively.

LOST LAKE. Twentieth Century-Fox Film Corp., c1946. 1 reel, sd., color. (Father Hubbard's Movietone Adventures)

Credits: Producer, Edmund Reek; narrator, Lowell Thomas; music score, L. DeFrancesco; film editor, Russ Sheilds. Cinecolor.

THE LOST MOMENT. Waller Wanger Pictures, Inc. Released by Universal-International Pictures Co., Inc., c1947. 89 min., sd., b&w, 35mm. Based on "The Aspern Papers," by Henry James.

Summary: A drama about a young schizophrenic who imagines that she is living in another age and enacting the youthful love story of her aged aunt. Setting, Venice, in the late 19th century.

Credits: Producer, Walter Wanger, director, Martin Gabel; screenplay, Leonardo Bercovici; orchestrations, David Tamkin; music, Daniele Amfitheatrof; film editor, Milton Carruth.

Cast: Robert Cummings, Susan Hayward, Agnes Moorehead, Joan Lorring, Eduardo Ciannelli.

THE LOST ONE. Columbia Pictures Corp., c1948. 82 min., sd., b&w, 35mm.

Summary: Verdi's opera "La Traviata," based on Alexandre Dumas' romance "Lady of the Camellias," is brought to the screen. Dialogue in English, libretto in Italian. Filmed in Italy.

Credits: Producer, Gregor Rabinovitch; director, Carmine Gallone; libretto, F. M. Piave; dialogue, Hamilton Benz; music, Giuseppe Verdi; musical adaptation, Luigi Ricci; film editor, Nicolo Lazzari.

Cast: Massimo Serato, Nerio Bernardi, Nelly Corradi, Gino Mattera, Manfredi Polverosi.

THE LOST SHEEP. C. O. Baptista, c1941. 375 ft., 16mm.

THE LOST TRAIL. Monogram Pictures Corp., c1945. 6 reels, sd.

Credits: Director, Lambert Hillyer; screenplay, Jess Bowers; photographer, Marcel LePicard; film editor, Danny Milner.

THE LOST TRIBE. Columbia Pictures Corp., c1949. 72 min., sd., b&w, 35mm. Based on the cartoon strip "Jungle Jim," owned by King Features Syndicate.

Summary: An adventure melodrama in which Jungle Jim fights the beasts of the jungle and dispatches the white traders who covet the riches of a hidden African village.

Credits: Producer, Sam Katzman; director, William Berke; story, Arthur Hoerl; screenplay, Arthur Hoerl, Don Martin; music director, Mischa Bakaleinikoff; film editor, Aaron Stell.

Cast: Johnny Weissmuller, Myrna Dell, Elena Verdugo, Joseph Vitale, Ralph Dunn,

THE LOST WEEKEND. Paramount Pictures Inc., c1945. 11 reels, sd. From the novel by Charles R. Jackson.

Credits: Producer, Charles Brackett; director, Billy Wilder; screenplay, Charles Brackett, Billy Wilder; music score, Miklos Rozsa.

A LOST WORLD. Encyclopaedia Britannica Films, Inc., c1948. 1 reel, si., b&w, 8mm.

Summary: A fantastic story about a group of explorers who visit a jungle inhabited by prehistoric birds and animals.

A LOST WORLD. Encyclopaedia Britannica Films, Inc., c1948. 1 reel, sd., b&w, 16mm.

Summary: A. Conan Doyle's story about the adventures of Lord John Roxton, who witnessed the struggle for survival among prehistoric animals in the jungles of the Amazon.

LOUISE. Soundies Distributing Corp. of America, Inc., c1944. 1 reel, sd.

LOUISIANA. Monogram Pictures Corp., c1947. 85 min., sd., b&w, 35mm. Based on an original story by Steve Healey.

Credits: Producer, Lindsley Parsons; director, Phil Karlson; screenplay, Jack De Witt; narration, Sidney Sutherland; narrator, Reed Hadley.

Cast: Jimmie Davis, Margaret Lindsay.

LOUISIANA HAYRIDE. Columbia Pictures Corp., c1944. 7 reels, sd.

Credits: Director, Charles Barton; story, Paul Yawitz, Manny Seff; screenplay, Paul Yawitz; film editor, Otto Meyer.

LOUISIANA PURCHASE. Paramount Pictures Inc., c1941. 11 reels, sd., color. Based on the musical comedy by Morrie Ryskind. From a story by B. G. De Sylva.

Credits: Director, Irving Cummings; screenplay, Jerome Chodorov, Joseph Fields; photographer, Harry Hallenberger; film editor, Le Roy Stone. Technicolor.

LOUISIANA SPRINGTIME. Twentieth Century-Fox Film Corp., c1945. 1 reel, sd., color, 35mm. (Movietone Adventures)

Credits: Producer, Edmund Reek; director, Tom Cummiskey; narrator, Hugh James; music score, L. DeFrancesco; photographer, William Storz; film editor, Russ Sheilds. Technicolor.

LOUISIANA STORY. Robert J. Flaherty Productions, Inc. Released through Lopert Films, Inc., c1948. 77 min., sd., b&w, 35mm.

Summary: Filmed in the Petit Anse bayou country of southern Louisiana, this documentary dramatization of the simple life of the Cajuns shows, from the point of view of a small boy, the natives' wonderment at the mechanical wizardry of an oil company's floating derrick.

Credits: Producer and director, Robert Flaherty; scenario, Robert Flaherty, Frances Flaherty; music, Virgil Thompson; photography, Richard Leacock; editor, Helen Van Dongen.

222Cast: Joseph Boudreaux, Lionel Le Blanc, E. Bienvenu, Frank Hardy, C. T. Guedry.

THE LOVABLE CHEAT. Skyline Pictures, Inc. Released through Film Classics, Inc., c1949. 76 min., sd., b&w, 35mm. Based on a play by Honoré de Balzac.

Summary: A comedy about a rogue who manages to forestall a horde of creditors until a long-lost partner reappears unexpectedly with a fortune.

Credits: Producers, Richard Oswald, Edward Lewis; director, Richard Oswald; screenplay, Edward Lewis; adaptation, Edward Lewis, Richard Oswald; music score, Karl Hajos; editor, Douglas Bagier.

Cast: Charlie Ruggles, Peggy Ann Garner, Richard Ney, Alan Mowbray, Iris Adrian.

LOVABLE TROUBLE. Columbia Pictures Corp., c1941. 1,490 ft.

Credits: Director, Del Lord; story and screenplay, Harry Edwards, Al Giebler.

LOVE AND LEARN. Warner Bros. Pictures, Inc., c1947. 83 min., sd., b&w, 35mm. A First National picture. Adapted from a story by Harry Sauber.

Credits: Producer, William Jacobs; director, Frederick de Cordova; screenplay, Eugene Conrad, Francis Swann, I. A. L. Diamond; music score composed and adapted by Max Steiner; film editor, Frank McGee.

Cast: Jack Carson, Robert Hutton, Martha Vickers, Janis Paige.

LOVE AT FIRST FRIGHT. Columbia Pictures Corp., c1941. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Harry Edwards, Elwood Ullman.

LOVE CRAZY. Loew's Inc., c1941. Presented by Metro-Goldwyn-Mayer. 10 reels, sd.

Credits: Producer, Pandro S. Berman; director, Jack Conway; original story, David Hertz, William Ludwig; screenplay, William Ludwig, Charles Lederer, David Hertz; music score, David Snell; film editor, Ben Lewis.

LOVE FROM A STRANGER. Eagle Lion Films, Inc., c1947. 81 min., sd., b&w, 35mm. A Bryan Foy production. Based on a story by Agatha Christie and a play by Frank Vosper.

Credits: Producer, James J. Geller; director, Richard Whorf; screenplay, Philip MacDonald; music, Ham J. Salter; orchestrations, Emil Cadkin; film editor, Fred Allen.

Cast: John Hodiak, Sylvia Sidney, Ann Richards.

LOVE GROWS ON A WHITE OAK TREE. Soundies Distributing Corp. of America, Inc., c1944. 1 reel, sd.

LOVE, HONOR, AND GOODBYE. c1945. Presented by Republic Pictures. 10 reels, sd.

Credits: Associate producer, Harry Grey; director, Albert S. Rogell; original story, Art Arthur, Albert S. Rogell; screenplay, Arthur Phillips, Lee Loeb, Dick Irving Hyland; music score, Roy Webb; music director, Walter Scharf; photographer, John Alton; film editor, Richard L. Van Enger.

Appl. author: Republic Productions, Inc.

LOVE, HONOR, AND OH, BABY! c1940. Presented by Universal Studios. 6 reels, sd. Based on an original story by Elizabeth Troy.

Credits: Director, Charles Lamont; screenplay, Clarence Upson Young; music director, Charles Previn; photography, Stanley Cortez; film editor, Ted Kent.

LOVE IN GLOOM. Columbia Pictures Corp., c1941. 1,917 ft., sd.

Credits: Director, Ben K. Blake; story, Dan Shapiro, Jerry Seelen, Lester Lee.

LOVE IN TUNE. Paramount Pictures Inc., c1946. 1 reel, sd.

Credits: Director, Justin Herman.

LOVE INSURANCE. SEE One Night in the Tropics.

LOVE IS A SONG. Soundies Distributing Corp. of America, Inc., c1942. 1 reel, sd.

LOVE IS NEWS. SEE That Wonderful Urge.

LOVE LAUGHS AT ANDY HARDY. Loew's Inc., c1946. Presented by Metro-Goldwyn-Mayer. 9 reels, sd., b&w, 35mm. Based on the characters created by Aurania Rouverol.

Credits: Producer, Robert Sisk; director, Willis Goldbeck; original story, Howard Dimsdale; screenplay, Harry Ruskin, William Ludwig; music score, David Snell; orchestral arrangements, Wally Heglin; film editor, Irvine Warburton.

LOVE LETTERS. c1945. 11 reels, sd. Paramount. From the novel by Chris Massie.

Credits: Director, William Dieterle; screenplay, Ayn Rand.

LOVE LETTERS. c1945. 9 reels, sd. A Paramount Picture. From the novel by Chris Massie.

Credits: Producer, Hal B. Wallis; director, William Dieterle; screenplay, Ayn Rand; music score, Victor Young; editor, Anne Bauchens.

LOVE MAKES THE WORLD GO ROUND. Soundies Distributing Corp. of America, Inc., c1946. Presented by RCM Productions, Inc. 1 reel, sd., b&w, 16mm.

Credits: Producer, Ben Hersh; director, Dave Gould.

LOVE MARCHES ON. Soundies Distributing Corp. of America, Inc., c1941. 1 reel, sd.

LOVE ME A LITTLE, LITTLE. Soundies Distributing Corp. of America, Inc., c1941. 1 reel, sd.

LOVE ME AS I AM. Soundies Distributing Corp. of America, Inc., c1941. 1 reel, sd.

LOVE NEVER HAPPENS TO ME. Techniprocess & Special Effects Corp., c1941. 1 reel, sd.

Credits: Producer, Mario Castegnaro; written and directed by Roy Mack; music director, Lud Gluskin; photography, Ralph Hammeras.

LOVE STORY. SEE A Lady Surrenders.

LOVE THAT BEAUTY. RKO Pathe, Inc., c1949. 16 min., sd., b&w, 35mm. (This Is America, no. 8)

Summary: Demonstrates the various routines in a woman's reducing and beautifying process.

Credits: Producer, Jay Bonafield; director, Edward J. Montagne; written by Summer Lyon; narrator, Dwight Weist; editor, Isaac Kleinerman.

LOVE THAT PUP. Loew's Inc., c1949. 8 min., sd., color, 35mm. (Tom and Jerry Cartoon) (An MGM Cartoon)

Credits: Producer, Fred Quimby; director, William Hanna, Joseph Barbera; animation, Ed Barge, Ray Patterson, Irven Spence, Kenneth Muse; music, Scott Bradley.

LOVE THY NEIGHBOR. Paramount Pictures Inc., c1940. 9 reels, sd.

Credits: Produced and directed by Mark Sandrich; original screenplay, William Morrow, Edmund Beloin, Ernest Pagano, Z. Myers; photographer, Ted Tetzlaff; film editor, Le Roy Stone.

LOVE TURNS WINTER TO SPRING. Soundies Distributing Corp. of America, Inc., c1941. 1 reel, sd.

LOVE YOUR LANDLORD. RKO Radio Pictures, Inc., c1944. 18 min., sd.

Credits: Direction and screenplay, Charles E. Roberts; original story, Berne Giler, Ben Roberts; film editor, Les Millbrook.

LOVELY HULA HANDS. Soundies Distributing Corp. of America, Inc., c1944. 1 reel, sd.

LOVELY TO LOOK AT. Presented by Chevrolet. 1 min., sd., color.

Credits: Cinecolor.

Appl. author: Jam Handy Picture Service, Inc.

LOVER. Soundies Distributing Corp. of America, Inc., c1941. 1 reel, sd.

LOVER! ARE YOU THERE. Soundies Distributing Corp. of America, Inc., c1944. 1 reel, sd.

