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Leon, Burgos and Salamanca

ILLUSTRATIONS

Reading edition

LEON

SUBJECT PLATE

General View of Leon,1

View from the Cemetery,2

Cathedral: View from the North,3

Cathedral: General View,4

Leon Cathedral,5

Cathedral: Door of the Cross-Aisle (restored),6

Leon Cathedral,7

Lateral Façade of the Cathedral,8

Longitudinal Section of the Cathedral,9

Cathedral: Stained Glass Window of the Thirteenth Century,10

Cathedral: Stained Glass Window of the Fourteenth Century,11

Plan of the Cathedral,12

Cathedral: Central Gate of the Principal Porch,13

Cathedral: Right Gate of the Principal Porch,14

Cathedral: Detail of the Lower Part of the Principal Portico,15

Cathedral: Arch of the Central Portico,16

Cathedral: Arch of the Right Door,17

Cathedral: Left Gate of Principal Porch,18

Cathedral: Gate of the Coro,19

Cathedral: Door of the Chapel of St. Andrew,20

Cathedral: Painted Walls,21

Cathedral: Statue of Our Lady La Blanca in the Principal Porch,22

Cathedral: A Sepulchre,23

Cathedral: Sepulchre of Don Ordoño II.,24

Cathedral: Sepulchre of Martin, First Bishop of Leon,25

Cathedral: Detail of the Door of the Chapel of St. Andrew,26

Cathedral: The Cloisters. Our Lady Del Foro and the Offerings of the Kings,27

Cathedral: Spandril of Central Gate. The Last Judgment,28

Cathedral: Spandril of Central Gate. The Last Judgment,29

Cathedral: Detail of the Right Gate,30

Cathedral: Detail of the Gate of the Chapel of St. Andrés,31

Cathedral: Various Statues from the Cross Aisle,32

Cathedral: Detail of the Right-hand Portico,33

Cathedral: The Back of the Choir,34

Cathedral: The Choir Stalls,35

Cathedral: The Choir Stalls,36

Cathedral: Detail of the Choir,37

Cathedral: Choir Stalls. The Guardian Angel of Paradise, and the Archangel St. Michael,38

Cathedral: Choir Stalls. Noah, Adam and Eve,39

Cathedral: Choir Stalls. The Archangel Gabriel and Abraham,40

Cathedral: Choir Stalls. Isaac and Jacob,41

Cathedral: Choir Stalls. Esau,42

Cathedral: Choir Stalls. Samson,43

Cathedral: Choir Stalls. St. Mathias and St. Mark,44

Cathedral: Choir Stalls. St. Luke and St. Bartholomew,45

Cathedral: Choir Stalls. St. Andrew and St. Peter,46

Cathedral: Choir Stalls. Santiago Alfeo and St. Philip,47

Cathedral: Choir Stalls. St. John the Evangelist and Santiago,48

Cathedral: Choir Stalls. Saint Mary Magdalene and Santo Domingo,49

Cathedral: In the Choir. St. Nicodemus and Valour,50

Cathedral: Choir Stalls. St. Martha and St. Lucy,51

Cathedral: Choir Stalls. St. Francis and St. Catherine,52

Cathedral: Choir Stalls. St. Froylan and St. Nicholas,53

Cathedral: Choir Stalls. San Vitorino and San Martin,54

Cathedral: Choir Stalls. Santa Cristina and Santa Elena,55

Cathedral: Choir Stalls. San Gregorio and San Geronimo,56

Cathedral: Choir Stalls. San Silvestre and San Lupercio,57

Cathedral: Choir Stalls. San Lorenzo and San Vicente,58

Cathedral: Choir Stalls. San Celedonio and San Esteban,59

Cathedral: Choir Stalls. A Saint,60

Cathedral: Detail of the Choir Stalls,61

Cathedral: Detail of the Choir Stalls,62

Cathedral: Statue of the Virgin,63

Cathedral: Detail of the Cloisters,64

Cathedral: Bas-reliefs in the Cloisters,65

Façade of the Collegiate Church of San Isidoro,66

Gate of Pardon: Collegiate Church of San Isidoro,67

Collegiate Church of San Isidoro,68

Principal Gate of the Collegiate Church of San Isidoro,69

Panteon of the Kings in the Collegiate Church of San Isidoro,70

Spandril of Gate of Pardon: Collegiate Church of San Isidoro,71

Fresco of the Panteon of the Kings in the Collegiate Church of San Isidoro. End of Eleventh Century,72

