ITALY.

LETTER I.

Bolsano.—Indications of approaching Italy.—Fire-flies.—Appearance of the Peasantry.—A forest Lake.—Arrive at Borgo di Volsugano.—Prospect of Hills in the Venetian State.—Gorgeous Flies.—Fortress of Covalo.—Leave the country of crags and precipices and enter the territory of the Bassanese.—Groves of olives and vines.—Classic appearance of Bassano.—Happy groups.—Pachierotti, the celebrated singer.—Anecdote of him.

July 29, 1780.

WE proceeded over fertile mountains to Bolsano. It was here first that I noticed the rocks cut into terraces, thick set with melons and Indian corn; fig-trees and pomegranates hanging over garden walls, clustered with fruit. In the evening we perceived several further indications of approaching Italy; and after sun-set the Adige, rolling its full tide between precipices, which looked terrific in the dusk. Myriads of fire-flies sparkled amongst the shrubs on the bank. I traced the course of these exotic insects by their blue light, now rising to the summits of the trees, now sinking to the ground, and associating with vulgar glow-worms. We had opportunities enough to remark their progress, since we travelled all night; such being my impatience to reach the promised land!

Morning dawned just as we saw Trent dimly before us. I slept a few hours, then set out again (July 30th), after the heats were in some measure abated, and leaving Bergine, where the peasants were feasting before their doors, in their holiday dresses, with red pinks stuck in their ears instead of rings, and their necks surrounded with coral of the same colour, we came through a woody valley to the banks of a lake, filled with the purest and most transparent water, which loses itself in shady creeks, amongst hills entirely covered with shrubs and verdure.

The shores present one continual thicket, interspersed with knots of larches and slender almonds, starting from the underwood. A cornice of rock runs round the whole, except where the trees descend to the very brink, and dip their boughs in the water.

It was six o’clock when I caught the sight of this unsuspected lake, and the evening shadows stretched nearly across it. Gaining a very rapid ascent, we looked down upon its placid bosom, and saw several airy peaks rising above tufted foliage. I quitted the contemplation of them with regret, and, in a few hours, arrived at Borgo di Volsugano; the scene of the lake still present before the eye of my fancy.

July 31st.—My heart beat quick when I saw some hills, not very distant, which I was told lay in the Venetian State, and I thought an age, at least, had elapsed before we were passing their base. The road was never formed to delight an impatient traveller; loose pebbles and rolling stones render it, in the highest degree, tedious and jolting. I should not have spared my execrations, had it not traversed a picturesque valley, overgrown with juniper, and strewed with fragments of rock, precipitated, long since, from the surrounding eminences, blooming with cyclamens.

I clambered up several of these crags,

to gather the flowers I have just mentioned, and found them deliciously scented. Fratillarias, and the most gorgeous flies, many of which I here noticed for the first time, were fluttering about and expanding their wings to the sun. There is no describing the numbers I beheld, nor their gaily varied colouring. I could not find in my heart to destroy their felicity; to scatter their bright plumage and snatch them for ever from the realms of light and flowers. Had I been less compassionate, I should have gained credit with that respectable corps, the torturers of butterflies; and might, perhaps, have enriched their cabinets with some unknown captives. However, I left them imbibing the dews of heaven, in free possession of their native rights; and having changed horses at Tremolano, entered at length my long-desired Italy.

The pass is rocky and tremendous, guarded by the fortress of Covalo, in possession of the empress queen, and only fit, one should think, to be inhabited by her eagles. There is no attaining this exalted hold but by the means of a cord let down many fathoms by the soldiers, who live in dens and caverns, which serve also as arsenals, and magazines for powder; whose mysteries I declined prying into, their approach being a little too aërial for my earthly frame. A black vapour, tinging their entrance, completed the romance of the prospect, which I never shall forget.

For two or three leagues there was little variation in the scenery; cliffs, nearly perpendicular on both sides, and the Brenta foaming and thundering below. Beyond, the rocks began to be mantled with vines and gardens. Here and there a cottage shaded with mulberries, made its appearance, and we often discovered, on the banks of the river, ranges of white buildings, with courts and awnings, beneath which numbers of women and children were employed in manufacturing silk. As we advanced, the stream gradually widened, and the rocks receded; woods were more frequent and cottages thicker strown.

About five in the evening we left the country of crags and precipices, of mists and cataracts, and were entering the fertile territory of the Bassanese. It was now I beheld groves of olives, and vines clustering the summits of the tallest elms; pomegranates in every garden, and vases of citron and orange before almost every door. The softness and transparency of the air soon told me I was arrived in happier climates; and I felt sensations of joy and novelty run through my veins, upon beholding this smiling land of groves and verdure stretched out before me. A few hazy vapours, I can hardly call them clouds, rested upon the extremities of the landscape; and, through their medium, the sun cast an oblique and dewy ray. Peasants were returning home, singing as they went, and calling to each other over the hills; whilst the women were milking goats before the wickets of the cottage, and preparing their country fare.