LOVER COME BACK. Universal Pictures Co., Inc., c1946. 11 reels, sd., 35mm.

Credits: Director, William A. Seiter; original screenplay written and produced by Michael Fessier, Ernest Pagano; music score, Hans J. Salter; film editor, Ray Snyder.

223A LOVER IS BLUE. Soundies Distributing Corp. of America, Inc., c1946. 1 reel, sd.

Credits: Director, William Forest Crouch.

LOVE'S GONNA BE RATIONED. Soundies Distributing Corp. of America, Inc., c1943. 1 reel, sd.

LOVE'S INTRIGUE. Warner Bros. Pictures, Inc., c1940. 2 reels, sd. Re-issued Mack Sennett Comedy.

THE LOVES OF CARMEN. Beckworth Corp. Released by Columbia Pictures Corp., c1948. 98 min., sd., color, 35mm. Based upon the story "Carmen" by Prosper Mérimée.

Summary: The story of Don Jose, young dragoon of Seville, and the treacherous gypsy who fascinates him and leads him to his death. 1830 setting.

Credits: Producer and director, Charles Vidor; screenplay, Helen Deutsch; music score, Mario Castelnuovo-Tedesco; music director, M. W. Stoloff; film editor, Charles Nelson.

Cast: Rita Hayworth, Glenn Ford, Ron Randell, Victor Jory, Luther Adler.

THE LOVES OF EDGAR ALLAN POE. Twentieth Century-Fox Film Corp., c1942. 6,021 ft., sd.

Credits: Director, Harry Lachman; screenplay, Samuel Hoffenstein, Tom Reed; music director, Emil Newman.

LOVE'S OWN SWEET SONG. Soundies Distributing Corp. of America, Inc., c1941. 1 reel, sd.

LOVIN' UP A SOLID BREEZE. Soundies Distributing Corp. of America, Inc., c1943. 1 reel, sd.

LOW COMPANY. SEE The Gangster.

THE LOW DOWN. 1 reel.

LOW DOWN DOG. Soundies Distributing Corp. of America, Inc., c1944. 1 reel, sd.

LOW GRAVY. Soundies Distributing Corp. of America, Inc., c1945. 1 reel, sd.

LOW, SHORT AND SQUATTY. Distributed by Soundies Distributing Corp. of America, Inc., c1946. 1 reel, sd. A Filmcraft production.

Credits: Producer and director, William Forest Crouch.

THE LUCK OF THE IRISH. Twentieth Century-Fox Film Corp., c1948. 99 min., sd., b&w, 35mm. Based on "There Was a Little Man" by Guy and Constance Jones.

Summary: A whimsical comedy in which a leprechaun lures a successful, though disillusioned, New York writer back to Ireland. Some Ireland sequences in green.

Credits: Producer, Fred Kohlmar; director, Henry Koster; screenplay, Philip Dunne; music, Cyril Mockridge; music director, Lionel Newman; editor, Charles Le Maire.

Cast: Tyrone Power, Anne Baxter, Cecil Kellaway, Lee J. Cobb, James Todd.

THE LUCKIEST GUY IN THE WORLD. Loew's Inc., c1947. Presented by Metro-Goldwyn-Mayer. 19 min., sd. (A Crime Does Not Pay Subject) Based on a story by Emile C. Tepperman.

Credits: Director, Joseph Newman; screenplay, Doane Hoag; music score, Max Terr; film editor, Chester Schaeffer.

Cast: Barry Nelson, Eloise Hardt, George Travell, Milton Kibbee, Harry Cheshire.

LUCKY CISCO KID. Twentieth Century-Fox Film Corp., c1940. 6,089 ft., sd. Based on the character created by William Sydney Porter (O. Henry).

Credits: Director, H. Bruce Humberstone; original story, Julian Johnson; screenplay, Robert Ellis, Helen Logan; music director, Cyril Mockridge.

LUCKY COWBOY. Paramount Pictures Inc., c1944. 1,644 ft., sd., color. (A Paramount Musical Parade)

Credits: Associate producer, Louis Harris; director, Josef Berne; original screenplay, Robert Stephen Brode; musical direction, Irvin Talbot; editor, Everett Douglas. Technicolor.

LUCKY DEVILS. Universal Pictures Co., Inc., c1940. 7 reels, sd.

Credits: Associate producer, Ben Pivar; director, Lew Landers; original story, Sam Robins; screenplay, Alex Gottlieb; music director, Charles Previn; cameraman, Charles Van Enger; film editor, Ed Curtiss.

THE LUCKY DUCK. Distributed by Twentieth Century-Fox Film Corp., c1940. Presented by Paul Terry. 1 reel, sd., color. (A Terrytoon)

Credits: Producer, Paul Terry; director, Connie Rasinski; story, John Foster; music, Philip A. Scheib. Technicolor.

LUCKY DUCKY. Loew's Inc., c1948. 8 min., sd., color, 35mm. (An MGM Cartoon)

Credits: Producer, Fred Quimby; director, Tex Avery; story, Rich Hogan; animation, Walter Clinton, Preston Blair, Louie Schmitt, Grant Simmons; music, Scott Bradley.

LUCKY JORDAN. Paramount Pictures Inc., c1943. 9 reels, sd. From a story by Charles Leonard.

Credits: Associate producer, Fred Kohlmar; director, Frank Tuttle; screenplay, Darrell Ware, Karl Tunberg; photography, John Seitz; film editor, Archie Madshek.

LUCKY JUNIOR. Jam Handy Organization, Inc. Presented by the Michigan State Medical Society. 901 ft., b&w, 35mm.

Summary: Shows the important role of the family doctor in preserving and improving the health of the community.

LUCKY LEGS. Columbia Pictures Corp., c1942. 7 reels, sd.

Credits: Producer, Wallace MacDonald; director, Charles Barton; original screenplay, Stanley Rubin, Jack Hartfield; music director, M. W. Stoloff; film editor, Arthur Seid.

LUCKY LULU. Paramount Pictures Inc., c1944. 1 reel, sd.

Credits: Director, Seymour Kneitel; story, Carl Meyer.

LUCKY PARTNERS. RKO Radio Pictures, Inc., c1940. 99 min., sd. Adapted from the story "Bonne Chance" by Sacha Guitry.

Credits: Producer, George Haight; director, Lewis Milestone; screenplay, Allan Scott, John van Druten; music score, Dimitri Tiomkin; editor, Henry Berman.

LUCKY POLKA. Soundies Distributing Corp. of America, Inc., c1944. 1 reel, sd.

THE LUCKY STIFF. Amusement Enterprises, Inc. Released through United Artists, c1949. 99 min., sd., b&w, 35mm. Based on the novel by Craig Rice.

Summary: A girl accused of murder is exonerated of the charge, but her electrocution is erroneously reported in the newspapers. Aided by her lawyer, she pretends to be a ghost in order to ferret out the real murderer.

Credits: Producer, Jack Benny; direction and screenplay, Lewis R. Foster; music score, Heinz Roemheld; film editor, Howard Smith.

Cast: Dorothy Lamour, Brian Donlevy, Claire Trevor, Irene Hervey, Marjorie Rambeau.

©Amusement Enterprises, Inc.; 11Feb49; LP2157.

LUCKY STRIKE MEANS FINE TOBACCO. American Tobacco Co. 1 reel, sd., b&w, 35mm.

Cast: L. A. "Speed" Riggs, Mark Warnow, Lucky Strike Orchestra, Hit Paraders, Andy Russell.

LUCKY STRIKE MEANS FINE TOBACCO. Presented by the American Tobacco Co. 1 reel, sd., b&w.

Appl. author: Jam Handy Picture Service, Inc.

LUCKY STRIKE MEANS FINE TOBACCO. Presented by the American Tobacco Co. 1 reel, sd., b&w.

Appl. author: Jam Handy Organization, Inc.

LUCKY STRIKE SALESMAN'S MOVIE 48–A. American Tobacco Co. 10 min., sd., b&w, 35mm.

Summary: The film describes the cultivation, harvesting, storing, buying, and manufacture of tobacco, and shows the work of three auctioneers, a warehouseman, and a buyer. Music is supplied by Frank Sinatra, the Lucky Strike Quartette, and the Hit Parade Orchestra.

LULLABY IN SWING. Soundies Distributing Corp. of America, Inc., c1942, 1 reel, sd.

LULLABY OF BROADWAY. Soundies Distributing Corp. of America, Inc., c1945. 1 reel, sd.

224© Soundies Distributing Corp. of America, Inc.; 12Nov45; MP16533.

LULLABY OF THE RAIN. Soundies Distributing Corp. of America, Inc., c1943. 1 reel, sd.

LULU. Soundies Distributing Corp. of America, Inc., c1943. 1 reel, sd.

LULU AT THE ZOO. Paramount Pictures Inc., c1944. 1 reel.

Credits: Director, I. Sparber; story, Seymour Kneitel.

LULU BELLE. Columbia Pictures Corp., c1948. 87 min., sd., b&w, 35mm. Based on the play by Charles MacArthur and Edward Sheldon.

Summary: A melodrama about a singer in a Natchez saloon who rises to fame and wealth on Broadway through the influence of her admirers. Her tawdry escapades reach a climax when her wealthy sister is murdered and her husband deserts her. Settings: Natchez, New Orleans and New York at the turn of the century.

Credits: Producer, Benedict Bogeaus; director, Leslie Fenton; screenplay, Everett Freeman; music, Henry Russell; film editor, James Smith.

Cast: Dorothy Lamour, George Montgomery, Albert Dekker, Otto Kruger, Glenda Farrell.

LULU GETS THE BIRDIE. Paramount Pictures Inc., c1944. 1 reel, sd.

Credits: Director, I. Sparber; story, Carl Meyer; animation, Dave Tendlar, Morey Reden, John Walworth, John Gentilella.

LULU IN HOLLYWOOD. Paramount Pictures Inc., c1944. 1 reel, sd.

Credits: Director, I. Sparber; story, Joe Stultz, Dana Coty.

LULU'S BIRTHDAY PARTY. Paramount Pictures Inc., c1944. 1 reel, sd.

Credits: Director, I. Sparber.

LULU'S INDOOR OUTING. Paramount Pictures Inc., c1944. 1 reel, sd.

Credits: Director, I. Sparber; story, Carl Meyer, Joe Stultz.

LUMBERJACK. Released through United Artists, c1944. Presented by Harry A. Sherman Productions, 94 min., sd. Based on characters created by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Lesley Selander; screenplay, Norman Houston, Barry Shipman; music director, Irvin Talbot; photographer, Russell Harlan; film editor, Fred W. Berger.

Appl. author: United Artists Corp.

LUMBERJACK AND JILL. Paramount Pictures Inc., c1949. 7 min., sd., color, 35mm. (Popeye the Sailor Cartoon)

Credits: Director, Seymour Kneitel; animation, Tom Johnson, George Rufle; story, Carl Meyer, Jack Mercer.

LA LUNE. Encyclopaedia Britannica Films, Inc., c1948. 1 reel, sd., b&w, 16mm. French version of "The Moon."

Summary: Explains with animation and other cinematic devices the phases of the moon, its orbit, the lunar month, sunrise and sunset on the moon, occultation of stars, the moon's path in space, and lunar and solar eclipses.

Credits: Collaborator, Walter Bartky.

LURE OF THE ISLANDS. Monogram Pictures Corp., c1942. 7 reels, sd.

Credits: Producer, Lindsley Parsons; director, Jean Yarbrough; original screenplay, Edmond Kelso, George Bricker, Scott Littleton; photography, Mack Stengler; film editor, Jack Ogilvie.

LURE OF THE SURF. Paramount Pictures Inc., c1942. 1 reel, sd. (Grantland Rice Sportlight)

Credits: Narrator, Ted Husing.

LURE OF THE TROUT. Twentieth Century-Fox Film Corp., c1940. 1 reel, sd., color. (Ed Thorgersen's Sports Review)

Credits: Producer, Truman Talley; continuity, Russ Sheilds; described by Ed Thorgersen; photographer, Jack Painter. Technicolor.

LURED. Oakmont Pictures, Inc., c1947. 103 min., sd., b&w, 35mm. A Hunt Stromberg production.

Credits: Producer, James Nasser; director, Douglas Sirk; story, Jacques Companeez, Ernest Neuville, Simon Gantillon; screenplay, Leo Rosen; music, Michel Michelet; film editor, John M. Foley.

Cast: George Sanders, Lucille Ball, Charles Coburn, Boris Karloff, Sir Cedric Hardwicke.

LUST FOR GOLD. Columbia Pictures Corp., c1949. 91 min., sd., color, 35mm. Previously entitled "For Those Who Dare." Based on the book "Thunder Gods Gold" by Barry Storm.

Summary: A Western about the attempts to locate the entrance to a gold mine which was covered over by the Apache Indians one hundred years ago. Setting, the Superstition Mountains of Arizona.

Credits: Producer and director, S. Sylvan Simon; screenplay, Ted Sherdman, Richard English; film editor, Gene Harlick.

Cast: Ida Lupino, Glenn Ford, William Prince, Will Geer, Gig Young.

