VOL. I. (continued 2)
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Miser Farebrother was content. Phœbe was obtaining an education which did not cost him a shilling, and the meals she ate in her aunt's house were a saving to him. Aunt Leth also was quite a skilful dress-maker, and she made all Phœbe's dresses. A cunning milliner too. Phœbe's hats and bonnets, albeit inexpensive, were marvels of prettiness. All this was worth a deal to Miser Farebrother, who grudged every shilling it cost him to live. He gave nothing to the Lethbridges in return, nor was he asked to give anything. Since Phœbe was fourteen years of age Aunt Leth had not set foot inside the gates of Parksides.
"Let it be well understood," said Miser Farebrother to his daughter, "I am nothing to them, and they are nothing to me. If they expect me to do anything for them, they will be disappointed, and they will have only themselves to blame for it."
"They don't expect you to do anything for them," said Phœbe, with a flush of shame on her face. "They never so much as give it a thought."
"How should they? How should they?" retorted Miser Farebrother. "It would be so unnatural, wouldn't it? so very unnatural; they being poor, as they say they are, and I being rich as they think I am! They do say they're poor, now, don't they?"
"No," said Phœbe, considering; "I never remember their saying so. But they have as much as ever they can do to get along nicely. I know that without being told."
"So have we all, more than ever we can do. I can't get along nicely. Everything goes wrong with me—everything; and everybody tries to cheat me. If I wasn't as sharp as a weasel we shouldn't have a roof over our heads. It's the cunning of your aunt and uncle that they don't complain. They say to themselves, 'That old miser, Farebrother'—they do call me an 'old miser,' don't they, eh?"—he asked, suddenly, breaking off.
"I never heard them, father."
"But they think it," said Miser Farebrother, looking at Phœbe slyly; "and that's worse—ever so much worse. With people who speak out, you know where you are; it's the quiet cunning ones you have to beware of. They say to themselves, 'That old miser Farebrother will see through us if we complain to his daughter. He'll think we want him to give us some of his money, and that wouldn't please him, he's so fond of it. It will be by far the best to let Phœbe tell him of her own accord, and work upon his feelings in an accidental way, and then perhaps he'll send us a pound or two.' Oh, I know these clever people—I know them well, and can read them through and through! I should like to back them for cunning against some very sharp persons."
"You do them a great injustice, father. They are the dearest people in all the wide world——"
"Of course they are—of course they are," said Miser Farebrother, with a dry laugh. "They have been successful in making you believe it, at all events. That proves their cunning; it's part of their plan."
"It is not," said Phœbe, warmly; "they have no plan of the kind, and as to saying that they have led me on to speak to you about their troubles, and work upon your feelings, you couldn't imagine anything farther from the truth."
"Their troubles, eh!—they let you know they have troubles?"
"If you mean that they wish to get me to talk about them to you, no, father; they haven't let me know in that way. I can see them myself, without being told; and no one can help loving Aunt Leth for her patience and cleverness. Upon my word, it's perfectly wonderful how she manages upon the salary Uncle Leth gets from the bank. Now, father, you know that you yourself have led me on to speak of this." (When Phœbe was excited she emphasized a great many words, so that there should be no possibility of her meaning being mistaken.) "I didn't commence it; you did."
"No, Phœbe; it was you that commenced it."
"How could I, when I never said a word?"
"I saw what was in your mind, Phœbe. You were going to ask me for something for them; it's no use your denying it. I knew it when you shifted about the room, moving things that didn't require moving, and then moving them back again, and keeping on looking at me every now and then when you thought I wasn't looking at you. Oh, I was watching you when you least expected it. I am not easily deceived, and not often mistaken, Phœbe—eh?"
This was embarrassing, and Phœbe could not help a little laugh escaping her; for it was a fact that she was watching for a favourable opportunity to ask her father a favour in connection with her relatives. He, observing her furtively from under his brows, perceived that his shot had taken effect, and he waited for Phœbe to continue the conversation, enjoying her discomfiture, and secretly resolving that the Lethbridges should not get a penny from him, not a penny. Phœbe was in hopes that he would assist her out of her dilemma, and throw out a hint upon which she could improve; but her father did not utter a word, and she was herself compelled to break the silence.
"Well, father, I was going to say something about Aunt and Uncle Leth and my cousins."
"I knew you were."
"I have been there a great deal, and they have been very kind to me. If I ever forget their kindness I shall be the most ungrateful girl in the world. Think of the years I have been going to their house, and stopping there, and always being made welcome——"
"Stop a minute, Phœbe," interrupted her father. "'Think of the years!'—yes, yes—you are getting"—and now he regarded her more attentively than he had done for a long time past, and seemed to be surprised at a discovery which forced itself upon him—"You are getting quite a woman—quite a woman!"
"Yes, father," said Phœbe, quietly and modestly; "I shall be eighteen next Saturday. Aunt Leth was saying only last week how like I was to my dear mamma."
Miser Farebrother rose and hobbled across the room and back. It was with difficulty he did this, his bones were so stiff; but when Phœbe stepped forward to assist him, he motioned her angrily away. He accepted, however, the crutch stick which she handed to him; he could not get along without it, but he snatched it from her pettishly. Her mention of her mother disturbed and irritated him. He recalled the few days of her unhappy life at Parksides, and the picture of her death-bed recurred to his mind with vivid force. There was a reproach in it which he could not banish or avoid. At length he sank into his arm-chair, coughing and groaning, and averting his eyes from Phœbe. She was accustomed to his humours, and she stood at the table patiently, biding his time.
"You have made me forget what I was about to say," he began.
"I am sorry, father."
"You are not sorry; you are glad. You are always thwarting and going against me. What makes you speak to me of your mother in a voice of reproach? Tell me that. You have been egged on to it!" And he thumped his crutch stick viciously on the floor.
"I have not been egged on to it," said Phœbe, with spirit; "and it is entirely a fancy of yours that I spoke in a tone of reproach."
"It is no fancy I am never wrong—never. Your mother died when you were almost a baby in arms. You have no remembrance of her; it isn't possible that you can remember her."
"I do not remember her, father," said Phœbe, with a touch of sadness in her tone; "but Aunt Leth has a portrait of her, which I often and often look at, and I am glad to know that I am like her. You surely can't be displeased at that?"
"Aunt Leth! Aunt Leth! Aunt Leth!" he exclaimed, fretfully; and then, with unreasonable vehemence, "Why do you try to irritate me?"
"I do not try," said Phœbe, "and I do not thwart and go against you."
"You do—in everything. You don't care to please me; you don't take the least trouble to carry out my wishes. Being confined, on and off, to this house for years by my cursed rheumatism, unable, as you know, to go to my London office, and forced to trust to a man who may be robbing me secretly all the time he is in my service, I have endeavoured to train you to be of some assistance to me, and to make up my accounts here when I am too weak and in too much pain to make them up for myself. What has been the result? Upon looking over the papers you have written I have seldom found one of them correct. Nothing but errors in the casting-up and in the calculations of interest—errors which would have been the ruin of me had I taken your work for granted. It wouldn't matter so much if your mistakes were in my favour, but they are not; they are always against me. The sum total is always too little instead of too much. Is this what I have a right to expect from a child I have nourished and fed?"
"I can't help it, father. I have told you over and over again that I have no head for figures."
"'No head for figures!'" he muttered. "Where should I be, I'd like to know, if I had no head for figures? In the workhouse, where you'll drive me to in the end. You will be satisfied then—eh?"
"I cannot help it, father," Phœbe repeated. "I never could add up so as to be depended upon; I never could calculate interest; I never could subtract or multiply. If it hadn't been for Aunt Leth, I don't believe I should ever have been able to read or write at all."
"Oh, you throw that in my teeth, because I was too poor to afford a governess for you?"
"Not at all, father. You do what you think is best, I dare say. I only mention it out of justice to Aunt Leth, of whom you have not a good opinion."
"How do you know that? Have I ever troubled myself about her at all? Did I commence this, or you? Am I in the habit of dragging her name into our conversations for the purpose of speaking ill of her?"
"Neither of speaking ill or well, father. That is what I complain of. After what she has done for me you might have acted differently toward her."
"Ah, it's coming now. She has egged you on!"
"She has not," said Phœbe, stamping her foot; her loyal nature was deeply wounded by those shafts aimed at one she loved so well. "She hasn't the slightest idea that I had it in my mind to speak to you at all about her, and I have had it in my mind for a long time past."
"I remember now what I was going to say a minute ago. We will go upon sure ground, you, I, and your precious aunt and uncle. We will have no delusions. They think I am rich—eh?"
"They have never said a word about your money; they are too high-minded."
"But they do think I am rich. Now I will let you into a secret, and you can let them into it if you like. I am not rich; I am a pauper; and when I die you will find yourself a beggar."
"Aunt Leth will give me a home, father, when it comes to that."
"That's your affection!—taking the idea of my death so coolly. But I am not going to die yet, my girl—not yet, not yet. Why, there was a man who grew to be old, much older than I am, and who was suddenly made young and handsome and well-formed, with any amount of money at his command——"
"Oh, hush, father! These are wicked thoughts. You make me tremble."
"Why do you provoke me, then?" he cried, raising his crutch stick as though he would like to strike her. "You see how I am suffering, and you haven't a spark of feeling in you. Haven't I enough to put up with already, without being irritated by my own flesh and blood? There was such a man, and there's no harm in speaking of him. What was his name? This infernal rheumatism drives everything out of my head. What was his name?"
"Faust."
"You have read about him?"
"Yes; and I went to the theatre and saw the most lovely opera about it. I can play nearly all the music in it."
