MESSRS. MACMILLAN AND CO.’S POPULAR NOVELS.
Reading edition
BY THE SAME AUTHOR. Crown 8vo. 6s. each.
THE LIGHT THAT FAILED. Re-written and considerably enlarged.
ACADEMY.—“Whatever else be true of Mr. Kipling; it is the first truth about him that he has power, real intrinsic power.... Mr. Kipling’s work has innumerable good qualities.”
GLASGOW HERALD.—“The power and interest are sustained throughout, and there is nowhere any indication of flagging or of a second breath.... It carries on the tradition of the author’s picturesque freshness and inexhaustible resources.”
MANCHESTER COURIER.—“The story is a brilliant one and full of vivid interest.”
PLAIN TALES FROM THE HILLS.
SATURDAY REVIEW.—“Mr. Kipling knows and appreciates the English in India, and is a born story-teller and a man of humour into the bargain.... It would be hard to find better reading.”
DUBLIN EVENING MAIL.—“This is a delightful book.... Mr. Kipling is a man of genius, and prefers quality to quantity. Many of his stories are profoundly pathetic. We think the dominant note of his genius is pathos, but there is humour, rich and racy humour, in all of them.”
GLASGOW HERALD.—“That the book will at least be as popular here as it has been and is in India we have no doubt. Possibly even a greater success is in store for it, seeing that for us it possesses rare qualities of freshness, of strange and brilliant colouring, of curious characterisation, and of unusual incident, which to the Anglo-Indian were probably familiar enough, though even in that case the genius of the writer must have lifted them out of the region of everyday life. One of the first things that strikes the reader is the exceptional excellence of the tales.... The man who wrote these tales has manifestly numberless others to tell.... Character, situation, incident, humour, pathos, tragic force, are all in abundance; words alone are at a minimum. Of course these are ‘plain’ tales,—lightning-flash tales. A gleam, and there the whole tragedy or comedy is before you—elaborate it for yourself afterwards.”
SCOTTISH REVIEW.—“... Whatever may be Mr. Kipling’s ability in the higher walks of fiction, his ability as a story-teller or for narrating such incidents, whether real or fictitious, as are here put together is beyond question. They are told with ease, force, and directness. The humorous stories are probably the best, but whether humorous or grave—and there are both in the volume—they throw considerable light upon certain phases of European society in India and on numerous aspects of native Indian life. There is not an uninteresting story in the volume, and one closes the book with the desire to read the ‘other stories’ Mr. Kipling so often alludes to, and somewhat tantalisingly passes over.”
BROAD ARROW.—“Mr. Kipling is accomplished beyond all recent standards of comparison, and his forty stories are all readable and clever. There is a freshness about them rare in such delicious morsels of satire and sentiment ... and there is not a dull page in the three hundred and ten.”
LIFE’S HANDICAP. Stories of Mine own People.
BLACK AND WHITE.—“‘Life’s Handicap’ contains much of the best work hitherto accomplished by the author, and taken as a whole is a complete advance upon its predecessors....”
OBSERVER.—“The stories are as good as ever, and are quite as well told.... ‘Life’s Handicap’ is a volume that can be read with pleasure and interest under almost any circumstances.”
BY ROLF BOLDREWOOD.
New and Uniform Edition. Crown 8vo. Cloth. 3s. 6d. each.
ROBBERY UNDER ARMS.
A STORY OF LIFE AND ADVENTURE IN THE BUSH AND IN THE GOLD-FIELDS OF AUSTRALIA.
GUARDIAN.—“A singularly spirited and stirring tale of Australian life, chiefly in the remoter settlements.... Altogether it is a capital story, full of wild adventure, and startling incidents, and told with a genuine simplicity and quiet appearance of truth, as if the writer were really drawing upon his memory rather than his imagination.”
SPECTATOR.—“We have nothing but praise for this story. Of adventure of the most stirring kind there is, as we have said, abundance. But there is more than this. The characters are drawn with great skill. Every one of the gang of bush-rangers is strongly individualised. This is a book of no common literary force.”
WORLD.—“An uncommonly good thing.... The book, in short, has the natural touch, both of place and person, on every page.”
MORNING POST.—“As a picture of the earlier days of our Australian Colonies and as an absorbing story ‘Robbery at Arms’ has few equals.”
GRAPHIC.—“That Mr. Boldrewood knows his subject through and through is as certain as his picture of the breaking-out of the first gold fever in Australia is the best ever written.”
THE SQUATTER’S DREAM.
THE MINER’S RIGHT.
A TALE OF THE AUSTRALIAN GOLD-FIELDS.
WORLD.—“Full of good passages, passages abounding in vivacity, in the colour and play of life.... The pith of the book lies in its singularly fresh and vivid pictures of the humours of the gold-fields,—tragic humours enough they are, too, here and again....”
