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Life of Lord Byron, Vol. 3

LORD BYRON: (continued 2)

Reading edition

"If ever I did any thing original, it was in Childe Harold, which I prefer to the other things always, after the first week. Yesterday I re-read English Bards;—bating the malice, it is the best.

"Ever," &c.

A resolution was, about this time, adopted by him, which, however strange and precipitate it appeared, a knowledge of the previous state of his mind may enable us to account for satisfactorily. He had now, for two years, been drawing upon the admiration of the public with a rapidity and success which seemed to defy exhaustion,—having crowded, indeed, into that brief interval the materials of a long life of fame. But admiration is a sort of impost from which most minds are but too willing to relieve themselves. The eye grows weary of looking up to the same object of wonder, and begins to exchange, at last, the delight of observing its elevation for the less generous pleasure of watching and speculating on its fall. The reputation of Lord Byron had already begun to experience some of these consequences of its own prolonged and constantly renewed splendour. Even among that host of admirers who would have been the last to find fault, there were some not unwilling to repose from praise; while they, who had been from the first reluctant eulogists, took advantage of these apparent symptoms of satiety to indulge in blame.[28]

The loud outcry raised, at the beginning of the present year, by his verses to the Princess Charlotte, had afforded a vent for much of this reserved venom; and the tone of disparagement in which some of his assailants now affected to speak of his poetry was, however absurd and contemptible in itself, precisely that sort of attack which was the most calculated to wound his, at once, proud and diffident spirit. As long as they confined themselves to blackening his moral and social character, so far from offending, their libels rather fell in with his own shadowy style of self-portraiture, and gratified the strange inverted ambition that possessed him. But the slighting opinion which they ventured to express of his genius,—seconded as it was by that inward dissatisfaction with his own powers, which they whose standard of excellence is highest are always the surest to feel,—mortified and disturbed him; and, being the first sounds of ill augury that had come across his triumphal career, startled him, as we have seen, into serious doubts of its continuance.

Had he been occupying himself, at the time, with any new task, that confidence in his own energies, which he never truly felt but while in the actual exercise of them, would have enabled him to forget these humiliations of the moment in the glow and excitement of anticipated success. But he had just pledged himself to the world to take a long farewell of poesy,—had sealed up that only fountain from which his heart ever drew refreshment or strength,—and thus was left, idly and helplessly, to brood over the daily taunts of his enemies, without the power of avenging himself when they insulted his person, and but too much disposed to agree with them when they made light of his genius. "I am afraid, (he says, in noticing these attacks in one of his letters,) what you call trash is plaguily to the purpose, and very good sense into the bargain; and, to tell the truth, for some little time past, I have been myself much of the same opinion."

In this sensitive state of mind,—which he but ill disguised or relieved by an exterior of gay defiance or philosophic contempt,—we can hardly feel surprised that he should have, all at once, come to the resolution, not only of persevering in his determination to write no more in future, but of purchasing back the whole of his past copyrights, and suppressing every page and line he had ever written. On his first mention of this design, Mr. Murray naturally doubted as to its seriousness; but the arrival of the following letter, enclosing a draft for the amount of the copyrights, put his intentions beyond question.

LETTER 180. TO MR. MURRAY.

"2. Albany, April 29. 1814.

"Dear Sir,

"I enclose a draft for the money; when paid, send the copyright. I release you from the thousand pounds agreed on for The Giaour and Bride, and there's an end.

"If any accident occurs to me, you may do then as you please; but, with the exception of two copies of each for yourself only, I expect and request that the advertisements be withdrawn, and the remaining copies of all destroyed; and any expense so incurred I will be glad to defray.

"For all this, it might be as well to assign some reason. I have none to give, except my own caprice, and I do not consider the circumstances of consequence enough to require explanation.

"In course, I need hardly assure you that they never shall be published with my consent, directly, or indirectly, by any other person whatsoever,—that I am perfectly satisfied, and have every reason so to be, with your conduct in all transactions between us as publisher and author.

"It will give me great pleasure to preserve your acquaintance, and to consider you as my friend. Believe me very truly, and for much attention,

"Your obliged and very obedient servant,

"BYRON.

"P.S. I do not think that I have overdrawn at Hammersley's; but if that be the case, I can draw for the superflux on Hoare's. The draft is 5l. short, but that I will make up. On payment—not before—return the copyright papers."

In such a conjuncture, an appeal to his good nature and considerateness was, as Mr. Murray well judged, his best resource; and the following prompt reply, will show how easily, and at once, it succeeded.

LETTER 181. TO MR. MURRAY.

"May 1. 1814.

"Dear Sir,

"If your present note is serious, and it really would be inconvenient, there is an end of the matter; tear my draft, and go on as usual: in that case, we will recur to our former basis. That I was perfectly serious, in wishing to suppress all future publication, is true; but certainly not to interfere with the convenience of others, and more particularly your own. Some day, I will tell you the reason of this apparently strange resolution. At present, it may be enough to say that I recall it at your suggestion; and as it appears to have annoyed you, I lose no time in saying so.

"Yours truly,

"B."

During my stay in town this year, we were almost daily together; and it is in no spirit of flattery to the dead I say, that the more intimately I became acquainted with his disposition and character, the more warmly I felt disposed to take an interest in every thing that concerned him. Not that, in the opportunities thus afforded me of observing more closely his defects, I did not discover much to lament, and not a little to condemn. But there was still, in the neighbourhood of even his worst faults, some atoning good quality, which was always sure, if brought kindly and with management into play, to neutralise their ill effects. The very frankness, indeed, with which he avowed his errors seemed to imply a confidence in his own power of redeeming them,—a consciousness that he could afford to be sincere. There was also, in such entire unreserve, a pledge that nothing worse remained behind; and the same quality that laid open the blemishes of his nature gave security for its honesty. "The cleanness and purity of one's mind," says Pope, "is never better proved than in discovering its own faults, at first view; as when a stream shows the dirt at its bottom, it shows also the transparency of the water."

The theatre was, at this time, his favourite place of resort. We have seen how enthusiastically he expresses himself on the subject of Mr. Kean's acting, and it was frequently my good fortune, during this season, to share in his enjoyment of it,—the orchestra being, more than once, the place where, for a nearer view of the actor's countenance, we took our station. For Kean's benefit, on the 25th of May, a large party had been made by Lady J * *, to which we both belonged; but Lord Byron having also taken a box for the occasion, so anxious was he to enjoy the representation uninterrupted, that, by rather an unsocial arrangement, only himself and I occupied his box during the play, while every other in the house was crowded almost to suffocation; nor did we join the remainder of our friends till supper. Between the two parties, however, Mr. Kean had no reason to complain of a want of homage to his talents; as Lord J * *, on that occasion, presented him with a hundred pound share in the theatre; while Lord Byron sent him, next day, the sum of fifty guineas[29]; and, not long after, on seeing him act some of his favourite parts, made him presents of a handsome snuff-box and a costly Turkish sword.

Such effect had the passionate energy of Kean's acting on his mind, that, once, in seeing him play Sir Giles Overreach, he was so affected as to be seized with a sort of convulsive fit; and we shall find him, some years after, in Italy, when the representation of Alfieri's tragedy of Mirra had agitated him in the same violent manner, comparing the two instances as the only ones in his life when "any thing under reality" had been able to move him so powerfully.

The following are a few of the notes which I received from him during this visit to town.

TO MR. MOORE.

"May 4. 1814.

"Last night we supp'd at R——fe's board, &c.[30]

"I wish people would not shirk their dinners—ought it not to have been a dinner?[31]—and that d——d anchovy sandwich!

"That plaguy voice of yours made me sentimental, and almost fall in love with a girl who was recommending herself, during your song, by hating music. But the song is past, and my passion can wait, till the pucelle is more harmonious.

"Do you go to Lady Jersey's to-night? It is a large party, and you won't be bored into 'softening rocks,' and all that. Othello is to-morrow and Saturday too. Which day shall we go? when shall I see you? If you call, let it be after three, and as near four as you please.

"Ever," &c.

TO MR. MOORE.

"May 4. 1814.

"Dear Tom,

"Thou hast asked me for a song, and I enclose you an experiment, which has cost me something more than trouble, and is, therefore, less likely to be worth your taking any in your proposed setting.[32] Now, if it be so, throw it into the fire without phrase.

"Ever yours,

"BYRON.

"I speak not, I trace not, I breathe not thy name, There is grief in the sound, there is guilt in the fame; But the tear which now burns on my cheek may impart The deep thoughts that dwell in that silence of heart. "Too brief for our passion, too long for our peace Were those hours—can their joy or their bitterness cease? We repent—we abjure—we will break from our chain— We will part,—we will fly to—unite it again! "Oh! thine be the gladness, and mine be the guilt! Forgive me, adored one!—forsake, if thou wilt;— But the heart which is thine shall expire undebased, And man shall not break it—whatever thou mayst. "And stern to the haughty, but humble to thee, This soul, in its bitterest blackness, shall be; And our days seem as swift, and our moments more sweet, With thee by my side, than with worlds at our feet. "One sigh of thy sorrow, one look of thy love, Shall turn me or fix, shall reward or reprove; And the heartless may wonder at all I resign— Thy lip shall reply, not to them, but to mine."

TO MR. MOORE.

"Will you and Rogers come to my box at Covent, then? I shall be there, and none else—or I won't be there, if you twain would like to go without me. You will not get so good a place hustling among the publican boxers, with damnable apprentices (six feet high) on a back row. Will you both oblige me and come,—or one—or neither—or, what you will?

"P.S. An' you will, I will call for you at half-past six, or any time of your own dial."

TO MR. MOORE.

