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Later Queens of the French Stage

Note 172 — VI MADAME SAINT-HUBERTY

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If one is to believe a little brochure of the time, bearing the title of Chronique scandaleuse des théâtres, ou Aventures des plus célèbres actrices, chanteuses, danseuses, et figurantes, the lessons given by Gluck to Madame Saint-Huberty were not entirely gratuitous. “In one of those moments of incontinency to which the greatest men often yield, the celebrated Gluck recognised in her talents which had not even been suspected and which attached him to her. He resolved to make of her an actress. In like manner, the famous Champmeslé was formed by the care and counsels of Racine. However, one ought not to compare the German Orpheus to the French Euripides. Gluck sought less to teach the sentiments of which he taught her the expression, than to inspire her with the fire of his genius, and, as he had always preserved the rusticity of his German manners, he did not often fail to commit himself to it in his lessons....”

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