I left them enjoying it, and soon beheld the ancient ramparts and cypresses of Bassano; whose classic appearance recalled the memory of former times, and answered exactly the ideas I had pictured to myself of Italian edifices. Though encompassed by walls and turrets, neither soldiers nor custom-house officers start out from their concealment, to question and molest a weary traveller, for such is the happiness of the Venetian state, at least of the terra firma provinces, that it does not contain, I believe, above four regiments. Istria, Dalmatia, and the maritime frontiers, are more formidably guarded, as they touch, you know, the whiskers of the Turkish empire.

Passing under a Doric gateway, we crossed the chief part of the town in the way to our locanda, pleasantly situated, and commanding a level green, where people walk and take ices by moonlight. On the right, the Franciscan church, and convent, half hid in the religious gloom of pine and cypress; to the left, a perspective of walls and towers rising from the turf, and marking it, when I arrived, with long shadows, in front; where the lawn terminates, meadow, wood, and garden run quite to the base of the mountains.

Twilight coming on, this beautiful spot swarmed with company, sitting in circles upon the grass, refreshing themselves with fruit and sherbets, or lounging upon the bank beneath the towers. They looked so free and happy that I longed to be acquainted with them; and, thanks to a warm-hearted old Venetian, (the Senator Querini,) was introduced to a group of the principal inhabitants. Our conversation ended in a promise to meet the next evening at the villa of La Contessa Roberti, about a league from Bassano, and then to return together and sing to the praise of Pachierotti, their idol, as well as mine.

You can have no idea what pleasure we mutually found in being of the same faith, and believing in one singer; nor can you imagine what effects that musical divinity produced at Padua, where he performed a few years ago, and threw his audience into such raptures, that it was some time before they recovered. One in particular, a lady of distinction, fainted away the instant she caught the pathetic accents of his voice, and was near dying a martyr to its melody. La Contessa, who sings in the truest taste, gave me a detail of the whole affair. “Egli ha fatto veramente un fanatismo a Padua,” was her expression. I assured her we were not without idolatry in England, upon his account; but that in this, as well as in other articles of belief, there were many abominable heretics.

LETTER II.

Villa of Mosolente—The route to Venice.—First view of that city.—Striking prospect from the Leon Bianco.—Morning scene on the grand canal.—Church of Santa Maria della Salute.—Interesting group of stately buildings.—Convent of St. Giorgio Maggiore.—The Redentore.—Island of the Carthusians.

August 1st, 1780.

THE whole morning not a soul stirred who could avoid it. Those who were so active and lively the night before, were now stretched languidly upon their couches. Being to the full as idly disposed, I sat down and wrote some of this dreaming epistle; then feasted upon figs and melons; then got under the shade of the cypress, and slumbered till evening, only waking to dine, and take some ice.

The sun declining apace, I hastened to my engagement at Mosolente (for so is the villa called) placed on a verdant hill encircled by others as lovely, and consisting of three light pavilions connected by porticos; just such as we admire in the fairy scenes of an opera. A vast flight of steps leads to the summit, where Signora Roberti and her friends received me with a grace and politeness that can never want a place in my memory. We rambled over all the apartments of this agreeable edifice, characterised by airiness and simplicity. The pavement encrusted with a composition as cool and polished as marble; the windows, doors, and balconies adorned with silver iron work, commanding scenes of meads and woodlands that extend to the shores of the Adriatic; slender towers and cypresses rising above the levels; and the hazy mountains beyond Padua, diversifying the expanse, form altogether a landscape which the elegant imagination of Horizonti never exceeded.

I gazed on this delightful view till it faded in the dusk; then returning to Bassano, repaired to an illuminated hall, and heard Signora Roberti sing the very air which had excited such transport at Padua. As soon as she had ended, a band of various instruments stationed in the open street began a lively symphony, which would have delighted me at any other time; but now, I wished them a thousand leagues away, so pleasingly melancholy an impression did the air I had been listening to leave on my mind.

At midnight I took leave of my obliging hosts, who were just setting out for Padua. They gave me a thousand kind invitations, and I hope some future day to accept them.

August 2.