LUXURY LINER. Loew's Inc., c1948. 91 min., sd., color, 35mm.

Summary: A school girl whose father is captain of a luxury liner runs away from school and becomes a stowaway on his ship. A musical comedy featuring an aria from Aïda.

Credits: Producer, Joe Pasternak; director, Richard Whorf; screenplay, Gladys Lehman, Richard Connell; music director, Georgie Stoll; film editor, Robert J. Kern.

Cast: George Brent, Jane Powell, Lauritz Melchior, Frances Gifford, Xavier Cugat and his orchestra.

LYDIA. Alexander Korda Films, Inc. Released through United Artists, c1941. Presented by Alexander Korda. 100 min., sd. A Julien Duvivier film.

Credits: Producer, Alexander Korda; director, Julien Duvivier; original story, Julien Duvivier, L. Bus-Fekete; screenplay and dialogue, Ben Hecht, Samuel Hoffenstein; music, Miklos Rozsa.

THE LYIN' LION. Terrytoons, Inc. Released through Twentieth Century-Fox Film Corp., c1949. 7 min., sd., color, 35mm. (Terrytoon)

Credits: director, Connie Rasinski; story, John Foster; music, Philip A. Scheib.

LYNCH'S SIMPLIFICATION OF THE PERINEAL OPERATION FOR EXCISION OF THE RECTO-SIGMOID. Evelyn Mallory Tate Buchanan, c1944. 1 reel.

225

M

MA AND PA KETTLE. Universal Pictures Co., Inc. Released through Universal-International Pictures Co., Inc., c1949. 76 min., sd., b&w, 35mm. Based on characters from "The Egg and I" by Betty MacDonald.

Summary: A slapstick comedy in which the father of fifteen children moves his household from a dilapidated farm to a bewildering push-button home that he has won in a slogan contest.

Credits: Producer, Leonard Goldstein; director, Charles Lamont; screenplay, Herbert Margolis, Louis Morheim, Al Lewis; music, Milton Schwarzwald; film editor, Russell Schoengarth.

Cast: Marjorie Main, Percy Kilbride, Richard Long, Meg Randall, Patricia Alphin.

MA, HE'S MAKING EYES AT ME. Soundies Distributing Corp. of America, Inc., c1942. 1 reel, sd.

MA, HE'S MAKING EYES AT ME! Universal Pictures Co., Inc., c1940. 7 reels. From a story by Ed. Sullivan.

Credits: Director, Harold Schuster; screenplay, Charles Grayson, Edmund L. Hartmann.

MABEL AT THE BEAUTY TARGET. Soundies Distributing Corp. of America, Inc., c1942. 1 reel, sd.

MABEL, MABEL. Soundies Distributing Corp. of America, Inc., c1946. 1 reel, sd., b&w, 16mm. A Filmcraft production.

Credits: Director, William Forest Crouch.

THE MACADEMY AWARDS. Paramount Pictures Inc., c1949. 1 reel, sd., b&w, 35mm. (Pacemaker Series)

Summary: A satire on Academy Awards using 1910 flicks.

Credits: Chairman, Justin Herman; master of ceremonies, Dennis James.

MACARTHUR IS THE NAME. Soundies Distributing Corp. of America, Inc., c1942. 1 reel, sd.

MACBETH. Mercury Productions. Released through Republic Pictures Corp., c1948. 107 min., sd., b&w, 35mm. A Charles K. Feldman presentation.

Summary: Orson Welles' adaptation of the Shakespearean tragedy.

Credits: Producer and director, Orson Welles; music, Jacques Ibert; film editor, Louis Lindsay.

Cast: Orson Welles, Jeanette Nolan, Dan O'Herlihy, Roddy McDowall, Edgar Barrier.

THE MCFARLAND TWINS AND THEIR ORCHESTRA. Paramount Pictures Inc., c1942. 1 reel, sd. (A Paramount Headliner)

Credits: Producer and director, Leslie Roush; continuity, Justin Herman; photographer, George Webber.

THE MCGUERINS FROM BROOKLYN. Released thru United Artists, c1942. Presented by Hal Roach. 5 reels, sd.

Credits: Producer, Fred Guiol; director, Kurt Neumann; screenplay, Earle Snell, Clarence Marks; music score, Edward Ward; film editor, Richard Currier.

MACHINE GUN BUTCH. Soundies Distributing Corp. of America, Inc., c1943. 1 reel, sd.

MACHINE GUN MAMA. P.R.C. Pictures, Inc., c1944. 7 reels, sd.

Credits: Producer, Jack Schwarz; director, Harold M. Young; original screenplay, Sam Neuman; music arrangers, Mort Glickman, David Chudnow; film editor, Robert O. Crandall.

THE MACHINE MAKER. Erpi Classroom Films, Inc., c1939. 1 reel, sd.

Appl. author: Frank C. Hockema.

MACHINE SHOEMAKING. United Shoe Machinery Corp. 9,000 ft., 35mm.

Summary: Illustrates various operations in the manufacture of shoes.

MACHINE SHOP WORK. © Audio Productions, Inc.

1. Rough Facing, Turning and Drilling on a Vertical Turret Lathe. © title, descr., & 4 prints, 6Jan42; MU11982.

2. Rough Facing, Boring and Turning a Shoulder on a Vertical Turret Lathe. © title, descr., & 4 prints, 6Jan42; MU11983.

3. Facing, Turning, Boring, Grooving and Chamfering on a Vertical Turret Lathe Using Two Heads. © title, descr., & 4 prints, 6Jan42; MU11984.

MACHINE SHOP WORK; action, use and care of single point cutting tools. Distributed by The Federal Security Agency, U. S. Office of Education, c1942. 1 reel each, sd. © The Calvin Co.

Appl. author: The Calvin Co. employer for hire of Chester Lawrence Sherwood.

1. Fundamentals of the Side Cutting Tools. © 25Sep42; MP13069.

2. Fundamentals of End Cutting Tools. © 25Sep42; MP13070.

MACHINE SHOP WORK; action, use and care of single point cutting tools. The Calvin Co., c1944. 1 reel each, 16mm. © The Calvin Co.

1. Fundamentals of Side Cutting Tools. © 1Jun44; MP992.

2. Fundamentals of End Cutting Tools. © 1Jun44; MP993.

MACHINE SHOP WORK; basic machines. Loucks & Norling Studios, c1945. 1 reel each, sd. © Loucks & Norling Studios.

1. The Shaper. © 1Jun45; MP16265.

2. The Lathe. © 1Jun45; MP16266.

3. The Milling Machine. © 1Jun45; MP470.

MACHINE SHOP WORK; basic machines, the drill press. Atlas Educational Film Co., c1945. 1 reel.

MACHINE SHOP WORK; bench work. Ray-Bell Films, Inc., c1942. 1 reel each.

Appl. author: Reid H. Ray.

1. Cutting Threads with Taps and Dies. © 25Aug42; MP12969.

2. Scraping Flat Surfaces. © 25Aug42; MP12970.

3. Fitting and Scraping Small Bearings. © 25Aug42; MP12971.

4. Reaming with Straight Hand Reamers. © 25Aug42; MP12972.

5. Reaming with Taper Hand Reamers. © 25Aug42; MP12973.

MACHINE SHOP WORK; bench work. Distributed by The Federal Security Agency, U. S. Office of Education, c1942–44. 1 reel each, sd. © The Calvin Co.

Appl. author: The Calvin Co. employer for hire of Chester Lawrence Sherwood.

1. Laying Out Small Castings. © 25Sep42; MP13071.

2. Centering Small Stock. © 25Sep42; MP13072.

3. Fundamentals of Filing. © 25Sep42; MP13073.

6. Laying Out Small Castings. © 1Jun44; MP989.

7. Centering Small Stock. © 1Jun44; MP990.

8. Fundamentals of Filing. © 1Jun44; MP991.

MACHINE SHOP WORK; carbide cutting tools. Mode-Art Pictures, Inc., c1945. 1 reel each. © Mode-Art Pictures, Inc.

1. Brazing Carbide Tools. © 1Jun45; MP16282.

2. Grinding Single-Point Carbide Tools. © 1Jun45; MP16283.

3. Grinding Multiple-Point Carbide Tools. © 1Jun45; MP16284.

4. Cutting with Carbide Tools. Part 1: Single Point. © 1Jun45; MP16285.

5. Cutting with Carbide Tools. Part 2: Milling Cutters. © 1Jun45; MP16286.

MACHINE SHOP WORK; fundamentals of blueprint reading. Ray-Bell Films, Inc., c1944–45. 1 reel each, 16mm. © Ray-Bell Films, Inc.

1. Visualizing an Object. © 1Jun45; MP493.

2. Reading a Three-View Drawing. © 1Jun45; MP492.

4. Sectional Views and Projections, Finish Marks. Appl. author: Lawrence Rosenthal. © 13Mar44; MP14604.

MACHINE SHOP WORK; operations on a broaching machine. Ray-Bell Films, Inc., 1 reel each. © Ray-Bell Films, Inc.

Appl. author: Reid H. Ray.

1. Broaching an Internal Keyway. © 1Mar45; MP15809.

2. Single Ram Vertical Surface Broaching. © 1Mar45; MP15838.

3. Double Ram Vertical Surface Broaching. © 1Mar45; MP15811.

MACHINE SHOP WORK; operations on a milling machine. Hartley Productions, c1945. 1 reel each. © Hartley Productions.

5. Milling a Template. © 1Jul45; MP16212.

6. Cutting a Short Rack. © 1Jul45; MP16213.

7. Boring Holes with Offset Boring Head. © 1Jul45; MP16214.

8. Milling a Helical Cutter. © 1Jul45; MP16215.

9. Cutting Teeth on a Worm Gear. © 1Jul45; MP16216.

MACHINE SHOP WORK; operations on a planer. Harfilms, Inc., c1945. 1 reel, 16mm. © Harfilms, Inc.

1. Planing a Flat Surface. © 1Apr45; MP547.

MACHINE SHOP WORK; operations on a planer. Ray-Bell Films, Inc., c1945. 1 reel. 226© Ray-Bell Films, Inc.

Appl. author: Reid H. Ray.

2. Planing a Dovetail Slide. © 1Mar45; MP15810.

MACHINE SHOP WORK; operations on the center-type grinder. Emerson Yorke Studio, for the U. S. Office of Education, c1944. 1 reel each, sd. © Emerson Yorke Studio.

Appl. authors: H. M. Huffman, Samuel A. Datlowe.

1. Grinding a Plain Pin: pt. 1, The Grinding Wheel. © 21Apr44; MP14755.

2. Grinding a Plain Pin: pt. 2, Grinding Operations. © 21Apr44; MP14756.

3. Grinding a Slender Shaft with Back Rest. © 21Apr44; MP14757.

4. Plunge Cut Grinding. © 21Apr44; MP14758.

5. Grinding a Taper. © 21Apr44; MP14759.

MACHINE SHOP WORK; operations on the centerless grinding machine. Ray-Bell Films, Inc., c1944. 3 reels each. © Ray-Bell Films, Inc.

Appl. author: Lawrence M. Rosenthal.

1. Thrufeed Grinding a Straight Pin: pt. 1. © 20Jun44; MP15405.

2. Thrufeed Grinding a Straight Pin: pt. 2. © 20Jun44; MP15406.

3. Infeed Grinding Shouldered Work. © 20Jun44; MP15407.

4. Infeed Grinding a Shaft of Two Diameters. © 20Jun44; MP15408.

5. Endfeed Grinding a Tapered Pin. © 20Jun44; MP15409.

MACHINE SHOP WORK; operations on the cutter grinder. Emerson Yorke Studio, c1943. 2 reels each, sd. © Emerson Yorke Studio.

Appl. authors: S. A. Datlowe, H. M. Huffman.

1. Sharpening a Side Milling Cutter. © 25Nov43; MP14308.

2. Sharpening a Plain Helical Milling Cutter. © 25Nov43; MP14309.

3. Sharpening a Shell End Mill. © 25Nov43; MP14310.

4. Sharpening an Angular Cutter. © 25Nov43; MP14311.

5. Sharpening a Form Relieved Cutter. © 25Nov43; MP14312.

MACHINE SHOP WORK; operations on the drill press (radial drill). © Emerson Yorke Studio.

Appl. author: Emerson Yorke.

4. Drilling and Tapping Cast Steel. © title, descr., & 2 prints, 17Dec41; MU11922.

5. Drilling to a Layout and Spotfacing Cast Iron. © title, descr., & 2 prints, 17Dec41; MU11923.

MACHINE SHOP WORK; operations on the engine lathe. sd. © Atlas Educational Film Co.

Appl. author: John G. Curtis.