MANCHESTER EXAMINER.—“The characters are sketched with real life and picturesqueness. The book is lively and readable from first to last.”
A COLONIAL REFORMER.
ATHENÆUM.—“A series of natural and entertaining pictures of Australian life, which are, above all things, readable.”
GLASGOW HERALD.—“One of the most interesting books about Australia we have ever read.”
SATURDAY REVIEW.—“Mr. Boldrewood can tell what he knows with great point and vigour, and there is no better reading than the adventurous parts of his books.”
A SYDNEY-SIDE SAXON.
GLASGOW HERALD.—“The interest never flags, and altogether ‘A Sydney-Side Saxon’ is a really refreshing book.”
ANTI-JACOBIN.—“Thoroughly well worth reading.... A clever book, admirably written.... Brisk in incident, truthful and life-like in character.... Beyond and above all it has that stimulating hygienic quality, that cheerful, unconscious healthfulness, which makes a story like ‘Robinson Crusoe,’ or ‘The Vicar of Wakefield,’ so unspeakably refreshing after a course of even good contemporary fiction.”
NEVERMORE.
ACADEMY.—“Is perhaps the best story of the Rolf Boldrewood Series. Must be allowed to be one of the best works of the period.”
BY MRS. OLIPHANT.
Crown 8vo. Cloth. 3s. 6d. each.
NEIGHBOURS ON THE GREEN.
KIRSTEEN.
SCOTSMAN.—“One of the most powerful stories Mrs. Oliphant has ever written.”
MURRAY’S MAGAZINE.—“One of the best books which Mrs. Oliphant’s fertile pen has within recent years produced.”
WORLD.—“Mrs. Oliphant has written many novels, and many good ones; but if she has hitherto written one so good as Kirsteen, we have not read it.... It is the highest praise we can give, when we say that there are passages in it which, as pictures of Scottish life and character, it would be difficult, perhaps impossible, to match out of Sir Walter’s pages.”
NATIONAL OBSERVER.—“Seldom, if ever, has Mrs. Oliphant done better than in Kirsteen.... There is humour, there is pathos, there is tragedy, there is even crime—in short, there is human life.”
JOYCE.
GUARDIAN.—“It has seldom been our lot to fall in with so engrossing a story.”
A BELEAGUERED CITY.
TIMES.—“The story is a powerful one and very original to boot.”
HESTER.
ACADEMY.—“At her best, she is, with one or two exceptions, the best of living English novelists. She is at her best in Hester.”
HE THAT WILL NOT WHEN HE MAY.
SCOTSMAN.—“The workmanship of the book is simply admirable.”
THE RAILWAY MAN AND HIS CHILDREN.
ANTI-JACOBIN.—“An extremely interesting story, and a perfectly satisfactory achievement of literary art.”
MORNING POST.—“Mrs. Oliphant has never written a simpler, and at the same time a better conceived story. An excellent example of pure and simple fiction, which is also of the deepest interest.”
THE MARRIAGE OF ELINOR.
NATIONAL OBSERVER.—“In spite of yourself and of them, you become interested in uninteresting people, annoyed at their follies, and sympathetic with their trifling sorrows and joys. This is Mrs. Oliphant’s secret.”
SIR TOM.
SATURDAY REVIEW.—“Has the charm of style, the literary quality and flavour that never fail to please.”
Globe 8vo. 2s. each.
A SON OF THE SOIL.
THE CURATE IN CHARGE.
YOUNG MUSGRAVE.
THE WIZARD’S SON.
SPECTATOR.—“We have read it twice, once in snippets, and once as a whole, and our interest has never flagged.”
A COUNTRY GENTLEMAN AND HIS FAMILY.
ACADEMY.—“Never has her workmanship been surer, steadier, or more masterly.”
THE SECOND SON.
MORNING POST.—“Mrs. Oliphant has never shown herself more completely mistress of her art.... The entire story is clever and powerful.”
Crown 8vo. Cloth. 3s. 6d. each.
BY J. H. SHORTHOUSE.
ANTI-JACOBIN.—“Powerful, striking, and fascinating romances.”
JOHN INGLESANT.
SIR PERCIVAL.
THE LITTLE SCHOOLMASTER MARK.
A TEACHER OF THE VIOLIN.
THE COUNTESS EVE.
BY MRS. CRAIK.
(The Author of “John Halifax, Gentleman.”)
OLIVE. With Illustrations by G. Bowers.
THE OGILVIES. With Illustrations by J. McL. Ralston.
AGATHA’S HUSBAND. With Illustrations by Walter Crane.
HEAD OF THE FAMILY. With Illustrations by Walter Crane.
TWO MARRIAGES.
THE LAUREL BUSH.
MY MOTHER AND I. With Illustrations by J. McL. Ralston.
MISS TOMMY: A Mediæval Romance. With Illustrations by Frederick Noel Paton.