OUR route to Venice lay winding about the variegated plains I had surveyed from Mosolente; and after dining at Treviso we came in two hours and a half to Mestre, between grand villas and gardens peopled with statues. Embarking our baggage at the last-mentioned place, we stepped into a gondola, whose even motion was very agreeable after the jolts of a chaise. We were soon out of the canal of Mestre, terminated by an isle which contains a cell dedicated to the Holy Virgin, peeping out of a thicket, whence spire up two tall cypresses. Its bells tingled as we passed along and dropped some paolis into a net tied at the end of a pole stretched out to us for that purpose.

As soon as we had doubled the cape of this diminutive island, an expanse of sea opened to our view, the domes and towers of Venice rising from its bosom. Now we began to distinguish Murano, St. Michele, St. Giorgio in Alga, and several other islands, detached from the grand cluster, which I hailed as old acquaintances; innumerable prints and drawings having long since made their shapes familiar. Still gliding forward, we every moment distinguished some new church or palace in the city, suffused with the rays of the setting sun, and reflected with all their glow of colouring from the surface of the waters.

The air was calm; the sky cloudless; a faint wind just breathing upon the deep, lightly bore its surface against the steps of a chapel in the island of San Secondo, and waved the veil before its portal, as we rowed by and coasted the walls of its garden overhung with fig-trees and surmounted by spreading pines. The convent discovers itself through their branches, built in a style somewhat morisco, and level with the sea, except where the garden intervenes.

We were now drawing very near the city, and a confused hum began to interrupt the evening stillness; gondolas were continually passing and repassing, and the entrance of the Canal Reggio, with all its stir and bustle, lay before us. Our gondoliers turned with much address through a crowd of boats and barges that blocked up the way, and rowed smoothly by the side of a broad pavement, covered with people in all dresses and of all nations.

Leaving the Palazzo Pesaro, a noble structure with two rows of arcades and a superb rustic, behind, we were soon landed before the Leon Bianco, which being situated in one of the broadest parts of the grand canal, commands a most striking assemblage of buildings. I have no terms to describe the variety of pillars, of pediments, of mouldings, and cornices, some Grecian, others Saracenic, that adorn these edifices, of which the pencil of Canaletti conveys so perfect an idea as to render all verbal description superfluous. At one end of this grand scene of perspective appears the Rialto; the sweep of the canal conceals the other.

The rooms of our hotel are spacious and cheerful; a lofty hall, or rather gallery, painted with grotesque in a very good style, perfectly clean, floored with a marbled stucco, divides the house, and admits a refreshing current of air. Several windows near the ceiling look into this vast apartment, which serves in lieu of a court, and is rendered perfectly luminous by a glazed arcade, thrown open to catch the breezes. Through it I passed to a balcony which impends over the canal, and is twined round with plants forming a green festoon springing from two large vases of orange trees placed at each end. Here I established myself to enjoy the cool, and observe, as well as the dusk would permit, the variety of figures shooting by in their gondolas.

As night approached, innumerable tapers glimmered through the awnings before the windows. Every boat had its lantern, and the gondolas moving rapidly along were followed by tracks of light, which gleamed and played upon the waters. I was gazing at these dancing fires when the sounds of music were wafted along the canals, and as they grew louder and louder, an illuminated barge, filled with musicians, issued from the Rialto, and stopping under one of the palaces, began a serenade, which stilled every clamour and suspended all conversation in the galleries and porticos; till, rowing slowly away, it was heard no more. The gondoliers catching the air, imitated its cadences, and were answered by others at a distance, whose voices, echoed by the arch of the bridge, acquired a plaintive and interesting tone. I retired to rest, full of the sound; and long after I was asleep, the melody seemed to vibrate in my ear.

August 3.

IT was not five o’clock before I was aroused by a loud din of voices and splashing of water under my balcony. Looking out, I beheld the grand canal so entirely covered with fruits and vegetables, on rafts and in barges, that I could scarcely distinguish a wave. Loads of grapes, peaches and melons arrived, and disappeared in an instant, for every vessel was in motion; and the crowds of purchasers hurrying from boat to boat, formed a very lively picture. Amongst the multitudes, I remarked a good many whose dress and carriage announced something above the common rank; and upon enquiry I found they were noble Venetians, just come from their casinos, and met to refresh themselves with fruit, before they retired to sleep for the day.

Whilst I was observing them, the sun began to colour the balustrades of the palaces, and the pure exhilarating air of the morning drawing me abroad, I procured a gondola, laid in my provision of bread and grapes, and was rowed under the Rialto, down the grand canal to the marble steps of S. Maria della Salute, erected by the Senate in performance of a vow to the Holy Virgin, who begged off a terrible pestilence in 1630. The great bronze portal opened whilst I was standing on the steps which lead to it, and discovered the interior of the dome, where I expatiated in solitude; no mortal appearing except an old priest who trimmed the lamps and muttered a prayer before the high altar, still wrapt in shadows. The sun-beams began to strike against the windows of the cupola, just as I left the church and was wafted across the waves to the spacious platform in front of St. Giorgio Maggiore, one of the most celebrated works of Palladio.