8. Cutting an Internal Acme Thread. © title, descr., & 2 prints, 31Dec43; MU14348.

9. Cutting an Internal Taper Pipe Thread. © title, descr., & 2 prints, 13Mar44; MU14587.

10. Turning Work Held on a Fixture. © title, descr., & 2 prints, 13Mar44; MU14588.

11. Boring to Close Tolerances. © title, descr., & 2 prints, 13Mar44; MU14589.

12. Machining Work Held in a Chuck. © title, descr, & 2 prints, 13Mar44; MU14590.

13. Turning Work Held on a Mandrel. © title, descr., & 2 prints, 13Mar44; MU14591.

14. Using a Steady Rest. © title, descr., & 2 prints, 31Dec43; MU14349.

15. Using a Follower Rest. © title, descr., & 2 prints, 31Dec43; MU14350.

16. Using a Boring Bar Between Centers. © title, descr., & 2 prints, 13Mar44; MU14592.

MACHINE SHOP WORK; operations on the gear hobbing machine. Emerson Yorke Studios, c1945. 1 reel each, 16mm. © Emerson Yorke Studios.

1. Hobbing a Spur Gear: pt. 1, Setting Up the Change Gears. © 1Jun45; MP471.

2. Hobbing a Spur Gear; pt. 2, Setting Up and Hobbing the Work. © 1Jun45; MP472.

3. Hobbing a Square Tooth Spline Shaft. © 1Jun45; MP473.

4. Hobbing a Worm Gear—Infeed Method. © 1Jun45; MP474.

5. Hobbing a Helical Gear, Two Cuts—Non-differential Method. © 1Jun45; MP475.

MACHINE SHOP WORK; operations on the horizontal boring mill. Escar Motion Picture Service, Inc., c1945. 1 reel each, 16mm. © Escar Motion Picture Service, Inc.

1. Setup for Face Milling With a Fixture. © 1Nov45; MP507.

2. Face Milling With a Fixture. © 1Dec45; MP372.

3. Contour Face Milling. © 1Dec45; MP373.

4. Setup for Rough Line-Boring. © 1Dec45; MP374.

5. Rough Line-Boring. © 1Nov45; MP508.

6. Drilling, Tapping, Stub-Boring, and Reaming. © 1Dec45; MP375.

MACHINE SHOP WORK; operations on the internal grinder. Emerson Yorke Studio, c1944. 1 reel each, sd. © Emerson Yorke Studio.

Appl. author: Samuel A. Datlowe.

1. Grinding a Straight Hole. © 26May44; MP14874.

2. Grinding a Deep Hole. © 26May44; MP14875.

3. Grinding and Facing a Blind Hole. © 26May44; MP14876.

MACHINE SHOP WORK; operations on the lathe. Distributed by the Federal Security Agency and U. S. Office of Education, c1942. 1 reel each, sd. © West Coast Sound Studios, Inc.

Appl. author: Alleyne W. Manchee.

6. Turning a Taper with the Tail Stock Set Over. © 26Sep42; MP12887.

7. Cutting an External Acme Thread. © 26Sep42; MP12888.

MACHINE SHOP WORK; operations on the metal cutting band saw. Ray-Bell Films, Inc., c1944. 3 reels each. © Ray-Bell Films, Inc.

Appl. author: Reid H. Ray.

1. Sawing an Internal Irregular Shape. © 12Oct44; MP15383.

2. Filing an Internal Irregular Shape. © 12Oct44; MP15384.

MACHINE SHOP WORK; operations on the sensitive drill. Distributed by Federal Security Agency and U. S. Office of Education, c1942. 1 reel, sd. © West Coast Sound Studios, Inc.

Appl. author: Alleyne W. Manchee.

1. Drilling a Hole in a Pin. © 26Sep42; MP12891.

MACHINE SHOP WORK; operations on the shaper. © Emerson Yorke Studio.

Appl. author: Emerson Yorke.

1. Cutting a Keyway on End of a Finished Shaft. © title, descr., & 2 prints, 17Dec41; MU11919.

2. Machining a Cast Iron Rectangular Block. © title, descr., & 2 prints, 17Dec41; MU11920.

3. Machining a Tool Steel V Block. © title, descr., & 2 prints, 17Dec41; MU11921.

MACHINE SHOP WORK; operations on the surface grinder. Worcester Film Corp., c1945. 1 reel each. © Worcester Film Corp.

1. Grinding a Parallel Bar: pt. 1, Setting Up the Machine. © 1Aug45; MP16485.

2. Grinding A Parallel Bar: pt. 2, Grinding Operations. © 1Aug45; MP16486.

3. Grinding a Template. © 1Aug45; MP16487.

4. Grinding a V Block. © 1Aug45; MP16488.

5. Grinding Thin Discs. © 1Aug45; MP16489.

MACHINE SHOP WORK; operations on the turret lathe. Atlas Educational Film Co., c1945. 1 reel each. © Atlas Educational Film Co.

1. Setting Up Bar Mechanism and Roller Turner. 1Jun45; MP16125.

2. Setting Up Multiple Roller Turner and Turning a Taper. © 1Jun45; MP16126.

3. Necking and Threading by Use of Attachment and by Die Head. © 1Jun45; MP16127.

MACHINE SHOP WORK; operations on the turret lathe. Industrial Film Guild, c1945. 1 reel. © Industrial Film Guild.

4. Setting Up and Matching Bar Stock. © 1Jun45; MP368.

MACHINE SHOP WORK; operations on the turret lathe. Escar Motion Picture Service, Inc., c1945. 1 reel each. © Escar Motion Pictures Service, Inc.

The Turret Lathe—An Introduction. © 1Dec45; MP369.

Chuck Work: pt. 1, Setting Up Hexagon Turret Tools. © 1Dec45; MP370.

Chuck Work; pt. 2, Setting Up Tools for Combined Cuts. © 1Dec45; MP371.

MACHINE SHOP WORK; operations on the vertical drill. Distributed by the Federal Security Agency and U. S. Office of Education, c1942. 1 reel each, sd. © West Coast Sound Studios, Inc.

Appl. author: Alleyne W. Manchee.

1. Locating Holes, Drilling and Tapping in Cast Iron. © 26Sep42; MP12889.

2. Countersinking, Counterboring and Spot Facing. © 26Sep42; MP12890.

MACHINE SHOP WORK; operations on the vertical milling machine. Ray-Bell Films, Inc., c1943–44. 1 reel each. © Ray-Bell Films, Inc.

Appl. author: Lawrence M. Rosenthal.

1. Using a Shell End Mill. © 20Dec43; MP14489.

2. Cutting a Dovetail Taper Slide. © 9Feb44; MP14490.

3. Cutting a Round End Keyway. © 9Feb44; MP14491.

4. Milling a Helical Groove. © 20Dec43; MP14492.

5. Milling a Circular T-Slot. © 20Dec43; MP14493.

MACHINE SHOP WORK; precision measurement. Ray-Bell Films, Inc., c1945. 1 reel. © Ray-Bell Films, Inc.

Appl. author: Reid H. Ray.

8. Gage Blocks and Accessories. © 1Mar45; MP15813.

MACHINE TRANSCRIPTION. United States Navy. sd., 16mm. © De Frenes & Co.

Appl. authors: George W. Chapman, H. Bauernschmidt.

Machine operation. © title & descr., 15Nov43; 8 prints, 27Oct43; MU14138.

Transcription Technique. © title & descr., 15Nov43; 3 prints, 27Oct43; MU14137.

LES MACHINES ELEMENTAIRES. Encyclopaedia Britannica Films, Inc., c1948. 1 reel, sd., b&w, 16mm. French version of "Simple Machines."

Summary: Shows the basic features of simple machines—the lever, the inclined plane, the wedge, the pulley, and the screw—and demonstrates their application to modern complex machines. Animated drawings clarify abstract mechanical principles.

Credits: Collaborator, H. Horton Sheldon.

MACKINAC ISLAND. c1944. Presented by Metro-Goldwyn-Mayer. 864 ft., sd., color. 227(James A. FitzPatrick's Traveltalks)

Credits: Producer and narrator, James A. FitzPatrick; music score, Nat Finston; photographer, Virgil Miller. Technicolor.

MCLEOD'S FOLLY. SEE Johnny Come Lately.

MACNAMARA'S BAND. Soundies Distributing Corp. of America, Inc., c1941. 1 reel, sd.

THE MACOMBER AFFAIR. Award Productions, Inc., c1947. 89 min., sd., b&w, 35mm. Adapted from "The Short Happy Life of Francis Macomber" a story by Ernest Hemingway.

Credits: Producers, Benedict Bogeaus, Casey Robinson; director, Zoltan Korda; screenplay, Casey Robinson, Seymour Bennett; adaptation, Seymour Bennett, Frank Arnold; music, Miklos Rozsa; film editors, George Feld, Jack Wheeler.

Cast: Gregory Peck, Joan Bennett, Robert Preston, Reginald Denny, Jean Gillie.

MAD ABOUT HER BLUES. Soundies Distributing Corp. of America, Inc., c1946. 1 reel, sd.

Credits: Director, William Forest Crouch.

MAD ABOUT MOONSHINE. RKO Radio Pictures, Inc., c1941. 19 min., sd.

Credits: Producer, Lou Brock; director, Harry D'Arcy; story, Harry D'Arcy, George Jeske; film editor, Les Millbrook.

THE MAD DOCTOR. Paramount Pictures Inc., c1940. 10 reels, sd.

Credits: Producer, George Arthur; director, Tim Whelan; screenplay, Howard J. Green; photographer, Ted Tetzlaff; film editor, Archie Marshek.

THE MAD DOCTOR OF MARKET STREET. Universal Pictures Co., Inc., c1941. 6 reels, sd.

Credits: Associate producer, Paul Malvern; director, Joseph Lewis; original screenplay, Al Martin; photography, Jerry Ash; film editor, Ralph Dixon.

THE MAD GHOUL. Universal Pictures Co., Inc., c1943. 7 reels, sd.

Credits: Associate producer, Ben Pivar; director, James Hogan; original story, Hans Kraly; screenplay, Brenda Weisberg, Paul Gangelin; film editor, Milton Carruth.

THE MAD HATTER. Released by Columbia Pictures Corp., c1940. 653 ft., sd., color. (A Color Rhapsody)

Credits: Director, Sid Marcus; animation, Art Davis, Herb Rothwill; music, Joe De Nat.

THE MAD HATTER. Walter Lantz Productions, Inc., c1947. 7 min., sd., color, 35mm. (Walter Lantz Cartune)

Credits: Director, Dick Lundy; story, Ben Hardaway, Webb Smith.

THE MAD MAESTRO. Loew's Inc. c1939. Presented by Metro-Goldwyn-Mayer. 703 ft., sd., color. (An MGM Cartoon) A Hugh Harman production.

Credits: Technicolor.

THE MAD MARTINDALES. Twentieth Century-Fox Film Corp., c1942. 5,824 ft., sd. Based upon a play by Wesley Towner, from a play by Ludwig Hirschfeld and Edmund Wolf.

Credits: Director, Alfred E. Werker; screenplay, Francis Edwards Faragoh; music direction, Emil Newman.

MAD MEN OF EUROPE. Columbia Pictures Corp., c1940. 8 reels, sd. From the play by Guy du Maurier.

Credits: Director, Albert de Courville; screen adaptation, Ian Hay, Edward Knoblock, Dennis Wheatley; music director, Louis Levy; photography, Mutz Greenbaum, Harry Harris; editor, Lister Laurance.

THE MAD MONSTER. Producers Releasing Corp., c1942. 8 reels, sd.

Credits: Producer, Sigmund Neufeld; director, Sam Newfield; original screenplay, Fred Myton; music, David Chudnow; film editor, Holbrook N. Todd.

MADAME BOVARY. Loew's Inc., c1949. 114 min., sd., b&w, 35mm. Based on Gustave Flaubert's novel. An MGM picture.

Summary: A period drama introduced by a re-enactment of Flaubert's trial in 1857, at which the author defends his realistic novel about an unfaithful, greedy woman.

Credits: Producer, Pandro S. Berman; director, Vincente Minnelli; screenplay, Robert Ardrey; music, Miklos Rozsa; film editor, Ferris Webster.

Cast: James Mason, Jennifer Jones, Van Heflin, Louis Jourdan, Christopher Kent.

MADAME CURIE. Loew's Inc., c1943. Presented by Metro-Goldwyn-Mayer. 13 reels, sd., b&w. Based on the book by Eve Curie.

Credits: Producer, Sidney Franklin; director, Mervyn LeRoy; screenplay, Paul Osborn, Paul H. Rameau; narrator, James Hilton; music score, Herbert Stothart; film editor, Harold F. Kress.

MADAME SPY. Universal Pictures Co., Inc., c1942. 7 reels, sd.

Credits: Associate producer, Marshall Grant; director, Roy William Neill; original story, Clarence Upson Young; screenplay, Lynn Riggs, Clarence Upson Young; photography, George Robinson; film editor, Ted Kent.

MADEMOISELLE DOCTEUR. SEE Under Secret Orders.

MADEMOISELLE FIFI. RKO Radio Pictures, Inc., c1944. 69 min., sd. Based on stories of Guy de Maupassant.

Credits: Producer, Val Lewton; director, Robert Wise; screenplay, Josef Mischel, Peter Ruric; music, Werner Heymann; music director, C. Bakaleinikoff; editor, J. R. Whittredge.

