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Lippincott's Magazine, September, 1885

ROSES OF YESTERDAY AND TO-DAY.

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It always seemed to me, as a child, that the birds put their hearts more wholly into their songs in that special little corner of Paradise on the Hudson River than they did anywhere else. Not that it was really so very little a corner, being small only in comparison with an entire Paradise, composed of many such bits, that lines the shore of the beautiful Hudson.

It was so great a delight to the child who knew little of country pleasures to be called away from some task or commonplace "every-day" pastime and to be told that there was an invitation to spend an afternoon, or perhaps several days, at Professor Morse's place, "Locust Grove."

There would be the drive, leaning back in the barouche (with a feeling of easy importance lent by the consciousness of wondrous delights to come) and looking up with a species of admiring awe at the herculean form of the French coachman, who seemed to be concealing romantically brigandish recollections behind his fiery black eyes and wide-spreading, ferocious moustache. Along the dusty "South Road" we would go, under the green lights and shadows of the maple-trees, over the two miles which stretch between Poughkeepsie town and "Locust Grove,"—past "Eastman's Park," with its smart decorations, past the small, unambitious houses, draped with many-hued, old-fashioned roses, that straggled along the dividing-line between the narrow restrictions of town and the fragrant wideness of the country, where the air was cool with the breath of the river, and the breezes brought suggestions of freshly-cut grass, just blown locust-blossoms, and the thousand sweet, indefinable scents of the woods.

On approaching the boundaries of "the Grove," the perfume of the locust-flowers assumed due prominence, as the name of the place implies they should, while their white clusters drooped from the heavily-loaded branches till they fairly touched the high posts of the gate. And then would come the drive up the dim avenue, flecked with patches of sunshine that lay like fallen gold pieces in the dusk shadow, while if one glanced upward or on either side one saw nothing save the arching trees,—pines and locusts, and maples no less stately,—until a space was reached where the grove was less dense and the view widened to a stretch of velvet grass whitened with daisies lying soft on the tops of the blades in a way to make one fancy a summer fall of snow. At the turn of the avenue one caught a glimpse of the house, with its vine-wreathed tower, generous piazzas, and hospitable porte-cochère, and in the background, beyond the lawn, the river, with the blue hills on the opposite shore veiled by a light, lace like haze, just enough of a haze to lend mystery to the distance.

The loud clattering of the horses' shoes on the stone pavement under the porte-cochère, which informed the occupants of the house that visitors had come, seemed always to tell the youngest, most insignificant, yet happiest of those visitors that the anticipated hour of many delights had actually arrived. And of these delights there were to the heart of the child a thousand and one such as could scarcely be realized or even dreamed of at the home in town. There were the broad, shady piazzas to be walked over with dainty footfalls, lest the grown people should be disturbed. There was the mystic retreat within the circle of a group of low-branching pines, the secret of which one penetrated by stepping down from the front piazza at a certain place and there insinuating one's self into a small opening, which only the initiated could discover, among the trees. Here one had a little fragrant sanctum all one's own, carpeted with pine needles, green and brown, and arched over by ceiling and walls of thick branches, from out of which peeped startled robins, who soon, finding that no harm was meant them, went on with their song. Then there was the garden, fragrant and brilliant, which one might explore when one had promised Thomas, the presiding genius, that one would not touch his cherished sweets, for it "went to his heart" to see a single blossom torn from its parent stem. And there were the grape-houses, for which the place was famous far and near,—hot, and odorous of moist soil and growing vines, among which white and purple clusters hung temptingly heavy and low.

One especial pleasure was to walk along the gravelled path that skirted the smooth, level stretch of lawn at the back of the house, and thus to reach the brow of the hill overlooking the "farm" and the river. There were seats on the edge of this bluff, and a large spring-board on which one might ride and jump to one's heart's content. By following this path still farther, and to the left, one soon deserted the well-kept lawn and found one's self on a narrow, winding walk overhanging a deep, wooded ravine, in the depths of which a little brook ran curving about among the ferns and daisies; and presently, far out of sight of the house, in shade so dense as to lend a certain pleasing enchantment, one came upon a rustic summer-house, with odd, three-cornered-seats, and a table surrounding the tree-trunk that supported the centre of the roof.