Sections and Details of the Panteon of San Isidoro,73

Collegiate Church of San Isidoro: Painting on the Wall of the Panteon of the Kings,74

Collegiate Church of San Isidoro: Paintings on the Walls of the Panteon of the Kings,75

Collegiate Church of San Isidoro: Chalice and Paten of Doña Urraca, and Cross,76

Collegiate Church of San Isidoro: Ivory Cross of King Fernando I. and Sancha his Wife,77

Collegiate Church of San Isidoro: Relics, containing St. Martin’s Hand, St. John Baptist’s Jaw, one of St. Isidoro’s Fingers, and some of the Virgin’s Hair,78

Collegiate Church of San Isidoro: Chalice and Crucifix in Filigree Gold,79

Collegiate Church of San Isidoro: Ivory Coffer,80

Collegiate Church of San Isidoro: Gothic Crucifix in Gold,81

San Miguel de Escalada: General View of the Convent,82

San Miguel de Escalada: Exterior of the Temple and Portico,83

San Miguel de Escalada: Interior of the Church,84

San Miguel de Escalada: Interior of the Church,85

San Miguel de Escalada: Southern Façade, Plan, and Details (Town Hall, Gradefes)86

San Miguel de Escalada: Longitudinal and Transverse Sections and Details. (Town Hall, Gradefes),87

Details of San Miguel de Escalada. (Town Hall, Gradefes),88

San Miguel de Escalada: A Capital in the Church,89

Our Lady Del Mercado,90

Our Lady Del Mercado: Barred Window in the Principal Façade,91

Church of San Pedro de Los Huertos,92

General View of the Convent of San Marcos,93

Principal Façade of the Convent of San Marcos,94

Detail of the Façade of the Convent of San Marcos,95

Entrance to the Convent of San Marcos,96

Detail of the Façade of the Convent of San Marcos,97

Detail of the Façade of the Convent of San Marcos,98

Detail of the Façade of the Convent of San Marcos,99

Detail of the Façade of the Convent of San Marcos,100

Detail of the Façade of the Convent of San Marcos,101

Sacristy in the Convent of San Marcos,102

Stalls in the Convent of San Marcos,103

Church of San Marcos: Detail of the Choir,104

Church of San Marcos: Detail of the Choir Stalls,105

Church of San Marcos: Detail of the Stalls,106

Church of San Marcos: Detail of the Choir Stalls,107

Church of San Marcos: Detail of the Choir,108

Provincial Museum of San Marcos: Tray, Crucifix, and Vase,109

Provincial Museum of San Marcos: Cross of Santiago de Peñalva,110

Provincial Museum of San Marcos: Christ in the Byzantine Style, and the Virgin in the Gothic Style,111

Provincial Museum of San Marcos: San Francisco,112

Don Ordoño II. presenting his Palace to the Virgin,113

Standard of Alfonso VII., Emperor, now belonging to the Illustrious Families of Leon,114

Tower of the Ponces,115

Las Casas Consistoriales,116

House of the Guzmanes,117

Bastions of the Ancient Walls,118

Calle de Santa Ana,119

Corner of the House of the Guzmanes,120

View of the Railway Station,121

General View of Astorga,122

Mountaineers of the Province,123

Ivory Casket of the Ninth Century, from San Isidoro at Leon, now in the National Archæological Museum,124