MLLE FIFI. Marshall Grant-Realm Television Productions, c1949. 2 reels, sd., b&w, 16mm. Based on the story by Guy de Maupassant.

Summary: A drama about the German occupation of France in 1870, and a Prussian officer, nicknamed Mlle Fifi, who attempts to overcome the resistance of the villagers.

Credits: Screenplay, Stanley Rubin.

MADERO OF MEXICO. Loew's Inc., c1942. Presented by Metro-Goldwyn-Mayer. 979 ft., sd., b&w. (John Nesbitt's Passing Parade)

Credits: Director, Edward Cahn; original story, Brainerd Duffield; screenplay, Doane Hoag, Brainerd Duffield; music score, Sol Kaplan.

MADHATTAN ISLAND. Paramount Pictures Inc., c1947. 9 min., sd., color, 35mm.

Credits: Director, Seymour Kneitel; story, I. Klein.

MADMAN'S HOLIDAY. SEE Crack Up.

MADONNA OF THE DESERT. Republic Productions, Inc., c1948. 60 min., sd., b&w, 35mm.

Summary: The story of a young girl who plans to steal a jewelled madonna.

Credits: Associate producer, Stephen Auer; director, George Blair; original story, Frank Wisbar; screenplay, Albert DeMond; music director, Mort Glickman; film editor, Harry Keller.

Cast: Lynne Roberts, Donald Barry, Don Castle, Sheldon Leonard.

MADONNA OF THE SEVEN MOONS. Universal Pictures Co., Inc., c1946. 10 reels, sd. A Gainsborough picture. From the novel by Margery Lawrence.

Credits: Producer, R. J. Minney, director, Arthur Crabtree; screenplay, Roland Pertwee; photographer. Jack Cox.

THE MADONNA'S SECRET. c1946. Presented by Republic Pictures. 8 reels, sd., 35mm.

Credits: Associate producer, Stephen Auer; director, William Thiele; original screenplay, Bradbury Foote, William Thiele; music score, Joseph Dubin; music director, Richard Cherwin; photographer, John Alton; film editor, Fred Allen.

Appl. author: Republic Productions, Inc.

MAESTROS OF THE COMICS. Universal Pictures Co., Inc., 1945. 1 reel, sd. (Person-Oddity, no. 145)

Credits: Producer, Thomas Mead; director, Carl S. Clancy; narrator, Arthur Hale.

MAGAZINE MODEL. SEE Variety Views, no. 129.

THE MAGIC ALPHABET. Loew's Inc., c1942. Presented by Metro-Goldwyn-Mayer. 992 ft., sd., b&w. (John Nesbitt's Passing Parade)

Credits: Director, Jack Tourneur; original story and screenplay, Robert Lopez; film editor, Harry Komer.

THE MAGIC BOW. Universal Pictures Co., Inc., c1947. Presented by J. Arthur Rank. 105 min., sd., b&w, 35mm. A Gainsborough picture. Based on the novel by Manuel Komroff.

Summary: A picture based on the life of the composer, Nicolò Paganini. Includes musical compositions of Beethoven and Tartini as well as those of Paganini. Setting is Italy during the Napoleonic period.

Credits: Producer, R. J. Minney; director, Bernard Knowles; screenplay, Roland 228Pertwee; music director, Louis Levy; incidental score, Henry Geehl; film editor, Alfred Roome.

Cast: Stewart Granger, Phyllis Calvert, Jean Kent, Dennis Price, Cecil Parker.

THE MAGIC CARPET. Soundies Distributing Corp. of America, Inc., c1942. 1 reel, sd.

THE MAGIC FLUKE. Columbia Pictures Corp., c1949. 7 min., sd., color, 35mm. (Fox and Crow Cartoon)

Credits: Executive producer, Steve Bosustow; director, John Hubley; story, Sol Barzman; music, Del Castillo; animation, Bob Cannon, Willis Pyle, Rudy Larriva, Pat Matthews.

MAGIC IN THE AIR. Presented by Chevrolet. 1 reel, sd., b&w.

MAGIC IN THE KITCHEN. c1946. 1 reel, 16mm.

Appl. author: Herbert Kerkow.

MAGIC IS THE MOONLIGHT. Soundies Distributing Corp. of America, Inc., c1945. 1 reel, sd.

MAGIC MINERAL. SEE Variety Views, no. 153.

MAGIC OF MAGNOLIAS. Soundies Distributing Corp. of America, Inc., c1942. 1 reel, sd.

THE MAGIC OF STEAM; the steam turbine. Presented by Allis Chalmers Mfg. Co. 2 reels each, b&w.

Appl. author: Jam Handy Picture Service, Inc.

MAGIC OF YOUTH. Twentieth Century-Fox Film Corp., c1945. 1 reel, sd., color. (Movietone Adventures)

Credits: Producer, Edmund Reek; narrator, Paul Douglas; music score, L. de Francesco; photographer, Jack Kuhne; film editor, Russ Sheilds. Technicolor.

MAGIC ON A STICK. Loew's Inc., c1945. Presented by Metro-Goldwyn-Mayer. 855 ft., sd., b&w. (John Nesbitt's Passing Parade)

Credits: Director, Cyril Endfield; original story and screenplay, Charles Larson; music score, Max Terr; film editor, Tom Biggart.

THE MAGIC PENCIL. Distributed by Twentieth Century-Fox Film Corp., c1940. Presented by Paul Terry. 1 reel, sd. (A Terrytoon)

Credits: Director, Volney White; story, John Foster; music, Philip A. Scheib.

THE MAGIC SHELL. Distributed by Twentieth Century-Fox Film Corp., c1941. Presented by Paul Terry. 1 reel, sd. (A Terrytoon)

Credits: Director, Mannie Davis; story, John Foster; music, Philip A. Scheib.

MAGIC STRENGTH. Screen Gems, Inc., c1944. 1 reel, sd. (Phantasy)

Credits: Director, Bob Wickersham; story, Dun Roman.

MAGIC TOWN. Robert Riskin Productions, Inc., c1947. 103 min., sd., b&w, 35mm. Based on a story by Robert Riskin and Joseph Krumgold.

Credits: Produced and written by Robert Riskin; director, William A. Wellman; music score, Roy Webb; music director, C. Bakaleinikoff; film editors, Sherman Todd, Richard G. Wray.

Cast: James Stewart, Jane Wyman, Kent Smith, Ned Sparks, Wallace Ford.

MAGICALULU. Paramount Pictures Inc., c1945. 1 reel, sd.

Credits: Director, Seymour Kneitel; story, Jack Ward.

MAGNESIUM, METAL FROM THE SEA. Presented by the Dow Chemical Co. 3 reels, b&w.

Appl. author: Jam Handy Organization, Inc.

MAGNESIUM, METAL FROM THE SEA. SEE This is Magnesium.

THE MAGNET. Gateway Productions, Inc., c1949. 10 min., sd., b&w, 16mm. (The Pirro Series, no. 5)

Summary: Pat shows his puppet, Pirro, how a magnet works.

Credits: Directed and written by Alvin J. Gordon.

©Gateway Productions, Inc.; 26Jan49 (in notice: 1948); LP2342.

MAGNETISM. Coronet, c1947. 12 min., sd., b&w, 16mm.

Credits: Collaborator, N. E. Bingham.

MAGNETS. Young America Films, Inc., c1946. 12 min. With A Teacher's Guide.

MAGNETS AND MAGNETISM. De Forest's Training, Inc., c1948. 100 feet, b&w, 16mm. (Radio Electronics. Reel lesson 3)

Summary: Explains the basic principles of magnetism as an aid to the understanding of the operation of the various magnetic applications in electronic devices.

THE MAGNIFICENT AMBERSONS. c1942. 88 min., sd. A Mercury production. From the novel by Booth Tarkington.

Credits: Screenplay, production and direction, Orson Welles; music, Bernard Herrmann; photographer, Stanley Cortez; film editor, Robert Wise.

MAGNIFICENT DOLL. Hallmark Productions, Inc., c1946. 95 min., sd., b&w, 35mm. A Jack H. Skirball-Bruce Manning production.

Credits: Producer, Jack H. Skirball; director, Frank Borzage; original story and screenplay, Irving Stone; music, H. J. Salter; orchestrations, David Tamkin; film editor, Ted J. Kent.

Cast: Ginger Rogers, David Niven, Burgess Meredith.

THE MAGNIFICENT DOPE. Twentieth Century-Fox Film Corp., c1942. 7,500 ft., sd.

Credits: Director, Walter Lang; original story, Joseph Schrank; screenplay, George Seaton; music director, Emil Newman.

THE MAGNIFICENT ROGUE. Republic Pictures Corp., c1946. 74 min., sd., b&w, 35mm.

Credits: Associate producer, Wm. J. O'Sullivan; director, Albert S. Rogell; original story, Gerald Drayson Adams, Richard Sokolove; screenplay, Dane Lussier; adaptation, Sherman L. Lowe; music director, Mort Glickman; film editor, Richard L. Van Enger.

Cast: Lynne Roberts, Warren Douglas, Gerald Mohr, Stephanie Bachelor, Adele Mara.

Appl. author: Republic Productions, Inc.

MAHARAJA. Soundies Distributing Corp. of America, Inc., c1943. 1 reel, sd.

THE MAID. Charles W. Wilmert, c1949. 1 reel, sd., b&w, 16mm.

Summary: Illustrates the value of "The Maid," a device designed to hold bedding in place.

A MAID MADE MAD. Columbia Pictures Corp., c1943. 1,410 ft., sd.

Credits: Director, Del Lord; story and screenplay, Elwood Ullman, Monty Collins.

MAID TROUBLE. RKO Radio Pictures, Inc., 18 min., sd.

Credits: Producer, George Bilson; direction and screenplay, Harry Edwards; film editor, Edward W. Williams.

MAIL DOG. Walt Disney Productions, c1947. 7 min., sd., color, 35mm. (A Walt Disney Pluto)

Credits: Director, Charles Nichols; story, Eric Gurney, Bill de la Torre; animation, George Nicholas, George Kreisl, Jerry Hathcock, Jack Boyd; music, Oliver Wallace. Technicolor.

MAIL TROUBLE. RKO Radio Pictures, Inc., c1942. 18 min., sd.

Credits: Producer, Bert Gilroy; director, Lloyd French; story, George Jeske, Charles E. Roberts; film editor, Mark Robson.

THE MAILMAN. Encyclopaedia Britannica Films, Inc., in collaboration with Paul R. Hanna, c1947. 1 reel, sd., b&w, 16mm.

MAILMAN BLUES. Soundies Distributing Corp. of America, Inc., c1942. 1 reel, sd.

MAILMAN OF SNAKE RIVER. Twentieth Century-Fox Film Corp., c1944. 1 reel.

LA MAIN DU DIABLE (THE DEVIL'S HAND). c1946. 8 reels, sd., 35mm. First published Paris, France, date unknown. English titles.

Credits: Producer, Maurice Tourneur; scenario, Jean-Paul Le Chanois; music, Roger Dumas.

Appl. author: Maurice Tourneur Films.

229MAIN STREET AFTER DARK. Loew's Inc., c1944. Presented by Metro-Goldwyn-Mayer. 6 reels, sd., b&w.

Credits: Producer, Jerry Bresler; director, Edward Cahn; original story, John C. Higgins; screenplay, Karl Kamb, John C. Higgins; music score, George Bassman; film editor, Harry Komer.

THE MAIN STREET KID. Republic Productions, Inc., c1948. 64 min., sd., b&w, 35mm. Based on a radio play by Caryl Coleman.

Summary: A small-town printer with an interest in mental telepathy makes use of his hobby to help his daughter and her sweetheart.

Credits: Associate producer, Sidney Picker; director, R. G. Springsteen; screenplay, Jerry Sackheim; music director, Morton Scott; film editor, Tony Martinelli.

Cast: Al Pearce, Janet Martin, Alan Mowbray, Adele Mara, Arlene Harris.

MAIN STREET LAWYER, c1939. Presented by Republic Pictures. 8 reels, sd. Based on original story by Harry Hamilton.

Credits: Associate producer, Robert North; director, Dudley Murphy; screenplay, Joseph Krumgold; adaptation, Devery Freeman; music director, Cy Feuer; photographer, Jack Marta; film editor, William Morgan.

Appl. author: Republic Productions, Inc.

MAIN STREET ON THE MARCH! Loew's Inc., c1942. Presented by Metro-Goldwyn-Mayer. 1,768 ft., sd., sepia.

Credits: Director, Edward Cahn; original story and screenplay, Karl Kamb; narrator, John Nesbitt; music score, David Snell; film editor, Harry Komer.

MAIN STREET TODAY. Loew's Inc., c1944. Presented by Metro-Goldwyn-Mayer. 2 reels, sd., b&w, 35mm.

Credits: Director, Edward Cahn; original story and screenplay, Karl Kamb, Julian Harmon; narrator, John Nesbitt; music score, David Raksin; film editor, Tom Biggart.

MAIN STREET. U. S. A.—1942. SEE The March of Time, v. 8, no. 4.