There were manifold other out-of-door enjoyments, such as visiting the pigeon-house, and, as a rare favor, rioting in the scented hay in the loft over the barn, visiting the gardener's wife (whose home was in that part of the old Livingston mansion which its master and time had allowed to stand), and being permitted to draw water from the ancient well, about which hung so many stories of generations past. How exciting it was, and with what delicious awe one listened, when the little lady who was a fairy grandmamma instead of a fairy godmother in the household told a certain story regarding this well! It was a story before the time of her own birth, when two of her older sisters were very tiny girls. One day, when the mother was busy in superintending some homely task (such as the manufacturing of the "cream cheese," perhaps, for which she was noted), the baby of two years toddled in and began to lisp over and over the same broken words, "Tatie in 'ell, Tatie in 'ell." She had repeated them many times, with increasing insistence, before the busy mother realized that they possessed a meaning. "Tatie in 'ell, Tatie in 'ell," the little one said, pulling at her mother's gown, half crying as she spoke; and then it dawned upon the latter that her baby had something serious to tell. She yielded to the little importunate hands upon her dress, and followed the child out of doors to the well and there looked down. "Katie" was indeed in the well, as the lisping tongue had tried to say, and, gazing into the darkness below, the mother could see the frightened, pitiful little face turned up to her, while two small hands convulsively grasped the edge of the great bucket. The husband and father was away from home, all the men employed about the place were working at a distance, and there was no time to lose: those frail hands must soon relax their hold, and the child was sorely terrified and begging to be saved. As the mother hesitated, in an agony of doubt, out from the house came a stout, elderly serving-woman, who had lived in the family for many years, and who was especially devoted to little Kate. She had heard her mistress's cry, and, running to look into the well, without even waiting to explain, she set about the execution of a hazardous and original plan of rescue. Climbing over the curb, she began to descend by striding the well and planting her feet upon the rough, protruding stones of which the sides were formed. Not one woman in a thousand could or would have done such a thing; but this one was tall and strong, and brave as a lion with the might of her love for little Kate. She saved the child, who had suffered no graver injury than a thorough drenching and a fright which served as a warning for herself and the children of her own and several generations to come.

Interesting as was this story and others told of the past, and delightful as it was to play under the great trees, roaming at one's own sweet will all about "the Grove," better than everything else was it to be admitted into the "sanctum sanctorum" of the place,—Professor Morse's study,—where the master sat among his books and treasures, his kindly, clear-featured face and bright brown eyes, framed in by silver hair and beard, shining out from the curtained dimness of the room. There were many objects fascinating even to a child in that study, which opened out of the family library with its store of books. The library was very good, but the study was still better. There, under a glass case, was the first telegraph-instrument that had ever been made. One or two of Professor Morse's early paintings hung upon the wall, and sometimes he would display a few sketches to the older members of the party, who were naturally regardless of the fact that there was "a chiel amang 'em, takin' notes." The crowning treat offered within the study-walls, however, was to have the marvels of the Professor's immense and powerful microscope displayed before our wondering gaze. There we became acquainted with the rainbow-tinted plumes of the fly's wing and the jewels that lie hidden from ordinary ken in the pollen and petals of the simplest blossoms. And the master of it all, to whom the marvels were as familiar as the common objects themselves, seemed to derive a genuine pleasure from that which he bestowed upon his guests.

When Professor Morse purchased Locust Grove, before his second marriage, he was not aware that it had belonged to the family of the lady who was soon to become his wife. Indeed, it was not until some friend remarked, "How delightful for you to take your bride to the old ancestral place owned by her kindred for so many generations!" that he knew the home would possess any associations, save those to be formed in the future, for his fiancée. But no doubt at the beginning of their life there Locust Grove was thus rendered doubly dear to both. The old Livingston mansion was at that time standing, much nearer to the entrance-gates than the more modern residence inhabited by the owner's family; and the quaint well, with the stone curb, the water of which was so remarkable for its purity that travellers came from a distance to ask the privilege of drinking, formed an object of interest at least, if not of actual beauty, before the old vine-grown porch. Gradually the house fell into decay, and the greater portion was torn down, leaving but five or six rooms, with their odd, hooded windows and strangely-fashioned fireplaces and mantels, the porch, with its broad, shallow seats, and the green-painted, "divided" front doors, to tell the tale of what once had been the home of so much hospitality and happiness.

