Note 75 — FREDERIC THE GREAT’S EULOGY ON JULIEN OFFRAY DE LA METTRIE. (continued 2)

To destroy the hypothesis of Stahl,75 we need not make as great an effort as I find that others have done before me. We need only glance at a violinist. What flexibility, what lightness in his fingers! The movements are so quick, that it seems almost as if there were no succession. But I pray, or rather I challenge, the followers of Stahl who understand so perfectly all that our soul can do, to tell me how it could possibly execute so many motions so quickly, motions, moreover, which take place so far from the soul, and in so many different places. That is to suppose that a flute player could play brilliant cadences on an infinite number of holes that he could not know, and on which he could not even put his finger!