MAINE SAIL. Twentieth Century-Fox Film Corp., c1949. 8 min., sd., color, 35mm. (Movietone Adventures)

Summary: Vacation highlights in Maine including scenes of Boothbay Harbor, old churches at Wiscasset, a clambake at Kennebunk Beach, and sailing at Penobscot Bay.

Credits: Producer, Edmund Reek; directed and written by Tom Cummiskey; narrator, George C. Putnam; music score, L. DeFrancesco; film editor, Valeska Weidig.

MAINTAIN THE RIGHT. Loew's Inc., with the cooperation of the Royal Canadian Mounted Police, c1940. 950 ft., sd., b&w. (A Pete Smith Specialty)

Credits: Directors, Joe Newman, Willard Van Der Veer; screenplay, E. Maurice Adler, Jerry Hoffman; film editor, Philip Anderson.

MAINTAINING CLASSROOM DISCIPLINE. McGraw-Hill Book Co., Inc., c1947. 14 min., sd., b&w, 16mm. (Teacher Education Series, film 3)

Summary: By contrasting different methods of handling the same class, the film explores techniques for maintaining discipline and stimulating the interest of students. Prepared to accompany the textbook, "Student Teaching," by Dr. Raleigh Schorling.

MAISIE GETS HER MAN. Loew's Inc., c1942. Presented by Metro-Goldwyn-Mayer. 8 reels, sd., b&w. Based upon the characters created by Wilson Collison.

Credits: Producer, J. Walter Ruben; director, Roy Del Ruth; original story, Betty Reinhardt, Ethel Hill; screenplay, Betty Reinhardt, Mary C. McCall, Jr.; music score, Lennie Hayton; film editor, Fredrick Y. Smith.

MAISIE GOES TO RENO. Loew's Inc., c1944. Presented by Metro-Goldwyn-Mayer. 9 reels, sd., b&w. Based upon the characters created by Wilson Collison.

Credits: Producer, George Haight; director, Harry Beaumont; original story, Harry Ruby, James O'Hanlon; screenplay, Mary C. McCall, Jr.; music score, David Snell; film editor, Frank E. Hull.

MAISIE WAS A LADY. Loew's Inc., c1941. Presented by Metro-Goldwyn-Mayer. 8 reels, sd., b&w.

Credits: Producer, J. Walter Ruben; director, Edwin L. Marin; original story, Betty Reinhardt, Myles Connolly; screenplay, Betty Reinhardt, Mary C. McCall, Jr.; music score, David Snell; film editor, Fredrick Y. Smith.

MAJESTY OF YELLOWSTONE. Twentieth Century-Fox Film Corp., c1948. 8 min., sd., b&w, 35mm. (Movietone Adventures)

Summary: A pictorial study of Yellowstone National Park, with emphasis on the work of the Rangers of the National Park Service.

Credits: Producer, Edmund Reek; narrator, George Carson Putnam; music, L. DeFrancesco; film editor, Arthur Lincer.

THE MAJOR AND THE MINOR. Paramount Pictures Inc., c1942. 10 reels, sd. Suggested by a play by Edward Childs Carpenter from a story by Fannie Kilbourne.

Credits: Producer, Arthur Hornblow, Jr.; director, Billy Wilder; written by Charles Brackett, Billy Wilder; music score, Robert Emmett Dolan; editor, Doane Harrison.

MAJOR BARBARA. Released by United Artists, c1941. Presented by Gabriel Pascal. 13 reels, sd. By George Bernard Shaw.

Credits: Producer and director, Gabriel Pascal; scenario and dialogue, George Bernard Shaw; music, William Walton; music director, Muir Mathieson; cameraman, Ronald Neame; film editor, Charles Frend.

MAKA LA PUA. Soundies Distributing Corp. of America, Inc., c1943. 1 reel, sd.

MAKE BELIEVE BALLROOM. Columbia Pictures Corp., c1949. 79 min., sd., b&w, 35 mm. Based on the Al Jarvis and Martin Block radio programs of the same title.

Summary: An all-star comedy about a "Musical Mystery Contest."

Credits: Producer, Ted Richmond; director, Joseph Santley; story, Albert Duffy; screenplay, Albert Duffy, Karen DeWolf; film editor, Jerome Thoms.

Cast: Jerome Courtland, Ruth Warrick, Ron Randell, Virginia Welles, Al Jarvis.

MAKE MINE FREEDOM. Loew's Inc., c1948. 1 reel, sd., color, 35mm. (An MGM Cartoon)

Summary: In this cartoon, the basic freedoms enjoyed in America are enumerated, and citizens are warned against adoption of Utopian schemes that may cost the nation its liberty.

Credits: Music composition and arrangement, Scott Bradley, Paul J. Smith.

MAKE MINE LAUGHS. RKO Radio Pictures, Inc., c1949. 64 min., sd., b&w, 35mm.

Summary: A vaudeville revue which presents a series of comedy and musical acts including sequences clipped from old RKO features and shorts.

Credits: Producer, George Bilson; director, Richard O. Fleischer; Leon Errol sequence written and directed by Hal Yates; music director, Constantin Bakaleinikoff; film editors, Robert Swink, Edward W. Williams.

Cast: Ray Bolger, Anne Shirley, Dennis Day, Joan Davis, Jack Haley.

MAKE MINE MONICA. Paramount Pictures Inc., c1949. 11 min., sd., b&w, 35mm. (Pacemaker Series)

Credits: Directed and written by Justin Herman; editor, Robert Blauvelt.

MAKE MINE MUSIC. Walt Disney Productions, c1946. 75 min., sd., color, 35mm.

Credits: Production supervision, Joe Grant; directors, Jack Kinney, Clyde Geronimi, Hamilton Luske, Bob Cormack, Josh Meador; story, Homer Brightman; animation, Les Clark, George Rowley; music director, Charles Wolcott.

Cast: Nelson Eddy, Dinah Shore, Benny Goodman, Andrews Sisters, Jerry Colonna.

MAKE MY COFFEE BLACK. Video Varieties Corp. 3 min., sd., b&w, 35mm.

Summary: "Make My Coffee Black" is sung by The Striders, a Negro male quartet.

MAKE WAY FOR YOUTH. Transfilm, Inc., c1947. 23 min., sd., b&w, 16mm.

Credits: Director, Marvin Rothenberg; scenario, Basil Beyea and Burton Rowles, Jr.; narration, Melvyn Douglas.

MAKE YOU A GOOD WIFE. SEE My Own True Love.

MAKE YOUR OWN BED; if you don't...? Warner Bros. Pictures, Inc., c1944. 82 min., sd. A Warner Bros.-First National picture. From a play by Harvey J. O'Higgins and Harriet Ford.

Credits: Producer, Alex Gottlieb; director, Peter Godfrey; screenplay, Francis Swann, Edmund Joseph; adaptation, Richard Weil; music, H. Roemheld; music director, Leo F. Forbstein; photographer, Robert Burks.

MAKERS OF DESTINY. Hullinger Productions, c1947. 2 reels, sd., color, 16mm.

Credits: Producer and director, Edwin Ware Hullinger.

MAKING A CLAY PORTRAIT. Vanguard Productions, c1942. 1 reel, sd., b&w, 16mm.

Appl. author: Carl L. Kahn.

230MAKING A LITHOGRAPH. Lester H. Kohs, c1941. 1 reel.

MAKING AN INDIAN TIPI. Boy Scouts of America, c1948. 8 min., sd., b&w, 16mm.

Summary: Demonstrates that the making of a tipi is not only a practical project but also an adventure in Indian lore.

MAKING BOOKS. Encyclopaedia Britannica Films, Inc., in collaboration with Luther H. Evans, c1947. 11 min., sd., b&w, 16mm.

MAKING BRICKS FOR HOUSES. Encyclopaedia Britannica Films, Inc., c1947. 11 min., sd., b&w, 16mm.

Summary: The story of brick making. The film shows the processes by which shale is converted into finished bricks: preparation of raw materials; forming and cutting bricks; baking in the kiln; and shipping of the finished bricks. For primary and middle grades.

Credits: Collaborator, R. K. Hursh.

MAKING COTTON CLOTHING. Encyclopaedia Britannica Films, Inc., c1946. 1 reel, sd., 16mm.

Credits: Collaborator, Isabel B. Wingate.

MAKING ELECTRICITY. Encyclopaedia Britannica Films, Inc., c1949. 11 min., sd., b&w, 16mm.

Summary: Describes the construction of a miniature generator and explains how electricity is generated at a large hydro-electric plant. For middle and primary grades.

Credits: Collaborator, S. Ralph Powers.

MAKING GLASS FOR HOUSES. Encyclopaedia Britannica Films, Inc., c1948. 11 min., sd., b&w, 16mm.

Summary: The mining and processing of the raw materials of which glass is made; the weighing, mixing, and melting of these raw materials in a glass plant; the cooling and cutting of the glass; and the glazing of windows. A teaching film for primary and middle grades.

Credits: Collaborator, F. V. Tooley.

MAKING INDIAN HAND PRINTED CLOTH. c1941. 2 reels.

MAKING INDIAN MOCCASINS. Boy Scouts of America, c1948. 17 min., sd., b&w, 16mm.

Summary: Ben Hunt shows the steps in making a pair of moccasins, from the selection of the hide to the first "try-on".

THE MAKING OF A MURAL. Encyclopaedia Britannica Films, Inc., in collaboration with Thomas Hart Benton, c1947. 1 reel, sd., color, 16mm.

MAKING SHOES. Encyclopaedia Britannica Films, Inc., in collaboration with A. S. Knowles, c1947. 1 reel, sd., b&w, 16mm.

Credits: Script, J. Stanley McIntosh.

MAKING THE GRADE. Presented by Chevrolet. 1 min., sd., b&w.

Appl. author: Jam Handy Picture Service, Inc.

MAKING THE MOST OF SCHOOL. Coronet, c1948. 10 min., sd., b&w, 16mm.

Summary: Shows how the individual student can make the most of his school experience, and explains the purpose of rules and restrictions.

Credits: Educational collaborator, Frederick G. Neel.

MAKING THE VARSITY. Paramount Pictures Inc., c1947. 10 min., sd., b&w, 35mm. (Grantland Rice Sportlight)

Credits: Narrator, Ted Husing.

MAKING WELDED PIPE LINE. Presented by the A. O. Smith Corp.

Appl. author: The Jam Handy Organization, Inc.

THE MALAY PENINSULA; people and products. Coronet, c1948. 11 min., sd., b&w, 16mm.

Summary: Shows the inter-relation between native customs and European influences; depicts methods of transportation; and describes the modern industrial methods used in the production of tin, copra, rubber, rice, and tea. For geography classes in the sixth and seventh grades and for junior and senior high school classes in social studies and economics.

Credits: Collaborator, John H. Garland.

MALAYA. Loew's Inc., c1949. 95 min., sd., b&w, 35mm. An MGM picture. Based on a story by Manchester Boddy.

Summary: A reporter and a convict lead a desperate war-time mission to smuggle vital rubber out of Japanese-occupied Malaya.

Credits: Producer, Edwin H. Knopf; director, Richard Thorpe; screenplay, Frank Fenton; music, Bronislau Kaper; film editor, Ben Lewis.

Cast: Spencer Tracy, James Stewart, Valentina Cortesa, Sydney Greenstreet, John Hodiak.

THE MALE ANIMAL. Warner Bros. Pictures, Inc., c1942. 101 min., sd. From the play by James Thurber and Elliott Nugent.

Credits: Associate producer, Wolfgang Reinhardt; director, Elliott Nugent; screenplay, Julius J. Epstein, Philip G. Epstein, Stephen Morehouse Avery; film editor, Thomas Richards.

MALE ORDER. Featurettes, Inc., c1941. 1 reel, sd.

Credits: Words and music, Harold Raymond.

MALIBU BEACH PARTY. The Vitaphone Corp., c1940. 1 reel, sd. (Merrie Melodies)

Credits: Story, Jack Miller; animation, Gil Turner.

MALICE IN SLUMBERLAND. Distributed by Columbia Pictures Corp., c1942. 582 ft., sd. (Phantasy, no. 21)

Credits: Producer, Dave Fleischer; director, Alec Geiss; animation, Ray Patterson; music, Ed Kilfeather.

MALICE IN THE PALACE. Columbia Pictures Corp., c1949. 16 min., sd., b&w, 35mm.

Summary: The adventures of the Three Stooges in the Orient.

Credits: Producer and director, Jules White; story and screenplay, Felix Adler; film editor, Edwin Bryant.

Cast: The Three Stooges.

THE MALTESE FALCON. Warner Bros. Pictures, Inc., c1941. 100 min., sd.

Credits: Associate producer, Henry Blanke; direction and screenplay, John Huston; film editor, Thomas Richards.

MAMA DON'T ALLOW IT. Soundies Distributing Corp. of America, Inc., c1942. 1 reel, sd.

MAMA DON'T WANT NO MUSIC. Soundies Distributing Corp. of America, Inc., c1942. 1 reel, sd.