"I have gotten a box for Othello to-night, and send the ticket for your friends the R——fes. I seriously recommend to you to recommend to them to go for half an hour, if only to see the third act—they will not easily have another opportunity. We—at least, I—cannot be there, so there will be no one in their way. Will you give or send it to them? it will come with a better grace from you than me.

"I am in no good plight, but will dine at * *'s with you, if I can. There is music and Covent-g.

"Will you go, at all events, to my box there afterwards, to see a début of a young 16[33] in the 'Child of Nature?'"

TO MR. MOORE.

"Sunday matin.

"Was not Iago perfection? particularly the last look. I was close to him (in the orchestra), and never saw an English countenance half so expressive.

"I am acquainted with no immaterial sensuality so delightful as good acting; and, as it is fitting there should be good plays, now and then, besides Shakspeare's, I wish you or Campbell would write one:—the rest of 'us youth' have not heart enough.

"You were cut up in the Champion—is it not so? this day so am I—even to shocking the editor. The critic writes well; and as, at present, poesy is not my passion predominant, and my snake of Aaron has swallowed up all the other serpents, I don't feel fractious. I send you the paper, which I mean to take in for the future. We go to M.'s together. Perhaps I shall see you before, but don't let me bore you, now nor ever.

"Ever, as now, truly and affectionately," &c.

TO MR. MOORE.

"May 5. 1814.

"Do you go to the Lady Cahir's this even? If you do—and whenever we are bound to the same follies—let us embark in the same 'Shippe of Fooles.' I have been up till five, and up at nine; and feel heavy with only winking for the last three or four nights.

"I lost my party and place at supper trying to keep out of the way of * * * *. I would have gone away altogether, but that would have appeared a worse affectation than t'other. You are of course engaged to dinner, or we may go quietly together to my box at Covent Garden, and afterwards to this assemblage. Why did you go away so soon?

"Ever, &c.

"P.S. Ought not R * * * fe's supper to have been a dinner? Jackson is here, and I must fatigue myself into spirits."

TO MR. MOORE.

"May 18. 1814.

"Thanks—and punctuality. What has passed at * * * *s House? I suppose that I am to know, and 'pars fui' of the conference. I regret that your * * * *s will detain you so late, but I suppose you will be at Lady Jersey's. I am going earlier with Hobhouse. You recollect that to-morrow we sup and see Kean.

"P.S. Two to-morrow is the hour of pugilism."

The supper, to which he here looks forward, took place at Watier's, of which club he had lately become a member; and, as it may convey some idea of his irregular mode of diet, and thus account, in part, for the frequent derangement of his health, I shall here attempt, from recollection, a description of his supper on this occasion. We were to have been joined by Lord R * *, who however did not arrive, and the party accordingly consisted but of ourselves. Having taken upon me to order the repast, and knowing that Lord Byron, for the last two days, had done nothing towards sustenance, beyond eating a few biscuits and (to appease appetite) chewing mastic, I desired that we should have a good supply of, at least, two kinds of fish. My companion, however, confined himself to lobsters, and of these finished two or three, to his own share,—interposing, sometimes, a small liqueur-glass of strong white brandy, sometimes a tumbler of very hot water, and then pure brandy again, to the amount of near half a dozen small glasses of the latter, without which, alternately with the hot water, he appeared to think the lobster could not be digested. After this, we had claret, of which having despatched two bottles between us, at about four o'clock in the morning we parted.

As Pope has thought his "delicious lobster-nights" worth commemorating, these particulars of one in which Lord Byron was concerned may also have some interest.

Among other nights of the same description which I had the happiness of passing with him, I remember once, in returning home from some assembly at rather a late hour, we saw lights in the windows of his old haunt Stevens's, in Bond Street, and agreed to stop there and sup. On entering, we found an old friend of his, Sir G * * W* *, who joined our party, and the lobsters and brandy and water being put in requisition, it was (as usual on such occasions) broad daylight before we separated.

LETTER 182. TO MR. MOORE.

"May 23. 1814.

"I must send you the Java government gazette of July 3d, 1813, just sent to me by Murray. Only think of our (for it is you and I) setting paper warriors in array in the Indian seas. Does not this sound like fame—something almost like posterity? It is something to have scribblers squabbling about us 5000 miles off, while we are agreeing so well at home. Bring it with you in your pocket;—it will make you laugh, as it hath me. Ever yours,

"B.

"P.S. Oh the anecdote!"

To the circumstance mentioned in this letter he recurs more than once in the Journals which he kept abroad; as thus, in a passage of his "Detached Thoughts,"—where it will be perceived that, by a trifling lapse of memory, he represents himself as having produced this gazette, for the first time, on our way to dinner.

"In the year 1814, as Moore and I were going to dine with Lord Grey in Portman Square, I pulled out a 'Java Gazette' (which Murray had sent to me), in which there was a controversy on our respective merits as poets. It was amusing enough that we should be proceeding peaceably to the same table while they were squabbling about us in the Indian seas (to be sure the paper was dated six months before), and filling columns with Batavian criticism. But this is fame, I presume."

The following poem, written about this time, and, apparently, for the purpose of being recited at the Caledonian Meeting, I insert principally on account of the warm feeling which it breathes towards Scotland and her sons:—

"Who hath not glow'd above the page where Fame Hath fix'd high Caledon's unconquer'd name; The mountain-land which spurn'd the Roman chain, And baffled back the fiery-crested Dane, Whose bright claymore and hardihood of hand No foe could tame—no tyrant could command. "That race is gone—but still their children breathe, And glory crowns them with redoubled wreath: O'er Gael and Saxon mingling banners shine, And, England! add their stubborn strength to thine. The blood which flow'd with Wallace flows as free, But now 'tis only shed for fame and thee! Oh! pass not by the Northern veteran's claim, But give support—the world hath given him fame! "The humbler ranks, the lowly brave, who bled While cheerly following where the mighty led— Who sleep beneath the undistinguish'd sod Where happier comrades in their triumph trod, To us bequeath—'tis all their fate allows— The sireless offspring and the lonely spouse: She on high Albyn's dusky hills may raise The tearful eye in melancholy gaze, Or view, while shadowy auguries disclose The Highland seer's anticipated woes, The bleeding phantom of each martial form Dim in the cloud, or darkling in the storm; While sad, she chants the solitary song, The soft lament for him who tarries long— For him, whose distant relics vainly crave The coronach's wild requiem to the brave! "'Tis Heaven—not man—must charm away the woe Which bursts when Nature's feelings newly flow; Yet tenderness and time may rob the tear Of half its bitterness for one so dear: A nation's gratitude perchance may spread A thornless pillow for the widow'd head; May lighten well her heart's maternal care, And wean from penury the soldier's heir."

LETTER 183. TO MR. MOORE.

"May 31. 1814.

"As I shall probably not see you here to-day, I write to request that, if not inconvenient to yourself, you will stay in town till Sunday; if not to gratify me, yet to please a great many others, who will be very sorry to lose you. As for myself, I can only repeat that I wish you would either remain a long time with us, or not come at all; for these snatches of society make the subsequent separations bitterer than ever.

"I believe you think that I have not been quite fair with that Alpha and Omega of beauty, &c. with whom you would willingly have united me. But if you consider what her sister said on the subject, you will less wonder that my pride should have taken the alarm; particularly as nothing but the every-day flirtation of every-day people ever occurred between your heroine and myself. Had Lady * * appeared to wish it—or even not to oppose it—I would have gone on, and very possibly married (that is, if the other had been equally accordant) with the same indifference which has frozen over the 'Black Sea' of almost all my passions. It is that very indifference which makes me so uncertain and apparently capricious. It is not eagerness of new pursuits, but that nothing impresses me sufficiently to fix; neither do I feel disgusted, but simply indifferent to almost all excitements. The proof of this is, that obstacles, the slightest even, stop me. This can hardly be timidity, for I have done some impudent things too, in my time; and in almost all cases, opposition is a stimulus. In mine, it is not; if a straw were in my way, I could not stoop to pick it up.

"I have sent this long tirade, because I would not have you suppose that I have been trifling designedly with you or others. If you think so, in the name of St. Hubert (the patron of antlers and hunters) let me be married out of hand—I don't care to whom, so it amuses any body else, and don't interfere with me much in the daytime. Ever," &c.

LETTER 184. TO MR. MOORE.

"June 14. 1814.

"I could be very sentimental now, but I won't. The truth is, that I have been all my life trying to harden my heart, and have not yet quite succeeded—though there are great hopes—and you do not know how it sunk with your departure. What adds to my regret is having seen so little of you during your stay in this crowded desert, where one ought to be able to bear thirst like a camel,—the springs are so few, and most of them so muddy.

"The newspapers will tell you all that is to be told of emperors, &c.[34] They have dined, and supped, and shown their flat faces in all thoroughfares, and several saloons. Their uniforms are very becoming, but rather short in the skirts; and their conversation is a catechism, for which and the answers I refer you to those who have heard it.

"I think of leaving town for Newstead soon. If so, I shall not be remote from your recess, and (unless Mrs. M. detains you at home over the caudle-cup and a new cradle,) we will meet. You shall come to me, or I to you, as you like it;—but meet we will. An invitation from Aston has reached me, but I do not think I shall go. I have also heard of * * *—I should like to see her again, for I have not met her for years; and though 'the light that ne'er can shine again' is set, I do not know that 'one dear smile like those of old' might not make me for a moment forget the 'dulness' of 'life's stream.'

"I am going to R * *'s to-night—to one of those suppers which 'ought to be dinners.' I have hardly seen her, and never him, since you set out. I told you, you were the last link of that chain. As for * *, we have not syllabled one another's names since. The post will not permit me to continue my scrawl. More anon.

"Ever, dear Moore, &c.

