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Modern Painters, Volume 1 (of 5)

Note 6 — Chapter VII

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Not the large Paradise, but the Fall of Adam, a small picture chiefly in brown and gray, near Titian's Assumption. Its companion, the Death of Abel, is remarkable as containing a group of trees which Turner, I believe accidentally, has repeated nearly mass for mass in the "Marly." Both are among the most noble works of this or any other master, whether for preciousness of color or energy of thought.

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