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Maiolica

INDEX.

Reading edition

A, B, C, D, E, F, G, H, I, L, M, N, O, P, R, S, T, U, V, W, X, Z

Alhambra, tiles and vase, 14, 75 ” vase, copy, 77 Altar pieces, ascribed to Giorgio, 114 Amatorii pieces, 64 Anatolian wares, 71 Andreoli, maestro Giorgio, 29, 36, 42, 114 ” his use of the ruby tint, 118 ” distinctions of his works, 118, 119 ” first dated piece, 120 ” ” and signed, 121 ” characteristics, 122 Arabic inscriptions, 16 Babylonian pottery, 5 Bacini, at Pesaro, &c., 10, 18, 22 Barbatina, explained, 129 Bartolomeo, 152 Bassano, 186 Beads, maiolica, 64 Benedetto, maestro, 177 Betrothal dishes, 30 Boccoleri, of Venice, their petition, 181 Bologna, 176 Borgo san Sepolero, 154 Botega, the meaning, 1 Cachan ware, 66 Cæsare da Faenza, 151 Caffaggiolo, 27 ” under the Medici, 43 ” usual subjects, 62 ” potteries, 88 ” characteristics, 89 ” examples at South Kensington, 92 ” name variously spelt, 94 Calata-Girone potteries, 85 Camillo da Urbino, 177 Campani, Ferdinando, 154 Capo di monte, 186 Castel Durante, 37, 127, 128 ” earliest signed piece, 130, 132 ” general decoration, 130 Cencio, maestro, 124 Chigi, cardinal, at San Quirico, 154 Chinese porcelain, imitations, 46 Ciarla, 152 Coffins, made of ware, 5 Damascus plate, 13 ” ware, 68 ” the name should be revived, 69 ” lamp, 69 ” two varieties, 69 Diruta, madreperla, 30 ” potteries, 154 Discs, on walls at Bologna, &c., 10 Discs, at Pisa, 18 Duccio, Agostino, 28 Egyptians, anciently used glaze, 3 ” turquoise blue, 5 Elizabethan “Damascus” ware, 69 Enamelled wares, 12 English reproductions, 50, 74 Enrico da Modena, 177 F. R. monogram, 170 Fabriano, potteries, 157 ” mark and date, 157, 158 Fabrique, the meaning, 1 Faenza, examples 23, &c., 40 ” origin of name, 61, 163 ” potteries, 163 ” earliest dates, 164 ” five divisions, 166 ” early characteristics, 171 ” late examples, 173 Fayence, how made, 3 Ferrara potteries, 34, 177 ” examples, 179 Florentine porcelain, 47 Fontana, Camillo, 37, 147 ” Flaminio, 148 ” Francesco, 127 ” Orazio, 43, 139, 146 ” originally Pelliparii, 127, 137 ” Guido, 142 ” Gironimo, 147 Forgeries, 49, 126 Forlì, 175 Fornarina, 45 Francesco Durantino, 150 Franco, Battista, 43, 150 French reproductions, 50, 74 Furnaces, as explained by Piccolpasso, 56 Gabriele, 152 German, early enamel glazing, 21 Giannantonio, 152 Giorgio. See Andreoli. Giovanni da Modena, 177 Glaze, vitreous, invented in the East, 1, 2 ” upon tiles, 9 Gombrōn ware, 67 Græco-Roman pottery, 8 Gubbio, vases, &c., 38 ” wares, 111 ” early date, 113 Guy, from Castel Durante, 152 Hispano-moresque vase, 15 ” pottery, rare in Spain, 20 ” a doubtful variety, 71 ” formerly undistinguished, 75 ” varieties, 76 House of Loretto, dust collected to make cups, &c., 160 Imola, 176 Isabella d’Este, 177 Ispahan tiles, 67 Italian pottery, various names,, 61 Iviça potteries, 79 Lanfranchi family, 40 ” wares, 104 Lead-glazed wares, 6 Lindus wares, 65, 69 Lombard potteries, 34 Loreto drug pots and vases, 43, 144, 145 ” potteries, 159 Lustre, applied in Persia, &c., 6 ” earliest trace in Europe, 18 ” madreperla, 30 Lustre pigments, the secret lost, 126 ” modern imitations, 126 Madreperla lustre, 30 Maestro, the title, 114 Maiolica, the term, 20, 78, 112 ” proper restriction, 21 ” vases or drug pots at Loreto, 43 ” beads, 64 Majorca ware, 77 Malaga ware, 76 Manara (Baldasara), 169 