"P.S. Keep the Journal[35]; I care not what becomes of it; and if it has amused you I am glad that I kept it. 'Lara' is finished, and I am copying him for my third vol., now collecting;—but no separate publication."

TO MR. MURRAY.

"June 14. 1814.

"I return your packet of this morning. Have you heard that Bertrand has returned to Paris with the account of Napoleon's having lost his senses? It is a report; but, if true, I must, like Mr. Fitzgerald and Jeremiah (of lamentable memory), lay claim to prophecy; that is to say, of saying, that he ought to go out of his senses, in the penultimate stanza of a certain Ode,—the which, having been pronounced nonsense by several profound critics, has a still further pretension, by its unintelligibility, to inspiration. Ever," &c.

LETTER 185. TO MR. ROGERS.

"June 19. 1814.

"I am always obliged to trouble you with my awkwardnesses, and now I have a fresh one. Mr. W.[36] called on me several times, and I have missed the honour of making his acquaintance, which I regret, but which you, who know my desultory and uncertain habits, will not wonder at, and will, I am sure, attribute to any thing but a wish to offend a person who has shown me much kindness, and possesses character and talents entitled to general respect. My mornings are late, and passed in fencing and boxing, and a variety of most unpoetical exercises, very wholesome, &c., but would be very disagreeable to my friends, whom I am obliged to exclude during their operation. I never go out till the evening, and I have not been fortunate enough to meet Mr. W. at Lord Lansdowne's or Lord Jersey's, where I had hoped to pay him my respects.

"I would have written to him, but a few words from you will go further than all the apologetical sesquipedalities I could muster on the occasion. It is only to say that, without intending it, I contrive to behave very ill to every body, and am very sorry for it.

"Ever, dear R.," &c.

The following undated notes to Mr. Rogers must have been written about the same time:—

"Sunday.

"Your non-attendance at Corinne's is very à propos, as I was on the eve of sending you an excuse. I do not feel well enough to go there this evening, and have been obliged to despatch an apology. I believe I need not add one for not accepting Mr. Sheridan's invitation on Wednesday, which I fancy both you and I understood in the same sense:—with him the saying of Mirabeau, that 'words are things,' is not to be taken literally.

"Ever," &c.

"I will call for you at a quarter before seven, if that will suit you. I return you Sir Proteus[37], and shall merely add in return, as Johnson said of, and to, somebody or other, 'Are we alive after all this censure?'

"Believe me," &c.

"Tuesday.

"Sheridan was yesterday, at first, too sober to remember your invitation, but in the dregs of the third bottle he fished up his memory. The Staël out-talked Whitbread, was ironed by Sheridan, confounded Sir Humphry, and utterly perplexed your slave. The rest (great names in the red book, nevertheless,) were mere segments of the circle. Ma'mselle danced a Russ saraband with great vigour, grace, and expression.

"Ever," &c.

TO MR. MURRAY.

"June 21. 1814.

"I suppose 'Lara' is gone to the devil,—which is no great matter, only let me know, that I may be saved the trouble of copying the rest, and put the first part into the fire. I really have no anxiety about it, and shall not be sorry to be saved the copying, which goes on very slowly, and may prove to you that you may speak out—or I should be less sluggish. Yours," &c.

LETTER 186. TO MR. ROGERS.

"June 27. 1814.

"You could not have made me a more acceptable present than Jacqueline,—she is all grace, and softness, and poetry; there is so much of the last, that we do not feel the want of story, which is simple, yet enough. I wonder that you do not oftener unbend to more of the same kind. I have some sympathy with the softer affections, though very little in my way, and no one can depict them so truly and successfully as yourself. I have half a mind to pay you in kind, or rather unkind, for I have just 'supped full of horror' in two cantos of darkness and dismay.

"Do you go to Lord Essex's to-night? if so, will you let me call for you at your own hour? I dined with Holland-house yesterday at Lord Cowper's; my Lady very gracious, which she can be more than any one when she likes. I was not sorry to see them again, for I can't forget that they have been very kind to me. Ever yours most truly,

"BN.

"P.S. Is there any chance or possibility of making it up with Lord Carlisle, as I feel disposed to do any thing reasonable or unreasonable to effect it? I would before, but for the 'Courier,' and the possible misconstructions at such a time. Perpend, pronounce."

On my return to London, for a short time, at the beginning of July, I found his poem of 'Lara,' which he had begun at the latter end of May, in the hands of the printer, and nearly ready for publication. He had, before I left town, repeated to me, as we were on our way to some evening party, the first one hundred and twenty lines of the poem, which he had written the day before,—at the same time giving me a general sketch of the characters and the story.

His short notes to Mr. Murray, during the printing of this work, are of the same impatient and whimsical character as those, of which I have already given specimens, in my account of his preceding publications: but, as matter of more interest now presses upon us, I shall forbear from transcribing them at length. In one of them he says, "I have just corrected some of the most horrible blunders that ever crept into a proof:"—in another, "I hope the next proof will be better; this was one which would have consoled Job, if it had been of his 'enemy's book:'" —a third contains only the following words: "Dear sir, you demanded more battle—there it is.

"Yours," &c.

The two letters that immediately follow were addressed to me, at this time, in town.

LETTER 187. TO MR. MOORE.

"July 8. 1814.

"I returned to town last night, and had some hopes of seeing you to-day, and would have called,—but I have been (though in exceeding distempered good health) a little head-achy with free living, as it is called, and am now at the freezing point of returning soberness. Of course, I should be sorry that our parallel lines did not deviate into intersection before you return to the country,—after that same nonsuit[38], whereof the papers have told us,—but, as you must be much occupied, I won't be affronted, should your time and business militate against our meeting.

"Rogers and I have almost coalesced into a joint invasion of the public. Whether it will take place or not, I do not yet know, and I am afraid Jacqueline (which is very beautiful) will be in bad company.[39] But in this case, the lady will not be the sufferer.

"I am going to the sea, and then to Scotland; and I have been doing nothing,—that is, no good,—and am very truly," &c.

LETTER 188. TO MR. MOORE.

"I suppose, by your non-appearance, that the philasophy of my note, and the previous silence of the writer, have put or kept you in humeur. Never mind—it is hardly worth while.

"This day have I received information from my man of law of the non—and never likely to be—performance of purchase by Mr. Claughton, of impecuniary memory. He don't know what to do, or when to pay; and so all my hopes and worldly projects and prospects are gone to the devil. He (the purchaser, and the devil too, for aught I care,) and I, and my legal advisers, are to meet to-morrow, the said purchaser having first taken special care to enquire 'whether I would meet him with temper?'—Certainly. The question is this—I shall either have the estate back, which is as good as ruin, or I shall go on with him dawdling, which is rather worse. I have brought my pigs to a Mussulman market. If I had but a wife now, and children, of whose paternity I entertained doubts, I should be happy, or rather fortunate, as Candide or Scarmentado. In the mean time, if you don't come and see me, I shall think that Sam.'s bank is broke too; and that you, having assets there, are despairing of more than a piastre in the pound for your dividend. Ever," &c.

TO MR. MURRAY.

"July 11. 1814.

"You shall have one of the pictures. I wish you to send the proof of 'Lara' to Mr. Moore, 33. Bury Street, to-night, as he leaves town to-morrow, and wishes to see it before he goes[40]; and I am also willing to have the benefit of his remarks. Yours," &c.

TO MR. MURRAY.

"July 18. 1814.

"I think you will be satisfied even to repletion with our northern friends[41], and I won't deprive you longer of what I think will give you pleasure; for my own part, my modesty, or my vanity, must be silent.

"P.S. If you could spare it for an hour in the evening, I wish you to send it up to Mrs. Leigh, your neighbour, at the London Hotel, Albemarle Street."

LETTER 189. TO MR. MURRAY.

"July 23. 1814.

"I am sorry to say that the print[42] is by no means approved of by those who have seen it, who are pretty conversant with the original, as well as the picture from whence it is taken. I rather suspect that it is from the copy and not the exhibited portrait, and in this dilemma would recommend a suspension, if not an abandonment, of the prefixion to the volumes which you purpose inflicting upon the public.

"With regard to Lara, don't be in any hurry. I have not yet made up my mind on the subject, nor know what to think or do till I hear from you; and Mr. Moore appeared to me in a similar state of indetermination. I do not know that it may not be better to reserve it for the entire publication you proposed, and not adventure in hardy singleness, or even backed by the fairy Jacqueline. I have been seized with all kinds of doubts, &c. &c. since I left London.

"Pray let me hear from you, and believe me," &c.

LETTER 190. TO MR. MURRAY.

"July 24. 1814.

"The minority must, in this case, carry it, so pray let it be so, for I don't care sixpence for any of the opinions you mention, on such a subject: and P * * must be a dunce to agree with them. For my own part, I have no objection at all; but Mrs. Leigh and my cousin must be better judges of the likeness than others; and they hate it; and so I won't have it at all.

"Mr. Hobhouse is right as for his conclusion: but I deny the premises. The name only is Spanish[43]; the country is not Spain, but the Morea.

"Waverley is the best and most interesting novel I have redde since—I don't know when. I like it as much as I hate * *, and * *, and * *, and all the feminine trash of the last four months. Besides, it is all easy to me, I have been in Scotland so much (though then young enough too), and feel at home with the people, Lowland and Gael.

"A note will correct what Mr. Hobhouse thinks an error (about the feudal system in Spain);—it is not Spain. If he puts a few words of prose any where, it will set all right.

"I have been ordered to town to vote. I shall disobey. There is no good in so much prating, since 'certain issues strokes should arbitrate.' If you have any thing to say, let me hear from you.

"Yours," &c.

LETTER 191. TO MR. MURRAY.

