← Table of contents
Modern British Poetry

Anthony C. Deane

Reading edition

Anthony C. Deane was born in 1870 and was the Seatonian prizeman in 1905 at Clare College, Cambridge. He has been Vicar of All Saints, Ennismore Gardens, since 1916. His long list of light verse and essays includes several excellent parodies, the most delightful being found in his New Rhymes for Old (1901).

THE BALLAD OF THE BILLYCOCK

It was the good ship Billycock, with thirteen men aboard, Athirst to grapple with their country's foes,— A crew, 'twill be admitted, not numerically fitted To navigate a battleship in prose. It was the good ship Billycock put out from Plymouth Sound, While lustily the gallant heroes cheered, And all the air was ringing with the merry bo'sun's singing, Till in the gloom of night she disappeared. But when the morning broke on her, behold, a dozen ships, A dozen ships of France around her lay, (Or, if that isn't plenty, I will gladly make it twenty), And hemmed her close in Salamander Bay. Then to the Lord High Admiral there spake a cabin-boy: "Methinks," he said, "the odds are somewhat great, And, in the present crisis, a cabin-boy's advice is That you and France had better arbitrate!" "Pooh!" said the Lord High Admiral, and slapped his manly chest, "Pooh! That would be both cowardly and wrong; Shall I, a gallant fighter, give the needy ballad-writer No suitable material for song?" "Nay—is the shorthand-writer here?—I tell you, one and all, I mean to do my duty, as I ought; With eager satisfaction let us clear the decks for action And fight the craven Frenchmen!" So they fought. And (after several stanzas which as yet are incomplete, Describing all the fight in epic style) When the Billycock was going, she'd a dozen prizes towing (Or twenty, as above) in single file! Ah, long in glowing English hearts the story will remain, The memory of that historic day, And, while we rule the ocean, we will picture with emotion The Billycock in Salamander Bay! P.S.—I've lately noticed that the critics—who, I think, In praising my productions are remiss— Quite easily are captured, and profess themselves enraptured, By patriotic ditties such as this, For making which you merely take some dauntless Englishmen, Guns, heroism, slaughter, and a fleet— Ingredients you mingle in a metre with a jingle, And there you have your masterpiece complete! Why, then, with labour infinite, produce a book of verse To languish on the "All for Twopence" shelf? The ballad bold and breezy comes particularly easy— I mean to take to writing it myself!

A RUSTIC SONG

Oh, I be vun of the useful troibe O' rustic volk, I be; And writin' gennelmen dü descroibe The doin's o' such as we; I don't knaw mooch o' corliflower plants, I can't tell 'oes from trowels, But 'ear me mix ma consonants, An' moodle oop all ma vowels! I talks in a wunnerful dialect That vew can hunderstand, 'Tis Yorkshire-Zummerzet, I expect, With a dash o' the Oirish brand; Sometimes a bloomin' flower of speech I picks from Cockney spots, And when releegious truths I teach, Obsairve ma richt gude Scots! In most of the bukes, 'twas once the case I 'adn't got much to do, I blessed the 'eroine's purty face, An' I seëd the 'ero through; But now, I'm juist a pairsonage! A power o' bukes there be Which from the start to the very last page Entoirely deal with me! The wit or the point o' what I spakes Ye've got to find if ye can; A wunnerful difference spellin' makes In the 'ands of a competent man! I mayn't knaw mooch o' corliflower plants, I mayn't knaw 'oes from trowels, But I does ma wark, if ma consonants Be properly mixed with ma vowels!

Explore with AITake your curiosity a little further.

Reading settings