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Modern Prose And Poetry; For Secondary Schools

THE SINGING MAN

Reading edition

JOSEPHINE PRESTON PEABODY

I

He sang above the vineyards of the world. And after him the vines with woven hands Clambered and clung, and everywhere unfurled Triumphing green above the barren lands; Till high as gardens grow, he climbed, he stood, Sun-crowned with life and strength, and singing toil, And looked upon his work; and it was good: The corn, the wine, the oil. He sang above the noon. The topmost cleft That grudged him footing on the mountain scars He planted and despaired not; till he left His vines soft breathing to the host of stars. He wrought, he tilled; and even as he sang, The creatures of his planting laughed to scorn The ancient threat of deserts where there sprang The wine, the oil, the corn! He sang not for abundance.—Over-lords Took of his tilth. Yet was there still to reap, The portion of his labor; dear rewards Of sunlit day, and bread, and human sleep. He sang for strength; for glory of the light. He dreamed above the furrows, 'They are mine!' When all he wrought stood fair before his sight With corn, and oil, and wine. Truly, the light is sweet Yea, and a pleasant thing It is to see the Sun. And that a man should eat His bread that he hath won;— (So is it sung and said), That he should take and keep, After his laboring, The portion of his labor in his bread, His bread that he hath won; Yea, and in quiet sleep, When all is done. He sang; above the burden and the heat, Above all seasons with their fitful grace; Above the chance and change that led his feet To this last ambush of the Market-place. 'Enough for him,' they said—and still they say— 'A crust, with air to breathe, and sun to shine; He asks no more!'—Before they took away The corn, the oil, the wine. He sang. No more he sings now, anywhere. Light was enough, before he was undone. They knew it well, who took away the air, —Who took away the sun; Who took, to serve their soul-devouring greed, Himself, his breath, his bread—the goad of toil;— Who have and hold, before the eyes of Need, The corn, the wine,—the oil! Truly, one thing is sweet Of things beneath the Sun; This, that a man should earn his bread and eat, Rejoicing in his work which he hath done. What shall be sung or said Of desolate deceit, When others take his bread; His and his children's bread?— And the laborer hath none. This, for his portion now, of all that he hath done. He earns; and others eat. He starves;—they sit at meat Who have taken away the Sun.

II

Seek him now, that singing Man. Look for him, Look for him In the mills, In the mines; Where the very daylight pines,— He, who once did walk the hills! You shall find him, if you scan Shapes all unbefitting Man, Bodies warped, and faces dim. In the mines; in the mills Where the ceaseless thunder fills Spaces of the human brain Till all thought is turned to pain. Where the skirl of wheel on wheel, Grinding him who is their tool, Makes the shattered senses reel To the numbness of the fool. Perisht thought, and halting tongue— (Once it spoke;—once it sung!) Live to hunger, dead to song. Only heart-beats loud with wrong Hammer on,—How long? ... How long?—How long? Search for him; Search for him; Where the crazy atoms swim Up the fiery furnace-blast. You shall find him, at the last,— He whose forehead braved the sun,— Wreckt and tortured and undone. Where no breath across the heat Whispers him that life was sweet; But the sparkles mock and flare, Scattering up the crooked air. (Blackened with that bitter mirk,— Would God know His handiwork?) Thought is not for such as he; Naught but strength, and misery; Since, for just the bite and sup, Life must needs be swallowed up. Only, reeling up the sky, Hurtling flames that hurry by, Gasp and flare, with Why—Why, ... Why?... Why the human mind of him Shrinks, and falters and is dim When he tries to make it out: What the torture is about.— Why he breathes, a fugitive Whom the World forbids to live. Why he earned for his abode, Habitation of the toad! Why his fevered day by day Will not serve to drive away Horror that must always haunt:— ... Want ... Want! Nightmare shot with waking pangs;— Tightening coil, and certain fangs, Close and closer, always nigh ... ... Why?... Why? Why he labors under ban That denies him for a man. Why his utmost drop of blood Buys for him no human good; Why his utmost urge of strength Only lets Them starve at length;— Will not let him starve alone; He must watch, and see his own Fade and fail, and starve, and die. . . . . . . . ... Why?... Why? . . . . . . . Heart-beats, in a hammering song, Heavy as an ox may plod, Goaded—goaded—faint with wrong, Cry unto some ghost of God ... How long?... How long? ... How long?

III

Seek him yet. Search for him! You shall find him, spent and grim; In the prisons, where we pen These unsightly shards of men. Sheltered fast; Housed at length; Clothed and fed, no matter how!— Where the householders, aghast, Measure in his broken strength Nought but power for evil, now. Beast-of-burden drudgeries Could not earn him what was his: He who heard the world applaud Glories seized by force and fraud, He must break,—he must take!— Both for hate and hunger's sake. He must seize by fraud and force; He must strike, without remorse! Seize he might; but never keep. Strike, his once!—Behold him here. (Human life we buy so cheap, Who should know we held it dear?) No denial,—no defence From a brain bereft of sense, Any more than penitence. But the heart-beats now, that plod Goaded—goaded—dumb with wrong, Ask not even a ghost of God ... How long? When the Sea gives up its dead, Prison caverns, yield instead This, rejected and despised; This, the Soiled and Sacrificed! Without form or comeliness; Shamed for us that did transgress Bruised, for our iniquities, With the stripes that are all his! Face that wreckage, you who can. It was once the Singing Man.