"August 3. 1814.

"It is certainly a little extraordinary that you have not sent the Edinburgh Review, as I requested, and hoped it would not require a note a day to remind you. I see advertisements of Lara and Jacqueline; pray, why? when I requested you to postpone publication till my return to town.

"I have a most amusing epistle from the Ettrick bard—Hogg; in which, speaking of his bookseller, whom he denominates the 'shabbiest' of the trade for not 'lifting his bills,' he adds, in so many words, 'G——d d——n him and them both.' This is a pretty prelude to asking you to adopt him (the said Hogg); but this he wishes; and if you please, you and I will talk it over. He has a poem ready for the press (and your bills too, if 'liftable'), and bestows some benedictions on Mr. Moore for his abduction of Lara from the forthcoming Miscellany.[44]

"P.S. Sincerely, I think Mr. Hogg would suit you very well; and surely he is a man of great powers, and deserving of encouragement. I must knock out a Tale for him, and you should at all events consider before you reject his suit. Scott is gone to the Orkneys in a gale of wind; and Hogg says that, during the said gale, 'he is sure that Scott is not quite at his ease, to say the best of it.' Ah! I wish these home-keeping bards could taste a Mediterranean white squall, or 'the Gut' in a gale of wind, or even the 'Bay of Biscay' with no wind at all."

LETTER 192. TO MR. MOORE.

"Hastings, August 3. 1814.

"By the time this reaches your dwelling, I shall (God wot) be in town again probably. I have been here renewing my acquaintance with my old friend Ocean; and I find his bosom as pleasant a pillow for an hour in the morning as his daughters of Paphos could be in the twilight. I have been swimming and eating turbot, and smuggling neat brandies and silk handkerchiefs,—and listening to my friend Hodgson's raptures about a pretty wife-elect of his,—and walking on cliffs, and tumbling down hills, and making the most of the 'dolce far-niente' for the last fortnight. I met a son of Lord Erskine's, who says he has been married a year, and is the 'happiest of men;' and I have met the aforesaid H., who is also the 'happiest of men;' so, it is worth while being here, if only to witness the superlative felicity of these foxes, who have cut off their tails, and would persuade the rest to part with their brushes to keep them in countenance.

"It rejoiceth me that you like 'Lara.' Jeffrey is out with his 45th Number, which I suppose you have got. He is only too kind to me, in my share of it, and I begin to fancy myself a golden pheasant, upon the strength of the plumage wherewith he hath bedecked me. But then, 'surgit amari,' &c.—the gentlemen of the Champion, and Perry, have got hold (I know not how) of the condolatory address to Lady J. on the picture-abduction by our R * * *, and have published them—with my name, too, smack—without even asking leave, or enquiring whether or no! D——n their impudence, and d——n every thing. It has put me out of patience, and so, I shall say no more about it.

"You shall have Lara and Jacque (both with some additions) when out; but I am still demurring and delaying, and in a fuss, and so is R. in his way.

"Newstead is to be mine again. Claughton forfeits twenty-five thousand pounds; but that don't prevent me from being very prettily ruined. I mean to bury myself there—and let my beard grow—and hate you all.

"Oh! I have had the most amusing letter from Hogg, the Ettrick minstrel and shepherd. He wants me to recommend him to Murray; and, speaking of his present bookseller, whose 'bills' are never 'lifted,' he adds, totidem verbis, 'God d——n him and them both.' I laughed, and so would you too, at the way in which this execration is introduced. The said Hogg is a strange being, but of great, though uncouth, powers. I think very highly of him, as a poet; but he, and half of these Scotch and Lake troubadours, are spoilt by living in little circles and petty societies. London and the world is the only place to take the conceit out of a man—in the milling phrase. Scott, he says, is gone to the Orkneys in a gale of wind;—during which wind, he affirms, the said Scott, 'he is sure, is not at his ease,—to say the best of it.' Lord, Lord, if these homekeeping minstrels had crossed your Atlantic or my Mediterranean, and tasted a little open boating in a white squall—or a gale in 'the Gut'—or the 'Bay of Biscay,' with no gale at all—how it would enliven and introduce them to a few of the sensations!—to say nothing of an illicit amour or two upon shore, in the way of essay upon the Passions, beginning with simple adultery, and compounding it as they went along.

"I have forwarded your letter to Murray,—by the way, you had addressed it to Miller. Pray write to me, and say what art thou doing? 'Not finished!'—Oons! how is this?—these 'flaws and starts' must be 'authorised by your grandam,' and are unbecoming of any other author. I was sorry to hear of your discrepancy with the * *s, or rather your abjuration of agreement. I don't want to be impertinent, or buffoon on a serious subject, and am therefore at a loss what to say.

"I hope nothing will induce you to abate from the proper price of your poem, as long as there is a prospect of getting it. For my own part, I have seriously and not whiningly, (for that is not my way—at least, it used not to be,) neither hopes, nor prospects, and scarcely even wishes. I am, in some respects, happy, but not in a manner that can or ought to last,—but enough of that. The worst of it is, I feel quite enervated and indifferent. I really do not know, if Jupiter were to offer me my choice of the contents of his benevolent cask, what I would pick out of it. If I was born, as the nurses say, with a 'silver spoon in my mouth,' it has stuck in my throat, and spoiled my palate, so that nothing put into it is swallowed with much relish,—unless it be cayenne. However, I have grievances enough to occupy me that way too;—but for fear of adding to yours by this pestilent long diatribe, I postpone the reading of them, sine die.

"Ever, dear M., yours, &c.

"P.S. Don't forget my godson. You could not have fixed on a fitter porter for his sins than me, being used to carry double without inconvenience."

LETTER 193. TO MR. MURRAY.

"August 4. 1814.

"Not having received the slightest answer to my last three letters, nor the book (the last number of the Edinburgh Review) which they requested, I presume that you were the unfortunate person who perished in the pagoda on Monday last, and address this rather to your executors than yourself, regretting that you should have had the ill luck to be the sole victim on that joyous occasion.

"I beg leave, then, to inform these gentlemen (whoever they may be) that I am a little surprised at the previous neglect of the deceased, and also at observing an advertisement of an approaching publication on Saturday next, against the which I protested, and do protest for the present.

"Yours (or theirs), &c.

"B."

LETTER 194. TO MR. MURRAY.

"August 5. 1814.

"The Edinburgh Review is arrived—thanks. I enclose Mr. Hobhouse's letter, from which you will perceive the work you have made. However, I have done: you must send my rhymes to the devil your own way. It seems, also, that the 'faithful and spirited likeness' is another of your publications. I wish you joy of it; but it is no likeness—that is the point. Seriously, if I have delayed your journey to Scotland, I am sorry that you carried your complaisance so far; particularly as upon trifles you have a more summary method;—witness the grammar of Hobhouse's 'bit of prose,' which has put him and me into a fever.

"Hogg must translate his own words: 'lifting' is a quotation from his letter, together with 'God d——n,' &c., which I suppose requires no translation.

"I was unaware of the contents of Mr. Moore's letter; I think your offer very handsome, but of that you and he must judge. If he can get more, you won't wonder that he should accept it.

"Out with Lara, since it must be. The tome looks pretty enough—on the outside, I shall be in town next week, and in the mean time wish you a pleasant journey.

"Yours," &c.

LETTER 195. TO MR. MOORE.

"August 12. 1814.

"I was not alone, nor will be while I can help it. Newstead is not yet decided. Claughton is to make a grand effort by Saturday week to complete,—if not, he must give up twenty-five thousand pounds and the estate, with expenses, &c. &c. If I resume the Abbacy, you shall have due notice, and a cell set apart for your reception, with a pious welcome. Rogers I have not seen, but Larry and Jacky came out a few days ago. Of their effect I know nothing.

"There is something very amusing in your being an Edinburgh Reviewer. You know, I suppose, that T * * is none of the placidest, and may possibly enact some tragedy on being told that he is only a fool. If, now, Jeffery were to be slain on account of an article of yours, there would be a fine conclusion. For my part, as Mrs. Winifred Jenkins says, 'he has done the handsome thing by me,' particularly in his last number; so, he is the best of men and the ablest of critics, and I won't have him killed,—though I dare say many wish he were, for being so good-humoured.

"Before I left Hastings I got in a passion with an ink bottle, which I flung out of the window one night with a vengeance;—and what then? Why, next morning I was horrified by seeing that it had struck, and split upon, the petticoat of Euterpe's graven image in the garden, and grimed her as if it were on purpose[45]. Only think of my distress,—and the epigrams that might be engendered on the Muse and her misadventure.

"I had an adventure almost as ridiculous, at some private theatricals near Cambridge—though of a different description—since I saw you last. I quarrelled with a man in the dark for asking me who I was (insolently enough to be sure), and followed him into the green-room (a stable) in a rage, amongst a set of people I never saw before. He turned out to be a low comedian, engaged to act with the amateurs, and to be a civil-spoken man enough, when he found out that nothing very pleasant was to be got by rudeness. But you would have been amused with the row, and the dialogue, and the dress—or rather the undress—of the party, where I had introduced myself in a devil of a hurry, and the astonishment that ensued. I had gone out of the theatre, for coolness, into the garden;—there I had tumbled over some dogs, and, coming away from them in very ill humour, encountered the man in a worse, which produced all this confusion.

"Well—and why don't you 'launch?'—Now is your time. The people are tolerably tired with me, and not very much enamoured of * *, who has just spawned a quarto of metaphysical blank verse, which is nevertheless only a part of a poem.

"Murray talks of divorcing Larry and Jacky—a bad sign for the authors, who, I suppose, will be divorced too, and throw the blame upon one another. Seriously, I don't care a cigar about it, and I don't see why Sam should.