MAMA, I WANNA MAKE RHYTHM. Soundies Distributing Corp. of America, Inc., c1943. 1 reel, sd.

MAMA, I WANT A SWEETHEART. Soundies Distributing Corp. of America, Inc., c1941. 1 reel, sd.

MAMA LOVES PAPA. RKO Radio Pictures, Inc., c1945. 61 min., sd.

Credits: Producer, Ben Stoloff; director, Frank Strayer; screenplay, Charles Roberts, Monte Brice; music, Leigh Harline; editor, Edward W. Williams.

MAMAE EU QUERO. Soundies Distributing Corp. of America, Inc., c1941. 1 reel, sd.

MAMA'S BANK ACCOUNT. SEE I Remember Mama.

MAME IS ME FLAME. Soundies Distributing Corp. of America, Inc., c1944. 1 reel, sd.

MAMMALS OF THE COUNTRYSIDE. Coronet, c1947. 11 min., sd., color, 16mm.

Credits: Collaborator, Robert Snedigar.

MAMMALS OF THE ROCKY MOUNTAINS. Coronet, c1947. 1 reel, sd., color, 16mm.

Summary: This film shows that moose, grizzly bears, bighorn sheep, mule deer, and other animals of the Rocky Mountains have seasonal patterns of life adapted to the four major zones of plant life found on the slopes of the mountains.

Credits: Collaborator, Colin C. Sanborn.

MAMMALS OF THE WESTERN PLAINS. Coronet, c1947. 11 min., sd., color, 16mm.

Summary: Shows animals of the western plains, such as bison, mule deer, antelopes, coyotes, and jack rabbits, and describes their struggle for survival.

Credits: Collaborator, Colin Campbell Sanborn.

MAM'ZELLE BONAPARTE. Continental Film, Paris. 9 reels, sd.

MAN ABOUT TOWN. Pathe Cinema, Paris, c1947. 90 min., sd., b&w, 35mm. Dialogue in French, with English commentary by Maurice Chevalier. Released in France with the title "Le Silence est d'or."

Credits: Produced, directed and written by Rene Clair; English adaptation, Robert Pirosh.

Cast: Maurice Chevalier.

MAN ALIVE. RKO Radio Pictures, Inc., c1945. 70 min., sd. Based on an original story by Jerry Cady and John Tucker Battle.

Credits: Associate producer, Theron Warth; director, Ray Enright; screenplay, Edwin Harvey Blum; music, Leigh Harline; music director, C. Bakaleinikoff; orchestral arrangements, Gil Grau; editor, Marvin Coil.

MAN AND STEEL. 1 reel, color.

Credits: Kodachrome.

MAN AT LARGE. Twentieth Century-Fox Film Corp., c1941. 6,250 ft., sd.

Credits: Director, Eugene Forde; original screenplay, John Larkin; music director, Emil Newman.

A MAN BETRAYED. c1941. Presented by Republic Pictures. 9 reels, sd.

Credits: Associate producer, Armand Schaefer; director, John H. Auer; original story, Jack Moffitt; screenplay, Isabel Dawn; adaptation, Tom Kilpatrick; music director, Cy Feuer; photographer, Jack Marta; film editor, Charles Craft.

Appl. author: Republic Productions, Inc.

MAN-EATER OF KUMAON. Monty Shaff Productions, Inc. Released through Universal International Pictures Co., Inc., c1948. 79 min., sd., b&w, 35mm. Based on the book "Man-Eaters of Kumaon" by James Corbett.

Summary: A jungle melodrama about the stalking of a man-eating tiger that is ravaging a native Indian village at the foot of the Himalayas.

Credits: Producers, Monty Shaff, Frank P. Rosenberg; director, Byron Haskin; screenplay, Jeanne Bartlett, Lewis Meltzer; adaptation, Richard G. Hubler, Alden Nash; music, Hans J. Salter; film editor, George Arthur.

Cast: Sabu, Wendell Corey, Joanne Page, Morris Carnovsky, Argentina Brunetti.

MAN FROM CHEYENNE. c1942. Presented by Republic Pictures. 6 reels, sd.

Credits: Director, Joseph Kane; original screenplay, Winston Miller; music director, Cy Feuer; photographer, Reggie Lanning; film editor, William Thompson.

Appl. author: Republic Productions, Inc.

THE MAN FROM COLORADO. Columbia Pictures Corp., c1948. 9 reels, sd., color, 35mm.

Summary: A western drama in which a former Union officer of the Civil War commits a series of crimes before he is recognized as a homicidal maniac.

Credits: Producer, Jules Schermer; director, Henry Levin; original story, Borden Chase; screenplay, Robert D. Andrews, Ben Maddow; music director, M. W. Stoloff; music score, George Duning; film editor, Charles Nelson.

Cast: Glenn Ford, William Holden, Ellen Drew, Ray Collins, Edgar Buchanan.

THE MAN FROM DAKOTA. Loew's Inc., c1940. Presented by Metro-Goldwyn-Mayer. 8 reels, sd., b&w. Based on a book by MacKinlay Kantor.

Credits: Producer, Edward Chodorov; director, Leslie Fenton; screenplay, Laurence Stallings; music score, David Snell, Daniele Amfitheatrof; film editor, Conrad A. Nervig.

THE MAN FROM DOWN UNDER. Loew's Inc., c1943. Presented by Metro-Goldwyn-Mayer. 10 reels, sd., b&w. Based upon the story by Bogart Rogers and Mark Kelly.

Credits: Producers, Robert Z. Leonard, Orville O. Dull; director, Robert Z. Leonard; screenplay, Wells Root, Thomas Seller; music score, David Snell; film editor, George White.

MAN FROM FRISCO. c1944. Presented by Republic Pictures. 10 reels, sd.

Credits: Associate producer, Albert J. Cohen; director, Robert Florey; original story and adaptation, George Worthing Yates, George Carlton Brown; screenplay, Ethel Hill, Arnold Manoff; music score, Marlin Skiles; music director, Walter Scharf; photographer, Jack Marta; film editor, Ernest Nims.

Appl. author: Republic Productions, Inc.

MAN FROM HEADQUARTERS. Monogram Pictures Corp., c1942. 7 reels, sd.

Credits: Producer, Lindsley Parsons; director, Jean Yarbrough; screenplay, John Krafft, Rollo Lloyd; photographer, Mack Stengler; film editor, Jack Ogilvie.

THE MAN FROM MISSOURI. Twentieth Century-Fox Film Corp., c1946. 1 reel, sd. (The World Today)

Credits: Producer, Edmund Reek; continuity, Valeska Weidig; narrator, Lowell Thomas; music score, L. DeFrancesco; editor, Earl Allvine.

MAN FROM MONTANA. Universal Pictures Co., Inc., c1941. 6 reels, sd.

Credits: Associate producer, Will Cowan; director, Ray Taylor; original screenplay, Bennett Cohen; cameraman, Charles Van Enger; film editor, Paul Landers.

MAN FROM MUSIC MOUNTAIN. c1943. Presented by Republic Pictures. 8 reels, sd.

Credits: Associate producer, Harry Grey; director, Joseph Kane; original screenplay, Bradford Ropes, J. Benton Cheney; music director, Morton Scott; photography, William Bradford; film editor, Tony Martinelli.

Appl. author: Republic Productions, Inc.

THE MAN FROM NEW ORLEANS. Vitaphone Corp., c1948. 19 min., sd., color, 35mm. Warner Bros.

Summary: The story of William Spratling, a New Orleans architect, who twenty years ago went to Taxco, Mexico, where he found an abandoned silver mine and revived the folk-art of jewelry-making.

Credits: Producer, Gordon Hollingshead; director, Luis Osorno Barona; screenplay, Mario Martini.

Cast: E. Breceda.

MAN FROM OKLAHOMA, c1945. Presented by Republic Pictures. 7 reels, sd.

Credits: Associate producer, Louis Gray; director, Frank McDonald; original screenplay, John K. Butler; music director, Morton Scott; orchestrations, Dale Butts; photographer, William Bradford; film editor, Tony Martinelli.

Appl. author: Republic Productions, Inc.

MAN FROM OKLAHOMA, c1945. Presented by Republic Pictures. 7 reels, sd.

Credits: Associate producer, Louis Gray; director, Frank McDonald; original screenplay, John K. Butler; music director, Morton Scott; orchestrations. Dale Butts; photographer, William Bradford; film editor, Tony Martinelli.

Appl. author: Republic Productions, Inc.

MAN FROM RAINBOW VALLEY. c1946. Presented by Republic Pictures, 56 min., sd., color, 35mm.

Credits: Associate producer, Louis Gray; director, Robert Springsteen; original screenplay, Betty Burbridge; music director, Mort Glickman; photographer. Bud Thackery; film editor, Edward Mann. Magnacolor.

Appl. author: Republic Productions, Inc.

THE MAN FROM TEXAS. Eagle Lion Films, Inc., c1948, 71 min., sd., b&w, 35mm. A Bryan Foy production. Based on the stage play by E. B. Ginty.

Summary: A melodrama about a bandit of the pioneer period in the West.

Credits: Producer, Joseph Fields; director, Leigh Jason; screenplay, Joseph Fields, Jerome Chodorov; music director, Irving Friedman; music score, Earl Robinson; film editor, Norman Colbert.

Cast: James Craig, Lynn Bari, Johnnie Johnston, Una Merkel, Wally Ford.

THE MAN FROM THE RIO GRANDE. c1943. Presented by Republic Pictures. 6 reels, sd.

Credits: Associate producer, Eddy White; director, Howard Bretherton; original screenplay, Norman S. Hall; music score, Mort Glickman; photography, John MacBurnie; film editor, Ralph Dixon.

Appl. author: Republic Productions, Inc.

THE MAN FROM THUNDER RIVER. c1943. 6 reels, sd.

Credits: Associate producer, Harry Grey; director, John English; original screenplay, J. Benton Cheney; music score, Mort Glickman; photographer, Bud Thackery; film editor, Harry Keller.

Appl. author: Republic Productions, Inc.

THE MAN FROM TUMBLEWEEDS. Columbia Pictures Corp., c1940. 6 reels, sd.

Credits: Director, Joseph H. Lewis; original screenplay, Charles Francis Royal; photography, George Meehan; film editor, Charles Nelson.

MAN HUNT. Twentieth Century-Fox Film Corp., c1941. 9,030 ft., sd. By Geoffrey Household.

Credits: Director, Fritz Lang; screenplay, Dudley Nichols; music director, Alfred Newman.

232MAN-I-CURED. RKO Radio Pictures, Inc., c1941. 19 min., sd.

Credits: Producer, Bert Gilroy; director, Harry D'Arcy; story, Harry D'Arcy, Paul Conlon; film editor, John Lockert.

THE MAN I LOVE. Warner Bros. Pictures, Inc., c1947. 96 min., sd., b&w, 35mm. A Warner Bros.-First National picture. Based on a novel by Maritta Wolff.

Credits: Producer, Arnold Albert; director, Raoul Walsh; screenplay, Catherine Turney; music director, Leo F. Forbstein; orchestral arrangements, Hugo Friedhofer; film editor, Owen Marks.

Cast: Ida Lupino, Robert Alda, Andrea King, Martha Vickers, Bruce Bennett.

THE MAN I MARRIED. Twentieth Century-Fox Film Corp., c1940. 6,940 ft., sd. Based on the Liberty magazine story by Oscar Schisgall.

Credits: Director, Irving Pichel; screenplay, Oliver H. P. Garrett; music director, David Buttolph.

THE MAN IN GREY. Released by Universal Pictures Co., Inc., c1945. Presented by G.C.F. 93 min., sd. A Gainsborough picture. Based on a novel by Lady Eleanor Smith.

Credits: Producer, Edward Black; director, Leslie Arliss; screenplay, Margaret Kennedy, Leslie Arliss; music score, Cedric Mallabey; music director, Louis Levy; film editor, R. E. Dearing.

THE MAN IN HALF MOON STREET. Paramount Pictures Inc., c1944. 10 reels, sd. Based on the play by Barré Lyndon.

Credits: Producer, Walter MacEwen; director, Ralph Murphy; screenplay, Charles Kenyon; adaptation, Garrett Fort; music score, Miklos Rozsa; photography, Henry Sharp; editor, Tom Neff.

THE MAN IN THE TRUNK. Twentieth Century-Fox Film Corp., c1942. 6,279 ft., sd.

Credits: Director, Malcolm St. Clair; original screenplay, John Larkin; music director, Emil Newman.

THE MAN KILLERS. Warner Bros. Pictures, Inc., c1943. 20 min., sd. (Broadway Brevities)

Credits: Producer, Howard Hill; written by Roger Q. Denny; narrator, Knox Manning.

MAN MADE MONSTER. c1941. Presented by Universal Studios. 7 reels, sd. Based on the story "The Electric Man" by H. J. Essex, Sid Schwartz and Len Golos.

Credits: Associate producer, Joseph Bernhard, Jr.; director, George Waggner; screenplay, Joseph West; music director, Charles Previn; photography, Elwood Bredell; film editor, Arthur Hilton.