Two Statues in the Archæological Museum,125

BURGOS

View of Burgos,126

General View of Burgos,127

La Plaza Mayor,128

General View from the Castle,129

Mansion of the Cid,130

El Paseo del Espolon,131

View from the Provincial Museum,132

A View of Burgos,133

The Cathedral,134

Façade of the Cathedral,135

Cathedral: Puerta de la Pellegeria,136

Cathedral: View from the Cloisters,137

Cathedral: Upper Part of the Tower,138

Cathedral: The Constable’s Chapel,139

Cathedral: Principal Front,140

Cathedral: From the Cloisters Garden,141

Towers of the Cathedral,142

Cathedral: One of the Spires,143

Cathedral: Bosses—Detail, Spire Windows—Angle and Crocket of Spire,144

Cathedral: Interior of Spire—Doorway to Spire,145

Court of the Cathedral,146

General Plan of the Cathedral,147

Burgos Cathedral,148

Cathedral: View of the Principal Nave and High Altar,149

Burgos Cathedral,150

Cathedral: View of the Nave from the Gate of the Pellegeria,151

Cathedral: Back Part of the High Altar,152

Cathedral: Choir Stalls,153

Interior of the Cathedral,154

Details in the Cathedral,155

Details in the Cathedral,156

Details in the Cathedral,157

Details in the Cathedral,158

Details in the Cathedral,159

Details in the Cathedral,160

Cathedral: Exterior of the Constable’s Chapel,161

Cathedral: Interior View of the Constable’s Chapel,162

Cathedral: The Constable’s Chapel,163

Cathedral: Details of the Constable’s Chapel,164

Cathedral: Details of the Constable’s Chapel,165

Cathedral: The Constable’s Chapel from the Altar,166

Cathedral: Entrance to the Constable’s Chapel,167

Cathedral: Details of the Constable’s Chapel,168

Cathedral: Altar-piece on the Epistle Side of the Constable’s Chapel,169

Cathedral: Windows of Sacristy, the Constable’s Chapel,170

Cathedral: Doorway and Window in the Constable’s Chapel,171

Cathedral: Santa Ana, in the Altar-piece of the Constable’s Chapel,172

Cathedral: St. Margaret with the Monster at her Feet, in the Altar-piece of the Constable’s Chapel,173

Cathedral: Details of the Principal Chapel,174

Cathedral: Details of the Exterior of the Principal Chapel,175

Cathedral: Exterior of the Principal Chapel,176

Cathedral: Chapel of St. Anne,177

Cathedral: Details of the Altar-piece in the Chapel of St. Anne,178

Cathedral: Chapel of Santa Tecla,179

Cathedral: Staircase leading to Puerta Alta de la Coroneria,180

Cathedral: View of the Cloisters,181

Cathedral: Gate of the Old Sacristy in the Cloisters,182

Cathedral: The Cloister Gate, 183183

Cathedral: Puerta Del Sarmental,184

Cathedral: Gate of Pardon,185

Cathedral: A Doorway,186

Cathedral: A Doorway,187

Cathedral: Porch of the Pellegeria,188

Cathedral: Puerta Alta de la Coroneria,189

Cathedral: Puerta Alta de la Coroneria,190

Cathedral: The Famous Coffer of the Cid,191

Cathedral: Central Dome in the Cross-aisle,192

Cathedral: Processional Door in the Cloisters,193

Cathedral: Entrance to the Cloisters,194

Cathedral: Detail of the Door leading to the Gothic Cloisters,195

Cloisters of the Cathedral,196

The Lower Cloisters. Eleventh Century,197

Cathedral: The Cloisters,198

Cathedral: The Cloisters,199

Cathedral: The Cloisters,200

Cathedral: Detail of the Cloisters,201

Cathedral: Bas-relief in the Lower Cloisters. Eleventh Century,202

Cathedral: Bas-reliefs in the Lower Cloisters. Eleventh Century,203

Cathedral: Soffits of Cloister Arches and Ornaments from Doors,204

San Fernando and Doña Beatriz of Swabia in the Cathedral Cloisters,205

Cathedral: Longitudinal Section of the Cloisters. Eleventh Century,206

Cathedral: Details of the Sepulchre of Don Fernando Diez de Fuente-Pelayo,207

Niches with Tombs in the Cathedral Cloisters,208

Cathedral: Puerta Del Sarmental,209

Cathedral: Sepulchre of Don Fernando Diez de Fuente-Pelayo, Abbot of St. Martin,210

Details of Screens in the Cathedral,211

Cathedral: El Cristo de Los Huevos,212

Cathedral: Sepulchre of Archbishop Luis de Acuña,213

Cathedral: Sepulchre of the Founder of the Cathedral,214

Cathedral: Our Lady la Mayor, Statue of Silver,215

Cathedral: Processional Crucifix in Silver Gilt, the Work of Juan de Arfe in 1592,216

Cathedral: Gold Enamelled Vase with Cover and Antique Medallions, two Silver Gilt Goblets, and Jug,217

Cathedral: Double-handled Vessel with Cover, the Work of Dom. Urquiza de Madrid, in 1771,218