"Let me hear from and of you and my godson. If a daughter, the name will do quite as well.

"Ever," &c.

LETTER 196. TO MR. MOORE.

"August 13. 1814.

"I wrote yesterday to Mayfield, and have just now enfranked your letter to mamma. My stay in town is so uncertain (not later than next week) that your packets for the north may not reach me; and as I know not exactly where I am going—however, Newstead is my most probable destination, and if you send your despatches before Tuesday, I can forward them to our new ally. But, after that day, you had better not trust to their arrival in time.

"* * has been exiled from Paris, on dit, for saying the Bourbons were old women. The Bourbons might have been content, I think, with returning the compliment.

"I told you all about Jacky and Larry yesterday;—they are to be separated,—at least, so says the grand M., and I know no more of the matter. Jeffrey has done me more than 'justice;' but as to tragedy—um!—I have no time for fiction at present. A man cannot paint a storm with the vessel under bare poles on a lee-shore. When I get to land, I will try what is to be done, and, if I founder, there be plenty of mine elders and betters to console Melpomene.

"When at Newstead, you must come over, if only for a day—should Mrs. M. be exigeante of your presence. The place is worth seeing, as a ruin, and I can assure you there was some fun there, even in my time; but that is past. The ghosts[46], however, and the gothics, and the waters, and the desolation, make it very lively still.

"Ever, dear Tom, yours," &c.

LETTER 197. TO MR. MURRAY.

"Newstead Abbey, Septembers. 1814.

"I am obliged by what you have sent, but would rather not see any thing of the kind[47]; we have had enough of these things already, good and bad, and next month you need not trouble yourself to collect even the higher generation—on my account. It gives me much pleasure to hear of Mr. Hobhouse's and Mr. Merivale's good entreatment by the journals you mention.

"I still think Mr. Hogg and yourself might make out an alliance. Dodsley's was, I believe, the last decent thing of the kind, and his had great success in its day, and lasted several years; but then he had the double advantage of editing and publishing. The Spleen, and several of Gray's odes, much of Shenstone, and many others of good repute, made their first appearance in his collection. Now, with the support of Scott, Wordsworth, Southey, &c., I see little reason why you should not do as well; and, if once fairly established, you would have assistance from the youngsters, I dare say. Stratford Canning (whose 'Buonaparte' is excellent), and many others, and Moore, and Hobhouse, and I, would try a fall now and then (if permitted), and you might coax Campbell, too, into it. By the by, he has an unpublished (though printed) poem on a scene in Germany, (Bavaria, I think,) which I saw last year, that is perfectly magnificent, and equal to himself. I wonder he don't publish it.

"Oh!—do you recollect S * *, the engraver's, mad letter about not engraving Phillips's picture of Lord Foley? (as he blundered it;) well, I have traced it, I think. It seems, by the papers, a preacher of Johanna Southcote's is named Foley; and I can no way account for the said S * *'s confusion of words and ideas, but by that of his head's running on Johanna and her apostles. It was a mercy he did not say Lord Tozer. You know, of course, that S * * is a believer in this new (old) virgin of spiritual impregnation.

"I long to know what she will produce[48]; her being with child at sixty-five is indeed a miracle, but her getting any one to beget it, a greater.

"If you were not going to Paris or Scotland, I could send you some game: if you remain, let me know.

"P.S. A word or two of 'Lara,' which your enclosure brings before me. It is of no great promise separately; but, as connected with the other tales, it will do very well for the volumes you mean to publish. I would recommend this arrangement—Childe Harold, the smaller Poems, Giaour, Bride, Corsair, Lara; the last completes the series, and its very likeness renders it necessary to the others. Cawthorne writes that they are publishing English Bards in Ireland: pray enquire into this; because it must be stopped."

LETTER 198. TO MR. MURRAY.

"Newstead Abbey, September 7. 1814.

"I should think Mr. Hogg, for his own sake as well as yours, would be 'critical' as Iago himself in his editorial capacity; and that such a publication would answer his purpose, and yours too, with tolerable management. You should, however, have a good number to start with—I mean, good in quality; in these days, there can be little fear of not coming up to the mark in quantity. There must be many 'fine things' in Wordsworth; but I should think it difficult to make six quartos (the amount of the whole) all fine, particularly the pedler's portion of the poem; but there can be no doubt of his powers to do almost any thing.

"I am 'very idle.' I have read the few books I had with me, and been forced to fish, for lack of argument. I have caught a great many perch and some carp, which is a comfort, as one would not lose one's labour willingly.

"Pray, who corrects the press of your volumes? I hope 'The Corsair' is printed from the copy I corrected, with the additional lines in the first Canto, and some notes from Sismondi and Lavater, which I gave you to add thereto. The arrangement is very well.

"My cursed people have not sent my papers since Sunday, and I have lost Johanna's divorce from Jupiter. Who hath gotten her with prophet? Is it Sharpe, and how? * * * I should like to buy one of her seals: if salvation can be had at half-a-guinea a head, the landlord of the Crown and Anchor should be ashamed of himself for charging double for tickets to a mere terrestrial banquet. I am afraid, seriously, that these matters will lend a sad handle to your profane scoffers, and give a loose to much damnable laughter.

"I have not seen Hunt's Sonnets nor Descent of Liberty: he has chosen a pretty place wherein to compose the last. Let me hear from you before you embark. Ever," &c.

LETTER 199. TO MR. MOORE.

"Newstead Abbey, September 15. 1814.

"This is the fourth letter I have begun to you within the month. Whether I shall finish or not, or burn it like the rest, I know not. When we meet, I will explain why I have not written—why I have not asked you here, as I wished—with a great many other whys and wherefores, which will keep cold. In short, you must excuse all my seeming omissions and commissions, and grant me more remission than St. Athanasius will to yourself, if you lop off a single shred of mystery from his pious puzzle. It is my creed (and it may be St. Athanasius's too) that your article on T * * will get somebody killed, and that, on the Saints, get him d——d afterwards, which will be quite enow for one number. Oons, Tom! you must not meddle just now with the incomprehensible; for if Johanna Southcote turns out to be * * *

"Now for a little egotism. My affairs stand thus. To-morrow, I shall know whether a circumstance of importance enough to change many of my plans will occur or not. If it does not, I am off for Italy next month, and London, in the mean time, next week. I have got back Newstead and twenty-five thousand pounds (out of twenty-eight paid already),—as a 'sacrifice,' the late purchaser calls it, and he may choose his own name. I have paid some of my debts, and contracted others; but I have a few thousand pounds, which I can't spend after my own heart in this climate, and so, I shall go back to the south. Hobhouse, I think and hope, will go with me; but, whether he will or not, I shall. I want to see Venice, and the Alps, and Parmesan cheeses, and look at the coast of Greece, or rather Epirus, from Italy, as I once did—or fancied I did—that of Italy, when off Corfu. All this, however, depends upon an event, which may, or may not, happen. Whether it will, I shall know probably to-morrow, and, if it does, I can't well go abroad at present.

"Pray pardon this parenthetical scrawl. You shall hear from me again soon;—I don't call this an answer. Ever most affectionately," &c.

The "circumstance of importance," to which he alludes in this letter, was his second proposal for Miss Milbanke, of which he was now waiting the result. His own account, in his Memoranda, of the circumstances that led to this step is, in substance, as far as I can trust my recollection, as follows. A person, who had for some time stood high in his affection and confidence, observing how cheerless and unsettled was the state both of his mind and prospects, advised him strenuously to marry; and, after much discussion, he consented. The next point for consideration was—who was to be the object of his choice; and while his friend mentioned one lady, he himself named Miss Milbanke. To this, however, his adviser strongly objected,—remarking to him, that Miss Milbanke had at present no fortune, and that his embarrassed affairs would not allow him to marry without one; that she was, moreover, a learned lady, which would not at all suit him. In consequence of these representations, he agreed that his friend should write a proposal for him to the other lady named, which was accordingly done;—and an answer, containing a refusal, arrived as they were, one morning, sitting together. "You see," said Lord Byron, "that, after all, Miss Milbanke is to be the person;—I will write to her." He accordingly wrote on the moment, and, as soon as he had finished, his friend, remonstrating still strongly against his choice, took up the letter,—but, on reading it over, observed, "Well, really, this is a very pretty letter;—it is a pity it should not go. I never read a prettier one."—"Then it shall go," said Lord Byron; and in so saying, sealed and sent off, on the instant, this fiat of his fate.

LETTER 200. TO MR. MOORE.

"Nd., September 15. 1814.

"I have written to you one letter to-night, but must send you this much more, as I have not franked my number, to say that I rejoice in my god-daughter, and will send her a coral and bells, which I hope she will accept, the moment I get back to London.

"My head is at this moment in a state of confusion, from various causes, which I can neither describe nor explain—but let that pass. My employments have been very rural—fishing, shooting, bathing, and boating. Books I have but few here, and those I have read ten times over, till sick of them. So, I have taken to breaking soda-water bottles with my pistols, and jumping into the water, and rowing over it, and firing at the fowls of the air. But why should I 'monster my nothings' to you, who are well employed, and happily too, I should hope? For my part, I am happy, too, in my way—but, as usual, have contrived to get into three or four perplexities, which I do not see my way through. But a few days, perhaps a day, will determine one of them.

"You do not say a word to me of your poem. I wish I could see or hear it. I neither could, nor would, do it or its author any harm. I believe I told you of Larry and Jacquy. A friend of mine was reading—at least a friend of his was reading—said Larry and Jacquy in a Brighton coach. A passenger took up the book and queried as to the author. The proprietor said 'there were two'—to which the answer of the unknown was, 'Ay, ay—a joint concern, I suppose, summot like Sternhold and Hopkins.'