"You can play, eh? How did you manage that? Who gave you lessons?"
"Aunt Leth. She has a beautiful piano."
"You never told me you had been to the theatre."
"I have told you often that I have been with Aunt and Uncle Leth to different theatres."
"But to this particular one, where the opera was played?"
"Yes, I told you, father. You must have forgotten it."
"The opera! An expensive amusement which only rich people can afford. Your aunt took you, of course?"
"Yes."
"And she is poor, eh?—so very, very poor that it is quite wonderful how she manages!"
"She had a ticket given to her for a box that almost touched the ceiling. She could not afford to pay for it. Every time she has taken me to a theatre it was with a ticket given to her by Uncle Leth's relations. She is poor."
"And I am poorer. If you have read about Faust—if you go to the theatre and see him, why do you call me wicked for simply speaking of him? Is there really any truth in it, I wonder? There are strange things in the world. Could life and youth be bought? If it could—if it could——" He paused, and looked around with trembling eagerness.
Phœbe was too much frightened to speak for a little while; her father's eager looks and words terrified her. In a few minutes he recovered himself, and said, coldly,
"Finish about your aunt and uncle."
"Yes, father, I will. It isn't much I want. Next Saturday is my birthday, and Uncle Leth comes home early from his bank. He has never been to Parksides; and Aunt Leth hasn't been here for years. May I ask them to come in the evening?"
"Is that all—you are sure that is all?"
"Yes, that is all."
Miser Farebrother felt as if a great weight had been lifted from his heart. He had been apprehensive that Phœbe intended to ask him to lend them a sum of money.
"They wished me," said Phœbe, "to spend my birthday at their house; but I thought I should like them to come here instead. They made a party for me last year, and the year before last too; and it is so mean to be always taking and never giving."
"I don't agree with you. If people like to give, it shows they get a pleasure out of it, and it is folly to prevent them. But if you've set your heart upon it, Phœbe——"
"Yes, I have, father."
"Well, you can ask them; unless," he added, with a sudden suspicion, "you have already arranged everything."
"Nothing is arranged. Thank you, father."
"They will come after tea, I suppose?"
"No," said Phœbe, blushing for shame; "they will come before tea."
"Will they bring it with them?"
"Oh, father!"
"What do you mean by 'Oh, father!'? I can't afford to give parties. I can't afford to go to the theatres. If people have orders given to them, they have to pay for them somehow."
"I can give them a cup of tea, surely, father?"
"I suppose you must," he grumbled. "We shall have to make up for it afterward. What are you looking at me so strangely for?"
"I should like to buy a cake for tea," said Phœbe, piteously; she was almost ready to cry, but she tried to force a smile as she added, "and I have just twopence for my fortune. Look, father: here is my purse. That won't pay for a cake, will it? Give me something for a birthday present."
"To waste in cakes," he said, with a wry face. "Where should I have been if I had been so reckless? But you'll worry me to death, I suppose, if I refuse." He unlocked a drawer, and took out a little packet, which he untied. There were ten two-shilling pieces in it, and he gave Phœbe one of them, weighing them first in his hand, and selecting the lightest and oldest. "There. Never tell anybody that I am not generous to you."
Phœbe turned the florin over in the palm of her hand, and eyed it dubiously; but she brightened up presently, and kissing her father, left the room with a cheerful face.
CHAPTER VIII.
A DAY-DREAMER IN LONDON STREETS.
Now as to the Lethbridges, concerning whose characters and peculiarities it is necessary to say something more.
There was Mrs. Lethbridge, whom we already know, affectionately called Aunt Leth, not only by Phœbe, but by a great many young people who were on terms of friendship with her. And to be on such terms with such a woman was worth while, for she was not only a magnet that attracted love, she was a sun that bestowed it. There was Mr. Lethbridge, for the same reason called Uncle Leth by his young friends, and delighted in being so called. There was Fanny Lethbridge, their only daughter, between whom and Phœbe passed, under the seal of sacred secrecy, the most delicious confidences. Lastly, there was Robert Lethbridge, their only son, a young gentleman of vague and unlimited views, just entering into the serious business of life, and who, when things were perfectly smooth between him and his cousin Phœbe, was addressed as Bob, and at other times, according to the measure of dignity deemed necessary, as Robert or Cousin Robert. But it was generally Bob.
Mrs. Lethbridge, on her last birthday, forty-four; Mr. Lethbridge, on his last birthday, forty-eight; Fanny on her last birthday, nineteen (with many a sigh at being compelled to bid farewell to teens); Robert, on his last birthday, twenty-two. These comprised the family.
To hark back for a moment. It was an undoubted love match with Aunt and Uncle Leth. He a bank clerk, with limited income; she a young lady, with no income at all. That was of small account, however. Cupid—the real one, not the counterfeit—does not pause to consider. They had a boundless income in their love, and they drew large checks upon it. Expectations they had none, except that of being happy. Unlike the majority of expectations, theirs was fulfilled.
Outwardly and inwardly happy. For instance: their honey-moon. Was there ever a honey-moon like it, though it was not spent on the Continent? Never. It was their opinion, and if you dispute it you do so upon insufficient evidence. Then, their children. Parents never drew sweeter delight from their offspring than they from theirs. It is a species of delight which cannot be bought, being far more precious than silver and gold, and in the hourly and daily return for love invested it proclaims itself an incomparable speculation. Robert came first, Fanny next. This was as it should be. The boy to protect the girl, who of the two was infinitely the wiser. This is often the case with boys and girls.
The loving couple had a hard fight of it, and much to learn. They buckled to with willingness and cheerfulness, took their rubs lightly, and spread their pleasures so that they lasted a long time—not making light of them, as some do, and thus depriving themselves of the greater part of the enjoyment to be derived from them. As an example: a visit to the theatre, for which they were now able to obtain "orders." But it was not so during the first years of their married life. The contemplated visit used to be planned weeks beforehand—discussed, laughed over, enjoyed in the anticipation, but not half so much as in the realization. As to which theatre, now, and which play? The grave conversations they had on the point! It was really worth while listening to them. Those nights were gala-nights. After the theatre, a bit of supper, perhaps—occasionally, but rarely—in a restaurant. The careful study of the bill of fare; the selection of the modest dishes; the merry words with which they banished the expensive ones and chose the cheapest—nothing could be more delightful, nothing more truly enjoyable. They went out to meet the sun, and revelled in its beams. Worth laying to heart, this!
Their income of a hundred and eighty sufficed. They could not save money—but what a mine was the future!
Of the two, the one who drew most largely upon it was Mr. Lethbridge. The extraordinary demands he made upon it, and the extraordinary readiness with which his demands were met! It will be not unpleasant to linger a little over this phase of his character, premising, for lucidity, that in all London could not be found a brighter, more agreeable day-dreamer.
Thus: Walking to the bank to save the 'bus fare, Mr. Lethbridge beguiled the way. He had kissed his wife and Fanny, and saw them smiling at the window, and waving their hands to him as he passed the house. He went on his way rejoicing, and straightway began to dream.
What is this he hears? A meeting of the bank directors is being held. A messenger appears before Mr. Lethbridge's desk.
"The directors wish to see you, sir."
He prepares to obey the call, leaves his papers and books in order, pulls up his shirt collar, pulls down his cuffs, straightens himself generally, and presents himself in the board-room. There they are, the great magnates, all before him. The chairman, white-haired, gold-spectacled, and pleasant-voiced. Others of the directors also white-haired, gold-spectacled, and pleasant-voiced. Comfortable-looking gentlemen of the highest respectability, with country houses, carriages and horses, first-class railway tickets, and famous cellars of wine—all plainly visible in their shirt fronts and gold watch chains. They gaze at him in approval. He bows to them. The chairman bends his head slightly, and smiles a welcome. The other directors follow suit. They bend their heads slightly, and smile a welcome. It is really very pleasant.
"Take a seat, Mr. Lethbridge. We wish to say a few words to you."
He sinks into a chair, and waits for the chairman to unfold himself. The chairman coughs to clear his voice.
"You have served the bank, Mr. Lethbridge, man and boy, for twenty-eight years. We have observed you for many years, and are happy to express our approval of the manner in which you have performed your duties."
What could be better than that? How delighted they will be at home when he tells them!
"Always punctual at your post, Mr. Lethbridge. Never an error in your accounts. We have had no occasion to complain of the slightest irregularity."
Positive facts, and, although not mentioned till now, carefully noted by those in authority over him. Of that there could be no doubt; and how pleasant and agreeable it was to hear it! He had always been confident that his time would come.
"As a substantial mark of our approval, Mr. Lethbridge, we offer you the desk of our second chief cashier, who is about to retire on a pension. You will take his place at the end of the present month, and your salary will be six hundred pounds per annum."
The chairman rises and shakes hands with him; the other directors rise and shake hands with him. He retires from the board-room, filled with joy. Everybody in the bank congratulates him; he has not an enemy in the establishment.
