Motion Picture Directing
- Subtitle
- The Facts and Theories of the Newest Art
Read Motion Picture Directing by Peter Milne online. Browse the complete text, chapters and notes.
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Table of contents
1. Front matter2. PREFACE3. Chapter I THE GREAT AND THE LESS GREAT4. Chapter II THE PICTURE SENSE5. Chapter III PREPARATION FOR PRODUCTION6. Chapter IV THE METHOD OF WILLIAM DE MILLE7. Chapter V CECIL DE MILLE ALSO SPEAKS8. Chapter VI WHEN ACTING ABILITY HELPS9. Chapter VII REX INGRAM ON “ATMOSPHERE”10. Chapter VIII MAINLY ABOUT D. W. GRIFFITH11. Chapter IX MOUNTAINS AND MOLEHILLS12. Chapter X SOME OF THE ARTS OF SLAPSTICK COMEDY13. Chapter XI OTHER TRICKS UP DIRECTORS' SLEEVES14. Chapter XII SOME WORDS FROM FRANK BORZAGE15. Chapter XIII WHAT TEMPO MEANS IN DIRECTING16. Chapter XIV “OVERSHOOTING”—AND THE SERIAL17. Chapter XV THE METHOD OF THOMAS H. INCE18. Chapter XVI DIRECTORS SCHOOLED BY INCE19. Chapter XVII WHO CREATES A PICTURE?20. Chapter XVIII MUSIC IN PICTURE PRODUCTION21. Chapter XIX JUST SUPPOSE22. Chapter XX “STEALING” AN EXTERIOR23. Chapter XXI THE IMPORTANCE OF THE ART DIRECTOR24. Chapter XXII DIRECTORIAL CONVENTIONS25. Chapter XXIII ERNST LUBITSCH: GERMAN DIRECTOR26. Chapter XXIV JOE MAY: GERMAN DIRECTOR27. Chapter XXV ILLUSTRATING THE USE OF DETAIL28. Chapter XXVI MARSHALL NEILAN SUMMARIZES29. Chapter XXVII “BEST DIRECTED” PICTURES30. TRANSCRIBER'S NOTES