Cathedral: Statues of Saints and Ecclesiastics,219

Cathedral: Details of Balconies,220

Cathedral: Remains of Altar—Relievo from Portal. Eleventh Century,221

Cathedral: Compartment of Apsis,222

Cathedral: Part of the Open Gallery or Triforium,223

Cathedral: Details of the Choir Stalls,224

Altar-piece of the Church of San Nicolás,225

La Cartuja: General View of the Church,226

La Cartuja: Gate of the Church,227

La Cartuja: Sepulchre of the Infante Don Alonso,228

La Cartuja: Interior View of the Church,229

La Cartuja : Sepulchre of the Infante Don Alonso,230

La Cartuja: Sepulchre of the Sovereigns John II. and Isabel of Portugal,231

La Cartuja: Sepulchre of the Sovereigns John II. and Isabel of Portugal,232

La Cartuja: Statue of San Bruno,233

La Cartuja: Details of the Sepulchre of the Sovereigns John II. and Isabel of Portugal,234

La Cartuja: Details of the Sepulchre of the Sovereigns John II. and Isabel of Portugal,235

La Cartuja: Details of the Sepulchre of the Sovereigns John II. and Isabel of Portugal,236

La Cartuja de Miraflores: Details of the Choir Stalls, and Stall of the Officiating Priest,237

La Cartuja de Miraflores: Stalls of the Lay Brothers,238

La Cartuja de Miraflores: A Side Door,239

La Cartuja de Miraflores: Detail of the Choir,240

La Cartuja de Miraflores: Choir Stalls,241

La Cartuja de Miraflores: Detail of the Choir Stalls,242

La Cartuja de Miraflores: The Prior’s Stall,243

La Cartuja: Detail of the Sepulchre of Don Juan II. and his wife,244

La Cartuja: Sepulchre of the Infante Don Alonso, brother of Isabel I.,245

La Cartuja: Tomb of the Infante,246

La Cartuja: Compartment of King’s Tomb,247

La Cartuja: Portions of Cornice, King’s Tomb,248

La Cartuja: Ornament from the Infante’s Tomb,249

La Cartuja: King’s Effigy—Infante’s Robe—Infante’s Prie-Dieu Cloth,250

La Cartuja: Panelled Wall—Alabaster Crown and Tassels,251

La Cartuja de Miraflores: A Sixteenth-Century Chimneypiece,252

Cathedral and La Cartuja: Effigies from Tombs,253

La Cartuja: Ceiling Ornaments—Cathedral: Details from the Constable’s Monument,254

Convent of Las Huelgas: View of the Temple,255

Convent of Las Huelgas: Façade of the Monastery,256

Convent of Las Huelgas: Patio de San Fernando,257

Convent of Las Huelgas: Entrance to the Church,258

Convent of Las Huelgas,259

Church of Las Huelgas,260

A Sepulchre in the Convent of Las Huelgas,261

Details of the Exterior of Santa Maria La Real commonly called de Las Huelgas,262

Cloisters and Sepulchre in the Convent of Las Huelgas,263

A Sepulchre in the Convent of Las Huelgas,264

A Sepulchre in the Convent of Las Huelgas,265

Sepulchres in the Choir of Santa Maria La Real de Las Huelgas,266

Convent of Las Huelgas: View of the Choir,267

Convent of Las Huelgas: The Cloisters,268

Convent of Las Huelgas: Cloisters of San Fernando,269

Convent of la Huelgas: Entrance to the Nave of St. John,270

Convent of la Huelgas: Door in the Chapel of San Salvador,271

Convent of la Huelgas: The Cloisters,272

Convent of la Huelgas: Flag taken by Alfonso VIII. at the Battle of Las Navas,273

Gate of the King’s Hospital,274

Façade of the Church of the Hospital of the King,275

Interior View of the Courtyard of the Hospital of the King,276

Cloisters in the Monastery of Santo Domingo de Silos,277

Monastery of Santo Domingo de Silas (Silos),278

Caskets and Chalice in the Monastery of Santo Domingo de Silos,279

Reliquary, Details, and Paten in the Monastery of Santo Domingo de Silos,280

Detail of an Altar: Monastery of Santo Domingo de Silos,281

The Arch of Fernan Gonzalez,282

Gate of the Hospital of St. John,283

Monastery of San Juan de Ortega: Sepulchre of the Founder,284

Gate of the House of the ‘Cordon,’285

House of the ‘Cordon,’286

Church of San Gil: Chapel of the Nativity,287

Altar-piece of the Buena Mañana in San Gil,288

Church of San Gil: Altar-piece of the Chapel of the Kings,289

Gate of the Church of San Lesmes,290

Altar-piece in San Lesmes,291

Porch of the Church of San Estéban,292

Entrance to the Parish Church of San Nicolás,293

Altar-piece in San Nicolás de Bari,294

Archway of Santa Maria, Sixteenth Century,295

Gate of Santa Maria,296

The Arco de Santa Maria,297

Provincial Museum: Arabesques of the Arco de Santa Maria,298

Exterior View and Detail of the Arch of Santa Maria,299

Provincial Museum: Sepulchre of Don Juan de Padilla in Fresdelval, Fifteenth Century,300