Being now in the enjoyment of a salary more than three times as large as that upon which he and his wife have had to manage since their marriage, he proceeds to the disposal of it. A little extravagance is allowable; he must work down his feelings somehow. A new dress suit for himself, a new black silk for his wife. His dress suit had lasted him for Heaven knows how long, and his wife's black silk has been made over and turned till it really could not be made over and turned again. Bob shall have the gold watch he has been promised since childhood, and which father's ship—which certainly has made one of the longest passages on record—has been bringing home for the last dozen years. Fanny shall be suitably provided for. For wife and daughter, each one dozen pairs of kid gloves, four button, eight button, a hundred button if they like; new bonnets, mantles, and boots; and also for each a ten-pound note, in a new purse, to do just as they please with. Phœbe, also, must not be forgotten. She shall have new gloves, and bonnet, and mantle, and boots, and money in a new purse. He goes out with them to make the purchases, and they have the most delightfully grave consultations and discussions. And just as the shopkeeper in Regent street is pressing upon him a most extraordinary bargain in the shape of a new silk——
Yes, just at that moment Mr. Lethbridge arrives at the bank, punctual, as usual, to the minute. He is in the best of spirits. His walk from Camden Town has been as good as a play. Better; for he is convinced that his dreams will come true one of these fine days. What does it matter, a week or two sooner or later?
CHAPTER IX.
A NEW DOMESTIC DRAMA, BY UNCLE LETH.
On the evening of the day on which Phœbe received from her father the gift of a florin, which munificent sum he deemed to be sufficient to provide for his daughter's birthday treat to her aunt and uncle Leth and her cousins, Mr. Lethbridge wended his way homeward from the bank, indulging, as he walked, in a more than usually glowing day-dream. There exists in a great number of poor and struggling families a common sympathetic legend of a relation who ran away from home when very young, who has made a fabulous fortune in a distant land, and who will one day suddenly present himself to his astonished kinsfolk, and fill their hearts with joy by pouring untold gold into their laps. This good genius is always a gray-headed old man, with bright eyes and a soul of good-nature, and is, of course, invariably a bachelor—a delightful fiction which insures comfortable portions to the marriageable girls. "The Indies" used to be the favourite locality in which the runaway uncle or cousin made and saved his fortune, but of late years Australia and America have been pressed into service. Such a legend had existed in Mr. Lethbridge's family when he was a youngster; and as he now walked toward Camden Town, who should turn up—in his dreams—but a fabulously wealthy old gentleman, who had come home for the express purpose of presenting Mr. Lethbridge with no less a sum than twenty thousand pounds? Here was a foundation for the day-dreamer to work upon! but it was not all. There was a most important connection nearer to his heart, and altogether of a more tangible character. Among the friends of the family was a certain Fred Cornwall, a young barrister waiting for briefs, regarding whom Mrs. Lethbridge had more than once confidentially unbosomed herself to her spouse to the effect that she was certain "he came after Fanny." Up to the present moment, supposing that Fred Cornwall had really any serious intentions, this was as far as he had got; but it was far enough for Mr. Lethbridge. The slenderest foundations were sufficiently strong for his castles. Now, on this evening, Fred Cornwall was abroad on a little summer trip, and before Mr. Lethbridge had started for his bank in the morning his wife had whispered to him that Fanny had received a letter from Fred. What more was wanting for fancy with open eyes in London streets?
He has left the bank. They gave him a dinner and a testimonial on parchment, and another in gold, which is now ticking in the left-hand pocket of his waistcoat. It was the pleasantest affair. Such things were said of him! And the choicest flowers from the banquet table were sent by hand to his wife and daughter. Simply to think of it made the tears come into his eyes.
He has bought the lease of the dear old house in Camden Town. He has no ambition to live in a better, despite the fact that he is master of twenty thousand pounds. Well, not quite so much, perhaps, because there was the lease to pay for, and the smartening up of the house, and some new furniture to buy for the best rooms. But quite enough, quite enough.
There is still something to do before the new arrangements are completed, and for this purpose he and his wife and Fanny are jogging along happily through fashionable thoroughfares, where the tradesmen have provided in their windows a veritable Aladdin's cave for their entertainment, and wherein the ladies of his family, intent upon killing two birds with one stone, have decided to indulge in a "little shopping"—of all female occupations the most attractive and fascinating.
In Regent Street whom should they meet but Fred Cornwall? Here he is, face to face with them. Mr. Lethbridge greets him cordially.
"Hallo, Fred! Who would have thought of seeing you? Why, where have you been these last three weeks? On the Continent? Of course, of course—I remember your telling us you were going. Enjoyed yourself, I hope? Yes! Very glad, very glad. How brown you look! When did you return? A few hours ago only—ah! Come round and see us this evening. You intended to! That's right. You'll see an improvement—we've been buying some new furniture and doing up the house. Do you know anything of roses, Fred? I want to put a few dozen standards in the garden; I've got some apple and pear trees in already. Our own fruit next year, Fred. Fact is, I've had a windfall. Ever heard me tell of a relation of mine who ran away from home when he was a boy, and who made a great fortune abroad? Well, to our astonishment, he turned up a little while ago, and behaved most handsomely to us; so handsomely, indeed, that I've resigned at the bank. No occasion to work any more, my boy; can take it easy. Pleased to hear it? Of course you are. It makes no difference in us, Fred. We're just the same as we always were—just the same—just the same. Now how about the briefs, Fred? Are they rolling in? No! But of course you must wait, as I have waited. Don't be discouraged, my lad! Hope—hope—hope; that's the best tonic for youngsters. Perhaps I may put something in your way. Anything particular to do this morning? We are making a few purchases, and, now I think of it, I have heard Fanny say, repeatedly, that your taste in ladies' dress is perfect. What are you blushing for, Fanny? Give Fred your arm. I have no doubt he will be happy to accompany us."
Mr. Lethbridge's day-dream was here snapped in the middle. He was recalled to earth by a clap on his shoulder and the sound of a mellow voice.
"The very man I was coming to see! How are you, Leth, old man?"
The mellowness of the speaker's voice was matched by the mellowness of his personal appearance. Good spirits and good-nature oozed out of him. His clean-shaven face was round and rubicund; his eyes had a cheery light in them; a jolly smile hovered about his mouth. He was a large man; his hands, his nose, his head, were massive—it is the only word that will describe them. But nothing in him was out of proportion, and the geniality and jollity of the man were in keeping with his physical gifts. As there is no occasion for mystery, he may at once be introduced: "Mr. Kislingbury—the reader."
A famous man, Mr. Kislingbury, as you know. Has he not afforded you opportunities innumerable, of which, as a sensible man, you have taken full advantage—for it is not to be doubted that you are an enthusiastic play-goer—for hearty laughter? Has he not made your sides ache this many a time and oft, and have you not gone home the better for it? Is there not something so contagious in the merry notes of his rich voice that your mouth wreathes with smiles the moment it reaches your ears? Yes, everybody knows Kiss—though his name be Kislingbury, he is never spoken of but as Kiss by his friends and the public—and everybody has a kindly feeling toward him. With reason. His humour is unctuous, but never coarse; he bubbles over with fun, but never descends to buffoonery; great in old comedies, to the manner born, and, perhaps because of that, a little out of date. But Kiss, although fortune has not been over-lavish toward him, is contented with his lot. And he has, perhaps, a rarer virtue than all—he respects his author, and when he plays a new part and makes a hit in it, does not take all the credit to himself. This is the man who clapped Mr. Lethbridge on the shoulder in the midst of that gentleman's glowing day-dream, and cried: "The very man I was coming to see! How are you, Leth, old man?"
"Very well, I thank you," said Mr. Lethbridge, a little slowly, not immediately recognizing his friend; he was not in the habit of taking a harlequin leap out of his musings; it generally occupied him a few moments to get back to earth. "Very well, very well. Why, it's Kiss! Glad to see you, Kiss, glad to see you!"
"Day-dreaming, Leth?" inquired Kiss, merrily and kindly.
Mr. Lethbridge's flights in this direction were well-known to his friends.
"Yes, Kiss, yes. Amusing myself as usual. Upon my word, I hardly know a better way of passing the time. Almost as good as a theatre."
Kiss and Mr. Lethbridge were related—second or third cousins, or something of that sort; one of those genealogical connections with mixed marriages which make the head ache—and it was from Kiss that Mr. Lethbridge obtained orders for the play. Kiss had other and nearer relations, some of whom were in the habit of visiting Mr. Lethbridge's house, where, it need scarcely be said, they were more than welcome, the younger members of Aunt Leth's family, and all her other young friends, looking up to these luminaries with a kind of awe.
"Better than a theatre, I dare say," said Kiss, heartily; "at all events, a great deal cheaper. So easy to get up your pieces, so easy to write 'em, so easy to get them played. No jealousies and heart-burnings; all plain sailing. And no rehearsals, my boy; no rehearsals"—at which contemplation Kiss joyously rubbed his hands. "Everybody pleased and satisfied with his part. Lessee, stage-manager, every soul in the place, down to the check-taker at the gallery—I should rather say up, shouldn't I?—in a state of calm beatitude. Why? Because success is assured beforehand. No expense for dresses, none for scenery. Such a first-night audience! No blackguards paying their shillings in the hope of a chance of hooting and hissing. There are such now-a-days, I regret to say. Then the critics! Not at all a bad lot, Leth, let me tell you, though they have given many a poor devil the heartache. I often pity them for the sorry stuff they have to listen to and write about. Not a bed of roses, theirs! And I'd sooner be Kiss, first low comedy, than dramatic critic of the best paper going. As you play your pieces, Leth, do you ever think of the fine notices written about 'em in the next morning's papers?"
"I seldom get as far as that," replied Mr. Lethbridge, smiling.
"Ah!" said Kiss, "that's because you have no vanity."
"I have a great deal," said Mr. Lethbridge, shaking his head.
"You're no judge of yourself; none of us are of ourselves. But let your mind run on it a bit; it will make your nerves tingle with delight. Not for yourself, perhaps; for others—for Aunt Leth, now; and pretty Fanny; and Bob, the rascal!"
