Introductory material

Photo-engravings by C. J. Peters & Son: Boston. Press-work by the Everett Press: Boston A complete index for previous numbers will be found in the Reader's Guide to Periodical Literature, which may be consulted in any library

PUBLISHERS' ANNOUNCEMENTS

SUBSCRIPTIONS: Yearly subscription, commencing with any number of the 1906 volume, $1.50, payable in advance, postpaid to any address in the United States or Canada. To foreign countries in the Postal Union, $2.00. As each yearly volume of the magazine commences with the January number, and as indexes and bindings are prepared for complete volumes, intending subscribers are advised to date their subscriptions from January. Single numbers of the 1906 volume, 15 cents each. Single numbers dated prior to January, 1906, 20 cents each.

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BOUND VOLUMES AND BINDINGS: Volume 1, containing Parts 1 to 12 inclusive, Volume 2, containing Parts 13 to 24 inclusive, Volume 3, containing Parts 25 to 36 inclusive, Volume 4, containing Parts 37 to 48 inclusive. Volume 5, containing Parts 49 to 60 inclusive, and Volume 6, containing Parts 61 to 72 inclusive, bound in brown buckram with gilt stamps and gilt top, $3.75 each, postpaid; bound in green half-morocco, gilt top, $4.25 each, postpaid, Subscribers' copies of Volume 1, Volume 2, Volume 3, Volume 4, Volume 5, or Volume 6 will be bound to order in buckram, with gilt stamps and gilt top, for $1.50 each; or in half-morocco, gilt top, for $2.00 each. Indexes and half-titles for binding Volumes 1, 2, 3, 4, 5, and 6 supplied on application.

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1.AD§.7.06. Entered at the Boston Post-office as Second-class Mail Matter. Copyright, 1906, by Bates & Guild Company, Boston

Masters in Art A Series of Illustrated Monographs

Among the artists to be considered during the current, 1906, Volume may be mentioned, Ghirlandajo, Bouguereau, and Goya. The numbers of 'Masters in Art' which have already appeared in 1906 are:

Part 73, JanuarySTUART

Part 74, FEBRUARYDAVID

Part 75, MARCHBÖCKLIN

Part 76, APRILSODOMA

Part 77, MAYCONSTABLE

Part 78, JUNEMETSU

Part 79, JULYINGRES

PART 80, THE ISSUE FOR

August

WILL TREAT OF

Wilkie

NUMBERS ISSUED IN PREVIOUS VOLUMES OF 'MASTERS IN ART'

VOL. 1.

Part 1, VAN DYCK

Part 2, TITIAN

Part 3, VELASQUEZ

Part 4, HOLBEIN

Part 5, BOTTICELLI

Part 6, REMBRANDT

Part 7, REYNOLDS

Part 8, MILLET

Part 9, GIO. BELLINI

Part 10, MURILLO

Part 11, HALS

Part 12, RAPHAEL

VOL. 2.

Part 13, RUBENS

Part 14, DA VINCI

Part 15, DÜRER

Part 16, MICHELANGELO[A]

Part 17, MICHELANGELO[B]

Part 18, COROT

Part 19, BURNE-JONES

Part 20, TER BORCH

Part 21, DELLA ROBBIA

Part 22, DEL SARTO

Part 23, GAINSBOROUGH

Part 24, CORREGGIO

VOL. 3.

Part 25, PHIDIAS

Part 26, PERUGINO

Part 27, HOLBEIN[C]

Part 28, TINTORETTO

Part 29, P. deHOOCH

Part 30, NATTIER

Part 31, PAUL POTTER

Part 32, GIOTTO

Part 33, PRAXITELES

Part 34, HOGARTH

Part 35, TURNER

Part 36, LUINI

VOL. 4.

Part 37, ROMNEY

Part 38, FRA ANGELICO

Part 39, WATTEAU

Part 40, RAPHAEL[D]

Part 41, DONATELLO

Part 42, GERARD DOU

Part 43, CARPACCIO

Part 44, ROSA BONHEUR

Part 45, GUIDO RENI

Part 46, P. deCHAVANNES

Part 47, GIORGIONE

Part 48, ROSSETTI

VOL. 5.

Part 49, BARTOLOMMEO

Part 50, GREUZE

Part 51, DÜRER[E]

Part 52, LOTTO

Part 53, LANDSEER

Part 54, VERMEER

Part 55, PINTORICCHIO

Part 56, THE VAN EYCKS

Part 57, MEISSONIER

Part 58, BARYE

Part 59, VERONESE

Part 60, COPLEY

VOL. 6.