Provincial Museum: Sepulchre of Don Juan de Padilla,301

Interior View of the Provincial Museum,302

Provincial Museum: Front of an Altar in Enamelled Bronze, Eleventh Century,303

Provincial Museum: Visigothic Sepulchre of Sixth Century, found at Briviesca,304

Coffin of Briviesca: Preserved in the Provincial Museum,305

Provincial Museum: Roman Statue found in the Ruins of Salonica,306

Transverse Section and Details of the Church of San Juan (Baños),307

Church of Gamonal,308

Interior of the Church of Gamonal,309

Portal of the Church of the Villa de Sasamón,310

Tower of the Church of the Villa de Santa Maria Del Campo,311

Chapel of Our Lady of the Valley in the Rodilla Monastery, General View of the Exterior,312

Chapel of Our Lady of the Valley in the Rodilla Monastery, Porch—Interior,313

Monastery of Fresdelval: Portal,314

Monastery of Fresdelval: Hospice,315

Monastery of Fresdelval: Cloisters,316

Monastery of Fresdelval: Window in the Ruined Temple,317

Monastery of Fresdelval: Window in the Ruined Temple,318

Olmillos Castle,319

A Courtyard,320

Lerma: The Duke of Lerma’s Palace and the College,321

Lerma: The College,322

Lerma: Interior of the Collegiate Church,323

Lerma: Sepulchre of the Cardinal Duke of Lerma,324

Lerma: Details of the Sepulchre of the Cardinal Duke of Lerma,325

Lerma: The Magdalene. (Copy of a Picture by Leonardo Da Vinci),326

Lerma: Our Lady of the Silla. (Copy of a Picture by Raphael),327

Bridge of Horadada,328

SALAMANCA

Cathedral, from the East,329

General View from the School,330

General View of Salamanca,331

General View of Salamanca,332

A Portion of Salamanca,333

Roman Bridge over the Tormes,334

Bridge of Bejar,335

View of the Ancient Wall,336

Principal Nave of the Old Cathedral,337

Nave of Cross-aisle of the Old Cathedral,338

Sepulchres in the Old Cathedral,339

Longitudinal Section of the Old Cathedral,340

Sepulchres in the Old Cathedral,341

Sepulchres in the Cross-aisle, Old Cathedral,342

Sepulchre in the Cloisters of the Old Cathedral,343

Sepulchre in the Cloisters of the Old Cathedral,344

Sepulchre in the Cloisters of the Old Cathedral,345

Capitals of the Sepulchres in the Cloisters of the Old Cathedral,346

Capitals of the Sepulchres in the Cloisters of the Old Cathedral,347

Capitals of the Sepulchres in the Cloisters of the Old Cathedral,348

Capitals and Effigies in the Old Cathedral,349

Capitals in the Old Cathedral,350

The Old Cathedral,351

Details of the Outside and Plan of the Cupola of the Old Cathedral,352

The Cathedral,353

View of the Cathedral from the ‘Seminario,’354

Cathedral: East Façade,355

Tower of the Cathedral,356

Cathedral: The Tower del Gallo,357

Principal Façade of the Cathedral,358

Principal Nave in the Cathedral,359

Cathedral: View of the Cross-aisle,360

Cathedral: Entrance to the Chapel of the Bishop of Seville, Don Diego de Anaya,361

Cathedral: View of the Sacristy,362

Cathedral: Chapel in the Cloisters,363

Chapel of St. Barbara in the Cathedral Cloisters,364

Cathedral: Dome of the Tower of the ‘Gallo,’365

Cathedral: General View of the Puerta del Nacimiento,366

Cathedral: Gate of the Nativity,367

Cathedral: Gate of St. Clement,368

Cathedral: Gate of the ‘Ramos,’369

Cathedral: Gate of the Patio Chico,370

Cathedral: Right-hand Gate; or, Gate of the Bishop,371

Cathedral: The Beheading of St. John Baptist. (By Jac. Geronimo Espinosa),372

Cathedral: The Virgin holding the Dead Body of her Divine Son. (Pietá in wood, by Salvador Carmona),373