MAN OF COURAGE. Producers Releasing Corp., c1943. 7 reels, sd.

Credits: Producer, Lester Cutler; director, Alexis Thurn-Taxis; original story, Barton MacLane, Herman Ruby, Lew Pollack; screenplay, Arthur St. Claire, Barton MacLane, John Vlahos; music director, Lee Zahler; photography, Marcel LePicard; editor, Fred Bain.

THE MAN OF PROPERTY. SEE That Forsyte Woman.

MAN OF TIN. Distributed by Columbia Pictures Corp., c1940. 588 ft., sd. (Phantasy, no. 74)

Credits: Story, Allen Rose; animation, Harry Love; music, Joe DeNat.

THE MAN ON THE FERRY. Soundies Distributing Corp. of America, Inc., c1943. 1 reel, sd.

THE MAN ON THE FLYING TRAPEZE. Soundies Distributing Corp. of America, Inc., c1943. 1 reel, sd.

MAN OR MOUSE. Columbia Pictures Corp., c1948. 18 min., sd., b&w, 35mm.

Summary: Holloway takes part in a wrestling match in order to win the daughter of a physical-culture expert.

Credits: Director, Jules White; story and screenplay, Zion Myers.

Cast: Sterling Holloway.

MAN THAT'S GROOVY. Soundies Distributing Corp. of America, Inc., c1943. 1 reel, sd.

MAN TO MAN. Jam Handy Organization, Inc., for Remington Arms Co., Inc., and Peters Cartridge Division. 36 min., b&w, 35mm.

Summary: Instruction in salesmanship, presented from the standpoint of one man's experience.

THE MAN WHO CAME TO DINNER. Warner Brothers Pictures, Inc., c1942. 112 min., sd. From the play by George S. Kaufman and Moss Hart.

Credits: Associate producers, Jack Saper, Jerry Wald; director, William Keighley; screenplay, Julius J. and Philip G. Epstein; film editor, Jack Killifer.

THE MAN WHO CHANGED THE WORLD. Loew's Inc., c1941. 993 ft., sd., sepia. (A Carey Wilson Miniature)

Credits: Director, Sammy Lee; screenplay, Herman Boxer; music score, Daniele Amfitheatrof; film editor, Harry Komer.

THE MAN WHO DARED. Columbia Pictures Corp., c1946, 7 reels, sd. Based on a story by Maxwell Shane and Alex Gottlieb.

Credits: Producer, Leonard S. Picker; director, John Sturges; screenplay, Edward Bock; music director, Mischa Bakaleinikoff.

THE MAN WHO FORGOT GOD. c1943. 1,000 ft., 16mm.

Appl. author: C. O. Baptista.

THE MAN WHO LOST HIMSELF. c1941. Presented by Universal Studios. 8 reels, sd. Based on the novel by H. DeVere Stacpoole.

Credits: Producer, Lawrence Fox; director, Edward Ludwig; screenplay, Eddie Moran; music director, Charles Previn; photographer, Victor Milner; film editor, Milton Carruth.

THE MAN WHO RETURNED TO LIFE. Columbia Pictures Corp., c1942, 6 reels, sd.

Credits: Producer, Wallace MacDonald; director, Lew Landers; story, Samuel W. Taylor; screenplay, Gordon Rigby; music director, M. W. Stoloff; film editor, Arthur Seid.

THE MAN WHO TALKED TOO MUCH. Warner Bros. Pictures, Inc., c1940. 75 min., sd. From a play by Frank J. Collins.

Credits: Associate producer, Edmund Grainger; director, Vincent Sherman; screenplay, Walter DeLeon, Earl Baldwin; film editor, Thomas Pratt.

THE MAN WHO WALKED ALONE. P.R.C. Pictures, Inc., c1945. 7 reel, sd.

Credits: Producer, Leon Fromkess; direction and original story, Christy Cabanne; screenplay, Robert Lee Johnson; film editor, W. Donn Hayes.

THE MAN WHO WOULDN'T DIE. Twentieth Century-Fox Film Corp., c1942. 5,880 ft., sd. Based on a novel by Clayton Rawson.

Credits: Director, Herbert I. Leeds; screenplay, Arnaud d'Usseau; music director, Emil Newman.

THE MAN WHO WOULDN'T TALK. Twentieth Century-Fox Film Corp., c1940. 6,557 ft., sd. Based upon the play "The Valiant" by Holworthy Hall and Robert M. Middlemass.

Credits: Director, David Burton; screenplay, Robert Ellis, Helen Logan, Lester Ziffren, Edward Ettinger; music director, Samuel Kaylin.

THE MAN WITH NINE LIVES. Columbia Pictures Corp., c1940. 8 reels, sd.

Credits: Director, Nick Grinde; story, Harold Shumate; screenplay, Karl Brown; film editor, Al Clark.

THE MAN WITH THE WEIRD BEARD. Soundies Distributing Corp. of America, Inc., c1946. 1 reel, sd.

Credits: Producer, Ben Hersh; director, Dave Gould.

MAN WITH TWO LIVES. Monogram Pictures Corp., c1942. 7 reels, sd.

Credits: Producer, A. W. Hackel; director, Phil Rosen; original screenplay, Joseph Hoffman; photography, Harry Neumann; film editor, Martin G. Cohn.

THE MAN WITHIN. SEE The Smugglers.

MANAGING THE FAMILY INCOME. Presented by The Household Finance Corp.

Appl. author: Jam Handy Picture Service, Inc.

THE MANCHESTER MARRIAGE. Marshall Grant-Realm Television Productions, c1949. 2 reels, sd., b&w, 16mm. Based on the story by Elizabeth Gaskell.

Summary: A romance in which a widow's second husband is unnecessarily jealous of his predecessor, who is believed to have been drowned at sea.

Credits: Producer, Charles Haas; screenplay, David Ellis, Arthur Shields; editor, Jodie Copelan.

233OS MANGBETU DO CONGO. Encyclopaedia Britannica Films, Inc., c1946. 1 reel, sd., 16mm.

Credits: Collaborator, James P. Chapin.

MANHANDLED. Paramount Pictures Inc., c1949. 96 min., sd., b&w, 35mm. Based on a story by L. S. Goldsmith.

Summary: A murder melodrama about a psychiatrist, his young secretary, an avaricious husband, an insurance investigator, and a ruthless private detective.

Credits: Producers, William H. Pine, William C. Thomas; director, Lewis R. Foster; screenplay, Lewis R. Foster, Whitman Chambers; music score, Darrell Calker; film editor, Howard Smith.

Cast: Dorothy Lamour, Dan Duryea, Sterling Hayden, Irene Hervey, Philip Reed.

MANHATTAN. Soundies Distributing Corp. of America, Inc., c1941. 1 reel, sd.

MANHATTAN ANGEL. Columbia Pictures Corp., c1948. 68 min., sd., b&w, 35mm.

Summary: A comedy with musical interludes in which a young woman employed by an advertising agency persuades a choleric manufacturer to donate a building for a youth center.

Credits: Producer, Sam Katzman; director, Arthur Dreifuss; screenplay, Albert Derr; original story, George H. Plympton, Albert Derr; music director, Mischa Bakaleinikoff; film editor, Richard Fantl.

Cast: Gloria Jean, Ross Ford, Patricia White, Thurston Hall, Alice Tyrrell.

MANHATTAN HEARTBEAT. Twentieth Century-Fox Film Corp., c1940. 6,436 ft., sd. From a play by Viña Delmar and Brian Marlow, based on a novel by Viña Delmar.

Credits: Director, David Burton; screenplay, Harold Buchman, Clark Andrews, Jack Jungmeyer, Jr., Edith Skouras; music director, Cyril J. Mockridge.

MANHATTAN MEMORIES. Universal Pictures Co., Inc., c1948. 1 reel, sd., b&w, 35mm. (Sing and Be Happy Series)

Summary: Shots of people and places in New York City provide the background for several songs: "Sidewalks of New York," "Manhattan," "Strolling Thru the Park," "Take Me out to the Ball Game," and "Broadway Melody." Designed for audience participation.

Credits: Producer and director, Harold James Moore; music director, Jack Shaindlin; editor, Leonard Anderson.

Cast: The New Yorkers, Stan Freeman, Ben Mortell, Art Miller, Leon Pettingrew.

MANHUNT OF MYSTERY ISLAND. c1945. Presented by Republic Pictures. 2 reels each (no. 1, 3 reels), sd. © Republic Pictures Corp.; no. 1–5; 13Jan45; LP13067, no. 6–10, 26Feb45; LP13182; no. 11–15, 11Apr45; LP13244.

Credits: Associate producer, Ronald Davidson; directors, Spencer Bennet, Wallace A. Grissell, Yakima Canutt; original screenplay, Albert DeMond, Basil Dickey, Jesse Duffy, Alan James, Grant Nelson, Joseph Poland; music director, Richard Cherwin; photographer, Bud Thackery; film editors, Cliff Bell, Harold R. Minter.

Appl. author: Republic Productions, Inc.

1. Secret Weapon.

2. Satan's Web.

3. The Murder Machine.

4. The Lethal Chamber.

5. Mephisto's Mantrap.

6. Ocean Tomb.

7. The Death Drop.

8. Bombs Away.

9. The Fatal Flood.

10. The Sable Shroud.

11. Satan's Shadow.

12. Cauldron of Cremation.

13. Bridge to Eternity.

14. Power Dive to Doom.

15. Fatal Transformation.

MANICERO. Soundies Distributing Corp. of America, Inc., c1945. 1 reel, sd.

MANILA CALLING. Twentieth Century-Fox Film Corp., c1942. 7,259 ft., sd.

Credits: Director, Herbert I. Leeds; original screenplay, John Larkin; music directors, Cyril J. Mockridge, Emil Newman.

MANPOWER. Warner Bros. Pictures, Inc., c1941. 11 reels. A Warner Bros.-First National picture.

Credits: Director, Raoul Walsh; original screenplay, Richard Macaulay, Jerry Wald.

THE MAN'S ANGLE. Paramount Pictures Inc., c1942. 837 ft., sd.

Credits: Producer and director, Leslie Roush; photographer, William Steiner.

MAN'S BEST FRIEND. c1941. Presented by Universal. 1 reel, sd., color. (A Walter Lantz Cartoon) A Walter Lantz production.

Credits: Director, Walter Lantz; story, Ben Hardaway, J. Cosgriff; artists, Alex Lovy, Harold Mason; music, Darrell Calker.

MAN'S PEST FRIEND. Paramount Pictures Inc., c1945. 1 reel.

Credits: Director, Seymour Kneitel.

A MAN'S WORLD. Columbia Pictures Corp., c1942. 7 reels, sd.

Credits: Producer, Wallace MacDonald; director, Charles Barton; story, Jack Roberts, George Bricker; screenplay, Edward T. Lowe, Jack Roberts; music director, M. W. Stoloff; film editor, Richard Fantl.

THE MANTRAP. c1943. Presented by Republic Pictures. 6 reels, sd.

Credits: Associate producer and director, George Sherman; original screenplay, Curt Siodmak; music director, Morton Scott; photographer, William Bradford; film editor, Arthur Roberts.

Appl. author: Republic Productions, Inc.

MANTRAP. SEE Untamed.

MANUAL CUTTING A BEVEL—FREEHAND. c1944. 1 reel, sd.

Appl. author: George W. Chapman.

MANUAL CUTTING TO A SHAPE—FREEHAND GUIDED. c1944. 1 reel, sd.

Appl. author: George W. Chapman.

MANUAL CUTTING TO A LINE—FREEHAND. c1944. 1 reel, sd.

Appl. author: George W. Chapman.

MANUELA BOY. Soundies Distributing Corp. of America, Inc., c1944. 1 reel, sd.

MANY TANKS. Paramount Pictures Inc., c1942. 1 reel, sd.

Credits: Director, Dave Fleischer; story, Bill Turner, Carl Meyer; animation, Tom Johnson, Frank Endres.

MAPS ARE FUN. Coronet, in collaboration with Viola Theman, c1946. 1 reel, sd., b&w, 16mm.

MÁQUINAS SIMPLES. Encyclopaedia Britannica Films, Inc., in collaboration with H. Horton Sheldon, c1947. 1 reel, sd., b&w, 16mm. Portuguese version of "Simple Machines."

THE MARAUDERS. Hopalong Cassidy Productions, Inc., c1947. 64 min., sd., b&w, 35mm. Based on characters created by Clarence E. Mulford.

Credits: Producer, Lewis J. Rachmil; director, George Archainbaud; original screenplay, Charles Belden; music, Ralph Stanley; film editor, Fred W. Berger.

Cast: William Boyd, Andy Clyde, Rand Brooks.

THE MARCH OF TIME. Distributed by RKO Radio Pictures, c1939–42. Presented by the editors of Life and the editors of Time.

Volume 6, 1939/40.

Volume 7, 1940/41.

Volume 8, 1941/42.

New Frontiers of Medicine. Summary: The newest medical miracles. Reference is made to new drugs, new fields of study such as the study of the Rh blood factor, and to progress in the treatment of heart disease, cancer, and rheumatic fever.