Mantua, potteries, 180 Mariana (Gian), 152 Mariani, 152 Merlino, Guido, 151 Metallic lustre, 18 Metauro loam, 128 Mezza-maiolica, 21 ” outlines and designs, 30 Milan, 186 Modena, potteries, 179 Monte Lupo pottery, 100 ” inscription, 101 Moorish periods in Spain, 14 ” in Sicily, 17 ” art, prohibited in Spain, 76 Mosque lamp, 69 Nahinna ware, 67 Naples, reproductions, 50 ” potteries, 186 Natinz ware, 67 Nicola da Urbino, 138 ” first signed piece, 138 Orazio (Fontana) examples, 146 Padua, 186 Patanati, their productions, 152 Patanati, Vincenzio, his childish attempts, 152 Pelliparii, afterwards Fontana, 127 Persian wall tiles, 7, 65 ” ware at Pisa, 18 ” ” origin, 65 ” ” how to be divided, 67 Perugino, portrait, 135 Pesaro, ancient potteries, 10, 29, 32, 103 ” madreperla, 30, 103 ” renaissance potteries, 103, 106 ” ” inscriptions, 106 ” ” earliest dated, 108 ” modern, 110 Piccolpasso, his book, 51 ” his botega, 112 Picchi, Georgio, 152 Pirota (casa), 166 Pisa, potteries, 101 Plumbeous glaze, 8 Pottery, or Fayence, how made, 3 ” Græco-Roman, 8 ” best period of Italian, 42 Raffaelle, his designs, 42-45 ” ware, so-called, 62 Ravenna, potteries, 34 Rhodian wares, 69 ” characteristics, 70 Robbia, Luca della, 22, 25, 27, 89 ” Notice of his life, by Mr. Robinson, 24 ” Andrea, 28 ” Giovanni, 28 ” Girolamo, 28 Roman potteries, 45 ” in sixteenth century, 160 ” style of decoration, 161 ” biscuit porcelain, 162 Romano, Giulio, 48 St. Sebastian, rilievo, ascribed to Giorgio, 120 Saltzburg, chimney piece, 21 San Quirico, potteries, 154 Sassuolo, potteries, 180 Savino, Guido, 38 Scodelle, 63 Seggers, as explained by Piccolpasso, 54 Sgraffiati, wares, 86 ” ” the method, 86 Sicilian lustred ware, 84 Siena, potteries, 96 ” marks, 99 Silvano, Francesco, 152 Stanniferous, enamel, earliest date, 27 Strehla, terra-cotta pulpit, 21 Teheran ware, 67 Terra-cotta discs, on walls, 9, 10 ” pulpit, 21 Tiles, on walls, &c., 10, 22, 72 ” of the Alhambra, 14 ” at Leipsic, 21 ” in mosques, 65 ” of Ispahan, 67 ” in the Seraglio, 72 ” modern Indian, 73 ” at Cordova, 75 ” at Siena, 96 ” Faenza, 165 Tondi, of Luca della Robbia, 24 Tondino, the form, 63 Treviso, 186 Turin, 186 Unknown fabriques, examples, 186 Urbino, sketch of the ducal history, 35 ” vases, &c., 38 ” ware, the name, 62 ” ancient wares, 136 ” decorations, 152 ” no modern artistic pottery, 153 Valencia, potteries, 14, 79, 82 ” emblem of the Eagle, 80 ” ware, brought to England in 1400, 83 Vases, different shapes as given by Piccolpasso, 52 Venetian potteries, 34, 37, 181 ” earliest dated, 183 Verona, 186 V.I.N., monogram. See Cencio, 124 Vincenzio Patanati, 152 Viterbo, example of ware, 158 Vitreous, or glass-glazed wares, 4 Ware, soft and hard, 3 Xativa potteries, 80 Zanto, Francesco, 148 ” Mr. Robinson’s judgment on his works, 148 ” too severe, 149 Zonan, Antonio, 181

LONDON: BRADBURY, AGNEW, & CO., PRINTERS, WHITEFRIARS.

SOUTH KENSINGTON MUSEUM ART HANDBOOKS.

EDITED BY WILLIAM MASKELL.

1. TEXTILE FABRICS. By the Very Rev. Daniel Rock, D.D. With numerous Woodcuts.

2. IVORIES: ANCIENT AND MEDIÆVAL. By William Maskell. With numerous Woodcuts.

3. ANCIENT AND MODERN FURNITURE AND WOODWORK. By John Hungerford Pollen. With numerous Woodcuts.

4. MAIOLICA. By C. Drury E. Fortnum, F.S.A. With numerous Woodcuts.

5. MUSICAL INSTRUMENTS. By Carl Engel. With numerous Woodcuts.

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