So all remained painted with unfading colors on the canvas of my memory, each object as I had known and loved it when a child. And then the child went far away and grew to womanhood, having looked on many places and "things of beauty," but, while forgetting much that belonged to the old days, never forgot Locust Grove. The scent of the new locust-blossoms, the songs of the birds, and the beauty of the lights and shadows dancing on the river were as vivid in recollection as they had been in actuality; and after a severe and tedious illness it seemed that no tonic could prove so effectual as a visit to that dear old place, not seen for years, and which I had loved so well.

There is generally experienced a vague yet bitter disappointment in returning to a spot hallowed by associations after an absence of any appreciable length of time. It is wellnigh impossible for the reality to equal what has through the filtering of fancy become scarcely more than a remembered dream.

Nothing can be as it has been; Better, so call it, only—not the same.

And yet Locust Grove in 1884 looked almost as unchanged as though it had shared the slumbers of the "Sleeping Beauty" since 1871. Only, a certain potent charm had fled with the presence of the departed master. It was now but his pictured eyes and silver hair that lit up the dimness of the room that had been sacred to him. The books and papers covering the desk belonged to a later and more careless generation. The microscope stood unused under its glass case, the sketches were lovingly laid away out of sight, and altogether a subtile change could be detected in the atmosphere. There were things, however, about the house which perhaps had always been there, and yet which I looked upon now with a new and keener appreciation. The picture of Professor Morse when a child of five or six years, standing by his father, who is clad in the quaint robes which then distinguished a Congregationalist divine, seemed to me one that might interest others besides myself. Also the portrait of his mother, with pearls in her puffed and powdered hair, and her beautiful bare arms holding the older child, Sidney (a baby in oddly-fashioned long robes), was charming to look at because of its intrinsic beauty as well as the associations attached to it. And the life-size painting of General Washington's mother,—said to be the only one of the kind in existence,—which looked down from its broad frame over the dining-room mantel, possessed a special fascination for me. One felt rather insignificant with that scornful smile and those languid eyes brooding over one as one sat engaged in the discussion of soup; and it was impossible to keep from imagining that the stiff and stately dame in her mathematically correct white and green draperies was drawing invidious comparisons between the way one did one's hair and the way in which she had considered it proper to arrange her abundant pale-brown locks.

About the place itself were more changes than at first would strike the eye. The old Livingston homestead had been razed to the ground, and smooth, emerald grass thrived upon its site, while the chief gardener, Thomas, had been promoted to a new æsthetic cottage of the latest approved colors and style. Even the famous well was no more; for a small and inconspicuous pump had been put in its stead, to save unwary children from instituting a too curious search for the "truth" popularly supposed to lie within its depths. The graperies were gone, and in their stead nourished rose-houses,—visiting the interior of which seemed fairly to transport one into the famous "Vale of Cashmere." Roses of all colors and all descriptions here found an ideal home, and with their beauty served the purses of their two young masters, who superintended their culture. It was in the early summer that I saw the place again after my long absence, and the rose-houses of course could not be seen at their best, as they can in winter. There are four large houses, opening into a long, narrow frame building, at one end of which is the office where the young gentlemen managers transact their business. Here all was—and still is, no doubt—immaculately neat, the walls adorned with colored prints and paintings of flowers, an array of books, papers, and ledgers carefully arranged in their exact places on the desk, and everything kept free from dust, swept and garnished. In the long, bare room from which the office opens are stored gardening-tools, watering-cans of all shapes and descriptions (some of which to an untutored eye present a striking resemblance to coffee-pots such as the Brobdingnag giants might have used), baskets for packing the roses, with all their paraphernalia, earthen pots for plants great and small, and many other utensils such as those unlearned in gardening lore would consider uncouth in the extreme. On one side of the room stands the big table upon which the baskets are set, and above this are ranged numerous rows of shelves. Four doors open into the rose-houses, and at the east end is the one devoted exclusively to the culture of Jacqueminots,—the "Jack"-house it is irreverently, if not slangily, styled. Here the glass roof stands open all the summer long, for the breezes to blow and the soft rains to fall upon the petted plants; and here the sunshine holds high revel, bronzing the intricate tracery of stem and branch and turning half the leaves to shining emeralds.