Cathedral: Wooden Crucifix with which the troops of the Cid were harangued. The Smaller Crucifix the Cid carried beneath his Armour,374

Cathedral: Chair and Table in the Chapter Hall,375

General View of the Church of Santo Domingo,376

Detail of the Façade of Santo Domingo,377

Façade of the Church of Santo Domingo,378

Detail of the Façade of Santo Domingo,379

Cloisters of Santo Domingo,380

Interior of the Church of Santo Domingo,381

Arches in the Choir of the Church of Santo Domingo,382

Interior View of the Sacristy of Santo Domingo,383

Door of the Conference Hall of Santo Domingo,384

General view of the Cloisters of Santo Domingo,385

Cloisters of Santo Domingo,386

Fresco in the Church of Santo Domingo, by Palomino,387

Door of the church of St. Martin,388

Gate of the Church of St. Martin,389

Door of the Church of San Justo,390

Church of the Augustines: The Conception of the Virgin, by Ribera,391

Gate of the Church of San Benito,392

Parish Church of the Holy Spirit,393

Portal of the Parish Church of the Holy Spirit,394

Church of the Third Order of St. Francis,395

View of the Seminary from the Irlandeses,396

View of the Seminary,397

Chapter Hall in the Seminary,398

The Seminary: Abraham offering Melchisedech Bread and Wine,399

The Seminary: The Queen of Sheba visiting Solomon, by Rubens,400

The Seminary: Christ scourged. Statue in wood by Salvador Carmona,401

General View of the University,402

Façade of the University,403

Upper Part of the Façade of the University,404

Lower Part of the Façade of the University,405

University: Medallion representing the Catholic Sovereigns over the Principal Entrance,406

Façade of the University,407

Library in the University,408

University: Altar of the Chapel,409

Gallery in the University,410

Portico of the University,411

Details of the Porch of the University,412

Details of the Porch of the University,413

Door of the Library of the University,414

Court of the College of the Irlandeses,415

Façade of the College of the Irlandeses,416

Porch of the College of the Irlandeses,417

Portico of the Chapel of the College of the Irlandeses,418

Court of the College of the Irlandeses,419

Details of the Court of the Archbishop’s College, now of the Irlandeses,420

Gate of the Santa Maria de las Dueñas,421

Provincial Museum: Model in wood for an Altar for the Cathedral, by Manuel Rodriguez,422

Provincial Museum: Arm-chair of Fr. Antonio de Sotomayor,423

Provincial Museum: St. Michael overcoming Satan. Silver Statue. The work of John de Arfe,424

Cloisters in the Ruins of the School of the Vega,425

Capitals in the College of the Vega,426

Statue of Our Lady of the Vega,427

The House of Salinas,428

Courtyard of the House of Salinas (Upper Part),429

Detail of the Courtyard of the House of Salinas,430

General View of the College of Calatrava,431

Staircase in the College of Calatrava,432

Tower of the ‘Clavero,’433

General View of the School,434

Façade of the School,435

Interior Gate of the School,436

Entrance to the School,437

Porch of the Archivos of the School,438

Courtyard of the School,439

Back of the School,440

Courtyard of the School,441

Principal Façade of the House of the Shells,442

Grated Window of the House of the Shells,443

Triple Grated Window of the House of the Shells,444

Balcony and Triple Grated Window of the House of the Shells,445

Doorway in the House of the Shells,446

Courtyard in the House of the Shells,447

House of Monterey,448

Tower of the House of Monterey,449

House of Monterey,450

La Plaza Mayor,451

The Town Hall,452

Patio de la Gobernación,453

Ancient College, now the House of the Provincial Deputation,454

River Gate through which Hannibal entered,455

House of Doña Maria the Brave,456

Avenue of the Campo of San Francisco,457

Statue of Fr. Luis de Leon,458

The Pacification of the Factions of Salamanca. A Relief by Don Aniceto Marinas,459

Market, Province of Salamanca: ‘A Bad Bargain,’ by J. Aranjo,460

Peasants’ Dance, by D. Fierros,461

Charro, or Peasant of the Province,462

Leon, Burgos, and Salamanca

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