"Is not this excellent? I would not have missed the 'vile comparison' to have 'scaped being one of the 'Arcades ambo et cantare pares.' Good night. Again yours."

LETTER 201. TO MR. MOORE.

"Newstead Abbey, Sept. 20. 1814.

"Here's to her who long Hath waked the poet's sigh! The girl who gave to song What gold could never buy.

—My dear Moore, I am going to be married—that is, I am accepted[49], and one usually hopes the rest will follow. My mother of the Gracchi (that are to be) you think too strait-laced for me, although the paragon of only children, and invested with 'golden opinions of all sorts of men,' and full of 'most blest conditions' as Desdemona herself. Miss Milbanke is the lady, and I have her father's invitation to proceed there in my elect capacity,—which, however, I cannot do till I have settled some business in London and got a blue coat.

"She is said to be an heiress, but of that I really know nothing certainly, and shall not enquire. But I do know, that she has talents and excellent qualities; and you will not deny her judgment, after having refused six suitors and taken me.

"Now, if you have any thing to say against this, pray do; my mind's made up, positively fixed, determined, and therefore I will listen to reason, because now it can do no harm. Things may occur to break it off, but I will hope not. In the mean time, I tell you (a secret, by the by,—at least, till I know she wishes it to be public,) that I have proposed and am accepted. You need not be in a hurry to wish me joy, for one mayn't be married for months. I am going to town to-morrow; but expect to be here, on my way there, within a fortnight.

"If this had not happened, I should have gone to Italy. In my way down, perhaps, you will meet me at Nottingham, and come over with me here. I need not say that nothing will give me greater pleasure. I must, of course, reform thoroughly; and, seriously, if I can contribute to her happiness, I shall secure my own. She is so good a person, that—that—in short, I wish I was a better. Ever," &c.

LETTER 202. TO THE COUNTESS OF * * *.

"Albany, October 5. 1814.

"Dear Lady * *,

"Your recollection and invitation do me great honour; but I am going to be 'married, and can't come.' My intended is two hundred miles off, and the moment my business here is arranged, I must set out in a great hurry to be happy. Miss Milbanke is the good-natured person who has undertaken me, and, of course, I am very much in love, and as silly as all single gentlemen must be in that sentimental situation. I have been accepted these three weeks; but when the event will take place, I don't exactly know. It depends partly upon lawyers, who are never in a hurry. One can be sure of nothing; but, at present, there appears no other interruption to this intention, which seems as mutual as possible, and now no secret, though I did not tell first,—and all our relatives are congratulating away to right and left in the most fatiguing manner.

"You perhaps know the lady. She is niece to Lady Melbourne, and cousin to Lady Cowper and others of your acquaintance, and has no fault, except being a great deal too good for me, and that I must pardon, if nobody else should. It might have been two years ago, and, if it had, would have saved me a world of trouble. She has employed the interval in refusing about half a dozen of my particular friends, (as she did me once, by the way,) and has taken me at last, for which I am very much obliged to her. I wish it was well over, for I do hate bustle, and there is no marrying without some;—and then, I must not marry in a black coat, they tell me, and I can't bear a blue one.

"Pray forgive me for scribbling all this nonsense. You know I must be serious all the rest of my life, and this is a parting piece of buffoonery, which I write with tears in my eyes, expecting to be agitated. Believe me most seriously and sincerely your obliged servant, BYRON.

"P.S. My best rems. to Lord * * on his return."

LETTER 203. TO MR. MOORE.

"October 7. 1814.

"Notwithstanding the contradictory paragraph in the Morning Chronicle, which must have been sent by * *, or perhaps—I know not why I should suspect Claughton of such a thing, and yet I partly do, because it might interrupt his renewal of purchase, if so disposed; in short it matters not, but we are all in the road to matrimony—lawyers settling, relations congratulating, my intended as kind as heart could wish, and every one, whose opinion I value, very glad of it. All her relatives, and all mine too, seem equally pleased.

"Perry was very sorry, and has re-contradicted, as you will perceive by this day's paper. It was, to be sure, a devil of an insertion, since the first paragraph came from Sir Ralph's own County Journal, and this in the teeth of it would appear to him and his as my denial. But I have written to do away that, enclosing Perry's letter, which was very polite and kind.

"Nobody hates bustle so much as I do; but there seems a fatality over every scene of my drama, always a row of some sort or other. No matter—Fortune is my best friend; and as I acknowledge my obligations to her, I hope she will treat me better than she treated the Athenian, who took some merit to himself on some occasion, but (after that) took no more towns. In fact, she, that exquisite goddess, has hitherto carried me through every thing, and will I hope, now; since I own it will be all her doing.

"Well, now, for thee. Your article on * * is perfection itself. You must not leave off reviewing. By Jove, I believe you can do any thing. There is wit, and taste, and learning, and good humour (though not a whit less severe for that), in every line of that critique.

"Next to your being an E. Reviewer, my being of the same kidney, and Jeffrey's being such a friend to both, are amongst the events which I conceive were not calculated upon in Mr.—what's his name?'s—'Essay on Probabilities.'

"But, Tom, I say—Oons! Scott menaces the 'Lord of the Isles." Do you mean to compete? or lay by, till this wave has broke upon the shelves? (of booksellers, not rocks—a broken metaphor, by the way.) You ought to be afraid of nobody; but your modesty is really as provoking and unnecessary as a * *'s. I am very merry, and have just been writing some elegiac stanzas on the death of Sir P. Parker. He was my first cousin, but never met since boyhood. Our relations desired me, and I have scribbled and given it to Perry, who will chronicle it to-morrow. I am as sorry for him as one could be for one I never saw since I was a child; but should not have wept melodiously, except 'at the request of friends.'

"I hope to get out of town and be married, but I shall take Newstead in my way; and you must meet me at Nottingham and accompany me to mine Abbey. I will tell you the day when I know it.

"Ever," &c.

"P.S. By the way my wife elect is perfection, and I hear of nothing but her merits and her wonders, and that she is 'very pretty.' Her expectations, I am told, are great; but what, I have not asked. I have not seen her these ten months."

LETTER 204. TO MR. MOORE.

"October 14. 1814.

"An' there were any thing in marriage that would make a difference between my friends and me, particularly in your case, I would 'none on't.' My agent sets off for Durham next week, and I shall follow him, taking Newstead and you in my way. I certainly did not address Miss Milbanke with these views, but it is likely she may prove a considerable parti. All her father can give, or leave her, he will; and from her childless uncle, Lord Wentworth, whose barony, it is supposed, will devolve on Ly. Milbanke (her sister), she has expectations. But these will depend upon his own disposition, which seems very partial towards her. She is an only child, and Sir R.'s estates, though dipped by electioneering, are considerable. Part of them are settled on her; but whether that will be dowered now, I do not know,—though, from what has been intimated to me, it probably will. The lawyers are to settle this among them, and I am getting my property into matrimonial array, and myself ready for the journey to Seaham, which I must make in a week or ten days.

"I certainly did not dream that she was attached to me, which it seems she has been for some time. I also thought her of a very cold disposition, in which I was also mistaken—it is a long story, and I won't trouble you with it. As to her virtues, &c. &c. you will hear enough of them (for she is a kind of pattern in the north), without my running into a display on the subject. It is well that one of us is of such fame, since there is sad deficit in the morale of that article upon my part,—all owing to my 'bitch of a star,' as Captain Tranchemont says of his planet.

"Don't think you have not said enough of me in your article on T * *; what more could or need be said?

"Your long-delayed and expected work—I suppose you will take fright at 'The Lord of the Isles' and Scott now. You must do as you like,—I have said my say. You ought to fear comparison with none, and any one would stare, who heard you were so tremulous,—though, after all, I believe it is the surest sign of talent. Good morning. I hope we shall meet soon, but I will write again, and perhaps you will meet me at Nottingham. Pray say so.

"P.S. If this union is productive, you shall name the first fruits."

LETTER 205. TO MR. HENRY DRURY.

"October 18. 1814.

"My dear Drury,

"Many thanks for your hitherto unacknowledged 'Anecdotes.' Now for one of mine—I am going to be married, and have been engaged this month. It is a long story, and, therefore, I won't tell it,—an old and (though I did not know it till lately) a mutual attachment. The very sad life I have led since I was your pupil must partly account for the offs and ons in this now to be arranged business. We are only waiting for the lawyers and settlements, &c.; and next week, or the week after, I shall go down to Seaham in the new character of a regular suitor for a wife of mine own.

"I hope Hodgson is in a fair way on the same voyage—I saw him and his idol at Hastings. I wish he would be married at the same time,—I should like to make a party,—like people electrified in a row, by (or rather through) the same chain, holding one another's hands, and all feeling the shock at once. I have not yet apprised him of this. He makes such a serious matter of all these things, and is so 'melancholy and gentlemanlike,' that it is quite overcoming to us choice spirits.

"They say one shouldn't be married in a black coat. I won't have a blue one,—that's flat. I hate it.

"Yours," &c.

LETTER 206. TO MR. COWELL.

"October 22. 1814.

"My dear Cowell,

"Many and sincere thanks for your kind letter—the bet, or rather forfeit, was one hundred to Hawke, and fifty to Hay (nothing to Kelly), for a guinea received from each of the two former.[50] I shall feel much obliged by your setting me right if I am incorrect in this statement in any way, and have reasons for wishing you to recollect as much as possible of what passed, and state it to Hodgson. My reason is this: some time ago Mr. * * * required a bet of me which I never made, and of course refused to pay, and have heard no more of it; to prevent similar mistakes is my object in wishing you to remember well what passed, and to put Hodgson in possession of your memory on the subject.