IV

Must it be?—Must we then Render back to God again This His broken work, this thing, For His man that once did sing? Will not all our wonders do? Gifts we stored the ages through, (Trusting that He had forgot)— Gifts the Lord requirèd not? Would the all-but-human serve! Monsters made of stone and nerve; Towers to threaten and defy Curse or blessing of the sky; Shafts that blot the stars with smoke; Lightnings harnessed under yoke; Sea-things, air-things, wrought with steel, That may smite, and fly, and feel! Oceans calling each to each; Hostile hearts, with kindred speech. Every work that Titans can; Every marvel: save a man, Who might rule without a sword.— Is a man more precious, Lord? Can it be?—Must we then Render back to Thee again Million, million wasted men? Men, of flickering human breath, Only made for life and death? Ah, but see the sovereign Few, Highly favored, that remain! These, the glorious residue, Of the cherished race of Cain. These, the magnates of the age, High above the human wage, Who have numbered and possesst All the portion of the rest! What are all despairs and shames, What the mean, forgotten names Of the thousand more or less, For one surfeit of success? For those dullest lives we spent, Take these Few magnificent! For that host of blotted ones, Take these glittering central suns. Few;—but how their lustre thrives On the million broken lives! Splendid, over dark and doubt, For a million souls gone out! These, the holders of our hoard,— Wilt thou not accept them, Lord?

V

Oh in the wakening thunders of the heart, —The small lost Eden, troubled through the night, Sounds there not now,—forboded and apart, Some voice and sword of light? Some voice and portent of a dawn to break?— Searching like God, the ruinous human shard Of that lost Brother-man Himself did make, And Man himself hath marred? It sounds!—And may the anguish of that birth Seize on the world; and may all shelters fail, Till we behold new Heaven and new Earth Through the rent Temple-vail! When the high-tides that threaten near and far To sweep away our guilt before the sky,— Flooding the waste of this dishonored Star, Cleanse, and o'ewhelm, and cry! Cry, from the deep of world-accusing waves, With longing more than all since Light began, Above the nations,—underneath the graves,— 'Give back the Singing Man!'

NOTES

and it was good:—Genesis, 1:31: "And God saw all that he had made, and, behold, it was very good."

the ancient threat of deserts:—Isaiah, 35:1-2: "The desert shall rejoice and blossom as the rose."

after his laboring:—Luke, 10:7, and 1st Timothy, 5:18: "The laborer is worthy of his hire."

portion of his labor:—Ecclesiastes, 2:10: "For my heart rejoiced in my labor; and this was my portion of all my labor."

the light is sweet:—Ecclesiastes, 11:7: "Truly the light is sweet, and a pleasant thing it is for the eyes to behold the sun."

How long:—Revelation, 6:10: "How long, O Lord, holy and true, dost thou not judge and avenge our blood on them that dwell on the earth?"

when the sea:—Revelation, 20:13: "And the sea gave up the dead which were in it."

rejected and despised:—For this and the remainder of the stanza, see Isaiah, 53.

Titans:—In Greek mythology, powerful and troublesome giants.

Cain:—See the story of Cain, Genesis, 4:2-16.

searching like God:—Genesis, 4:9: "And the Lord said unto Cain, Where is Abel thy brother? And he said, I know not! Am I my brother's keeper?"

Temple-vail:—At the death of Christ, the vail of the temple was rent; see Matthew, 27:51.

SUGGESTIONS FOR STUDY[15]

Read the poem slowly and thoughtfully. The "singing man" is the laborer who, in days gone by, was happy in his work. People were not crowded into great cities, and there was more simple out-door labor than there is now, and less strife for wealth.

Above the vineyards: In Europe, vineyards are often planted on the slopes of hills and mountains. What ancient country do you think of in connection with "the corn [grain], the oil, the wine"? Were the laborers happy in that country? What were the "creatures" of man's planting (second stanza)? What was the "ancient threat" of deserts? Of what kind of deserts, as described here? Of what deserts would this be true after the rainy season? Laughed to scorn: Does this mean "outdid"? Mentally insert the word something after still in the second line of the third stanza. If the laborer in times gone by did not sing for abundance, what did he sing for (stanza three)? The verses in italics are a kind of refrain, as if the laborer were singing to himself. So is it said and sung refers to the fact that these lines are adapted from passages in the Bible. This last ambush: What does the author mean here by suggesting that the laborer has been entrapped? Who are "they" in the line "'Enough for him,' they said"? How did they take away "the corn, the oil, the wine"? How did they take away "the air and the sun"? Who now has the product of the workman's toil? What are "the eyes of Need"? Is it true that one may work hard and still be in need? If it is true, who is to blame? What are "dim" faces? Why does the author begin the word Man with a capital? What effect does too much hard work have upon the laborer? What is "the crooked air"? Who is represented as saying Why? How does the world forbid the laborer to live? Why are there dotted lines before and after Why and What and How long? Who are meant by Them in the line beginning "Only lets"? Why does the author say that the prisons are filled with ill-used laborers? What does she mean by saying that the prisoners are "bruised for our iniquities"? What is gained here by using the language of the Bible? The all-but-human means "almost intelligent"—referring to machinery. Does the author mean to praise the "sovereign Few"? Who are these "Few magnificent"? Are they really to blame for the sufferings of the poor? Himself in the line beginning "Of that lost," refers to God. What is meant here by "a new Heaven and a new Earth"? What is "this dishonored Star"? What conditions does the author think will bring back the singing man? Are they possible conditions?

Re-read the poem, thinking of the author's protest against the sufferings of the poor and the selfishness of the rich. What do you think of the poem?

COLLATERAL READINGS

The Singing Man and Other PoemsJosephine Preston Peabody

The Piper " " "

The Singing Leaves " " "

Fortune and Men's Eyes " " "

The Wolf of Gubbio " " "

The Man with the HoeEdwin Markham

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