It was in the "Jack"-house that I one morning found Thomas Devoy, the gardener, at work with his great oddly-shaped shears or scissors, and detained him long enough to make a little sketch of him among his flowers; and while I worked with pencils and paper he told me divers anecdotes of the twenty-eight years he had spent in Professor Morse's service. "I entered service in the old country when I was very young," he said; "and even as a little boy I was fond of gardening. One time, when I was a child, I was going through some splendid greenhouses with the head-gardener who took care of them. There was one very rare plant of which he was exceedingly proud, and I begged him for a tiny slip to take home with me. But he refused; and so, in passing by, I quietly broke off one little leaf. Some time afterward I was able to show him a plant as fine as his own which I had raised from that one leaf, and then I told him its story."

All the fine, large Jacqueminots in the "Jack"-house were raised from one parent plant with cuttings made about four years or so before, the gardener told me, while I, gazing in amazement at their high-reaching branches, thought, with "Topsy," it was something to boast of that they had "jest growed."

In the winter the rose-houses become things of beauty and a joy forever, seeming to have imprisoned the very heart of summer within their walls, while outside—shut away from the warmth and glowing tints of red and pink, yellow and lustrous rosy pearl—lie the snow and the ice, and through the bare branches of the trees the wind whistles drearily.

But in the summer the aspect of the rose-houses is very different. All then is preparation and making over for the coming autumn and winter. Some of the houses are planted with tiny cuttings just lifting little tender sprays above the warm, moist soil. Men are at work here and there with hammers and nails, repairing any slight damage that may have been done in previous months. Hose-pipes coil over the floors, and one must walk by them daintily. In other houses one would exclaim with pleasure at finding one's self in a wilderness of roses, pink, yellow, and white, only to be told, rather contemptuously, "That is nothing. There are no roses here now. You must wait till winter if you want something worth seeing. We have roses as large as tea-saucers then, and any quantity of them."

Outside the buildings, and fairly surrounding them, are large square beds of hybrid roses of many varieties, each sort planted in separate rows by itself. There are beds of cuttings also, and one long, narrow bed of red hybrids running the entire length of the greenhouse. "Catherine Mermet," "La Reine," "Adam," "Paul Neyron," the exquisite "La France," "John Hopper," the "Duke of Connaught," "Niphetos," and "Perle des Jardins" are here in profusion, with others of every shade and tint, too numerous almost to count, and the perfume arising from beds and hot-houses is intoxicating in its strength and sweetness. Some bushes are merely set in earthen pots out of doors; and these are supposed to be in a dormant state, undergoing the process of "drying off," or "hardening," receiving very little water, and are to be so kept until September, when they will be repotted and "started" for growing,—thus illustrating the truth of the saying that there is a blessing for those who only stand and wait. But one could not help pitying them, when one thought how their more fortunate companions with their uncramped roots were exploring underground passages and enjoying all the freedom and moisture of the rich soil.

"During the fall and winter we are very busy in a different way," said Thomas Devoy, as he displayed his treasures. And then he told me how every day in the later months all hands are occupied in tending, cutting, and packing the roses which are daily expressed to a certain New York florist. The beautiful half-blown buds are carefully cut, with long, leafy stems, and laid in the great market-baskets standing on the table ready to receive them. Row after row and layer after layer are laid in, sprinkled until leaves and petals sparkle with a diamond dew. Only buds at a certain stage of unfolding are used, and the most exquisite roses with their petals opening one pink or pearly crease too far are discarded as unfit to send away. Tissue-paper covers the flowers as they lie ready in their baskets, then oiled paper is placed on top, and finally a thin red oilcloth is fastened over all.

Thus from two to four hundred roses of almost every variety are daily put upon the New York train and expressed to the florist, at whose establishment they arrive, after a few hours, as fresh, dewy, and fragrant as when they left their parent plants.

And yet, with all these that are sent away, the home is not forgotten. Gorgeous blooms in exquisite foreign vases adorn table, cabinet-shelf, and mantel in every inhabited room in the house, where, among relics of the old time, the roses of yesterday and to-day meet in a rivalry so lovely that one is at a loss in deciding the merits of their separate claims. The roses of to-day are freshest, and it may even be fairest; yet there is a little poem which asks,—

What's the rose that I hold to the rose that is dead?

And thus, to one who has known and loved the place in days gone by, when what has become a mere association and memory now made its very life and soul, there is something in the suggestion of that verse which at least lets itself be readily understood.

Alice King Hamilton.

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