"Yes, for them, for them!" said Mr. Lethbridge, eagerly. "I will, Kiss; I will!—that is, if it comes to me to do it. For, do you know, what you call 'my pieces' are really very curious things, not only in themselves, but in the way they happen. Quite unexpectedly, Kiss—quite unexpectedly. Now what do the critics say about the piece—just by way of example—I've been playing in my walk home from the bank? But it's rather foolish of me to ask you such a question, as you are in complete ignorance of the kind of piece it is."
"Wrong, Leth, wrong. I know a great deal about it; more than you are aware of."
"Really?"
"Really, and in very truth, my liege lord."
"Now this is interesting. It is quite a pleasure, meeting you in this way. Go on about my piece."
"First and foremost," said Kiss, "to settle the style of it. I pronounce that it is not a tragedy."
"Right; it is not."
"It is not a farce."
"Nothing like it—that is, broadly speaking."
"I am speaking broadly. It is not a blood-thirsty melodrama, with a murder in it, and a wedding; or, if not that, a pair of lovers, just about to be tied together; or, if not that, a husband and wife torn from each other's arms. It amounts to the same thing, because the main point is that the man is falsely accused of the murder."
"Of course he is," said Mr. Lethbridge, "or where should we be?"
"Exactly," said Kiss, with a humorous imitation of Mr. Lethbridge's manner. "If that was not the case, where should we be? Worth considering. Perhaps worse off; perhaps better. I will not take it upon myself to judge. We are talking now of the regulation pattern—good old style, Leth, but old. Would stand a bad chance if it were not for the magnificent scenery and the wonderful dresses, mechanical changes, houses turned inside out, exteriors turned outside in, gas lowered to vanishing point to assist the delusion—splendid opportunity that for the lover and his lass, in the pit! Wish I was young again, and before the foot-lights, instead of behind them, so that I might take my imaginary little girl (whom I adore, from the crown of her pretty head to the tips of her little shoes) to the pit when such a melodrama, with the lights turned down, is being played. When I say 'regulation pattern,' Leth, don't mistake me; I am not speaking against it. As for originality—well, perhaps the least said about it the better. We were rehearsing a new melodrama the other day, and the subject cropped up on the stage. The scene-painter was there, and he took part in the discussion, though he spoke never a word."
"How could he do that without speaking?"
"Well, he winked."
"I don't see much in that," observed Mr. Lethbridge, somewhat mystified.
"Of course you don't, the reason being "—and good humour beamed in every feature of Kiss's merry face—"that you are not, like myself, a cynic."
"Come, that's good," protested Mr. Lethbridge: "you a cynic!"
"I would not have my enemies say so," said Kiss; "and don't you betray me at home. So it is settled that your piece is not a tragedy, nor a broad farce, nor a melodrama with a murder in it. Nor is it a comedy of character, bristling with smart sayings—everybody saying clever, ill-natured things about everybody else. No, Leth; your piece is a simple domestic drama, lighted up by the sweetest stars of life—the stars of pure love and a happy home."
"You have," said Mr. Lethbridge, stirred by the feeling which his friend threw into the words, "a remarkable felicity of expression. You are almost—a poet."
"A bread-and-butter poet, then. Yes; a simple drama of domestic life, upon which the stars of love and home are shining. That's what the critics say the next morning: 'It is refreshing to come across a play so sweet, so natural, so human. Here are no high flights of the imagination; no violent twisting of ordinary events to serve a startling purpose; no dragging in of abnormal, precocious children, to show how clever they are; nothing, in short, out of drawing or out of proportion. The play is an idyl, in which all that is wholesome in every-day life is brought into prominence to gladden the heart and refresh the senses. It leaves a sweet taste in the mouth, and when the curtain fell upon the delightful story, the author was called again and again, and applauded with a heartiness which must have sent him home rejoicing to the bosom of his family. We trust that the success he won and deserved will encourage him to further efforts in this direction, and that on many future occasions he will charm and beguile us as he did last night. His feet are firmly planted on the ladder of fame, and he has only to go on as he has begun, to make his name a household word.'"
"Upon my word," said Mr. Lethbridge, "you almost take away my breath."
"But am I a true diviner?" asked Kiss.
"About the critics?"
"About the piece—your piece?"
"You are a wizard. I think if I were a dramatic author I should try to write precisely the kind of play you have described. You see, there is little else in my mind. But I am afraid you are wrong about the critics."
"Not at all," persisted Kiss. "Critics are human, like other people; and search the whole world through, you will find no song more popular than 'Home, sweet Home.'"
CHAPTER X.
'MELIA JANE, GODDESS OF POTS AND PANS.
While this conversation was proceeding there stood at a little distance from the speakers a man who had been walking arm in arm with the actor when the friends met, and who fell apart from Kiss when he clapped Mr. Lethbridge upon the shoulder. He was an anxious-eyed man, nervous, fidgety, with a certain tremulousness of limb and feature, denoting a troubled nature. His age was some thirty-five or thereabouts; his clothes were respectable and shabby; and although he took no part in the conversation, and did not obtrude himself, he did not remove his eyes from Kiss and Mr. Lethbridge. Kiss, turning, beckoned to him, and he joined the friends.
"You heard what we've been talking about," said the actor. "What do you think of it?"
"I wish," said the man, "that I could write such a piece."
"Ah," said Kiss, "it is easy to preach as we've been preaching, but to do the thing is a different pair of shoes. It comes by nature, or it comes not at all."
"But," said the man, "I don't believe it would be a success."
"Wait a moment," said Kiss; "I am forgetting my manners. Mr. Linton—Mr. Lethbridge."
The two shook hands.
"Mr. Linton," said Kiss to Mr. Lethbridge, in explanation, "is a dramatic author, and has written plays."
Mr. Linton sighed, and fidgeted with his fingers.
"Has he?" exclaimed Mr. Lethbridge. "And they have been played, of course?"
Mr. Linton sighed again, and inclined his head.
"I am really delighted," said Mr. Lethbridge. "I have never in my life spoken to a dramatic author, and have never shaken hands with one. Will you allow me?"
They shook hands again, Mr. Lethbridge effusively, Mr. Linton with mingled bashfulness, pride, and awkwardness.
"Successful pieces, I am sure," observed Mr. Lethbridge.
"More or less so," said Kiss. "We must take our rubs, my dear Leth."
"Of course, of course. We've got to take them."
"That's what I'm always telling Linton. We've got to take 'em. Why, you, now," pointing his finger at Mr. Lethbridge, "you're not a public man, and you have your rubs."
"I am not free from them," said Mr. Lethbridge, in a cheerful voice.
"There, now, Linton," said Kiss, with the manner of one who desired to point a moral, "our friend Lethbridge here is not a public man, and he has rubs. So you don't think his piece would be a success? Why, Sempronius?"
"An author must follow the fashion," replied Mr. Linton, "if he wants to live."
"He wants that, naturally." And here Kiss took Mr. Lethbridge aside, with, "Excuse me, Linton, a moment," and whispered, confidentially, "A little dashed. Had a knock-down blow. Last piece a failure. Produced a fort-night ago. Ran a week. I was in it, but could not save it. Consequence, out of an engagement; not serious to me, but to him—very. A man of genius; but not yet hit 'em quite. Will soon, or I'm the worst of actors. Which I am not—nor the best; but 'twill serve. Meanwhile, waiting for the spondulix to pour in, has wife and family to support. A modern Triplet. Has play which will take the town by storm. The play that failed was of a domestic turn. Very pretty; but lacked incident. Too much dialogue, too little action. He feels it—badly. Here," touching his heart, "and here," touching his stomach. They returned to Mr. Linton. "Proceed, Linton."
"The public," said Mr. Linton. "require red fire. Give it them. They want murders. Supply them. They want the penny-dreadful on the stage. Fling it at their heads. Ah! I've not been as wise as some I know."
"In point of ability," whispered Kiss again to Mr. Lethbridge, "he could wipe out the authors he refers to. Excuse him; he is not a bit malicious or envious; but he has been stung, and he's writhing. If you heard me read the play that failed, you would require a dozen pocket-handkerchiefs. He slaved at it for eight months; and dreamt of success with empty platters on his table. I wonder if people know anything of this, or ever give it a thought? But it won't do to encourage him. It does him good to lash out; but we must not agree with him when he's wrong. In his new play there's a part I should like to take. He wrote it with me in his eye. All will come right; till the time arrives, he must grin and bear it. 'Suffering is the badge of all his tribe.' But there are big plums in the pudding, old fellow, and his day to pick 'em will come." Then he said aloud to the moody author: "Don't talk stuff and nonsense. You don't copy, as a rule; you're original, and I make my bow to you; but in what you said you are copying the platitudinarians. What the public want are good plays, such as you can write, and good actors, who are not so scarce as croakers would have us believe. Cheer up, Linton! Where would be the glory of success if we could have it by whistling for it? Why, here we are at your very door, Leth! Now I call that singular."
"Why?" asked Mr. Lethbridge.
"Because we were coming to see you, to ask a favour."
"Anything I can do," said Mr. Lethbridge, knocking at the door, "you may depend upon."
"I told you so, Linton," said Kiss.
The dramatic author brightened up for a moment, but fell again immediately into a state of despondency.
"You're just in time for tea," said Mr. Lethbridge, kissing his wife, who opened the door for them. "Come in, come in. I've brought you some visitors, mother."
"How do you do, Mr. Kiss?" said Mrs. Lethbridge, shaking hands with the always welcome actor.
"Mother," said Mr. Lethbridge, "this is Mr. Linton, the celebrated author."