"I hope to see you soon in my way through Cambridge. Remember me to H., and believe me ever and truly," &c.

Soon after the date of this letter, Lord Byron had to pay a visit to Cambridge for the purpose of voting for Mr. Clarke, who had been started by Trinity College as one of the candidates for Sir Busick Harwood's Professorship. On this occasion, a circumstance occurred which could not but be gratifying to him. As he was delivering in his vote to the Vice-Chancellor, in the Senate House, the under-graduates in the gallery ventured to testify their admiration of him by a general murmur of applause and stamping of the feet. For this breach of order, the gallery was immediately cleared by order of the Vice-Chancellor.

At the beginning of the month of December, being called up to town by business, I had opportunities, from being a good deal in my noble friend's society, of observing the state of his mind and feelings, under the prospect of the important change he was now about to undergo; and it was with pain I found that those sanguine hopes[51] with which I had sometimes looked forward to the happy influence of marriage, in winning him over to the brighter and better side of life, were, by a view of all the circumstances of his present destiny, considerably diminished; while, at the same time, not a few doubts and misgivings, which had never before so strongly occurred to me, with regard to his own fitness, under any circumstances, for the matrimonial tie, filled me altogether with a degree of foreboding anxiety as to his fate, which the unfortunate events that followed but too fully justified.

The truth is, I fear, that rarely, if ever, have men of the higher order of genius shown themselves fitted for the calm affections and comforts that form the cement of domestic life. "One misfortune (says Pope) of extraordinary geniuses is, that their very friends are more apt to admire than love them." To this remark there have, no doubt, been exceptions,—and I should pronounce Lord Byron, from my own experience, to be one of them,—but it would not be difficult, perhaps, to show, from the very nature and pursuits of genius, that such must generally be the lot of all pre-eminently gifted with it; and that the same qualities which enable them to command admiration are also those that too often incapacitate them from conciliating love.

The very habits, indeed, of abstraction and self-study to which the occupations of men of genius lead, are, in themselves, necessarily, of an unsocial and detaching tendency, and require a large portion of indulgence from others not to be set down as unamiable. One of the chief sources, too, of sympathy and society between ordinary mortals being their dependence on each other's intellectual resources, the operation of this social principle must naturally be weakest in those whose own mental stores are most abundant and self-sufficing, and who, rich in such materials for thinking within themselves, are rendered so far independent of any aid from others. It was this solitary luxury (which Plato called "banqueting his own thoughts") that led Pope, as well as Lord Byron, to prefer the silence and seclusion of his library to the most agreeable conversation.—And not only too, is the necessity of commerce with other minds less felt by such persons, but, from that fastidiousness which the opulence of their own resources generates, the society of those less gifted than themselves becomes often a restraint and burden, to which not all the charms of friendship, or even love, can reconcile them. "Nothing is so tiresome (says the poet of Vaucluse, in assigning a reason for not living with some of his dearest friends) as to converse with persons who have not the same information as one's self."

But it is the cultivation and exercise of the imaginative faculty that, more than any thing, tends to wean the man of genius from actual life, and, by substituting the sensibilities of the imagination for those of the heart, to render, at last, the medium through which he feels no less unreal than that through which he thinks. Those images of ideal good and beauty that surround him in his musings soon accustom him to consider all that is beneath this high standard unworthy of his care; till, at length, the heart becoming chilled as the fancy warms, it too often happens that, in proportion as he has refined and elevated his theory of all the social affections, he has unfitted himself for the practice of them.[52] Hence so frequently it arises that, in persons of this temperament, we see some bright but artificial idol of the brain usurp the place of all real and natural objects of tenderness. The poet Dante, a wanderer away from wife and children, passed the whole of a restless and detached life in nursing his immortal dream of Beatrice; while Petrarch, who would not suffer his only daughter to reside beneath his roof, expended thirty-two years of poetry and passion on an idealised love.

It is, indeed, in the very nature and essence of genius to be for ever occupied intensely with Self, as the great centre and source of its strength. Like the sister Rachel, in Dante, sitting all day before her mirror,

"mai non si smaga Del suo ammiraglio, e siede tutto giorno."

To this power of self-concentration, by which alone all the other powers of genius are made available, there is, of course, no such disturbing and fatal enemy as those sympathies and affections that draw the mind out actively towards others[53]; and, accordingly, it will be found that, among those who have felt within themselves a call to immortality, the greater number have, by a sort of instinct, kept aloof from such ties, and, instead of the softer duties and rewards of being amiable, reserved themselves for the high, hazardous chances of being great. In looking back through the lives of the most illustrious poets,—the class of intellect in which the characteristic features of genius are, perhaps, most strongly marked,—we shall find that, with scarcely one exception, from Homer down to Lord Byron, they have been, in their several degrees, restless and solitary spirits, with minds wrapped up, like silk-worms, in their own tasks, either strangers, or rebels to domestic ties, and bearing about with them a deposit for posterity in their souls, to the jealous watching and enriching of which almost all other thoughts and considerations have been sacrificed.

"To follow poetry as one ought (says the authority[54] I have already quoted), one must forget father and mother and cleave to it alone." In these few words is pointed out the sole path that leads genius to greatness. On such terms alone are the high places of fame to be won;—nothing less than the sacrifice of the entire man can achieve them. However delightful, therefore, may be the spectacle of a man of genius tamed and domesticated in society, taking docilely upon him the yoke of the social ties, and enlightening without disturbing the sphere in which he moves, we must nevertheless, in the midst of our admiration, bear in mind that it is not thus smoothly or amiably immortality has been ever struggled for, or won. The poet thus circumstanced may be popular, may be loved; for the happiness of himself and those linked with him he is in the right road,—but not for greatness. The marks by which Fame has always separated her great martyrs from the rest of mankind are not upon him, and the crown cannot be his. He may dazzle, may captivate the circle, and even the times in which he lives, but he is not for hereafter.

To the general description here given of that high class of human intelligences to which he belonged, the character of Lord Byron was, in many respects, a signal exception. Born with strong affections and ardent passions, the world had, from first to last, too firm a hold on his sympathies to let imagination altogether usurp the place of reality, either in his feelings, or in the objects of them. His life, indeed, was one continued struggle between that instinct of genius, which was for ever drawing him back into the lonely laboratory of Self, and those impulses of passion, ambition, and vanity, which again hurried him off into the crowd, and entangled him in its interests; and though it may be granted that he would have been more purely and abstractedly the poet, had he been less thoroughly, in all his pursuits and propensities, the man, yet from this very mixture and alloy has it arisen that his pages bear so deeply the stamp of real life, and that in the works of no poet, with the exception of Shakspeare, can every various mood of the mind—whether solemn or gay, whether inclined to the ludicrous or the sublime, whether seeking to divert itself with the follies of society or panting after the grandeur of solitary nature—find so readily a strain of sentiment in accordance with its every passing tone.

But while the naturally warm cast of his affections and temperament gave thus a substance and truth to his social feelings which those of too many of his fellow votaries of Genius have wanted, it was not to be expected that an imagination of such range and power should have been so early developed and unrestrainedly indulged without producing, at last, some of those effects upon the heart which have invariably been found attendant on such a predominance of this faculty. It must have been observed, indeed, that the period when his natural affections flourished most healthily was before he had yet arrived at the full consciousness of his genius,—before Imagination had yet accustomed him to those glowing pictures, after gazing upon which all else appeared cold and colourless. From the moment of this initiation into the wonders of his own mind, a distaste for the realities of life began to grow upon him. Not even that intense craving after affection, which nature had implanted in him, could keep his ardour still alive in a pursuit whose results fell so short of his "imaginings;" and though, from time to time, the combined warmth of his fancy and temperament was able to call up a feeling which to his eyes wore the semblance of love, it may be questioned whether his heart had ever much share in such passions, or whether, after his first launch into the boundless sea of imagination, he could ever have been brought back and fixed by any lasting attachment. Actual objects there were, in but too great number, who, as long as the illusion continued, kindled up his thoughts and were the themes of his song. But they were, after all, little more than mere dreams of the hour;—the qualities with which he invested them were almost all ideal, nor could have stood the test of a month's, or even week's, cohabitation. It was but the reflection of his own bright conceptions that he saw in each new object; and while persuading himself that they furnished the models of his heroines, he was, on the contrary, but fancying that he beheld his heroines in them.

There needs no stronger proof of the predominance of imagination in these attachments than his own serious avowal, in the Journal already given, that often, when in the company of the woman he most loved, he found himself secretly wishing for the solitude of his own study. It was there, indeed,—in the silence and abstraction of that study,—that the chief scene of his mistress's empire and glory lay. It was there that, unchecked by reality, and without any fear of the disenchantments of truth, he could view her through the medium of his own fervid fancy, enamour himself of an idol of his own creating, and out of a brief delirium of a few days or weeks, send forth a dream of beauty and passion through all ages.

While such appears to have been the imaginative character of his loves, (of all, except the one that lived unquenched through all,) his friendships, though, of course, far less subject to the influence of fancy, could not fail to exhibit also some features characteristic of the peculiar mind in which they sprung. It was a usual saying of his own, and will be found repeated in some of his letters, that he had "no genius for friendship," and that whatever capacity he might once have possessed for that sentiment had vanished with his youth. If in saying thus he shaped his notions of friendship according to the romantic standard of his boyhood, the fact must be admitted: but as far as the assertion was meant to imply that he had become incapable of a warm, manly, and lasting friendship, such a charge against himself was unjust, and I am not the only living testimony of its injustice.