Part 61, WATTS

Part 62, PALMA VECCHIO

Part 63, VIGÉE LE BRUN

Part 64, MANTEGNA

Part 65, CHARDIN

Part 66, BENOZZO

Part 67, JAN STEEN

Part 68, MEMLING

Part 69, CLAUDE

Part 70, VERROCCHIO

Part 71, RAEBURN

Part 72, FILIPPO LIPPI

ALL THE ABOVE NAMED ISSUES ARE CONSTANTLY KEPT IN STOCK

Prices on and after January 1, 1906: Single numbers of back volumes, 20 cents each. Single numbers of the current 1906 volume, 15 cents each. Bound volumes 1, 2, 3, 4, 5, and 6, containing the parts listed above, bound in brown buckram, with gilt stamps and gilt top, $3.75 each; in green half-morocco, gilt stamps and gilt top, $4.25 each.

The Temple at Pæstum

This facsimile reproduction of the water-color by Hubert G. Ripley was made for a special feature of The Architectural Review. It is 7¼ x 9¾, and will be appreciated by every one interested in Greek architecture. We had one hundred extra reproductions made and offer them to Masters in Art subscribers for 50 cents each, postpaid. The above illustration gives no idea of the fine color effect of the print, which the artist has approved as being a perfect reproduction of the original painting. We cannot too strongly recommend our readers to secure a print for framing.

BATES & GUILD CO. Publishers 42 Chauncy Street, Boston, Mass.

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PIEDMONT FURNITURE CO., Dept. 5, Statesville, N. C.

Seashore Lake and Mountain RESORTS of EASTERN & NORTHERN NEW ENGLAND and the MARITIME PROVINCES REACHED BY THE BOSTON and MAINE RAILROAD

Illustrated descriptive pamphlets (containing complete maps) have been issued under the following titles and will be mailed upon receipt of 2¢ in stamps for each book.

All Along Shore · Among the Mountains · Lakes and Streams · To the Fish and Game Country of New England Canada and the Maritime Provinces · Merrimack Valley · Lake Sunapee · Vacation Days In Southern New Hampshire Lake Memphremāgog

Portfolios

Mountains of New England Seashore of New England Rivers of New England Lakes of New England Picturesque New England HISTORIC MISCELLANEOUS The Charles River to the Hudson. Will be sent upon receipt of 6 cents for each book.

Resorts For The Vacationist Illustrated FREE

Vacation Excursion Rates and Tours FREE

COLORED BIRD'S EYE VIEW from MT. WASHINGTON COLORED BIRD'S EYE VIEW of LAKE WINNIPESAUKEE SENT ON RECEIPT OF 6¢ FOR EACH.

20 POST CARDS of NEW ENGLAND SCENERY on BOSTON and MAINE sent on receipt of 30 cents in stamps

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MASTERS IN ART

Ingres

FRENCH SCHOOL

MASTERS IN ART PLATE I INGRES ŒDIPUS AND THE SPHINX LOUVRE, PARIS

MASTERS IN ART PLATE II INGRES PORTRAIT OF MADAME DE SENONNES MUSEUM, NANTES PHOTOGRAPH BY BRAUN, CLÉMENT & CIE

MASTERS IN ART PLATE III INGRES MONSIEUR LEBLANC (DRAWING) BONNAT COLLECTION, BAYONNE PHOTOGRAPH BY A. GIRAUDON

MASTERS IN ART PLATE IV INGRES MADAME DESTOUCHE (DRAWING) LOUVRE, PARIS PHOTOGRAPH BY A. GIRAUDON

MASTERS IN ART PLATE V INGRES THE STAMATY FAMILY (DRAWING) BONNAT COLLECTION, BAYONNE

MASTERS IN ART PLATE VI INGRES LA SOURCE LOUVRE, PARIS PHOTOGRAPH BY BRAUN, CLÉMENT & CIE

MASTERS IN ART PLATE VII INGRES PORTRAIT OF MONSIEUR BERTIN LOUVRE, PARIS PHOTOGRAPH BY BRAUN, CLÉMENT & CIE

MASTERS IN ART PLATE VIII INGRES THE VOW OF LOUIS XIII CATHEDRAL, MONTAUBAN PHOTOGRAPH BY BRAUN, CLÉMENT & CIE

MASTERS IN ART PLATE IX INGRES PORTRAIT OF MADAME DEVAUÇAY CONDÉ MUSEUM, CHANTILLY PHOTOGRAPH BY BRAUN, CLÉMENT & CIE

MASTERS IN ART PLATE X INGRES THE APOTHEOSIS OF HOMER LOUVRE, PARIS PHOTOGRAPH BY BRAUN, CLÉMENT & CIE

PORTRAIT OF INGRES BY HIMSELF UFFIZI GALLERY, FLORENCE

This portrait was painted when Ingres was seventy-five. He has been described at that time as strong and vigorous, short of stature, thick-set, and ill-proportioned. His complexion was sallow, his cheek-bones prominent, his eyes dark and keen, his eyebrows slight and contracted in a frown, his nose seemingly short because of the great length of his upper lip. His hair was short and stiff, and worn parted like a woman's. His appearance, it was said, suggested a retired man of business, or a curate in citizen's clothes, rather than an artist with whom the love of beauty amounted to a passion.