"I am glad to see you, sir," said Mrs. Lethbridge, inwardly disturbed by the thought that she had not got out her best tea service. "Mr. Kiss, will you take Mr. Linton into the drawing-room? You are at home, you know. Fanny and Bob will be in presently. Phœbe is here, father."
In point of fact, Phœbe, Fanny, and Bob, excited by the sound of the arrival of visitors, were on the first-floor landing, peeping over the balustrade to see who they were.
"It's Mr. Kiss," whispered Fanny.
"And a strange gentleman," whispered Bob.
"Uncle Leth said," whispered Phœbe, "'the celebrated author.' I wonder if he's joking?"
"They are going to stop to tea," whispered Fanny, "and mother has sent them into the drawing-room while she gets out the best tea-things. We must go and help her."
Aunt Leth, from the passage below, coughed aloud, having detected the presence of the young people, and there was an instant scuttling away above, and a sound of smothered laughter. To Aunt Leth's relief, this was not noticed by her visitors, who made their way into the drawing-room. It was called so more from habit than because it was a room set apart for holiday and grand occasions; there was no such room in the house of the Lethbridges, which was a home in the truest sense of the word.
Aunt Leth was deeply impressed by the circumstance of having a celebrated author in her house, and when the drawing-room door was closed, she asked her husband in the passage—speaking in a very low tone—what he had written.
"Why, don't you know, mother?" said Mr. Lethbridge; but the superior air he assumed—as though he was intimately acquainted with everything Mr. Linton had written, and was rather surprised at his wife's question—was spoilt by a shamefacedness which he was not clever enough to conceal.
"No, father," said Mrs. Lethbridge; adding, triumphantly, "and I don't believe you do, either."
"Well, to tell you the truth," said Mr. Lethbridge, with a little laugh, "I don't. But he is very celebrated. Mr. Kiss says so. He writes plays, and his last one was not a success. It has troubled him greatly, poor fellow. Give us a good tea, mother."
Mrs. Lethbridge nodded, and sent him in to his visitors, and went herself down to the kitchen to attend to her domestic arrangements, where she was presently joined by her children and Phœbe.
"We don't want you, Bob," said Mrs. Lethbridge to her son; "go and join the gentlemen."
"I'd sooner stop here, mother," said Robert.
"Go away, there's a good boy," said the mother; "you will only put things back."
Robert, however, showed no inclination to leave the kitchen, but hovered about Phœbe like a butterfly about a flower.
"Do you hear what mother says?" demanded Fanny, imperiously; she was given to lord it occasionally over her brother. "Go at once, and listen to the gentlemen, and have your mind improved."
"Now you're chaffing me," said Robert, "and you know that always puts my back up."
Mrs. Lethbridge looked around with affectionate distraction in her aspect.
"Go, Robert," said Phœbe.
"Not if you call me 'Robert,' said he.
"Well, Bob."
"All right, I'll vanish. Fanny, there's a smut on your nose."
Which caused Fanny to rub that feature smartly with her handkerchief, and then to ask Phœbe in a tone of concern, "Is it off?" This sent Robert from the kitchen laughing, while Fanny called out to him that she would pay him for it. She laughed too, when he was gone, and declared that he was getting a greater tease every day. Presently all was bustle; the best cups and saucers were taken from the cupboard, and Phœbe, with her sleeves tucked up, was dusting them; Fanny was cutting the bread and buttering it; Aunt Leth was busy with eggs and rashers of bacon, and the frying-pan was on the fire; while, attending to the frying-pan and the kettle and the teapot, and working away generally with a will, was the most important person in the kitchen—the goddess, indeed, of that region—whose name, with a strange remissness, has not yet been mentioned: 'Melia Jane!
In these days of fine-lady-servants, the mere mention of so inestimable a treasure is an agreeable thing; for if ever there was a devoted, untiring, unselfish, capable, cheerful slave of the broom and the pan, that being was 'Melia Jane. Up early in the morning, without ever being called; up late at night, without a murmur; no Sundays out, as a law, the violation of which was a graver matter than the separation of church and state; cooking, scrubbing, washing, with a light heart, and as happy as the day is long. Could I write an epic, I would set about it, and call it "'Melia Jane."
Not a beauty; somewhat the reverse, indeed. But "Lor!" as she used to say, scratching her elbow, "beauty's only skin-deep." Nevertheless, she worshipped it in the persons of Fanny and Phœbe, to whom she was devotedly attached. Of the two, she leaned, perhaps, more closely and affectionately to Phœbe, for whom she entertained the profoundest admiration, "Wenus," she declared, "couldn't 'old a candle to 'er." And had she been asked, in the way of disputation, under what circumstances and to what intelligible purpose that goddess could be expected to hold a candle to Phœbe, she would doubtless have been prepared with a reply which would have confounded the interrogator.
She had a history, which can be briefly recorded.
Like all careful housewives with limited incomes, Mrs. Lethbridge had her washing "done" at home, and 'Melia Jane's mother, in times gone by, was Aunt Leth's washer-woman. She died when 'Melia Jane was ten years old, and the child, being friendless and penniless, was admitted into Mrs. Lethbridge's kitchen as a kind of juvenile help. She proved to be so clever and willing, and so "teachable," as Mrs. Lethbridge said, that when the old servant left to get married, 'Melia Jane took her place, and from that day did the entire work of the house. For the present, this brief record is sufficient. More of 'Melia Jane anon.
Robert burst into the kitchen in a state of great excitement.
"Mother, you didn't tell me Mr. Linton was a dramatic author. Just think, Phœbe; he writes plays! Isn't it grand?"
The girls opened their eyes very wide. There was indeed a luminary in the house, a star of the first magnitude. A dramatic author! It was enough to make them tremble.
"But why have you left them, Bob?" asked Mrs. Lethbridge.
"I was told to go," replied Robert. "They did not want me. They're talking business."
"Business!" exclaimed Mrs. Lethbridge. "What business can they have with father?"
"Perhaps," suggested Robert, "he is going to take a theatre, and Mr. Linton is going to write the plays, and Mr. Kiss is going to act in them."
"What nonsense you talk!" said Mrs. Lethbridge.
"Mother," said Robert, solemnly, "my mind's made up."
"A very small parcel," remarked Fanny, thus paying him off for the smut on her nose.
"I'm serious," said Robert; "I'm fixed—yes, fixed as the polar star. That sounds well. I shall go on the stage."
"And off again, very quick," said Fanny.
"What! turn actor, Bob?" exclaimed Mrs. Lethbridge.
"Yes," said Robert, folding his arms; "a second Irving."
"Avaunt, and quit my sight!" cried Phœbe, seizing the rolling-pin and striking an attitude.
They all fell to laughing, and 'Melia Jane stared at the young people, with her eyes almost starting out of their sockets.
CHAPTER XI.
KISS HAS SOMETHING TO SAY ABOUT THEATRICAL MANAGERS.
Meanwhile the gentlemen upstairs were discussing a serious subject.
"I told you about our friend's play," said Kiss to Mr. Lethbridge—"his undeservedly unsuccessful play, produced a fort-night since at the Star Theatre. There are lines in it which would make the fortune of a poet, but these are not poetical days—on the stage. At a certain theatre, where an eminent brother of the craft, to whom I take off my hat"—he had no hat to take off, but he went through the necessary action—"has the ear of the public, and a following which is simply amazing to contemplate—at that theatre, I grant you, the poetical drama can be produced with great results; and also at one other temple of the drama, where a lady, admired and loved by all, reigns as queen; but produced elsewhere, it is risky, very. It requires, for success, a perfect and harmonious combination of rare forces, and such a following as I have spoken of, and these are only to be found in those two theatres. Do you take?"
"Do I understand you?" said Mr. Lethbridge, deeply interested. "Yes."
"With such actors," continued Kiss, "with such an organization, with such resources, with such lavish, but not unwise, expenditure, with such a following, not only the poetical drama, but any kind of drama, may be staged with assured result. Had Linton's play been produced there, you would see him now all smiles instead of down in the dumps. I don't say to him 'What is the use?' A man has his feelings, and a dramatic author has a double share, which makes it bad for him when the reverse happens. Linton's play was not produced at one of the theatres I have indicated—more's the pity. But a time may come. Do you hear me, Linton?"
"I am deeply grateful to you," said Mr. Linton. "You are the best fellow in the world."
"That is sentiment, mere sentiment," said Kiss, coughing down the compliment. "We are now talking business, and I am, so to speak, showing our mutual friend the ropes, and letting him behind the scenes. Not quite the fairy-land most people imagine. I was engaged for the run of Linton's play, and as it ran off instead of on, I am now out of an engagement. Do I blame him? Not a bit of it. He would have as much reason to blame me. You see, Leth, there are certain rules and certain fashions in our line which it is as dangerous to violate as in most lines of business. For instance, would you take a shop on the wrong side of the road?"
"No," replied Mr. Lethbridge, rather vaguely.
"There are business sides and unbusiness sides. Here, a shop is worth five hundred pounds a year; across the road it isn't worth fifty. So with theatres. Here, comedy; here, comic opera; here, melodrama; here, spectacle; here, Shakespeare and the classic; and so on, and so on. Risk the unsuitable and you come to grief. That's what we did; for I'm bound to confess that Linton was largely influenced by my advice in the matter. I had so firm a belief in the play that I thought it would score anywhere. It did score at the Star, but it scored the wrong way, because it was played at the wrong theatre. A knock-down blow! What then? Why, rise, and at it again!—yes, though you get a dozen knock-down blows. Nil desperandum: that's my motto. Life's a fight. Are you waiting for a cue, Linton?"