To a certain degree, however, even in his friendships, the effects of a too vivid imagination, in disqualifying the mind for the cold contact of reality, were visible. We are told that Petrarch (who, in this respect, as in most others, may be regarded as a genuine representative of the poetic character,) abstained purposely from a too frequent intercourse with his nearest friends, lest, from the sensitiveness he was so aware of in himself, there should occur any thing that might chill his regard for them[55]; and though Lord Byron was of a nature too full of social and kindly impulses ever to think of such a precaution, it is a fact confirmatory, at least, of the principle on which his brother poet, Petrarch, acted, that the friends, whether of his youth or manhood, of whom he had seen least, through life, were those of whom he always thought and spoke with the most warmth and fondness. Being brought less often to the touchstone of familiar intercourse, they stood naturally a better chance of being adopted as the favourites of his imagination, and of sharing, in consequence, a portion of that bright colouring reserved for all that gave it interest and pleasure. Next to the dead, therefore, whose hold upon his fancy had been placed beyond all risk of severance, those friends whom he but saw occasionally, and by such favourable glimpses as only renewed the first kindly impression they had made, were the surest to live unchangingly, and without shadow, in his memory.

To this same cause, there is little doubt, his love for his sister owed much of its devotedness and fervour. In a mind sensitive and versatile as his, long habits of family intercourse might have estranged, or at least dulled, his natural affection for her;—but their separation, during youth, left this feeling fresh and untried.[56] His very inexperience in such ties made the smile of a sister no less a novelty than a charm to him; and before the first gloss of this newly awakened sentiment had time to wear off, they were again separated, and for ever.

If the portrait which I have here attempted of the general character of those gifted with high genius be allowed to bear, in any of its features, a resemblance to the originals, it can no longer, I think, be matter of question whether a class so set apart from the track of ordinary life, so removed, by their very elevation, out of the influences of our common atmosphere, are at all likely to furnish tractable subjects for that most trying of all social experiments, matrimony. In reviewing the great names of philosophy and science, we shall find that all who have most distinguished themselves in those walks have, at least, virtually admitted their own unfitness for the marriage tie by remaining in celibacy;—Newton, Gassendi, Galileo, Descartes, Bayle, Locke, Leibnitz, Boyle, Hume, and a long list of other illustrious sages, having all led single lives.[57]

The poetic race, it is true, from the greater susceptibility of their imaginations, have more frequently fallen into the ever ready snare. But the fate of the poets in matrimony has but justified the caution of the philosophers. While the latter have given warning to genius by keeping free of the yoke, the others have still more effectually done so by their misery under it;—the annals of this sensitive race having, at all times, abounded with proofs, that genius ranks but low among the elements of social happiness,—that, in general, the brighter the gift, the more disturbing its influence, and that in married life particularly, its effects have been too often like that of the "Wormwood Star," whose light filled the waters on which it fell with bitterness.

Besides the causes already enumerated as leading naturally to such a result, from the peculiarities by which, in most instances, these great labourers in the field of thought are characterised, there is also much, no doubt, to be attributed to an unluckiness in the choice of helpmates,—dictated, as that choice frequently must be, by an imagination accustomed to deceive itself. But from whatever causes it may have arisen, the coincidence is no less striking than saddening, that, on the list of married poets who have been unhappy in their homes, there should already be found four such illustrious names as Dante, Milton[58], Shakspeare[59], and Dryden; and that we should now have to add, as a partner in their destiny, a name worthy of being placed beside the greatest of them,—Lord Byron.

I have already mentioned my having been called up to town in the December of this year. The opportunities I had of seeing Lord Byron during my stay were frequent; and, among them, not the least memorable or agreeable were those evenings we passed together at the house of his banker, Mr. Douglas Kinnaird, where music,—followed by its accustomed sequel of supper, brandy and water, and not a little laughter,—kept us together, usually, till rather a late hour. Besides those songs of mine which he has himself somewhere recorded as his favourites, there was also one to a Portuguese air, "The song of war shall echo through our mountains," which seemed especially to please him;—the national character of the music, and the recurrence of the words "sunny mountains," bringing back freshly to his memory the impressions of all he had seen in Portugal. I have, indeed, known few persons more alive to the charms of simple music; and not unfrequently have seen the tears in his eyes while listening to the Irish Melodies. Among those that thus affected him was one beginning "When first I met thee warm and young," the words of which, besides the obvious feeling which they express, were intended also to admit of a political application. He, however, discarded the latter sense wholly from his mind, and gave himself up to the more natural sentiment of the song with evident emotion.

On one or two of these evenings, his favourite actor, Mr. Kean, was of the party; and on another occasion, we had at dinner his early instructor in pugilism, Mr. Jackson, in conversing with whom, all his boyish tastes seemed to revive;—and it was not a little amusing to observe how perfectly familiar with the annals of "The Ring[60]," and with all the most recondite phraseology of "the Fancy," was the sublime poet of Childe Harold.

The following note is the only one, of those I received from him at this time, worth transcribing:—

"December 14. 1814.

"My dearest Tom,

"I will send the pattern to-morrow, and since you don't go to our friend ('of the keeping part of the town') this evening, I shall e'en sulk at home over a solitary potation. My self-opinion rises much by your eulogy of my social qualities. As my friend Scrope is pleased to say, I believe I am very well for a 'holiday drinker.' Where the devil are you? With Woolridge[61], I conjecture—for which you deserve another abscess. Hoping that the American war will last for many years, and that all the prizes may be registered at Bermoothes, believe me, &c.

"P.S. I have just been composing an epistle to the Archbishop for an especial licence. Oons! it looks serious. Murray is impatient to see you, and would call, if you will give him audience. Your new coat!—I wonder you like the colour, and don't go about, like Dives, in purple."

LETTER. 207. TO MR. MURRAY.

"December 31, 1814.

"A thousand thanks for Gibbon: all the additions are very great improvements.

"At last I must be most peremptory with you about the print from Phillips's picture: it is pronounced on all hands the most stupid and disagreeable possible: so do, pray, have a new engraving, and let me see it first; there really must be no more from the same plate. I don't much care, myself; but every one I honour torments me to death about it, and abuses it to a degree beyond repeating. Now, don't answer with excuses; but, for my sake, have it destroyed: I never shall have peace till it is. I write in the greatest haste.

Notes in this chapter

Note 1 · It was the fear of this sort of back-water current to which so rapid a flow of fame seemed liable, that led some even of his warmest admirerNote 2 · To such lengths did he, at this time, carry his enthusiasm for Kean, that when Miss O'Neil soon after appeared, and, by her matchless represNote 3 · An epigram here followed, which, as founded on a scriptural allusion, I thought it better to omit.Note 4 · We had been invited by Lord R. to dine after the play,—an arrangement which, from its novelty, delighted Lord Byron exceedingly. The dinner,Note 5 · I had begged of him to write something for me to set to music.Note 6 · Miss Foote's first appearance, which we witnessed together.Note 7 · In a few days after this, he sent me a long rhyming epistle full of jokes and pleasantries upon every thing and every one around him, of whiNote 8 · The Journal from which I have given extracts in the preceding pages.Note 9 · Mr. Wrangham.Note 10 · A satirical pamphlet, in which all the writers of the day were attacked.Note 11 · He alludes to an action for piracy brought by Mr. Power (the publisher of my musical works), to the trial of which I had been summoned as a Note 12 · Lord Byron afterwards proposed that I should make a third in this publication; but the honour was a perilous one, and I begged leave to declNote 13 · In a note which I wrote to him, before starting, next day, I find the following:—"I got Lara at three o'clock this morning—read him before INote 14 · He here refers to an article in the number of the Edinburgh Review, just then published (No. 45.), on The Corsair and Bride of Abydos.Note 15 · An engraving by Agar from Phillips's portrait of him.Note 16 · Alluding to Lara.Note 17 · Mr. Hogg had been led to hope that he should be permitted to insert this poem in a Miscellany which he had at this time some thoughts of pubNote 18 · His servant had brought him up a large jar of ink, into which, not supposing it to be full, he had thrust his pen down to the very bottom. ENote 19 · It was, if I mistake not, during his recent visit to Newstead, that he himself actually fancied he saw the ghost of the Black Friar, which wNote 20 · The reviews and magazines of the month.Note 21 · The following characteristic note, in reference to this passage, appears, in Mr. Gifford's hand-writing, on the copy of the above letter:—"INote 22 · On the day of the arrival of the lady's answer, he was sitting at dinner, when his gardener came in and presented him with his mother's weddNote 23 · He had agreed to forfeit these sums to the persons mentioned, should he ever marry.Note 24 · I had frequently, both in earnest and in jest, expressed these hopes to him; and, in one of my letters, after touching upon some matters relNote 25 · Of the lamentable contrast between sentiments and conduct, which this transfer of the seat of sensibility from the heart to the fancy producNote 26 · It is the opinion of Diderot, in his Treatise on Acting, that not only in the art of which he treats, but in all those which are called imitNote 27 · Pope.Note 28 · See Foscolo's Essay on Petrarch. On the same principle, Orrery says, in speaking of Swift, "I am persuaded that his distance from his EnglisNote 29 · That he was himself fully aware of this appears from a passage in one of his letters already given:—"My sister is in town, which is a great Note 30 · Wife and children, Bacon tells us in one of his Essays, are "impediments to great enterprises;" and adds, "Certainly, the best works, and ofNote 31 · Milton's first wife, it is well known, ran away from him, within a month after their marriage, disgusted, says Phillips, "with his spare dieNote 32 · By whatever austerity of temper or habits the poets Dante and Milton may have drawn upon themselves such a fate, it might be expected that, Note 33 · In a small book which I have in my possession, containing a sort of chronological History of the Ring, I find the name of Lord Byron, more tNote 34 · Dr. Woolriche, an old and valued friend of mine, to whose skill, on the occasion here alluded to, I was indebted for my life.
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