II. Catalogue Of Bach's Compositions At Weimar, 1708-17, from his twenty-fourth to his thirty-third year.
Charles Sanford Terry translation
Vocal:—
Secular Cantata: Was mir behagt (1716), or, Verlockender Götterstreit.
Clavier:—
Sixteen Concertos after Vivaldi (bk. 217) (c. 1708-12).
Toccatas in D major (bk. 211 p. 28), G major (bk. 215 p. 19), D minor (bk. 210 p. 68), G minor (bk. 211 p. 4), E minor (bk. 210 p. 23) (c. 1708-12).
Aria variata alia maniera Italiana (bk. 215 p. 12) (c. 1708-12).
Prelude and Fugue in A minor (bk. 211 p. 14) (c. 1715).
Fugues in A major (bk. 215 pp. 52, 57).
Do. B minor (bk. 214 p. 48).
Do. A major (bk. 212 p. 66).
Do. A minor (bk. 212 p. 70).
Fantasia in G minor (bk. 215 p. 32).
Do. B minor (bk. 215 p. 41). (For Organ, N. bk. 12 p. 71.)
Do. D major (bk. 211 p. 28).
Do. A minor (bk. 215 p. 5) (c. 1710).
Organ:—
Passacaglia and Fugue in C minor (bk. 10 p. 214).
Four Concertos after Vivaldi (bk. 11).
Eight Short Preludes and Fugues (bk. 1).
Orgelbüchlein (bk. 15) (1717).
Aria in F major (bk. 12 p. 112).
Fantasia con Imitazione (bk. 12 p. 71).
Do. C major (bk. 12 p. 92).
Do. C minor (bk. 3 p. 57).
Trio in C minor (bk. 12 p. 108).
Do. D minor (bk. 2 p. 54).
Canzona in D minor (bk. 2 p. 34) (c. 1714).
Allabreve in D major (bk. 2 p. 26).
Prelude and Fugue in C major (bk. 7 p. 74).
Do. do. the “Short,” E minor (bk. 2 p. 44).
Do. do. D major (bk. 6 p. 10).
Do. do. the “Great,” A minor (bk. 7 p. 42).
Do. do. A major (bk. 3 p. 64).
Do. do. the “Great,” C minor (bk. 7 p. 64).
Do. do. F minor (bk. 6 p. 21).
Do. do. G major (bk. 7 p. 80).
Do. do. G minor (bk. 8 p. 120) (c. 1712).
Toccata and Fugue in D minor (bk. 6 p. 2).
Do. do. the “Great,” C major (bk. 9 p. 137).
Do. do. the “Great,” F major (bk. 9 p. 176).
Do. do. the Dorian, D minor (bk. 10 p. 196).
Fantasia and Fugue in C minor (bk. 3 p. 76).
Prelude in G major (bk. 2 p. 30).
Do. C major (bk. 12 p. 91).
Fugue, the “Short,” in G minor (bk. 3 p. 84).
Do. C major (bk. 12 p. 100).