"You are quite right in your observations," said the poor author, with a sad smile; "but it is easier for you to rise after a knock-down blow than it is with me. You are a favourite with the public; they welcome you the moment you make your appearance. The last time I appeared before them they howled at me. And it meant so much! It was not only a case of disappointed ambition and wounded vanity, but there was, at home——I beg your pardon; I scarcely know what I was about to say."
Mr. Lethbridge thought of the empty platters which Kiss had spoken of, and he gazed commiseratingly at Mr. Linton.
"Now, wouldn't you suppose," said Kiss, addressing himself to Mr. Lethbridge, "that Linton was so overwhelmed at his failure that he had no heart to try again? I am happy to say that is not the case. He has already got another play ready, a better one than the last, a play that is bound to hit 'em?"
"I am delighted to hear it," said Mr. Lethbridge, with a bright smile. "I must come the first night; we'll all come—mother and Fanny and Phœbe and Bob. I dare say we shall be able to find room in the pit."
"Plenty," observed Mr. Linton, moodily.
"And bring good thick sticks with you," said Kiss, "to help the applause."
"When is it to be played," asked Mr. Lethbridge, laughing at the suggestion of the big sticks, "and where?"
"Ah," said Kiss, "that's the rub. It is a question not yet decided."
"There are so many managers after it, I suppose?" said Mr. Lethbridge, innocently. "Look at it from a business point of view; accept the best offer at the best theatre."
Kiss leant back in his chair, and laughed long and loud. He had a particularly merry laugh, and the sound was heard in the kitchen.
("That's Mr. Kiss laughing," said Fanny. "The author has said something funny."
"I hope uncle will remember it," added Phœbe, "and tell us what it is. How wonderfully an author must talk, and what wonderful minds they must have! How ever do they think of things?")
"The fact is, Leth," said Kiss, presently, "we have not such a choice of managers and theatres as you imagine."
"Why, surely," said Mr. Lethbridge, "they are only too ready to jump at a good play when it is offered them!"
"If I were asked," said Kiss, "who were the worst possible judges of a manuscript play, I should answer, theatrical managers. As regards Linton's last effort, which he has at the present moment in his coat pocket"—(Mr. Lethbridge knew from this remark what the great bulge was at Mr. Linton's breast, concerning which he had been rather puzzling himself; every now and then the dramatic author put his hand up to the pocket which contained his manuscript, to make sure that the precious documents were safe)—"as regards that," continued Kiss, "there is a certain obtuseness on the part of managers which has to be overcome before the new play sees the light. They have read it, and have shaken their heads at it. Now I pit my judgment against theirs."
"So will I," said Mr. Lethbridge.
"And I say there's money and fame in Linton's last. By-the-way, Linton, that's not at all a bad title for something—'Linton's Last.' Think of it."
"At all events," observed the despondent author, with a lame attempt at a joke, "there would be an end of me after that."
"Not at all, my boy; couldn't spare you. As I said, Leth, the managers, all but one, shake their heads at Linton's play, and, like asses, refuse it."
"All but one," said Mr. Lethbridge. "He's a fortunate man, whoever he is."
"He is not quite blind. Now, Leth, that is the real reason of our visit to you."
"Indeed!" said Mr. Lethbridge, in great amazement. "I have no influence, I assure you. I wish I had; I should be only too ready and willing to use it."
"This one manager," pursued Kiss, "who proves himself to possess some glimmering of common-sense, is, curiously enough, the manager of the Star Theatre, where Linton's last piece was produced."
"And he wishes to produce the new one," said Mr. Lethbridge. "That is very good of him."
"Oh, he knows what he is about, and he is awake to the fact that there is a certain fortune in the play. But, for all that, he is a downy bird—a very downy bird. He argues. Says he, 'Your last piece, Linton, was almost a crusher to me.' At which Linton's heart sinks into his shoes, and he groans, instead of meeting it lightly as he ought to do. But that is a matter of temperament. 'I had to close my theatre,' says the manager of the Star, 'not having another piece ready, and here I am paying rent for shut doors. It has cost me so much,' mentioning a sum, which my experience tells me is the actual, multiplied by four. But that's neither here nor there. The manager of the Star goes on: 'To put the new piece on will cost so much,' again mentioning a sum multiplied by four. 'What do you propose to contribute toward it if I make the venture?' 'I give you my brains,' says Linton; 'that is all I possess.' 'In that case,' says the manager, 'I am afraid it is not to be thought of. I can't afford to stand the entire risk.' I, being present at the interview, step in here. I don't intend to apologize to Linton when I tell you, Leth, that he is not fit to manage his own business. 'You did produce a play of Linton's,' I say to the manager—it was called Boots and Shoes, Leth; no doubt you remember it—'out of which you made a pot of money.' 'A small pot,' says the manager of the Star; 'a very small pot.' 'And,' says I, 'which you bought right out for the miserable sum of fifty pounds.' 'Well,' says the manager, 'that was the bargain, made with our eyes open. When I offered fifty pounds for Boots and Shoes I did it for the purpose of doing Linton a good turn. He was hard up at the time, and I risked the fifty on the off chance. If I make by one piece I lose by another.' 'Let us come to the point,' says I, 'about the new piece. You want something contributed toward the expense of getting it up. How much? Don't open your mouth too wide.' 'Two hundred pounds,' says he; 'not a penny less.' To tell you the truth, Leth, I thought he was going to ask for more. It isn't a very large sum, is it?"
"Not to some people," replied Mr. Lethbridge, with a cheerful smile.
"Pleased to hear you say so. There's more to tell. It is not putting down the two hundred pounds and saying good-bye to it; it will come back in less than no time. The first profits of the piece will be devoted to repaying the amount, so that there is really very little risk, if any. Having stated his conditions the manager of the Star retires, and we retire also, to consider ways and means. Now I needn't tell you, Leth, that we can just as easily lay our hands upon two hundred pounds as we can bring the man in the moon down from the skies. The question then is—how to raise it? A serious question. We consider long, and at length a bright idea flashes upon me. I have, in an indirect way, made the acquaintance of a man who discounts bills. The acquaintance is slight—very slight; but faint heart, you know, and I go to him. I will mention his name to you; but it must be done in confidence—between ourselves."
"Yes," said Mr. Lethbridge.
"His name is Pamflett—Jeremiah Pamflett."
"I know the name of Pamflett," said Mr. Lethbridge. "The father of my niece Phœbe, who is just now on a visit to us——"
"The dearest, sweetest girl!" said Kiss, in explanation to Mr. Linton.
"Has a housekeeper of that name. Can Mr. Jeremiah Pamflett be a connexion of hers?"
"It is not unlikely," said Kiss; "to speak the truth, it is quite likely. But that is not material, is it?"
"No," said Mr. Lethbridge, with a slight pause for consideration; "I don't think it is. I believe he manages some kind of business for Phœbe's father."
"For Miser Farebrother? Yes, that is so; but he does business also on his own account. As I was saying, I go to Mr. Pamflett, and I lay the case before him; but he says he doesn't see his way to doing a bill for me and Linton without other names upon it. I run over the names of a few friends who would be willing to sign it, but Mr. Pamflett still demurs. It was then that the bright idea flashes upon me; I think of you. To come to you and ask you to lend us two hundred pounds was, of course, out of the question."
"I regret to say it would be," said Mr. Lethbridge. "Nothing would give me greater pleasure if it were in my power."
"I know, and therefore we have not come here with any such idea; but your name occurring to me while I was talking to Mr. Pamflett, I naturally mention it. He meets me instantly. He knows all about you and your family."
"He has never been here," interposed Mr. Lethbridge.
"He spoke most kindly of you, and said he had the greatest respect for you——"
"To my knowledge," again interposed Mr. Lethbridge, "I have never seen his face. I shouldn't know him from Adam if he stood before me now."
"Perhaps he knows of you through your niece. However it is, you would not have been displeased had you heard him speak of you. The upshot of the affair is that he makes a proposition by which we shall get the two hundred pounds required to produce Linton's new play. The proposition is—and bear in mind that Mr. Pamflett made it out of pure kindness, and out of the respect in which he holds you—that Linton should draw a bill at six months' date for three hundred pounds, and that you should accept it. Linton, of course, as drawer, will endorse it, and so will I. If I hand this bill to Mr. Pamflett to-morrow he will give Linton his cheque for two hundred pounds, and our friend's fortune is made. The resources of civilization, my dear Leth, are wonderful. That a mere scratch of the pen can make a name famous, can make a worthy fellow happy, can bring joy to the hearts of a good woman and her children—you will love Mrs. Linton when you know her—can snatch a man from the depths of despair—now, is it not wonderful to think of? They will bless you, they will remember you in their prayers—but I will say no more. It remains with you."
In this speech the actor's art, unconsciously exercised, made itself felt, and it penetrated the very soul of good Uncle Leth.
"It does not enter my mind," said Mr. Lethbridge to Kiss, "that you would deceive me——"
"I would cut my right hand off first."
"And therefore you will forgive me when I ask you if there is really no risk?"
"I give you my word and honour, Leth," said Kiss, very seriously, "as a man, and, what is more, as a judge of plays, that there is not the slightest risk. Is my opinion, as an actor and an honourable man, of any value?"
"Of the highest value!"