KING ARTHUR: Not a Love Story.
BY CHARLES KINGSLEY.
WESTWARD HO!
HYPATIA; or, New Foes with an Old Face.
YEAST. A Problem.
ALTON LOCKE; Tailor and Poet.
TWO YEARS AGO.
HEREWARD THE WAKE.
By HUGH CONWAY.
MORNING POST.—“Life-like and full of individuality.”
DAILY NEWS.—“Throughout written with spirit, good feeling, and ability and a certain dash of humour.”
LIVING OR DEAD? A FAMILY AFFAIR.
By SIR HENRY CUNNINGHAM, K.C.I.E.
ST. JAMES’S GAZETTE.—“Interesting as specimens of romance, the style of writing is so excellent—scholarly and at the same time easy and natural—that the volumes are worth reading on that account alone. But there is also a masterly description of persons, places, and things; skilful analysis of character; a constant play of wit and humour; and a happy gift of instantaneous portraiture.”
THE CŒRULEANS. THE HERIOTS. WHEAT AND TARES.
By THOMAS HARDY.
TIMES.—“There is hardly a novelist, dead or living, who so skilfully harmonises the poetry of rural life with its penury. Just as Millet could in the figure of a solitary peasant toiling on a plain, convey a world of pathetic meaning, so Mr. Hardy with his yeomen and villagers. Their occupations in his hands wear a pathetic dignity, which not even the encomiums of a Ruskin could heighten.”
THE WOODLANDERS. WESSEX TALES.
By W. CLARK RUSSELL.
TIMES.—“Mr. Clark Russell is one of those writers who have set themselves to revive the British sea story in all its glorious excitement. Mr. Russell has made a considerable reputation in this line. His plots are well conceived, and that of Marooned is no exception to this rule.”
MAROONED. A STRANGE ELOPEMENT.
By VARIOUS WRITERS.
LOUISIANA; and THAT LASS O’ LOWRIE’S. By Frances Hodgson Burnett.
CECILIA DE NOEL. By Lanoe Falconer.
FAITHFUL AND UNFAITHFUL. By Margaret Lee.
REUBEN SACHS. By Amy Levy.
THE RING OF AMASIS. By Lord Lytton.
MRS. LORIMER. By Lucas Malet.
MISS BRETHERTON. By Mrs. Humphry Ward.
MUCKLE JOCK AND OTHER STORIES. By M. M‘Lennan.
Crown 8vo. Cloth. 3s. 6d. each.
By CHARLES DICKENS.
THE PICKWICK PAPERS. With 50 Illustrations.
OLIVER TWIST. 27 Illustrations.
NICHOLAS NICKELBY. 44 Illustrations.
MARTIN CHUZZLEWIT. 41 Illustrations.
THE OLD CURIOSITY SHOP. 97 Illustrations.
BARNABY RUDGE. 76 Illustrations.
DOMBEY AND SON. 40 Illustrations.
CHRISTMAS BOOKS. 65 Illustrations.
SKETCHES BY BOZ. 44 Illustrations.
DAVID COPPERFIELD. 41 Illustrations.
AMERICAN NOTES AND PICTURES FROM ITALY. 4 Illustrations.
THE LETTERS OF CHARLES DICKENS.
By BRET HARTE.
SPEAKER.—“The best work of Mr. Bret Harte stands entirely alone ... marked on every page by distinction and quality.... Strength and delicacy, spirit and tenderness, go together in his best work.”
CRESSY. THE HERITAGE OF DEDLOW MARSH. A FIRST FAMILY OF TASAJARA.
By HENRY JAMES.
SATURDAY REVIEW.—“He has the power of seeing with the artistic perception of the few, and of writing about what he has seen, so that the many can understand and feel with him.”
WORLD.—“His touch is so light, and his humour, while shrewd and keen, so free from bitterness.”
A LONDON LIFE. THE ASPERN PAPERS. THE TRAGIC MUSE.
By ANNIE KEARY.
SPECTATOR.—“In our opinion there have not been many novels published better worth reading. The literary workmanship is excellent, and all the windings of the stories are worked with patient fulness and a skill not often found.”
CASTLE DALY. A YORK AND A LANCASTER ROSE. JANET’S HOME. OLDBURY. A DOUBTING HEART.
By D. CHRISTIE MURRAY.
SPECTATOR.—“Mr. Christie Murray has more power and genius for the delineation of English rustic life than any half-dozen of our surviving novelists put together.”
SATURDAY REVIEW.—“Few modern novelists can tell a story of English country life better than Mr. D. Christie Murray.”
AUNT RACHEL. JOHN VALE’S GUARDIAN. SCHWARTZ. THE WEAKER VESSEL. HE FELL AMONG THIEVES. By D. C. Murray and H. Herman.
MACMILLAN AND CO., LONDON.