"There is not an atom of risk. Linton has his play in his pocket: he shall read it to you—or, rather, I will read it to you—before we leave you to-night. Linton is an execrable reader of his own works. He is so nervous and fidgety and undramatic that he misses every point. If ever I feel inclined to punch his head it is when he is reading his manuscript to the company in the green-room. Many a good play has been rejected because of this incapacity; many a bad play has been accepted because of the fervour and the magnetism of the author, who, carried away himself (frequently by inordinate vanity), has carried away a theatrical manager, and actors too sometimes, and warped their judgment. I will read Linton's play fairly, so that you will be able to form a proper estimate of it. Just consider, Leth: the bill is not due for six months. In three or four weeks at the furthest Linton's piece will be produced. The manager of the Star Theatre would like to rush it on sooner, but I shall insist upon a proper number of rehearsals. I shall stage-manage it myself, and that should be a guarantee. Two weeks after the production of the piece I shall have the pleasure—I beg Linton's pardon: he will have the pleasure—of handing you the sum of three hundred pounds in a new suit of clothes. Not the money thus clothed, but the happy author. That will be four months before the money is to be paid to Mr. Jeremiah Pamflett. You can keep it and use it for those four months if you wish."
"I shall pay it at once," said Mr. Lethbridge, "and get back the bill."
"Then you will do it?"
"I will do it," said Mr. Lethbridge: "and I wish Mr. Linton every success."
"Linton, old chap," exclaimed Kiss, "your fortune's made!"
Mr. Linton raised his eyes. The tears were brimming over in them, and running down his face.
"How can I thank you?" he said to Mr. Lethbridge. "When everything looked so dark, and when I did not know which way to turn——" He could not go on.
"There's a silver lining to every cloud," said Kiss, "and if it can be seen anywhere in this wilderness city it can be seen here, in my friend Leth's house. I call a blessing upon it. When you crossed this threshold you dropped on your feet. But I told you how it would be. Now, Leth, perhaps you would like to hear that, hearing I was out of an engagement, the manager of the Eden Theatre offered me terms, but I have such faith in Linton's new piece that I refused and kept myself open for it."
"I am perfectly satisfied," said Mr. Lethbridge.
"We can settle the affair at once, if you like," said Kiss.
"Certainly, at once," assented Mr. Lethbridge.
"I brought the bill with me, and here it is on stamped paper."
He produced it, and Mr. Lethbridge, reading it through, accepted it, making it payable at the bank in which he had for so long a time held a position of trust.
"Aunt Leth sent me to tell you," said Phœbe, popping in her head, "that tea is ready."
"Thank you, Phœbe," said Mr. Lethbridge; "come in. I want to introduce Mr. Linton to you."
How little did the bright and beautiful girl suspect that within the last few moments an awful and tragic thread had been woven into her life!
She entered the room, and looked timidly at the poor author.
"Not a word for me?" said Kiss.
"Yes, Mr. Kiss," said Phœbe, giving him her hand.
"Mr. Linton—Phœbe," said her uncle Leth, encircling her waist with his arm. "This is my niece, Mr. Linton, whom I love as a daughter."
"Mr. Pamflett was speaking of you yesterday," said Mr. Linton.
"Mr. Pamflett!" exclaimed Phœbe, shrinking at the name.
"Yes. He said you were the most lovely girl in all London, and that there was no service you could call upon him to render which he would not cheerfully perform."
"I scarcely know him, sir," murmured Phoebe.
"Let us go in to tea," said Mr. Lethbridge, "or mother will be impatient. A terrible tyrant, Mr. Linton; a terrible tyrant!"
CHAPTER XII.
THE READING OF THE NEW PLAY.
It was the merriest tea-party imaginable; and Aunt Leth's mind was at ease, in consequence of the time which had been afforded her to make suitable preparations for so eminent a guest as the dramatic author. In pouring out the tea, she helped him last, saying gaily,
"The first of the coffee, Mr. Linton, the last of the tea."
"A good homely saying," he observed. "I used to hear it from my mother. Though, really, I do not deserve such attention."
"Don't believe him, Aunt Leth," said Kiss. "Your dramatic author is as fond of the best as any common mortal."
The idea of comparing a dramatic author to a common mortal was certainly not to be lightly accepted by the young folk round the tea-table, who regarded Mr. Linton as a being far above and removed from the general run of people. It was to them almost a surprise that he spoke and ate in exactly the same way as their other acquaintances; and out of the depths of their admiration, everything he did seemed to be invested with a certain superiority which raised him above his fellows. They cast timid and covert looks upon him, and noted his movements, so as to be able to give a faithful description of him, by-and-by, to their friends. It was fortunate for him that their observance was not too obtrusive, or it might have spoilt his appetite. As it was, he made an excellent tea, and tucked away the bread and butter and ham and eggs with a zest which delighted Aunt Leth. He declared that he had never tasted such tea, nor such eggs, nor such bacon, nor such bread and butter, nor such gooseberry jam; and, if appearances were to be trusted, and there was any value in words, never did mortal enjoy himself more than this poor author, who had been lifted from despair by the generous kindness of Uncle Leth. Kiss had imparted, hastily and confidentially, to Aunt Leth some particulars of Mr. Linton's circumstances, and had found time to descant upon his friend's virtues as a domestic man, of his love for his wife and children, and of his brave struggles against fortune. Aunt Leth's heart went out to Mr. Linton, and she said how proud she would be if he would bring his wife and little ones to see them. He replied that the honour would be on his side; but that, with his hostess's permission, he would wait until his new piece was produced at the Star Theatre. This temporizing reply was dictated by his sensitive spirit. He and his wife lived in two rooms, in a not very distinguished neighbourhood, and he was afraid of a return visit and its consequent humiliation. When his play was produced he would be able to remove to better quarters, and his wife would buy a new dress; then the acquaintanceship with this charming family could commence, and he would be in a position to return their hospitality.
"A new play!" exclaimed Aunt Leth. "Do you appear in it, Mr. Kiss?"
"Yes," said Kiss. "We hope to see you in the theatre on the first night. Uncle Leth has promised to supply each of you with a big stick, so that you may lead the applause."
"But there will be no getting in," said Aunt Leth.
"Linton will reserve a private box for you," said Kiss.
Eager heads turned to the poor author, eager eyes gazed at him.
"Madam," said Mr. Linton, "I shall be honoured if you will accept it. If you do not, I feel that my play will meet with failure."
"You are very good," said Aunt Leth. "We have never been to a first night, and have read so much about them. I am sure your play will be a great success; there can be no doubt of that."
The thoughts of Fanny and Phœbe instantly flew to the question of dress. A private box on a first night! An event to be always remembered, especially with a play which was certain to be the talk of the town. It must be properly honoured.
"Mr. Linton has the manuscript of the play with him," said Kiss, "and if you have nothing better to occupy your time to-night I propose to read it to you, in order that you may form an opinion of it. What do you say?"
What did they say?—there was a question! If they had nothing better to occupy their time?—what could be better? Why, the girls would be ready to throw over even a dance for such a treat! They glowed with excitement, and Mr. Lethbridge, looking round upon the happy faces, was glad to think that he had signed the bill which Kiss had in his pocket at that moment, and which to-morrow would be in the possession of Jeremiah Pamflett.
"There's an audience for you," said Kiss to the author, pointing to the young people.
"A good augury," said the proud author. "I feel more hopeful than I have done for a long time past."
The females of the party presently left in a body to prepare the drawing-room for the promised reading, and then it was that Phœbe said to Aunt Leth:
"Oh, Aunt Leth, I have something to say, and I'm in that state of excitement that I'd better say it at once, before I forget it. Next Saturday is my birthday, you know."
"Yes, dear, I know," said Aunt Leth, giving the young girl a tender caress; "and we shall keep it up by a little dance at home here. I intended to speak to you about it to-night before you went to bed."
"You are so good to me, dear aunt," said Phœbe, "that I don't know how ever I can repay you. It would, I think, be impossible, whatever it might be in my power to do."
"My dear child," said Aunt Leth, "don't talk of repayment. You are as one of our own. What we do comes from our hearts. So you will manage to come here early on Saturday, and remain till Tuesday or Wednesday."
"No, aunt," said Phœbe, with many kisses, "I can't do that. You must all come to me."
"To you, dear! Where?"
"To Parksides, aunt."
Aunt Leth looked grave. "Have you your father's permission, Phœbe?"
"Yes, aunt; he gave it willingly. I don't mean to say it was his idea; it was mine, and he consented at once when I asked him. I can only ask you to a poor little tea," said Phœbe, her lips slightly trembling, "but I hope you won't mind. I should so like it! Uncle Leth and Fanny and Bob have never been to Parksides, and though I can't give them a grand entertainment, I don't think it will make any difference."
"Nothing can make any difference in our love for you, my dear."
"Then you will come, all of you!"
"Yes, dear, we will come, because I see it will be a pleasure to you, and that will make it a pleasure to us."
Aunt Leth pressed her hand fondly over the young girl's head, and just for one moment there were tears in both their eyes; but they were instantly dried, and with a smile and a kiss they busied themselves preparing for the reading of the play. These were soon completed, and the gentlemen were called in.
"Capital! capital!" exclaimed Kiss, as he contemplated the arrangements—the lights on the table, the chairs ranged round, the place of honour for himself so disposed that he could either sit or stand. "As good as a green-room, Linton."
"A great deal better," said the author, thinking of the various vain interests comprised in a company of actors, each listening to the lines of the character he was to play, and calling the piece good or bad according to the strength or weakness of that special part of it. He took his manuscript from his pocket and handed it to Kiss. The actor gazed with calm and impressive dignity at his audience. His movements were few and quiet and stately. He knew the value of repose. He was in his glory, master of the situation, and equal to the occasion. He opened the manuscript and was about to commence, when a diversion occurred. There was a sound at the door as of some person outside. Aunt Leth went to the door, opened it, glided into the passage, and returned.
"It is our servant," she whispered to Kiss. "She has heard of the reading, and implores to be allowed to be present. She is a very good girl. May she?"
"By all means," said Kiss. "A theatre is a packet of all sorts. Admit her."
In came 'Melia Jane, who, with awe on her features, seated herself at the back of the room, and fixed her eyes upon Kiss, who was to her a greater than Jove.
Then Kiss commenced in earnest, and quickly held his audience in thrall. He moved them to tears; he moved them to laughter. He so individualized each character, male and female, that there was no difficulty in following the course of the story. It contained tender and comic episodes, to which he gave full and distinctive weight, "bringing down the house," as he afterwards said, again and again. There was a song in the play, which he rendered amidst great applause; and as the author heard it, and saw the delighted appreciation of the little company, he hugged himself, as it were, and whispered inly: "It must be a success. It cannot, cannot fail!" Although the reading occupied two hours, there was not the least sign of weariness; and when it was finished, author and actor were overwhelmed with congratulations. As for 'Melia Jane, she so laughed, and cried, and clapped her hands, and stamped her feet, that the happy author, poor as he was, slyly slipped a shilling into her hand.
"It is," said Uncle Leth, "the very finest play that was ever written."
Upon this they were all agreed; and everyone prophesied a glorious success. Incidentally, Aunt Leth remarked, "And how beautifully you sang that song, Mr. Kiss."
"Did I?" said Kiss. "Shall I sing you another?"
The proposal was received with clapping of hands; and Kiss sang "Tom Bowline" with such tender effect that he was called upon for another.
"No," he said; "ask Linton. He knows a splendid song in another vein. Sing 'Little Billee,' Linton."
In the joy of his heart Mr. Linton could not refuse, and he began to sing Thackeray's "astonishing piece of nonsense." He had a thin quavering voice which suited the air; but somehow or other the song was not a success with this particular audience. Upon 'Melia Jane the effect was alarming. When the singer came to the lines,
"There's little Bill is young and tender, We're old and tough, so let's eat he,"
she slowly rose from her chair, with horror depicted on her face. The singer went on:
"'O Bill, we're going to kill and eat you, So undo the collar of your chemie.' "When Bill received this infumation He used his pocket-handkerchie. "'O let me say my catechism, As my poor mammy taught to me!'"
Here 'Melia Jane burst out blubbering so violently that she had to be conducted from the room. Mr. Linton concluded the song, however; but the applause which attended his effort was rather faint, and Kiss found it necessary to explain that the lines were really only nonsense lines. He himself soon restored the equilibrium by a sweet rendering of "Sally in our Alley"; and then followed other songs, by Phœbe and Fanny, and an old-fashioned duet by Aunt and Uncle Leth. Then there was a little bit of supper, at which Uncle Leth proposed the toast of "Success to Mr. Linton's delightful play," to which the author responded in feeling terms, and spoke of the happy evening he had spent. After actor and author were gone, Phœbe and the Lethbridges stopped up for an hour talking over the incidents of this remarkable night; but Uncle Leth said nothing of the bill for three hundred pounds to which he had put his name.
CHAPTER XIII.
CURL-PAPER CONFIDENCES.
When two young women are closeted in their bedchamber after a pleasant day, and preparing for repose, then is the time for the interchange of sacred confidences. The events of the last few hours are touched upon with significant emphasis, the gentlemen are discussed and judged, and their personal peculiarities and excellencies commented upon with approval or otherwise. However quiet, demure, and comparatively unobservant the young ladies may have been, depend upon it not the smallest detail of the gentlemen's dress and manners has escaped their penetrating eyes. Especially is this the case upon the occasion of the introduction of a new male acquaintance. Everything appertaining to him is recalled, from the parting of his hair to the tying of his shoestrings. It would much astonish him to hear the pretty girls (all girls are pretty in their spring-time), who seemed to scarcely have courage to glance at him, speak of the colour of his eyes, of the cut of his clothes, of the quality of his moustache, of the size of his hands and feet, and the shape of his finger-nails. No learned judge in his summing up was ever so precise and correct, and the beauty or the despair of it is that these gossiping damsels are not only judges but juries, from whose verdict there is absolutely no appeal. Of course such sacred confidences are all the more interesting when the subjects for dissection are young unmarried men.
Many such conversations had Phœbe and Fanny held, and now, according to their wont, they proceeded to discuss the incidents of the evening, as they made their preparations for bed.
"I have often thought it a pity," said Phœbe, "that Mr. Kiss is not married."
"It is a pity," assented Fanny; "he is so good-natured and jolly that he deserves a good wife."
"And so clever," remarked Phœbe.
"And so good-looking. Phœbe, depend upon it, he has been crossed in love."
Phœbe sighed, and Fanny echoed the sigh. To these young hearts the very idea of being crossed in love was terribly sad.
"I do hope Mr. Linton's play will be a success," said Fanny, after a little pause. "Isn't it wonderful how a person can think of it all?"
"It is certain to be a success," said Phœbe, taking the last hair-pin out of her beautiful hair, which fell in waves over her shoulders.
Fanny gazed at her admiringly, and a charming picture indeed did the young girl present at that moment.
"If I envy you anything, Phœbe," said Fanny, "it is your hair. No one would think you had half as much."
"That's because it's so fine," said Phœbe, with a pleased smile.
"It's as fine as the finest silk," said Fanny, lifting bunches of it, and giving her cousin a quick affectionate kiss. "But you mustn't think I really envy you, Phœbe."
"I don't. I would change with you if I could."
"No, you wouldn't; no, you wouldn't," cried Fanny, with a merry laugh, "any more than I would with you."
"I am sure your hair is lovely, Fanny."
"It is altogether too coarse," said Fanny, with pretended pettishness. "But, there!—whoever gets me will have to make the best of it."
"Whoever gets you, Fanny, will have the dearest little wife in the world, and if he doesn't love every hair in your head he will be the most ungrateful of men—and I shall tell him so."
"I wonder who he will be," said Fanny, "and whether he knows that I've been growing up for him?"
It was quite a natural remark for a light-hearted, innocent girl to make. Why, therefore, should it cause both the cousins to fall straightway into the mood ruminative—a mood which entails silence while it lasts.
"One thing I am determined upon," said Fanny, waking up, as it were; "I won't have him unless he can waltz."
"If he can't," said Phœbe, with an arch smile, "you can teach him."
"Well, yes; that would be nice." And Fanny, brush in hand, commenced to hum a favourite waltz, and took a few turns to it, saying, when she was again before the glass, "What were we speaking of, Phœbe, before my young man popped in?"
"About the play."
"We are all going on the first night—think of that! And in a private box—think of that! The observed of all observers, as Mr. Kiss would say. I shall feel so excited—almost as if I were the author—though such a thing is impossible."
"Why impossible, Fanny? You wrote a story when you were nine years old."
"Yes, and it commenced, "They were born in India without any father or mother." Was there anything ever so absurd?"
"The success of Mr. Linton's play will mean a great deal to him. He is not rich, I am afraid."
"If he isn't he ought to be," said Fanny, brushing with great care the tresses she pretended to despise; "wearing his brains out in the way he does. He did look anxious, didn't he, while Mr. Kiss was reading it? And how beautifully he read! I felt like kissing him when he was going through the love scenes. They do kiss a good deal on the stage, don't they?"
"Yes," said Phœbe, speaking with difficulty, her mouth being full of hair-pins; "but then they don't mean it."
Fanny made a face. "I shouldn't care for it that way," she said, and then she laughed, as though she had said something funny.
"Do you think Bob meant it," asked Phœbe, "when he said he was going to be an actor?"
"Bob's a riddle," replied Fanny. "I give him up."
"He might do worse. It's quite a fashionable profession."
"It isn't a profession. Didn't Mr. Kiss tell us that an actor was a rogue and vagabond by Act of Parliament."
"That was only a joke. Mr. Kiss is a gentleman."
"Of course he is. The Prince of Wales once shook hands with him, and he wouldn't shake hands with any one but a gentleman. Do you wish you were a man, Phœbe?"
"No."
"I do!" said Fanny, with a decided nod of her head, the hair of which was by this time elaborately done up in curl-papers. Phœbe had also completed her preparations for bed. "And now, Phœbe, let us have a chat." She made this proposition with a feminine obliviousness of having spoken a single word since she had locked the bedroom door.
"What about, Fanny?"
"Open your mouth and shut your eyes, and see what God will send you," said Fanny.
"Nonsense, Fanny."
"Very well—nonsense. Then we won't have a chat. Only"—and Fanny pursed up her lips and shook her paper-covered little head wisely.
"Only what?"
"That you'll be sorry for it—that's all."
"What a tease you are! There!" Phœbe opened her mouth and shut her eyes.
"Don't move—don't stir!" cried Fanny, and she took from her dress an envelope, the edge of which she placed between Phœbe's teeth. "What is this?"
"A piece of paper. I'd sooner have a chocolate cream."
"You would, eh? Well, here's your chocolate cream—here's a packet of them—and if I don't tell him when he comes home, my name isn't Fanny Lethbridge."
This remark caused Phœbe to open her eyes very quickly, and the colour on her face to come and go. Fanny's right hand was behind her back.
"Tell whom, Fanny?"
"'Tell whom, Fanny?'" mimicked Fanny. "Now is there more than one Frederick Cornwall, Esq., in the world?"
"There may be—in the London Directory."
"But they don't all write letters from Switzerland to Camden Town, do they?"
"Have you received another letter from Mr. Cornwall, Fanny?"