When my first transport was a little subsided, and I had examined the graceful design of each particular ornament, and united the just proportion and grand effect of the whole in my mind, I planted my umbrella on the margin of the sea, and viewed at my leisure the vast range of palaces, of porticos, of towers, opening on every side and extending out of sight. The Doge’s palace and the tall columns at the entrance of the place of St. Mark, form, together with the arcades of the public library, the lofty Campanile and the cupolas of the ducal church, one of the most striking groups of buildings that art can boast of. To behold at one glance these stately fabrics, so illustrious in the records of former ages, before which, in the flourishing times of the republic, so many valiant chiefs and princes have landed, loaded with oriental spoils, was a spectacle I had long and ardently desired. I thought of the days of Frederic Barbarossa, when looking up the piazza of St. Mark, along which he marched in solemn procession, to cast himself at the feet of Alexander the Third, and pay a tardy homage to St. Peter’s successor. Here were no longer those splendid fleets that attended his progress; one solitary galeass was all I beheld, anchored opposite the palace of the Doge and surrounded by crowds of gondolas, whose sable hues contrasted strongly with its vermilion oars and shining ornaments. A party-coloured multitude was continually shifting from one side of the piazza to the other; whilst senators and magistrates in long black robes were already arriving to fill their respective offices.

I contemplated the busy scene from my peaceful platform, where nothing stirred but aged devotees creeping to their devotions, and, whilst I remained thus calm and tranquil, heard the distant buzz of the town. Fortunately some length of waves rolled between me and its tumults; so that I ate my grapes, and read Metastasio, undisturbed by officiousness or curiosity. When the sun became too powerful, I entered the nave.

After I had admired the masterly structure of the roof and the lightness of its arches, my eyes naturally directed themselves to the pavement of white and ruddy marble, polished, and reflecting like a mirror the columns which rise from it. Over this I walked to a door that admitted me into the principal quadrangle of the convent, surrounded by a cloister supported on Ionic pillars, beautifully proportioned. A flight of stairs opens into the court, adorned with balustrades and pedestals, sculptured with elegance truly Grecian. This brought me to the refectory, where the chef-d’œuvre of Paul Veronese, representing the marriage of Cana in Galilee, was the first object that presented itself. I never beheld so gorgeous a group of wedding-garments before; there is every variety of fold and plait that can possibly be imagined. The attitudes and countenances are more uniform, and the guests appear a very genteel, decent sort of people, well used to the mode of their times and accustomed to miracles.

Having examined this fictitious repast, I cast a look on a long range of tables covered with very excellent realities, which the monks were coming to devour with energy, if one might judge from their appearance. These sons of penitence and mortification possess one of the most spacious islands of the whole cluster, a princely habitation, with gardens and open porticos, that engross every breath of air; and, what adds not a little to the charms of their abode, is the facility of making excursions from it, whenever they have a mind.

The republic, jealous of ecclesiastical influence, connives at these amusing rambles, and, by encouraging the liberty of monks and churchmen, prevents their appearing too sacred and important in the eyes of the people, who have frequent proofs of their being mere flesh and blood, and that of the frailest composition. Had the rest of Italy been of the same opinion, and profited as much by Fra Paolo’s maxims, some of its fairest fields would not, at this moment, lie uncultivated, and its ancient spirit might have revived. However, I can scarcely think the moment far distant, when it will assert its natural prerogatives, and look back upon the tiara, with all its host of scaring phantoms, as the offspring of a feverish dream.

Full of prophecies and bodings, I moved slowly out of the cloisters; and, gaining my gondola, arrived, I know not how, at the flights of steps which lead to the Redentore, a structure so simple and elegant, that I thought myself entering an antique temple, and looked about for the statue of the God of Delphi, or some other graceful divinity. A huge crucifix of bronze soon brought me to times present.

The charm being thus dissolved, I began to perceive the shapes of rueful martyrs peeping out of the niches around, and the bushy beards of capuchin friars wagging before the altars. These good fathers had decorated the nave with orange and citron trees, placed between the pilasters of the arcades; and on grand festivals, it seems, they turn the whole church into a bower, strew the pavement with leaves, and festoon the dome with flowers.

I left them occupied with their plants and their devotions. It was mid-day, and I begged to be rowed to some woody island, where I might dine in shade and tranquillity. My gondoliers shot off in an instant; but, though they went at a very rapid rate, I wished to advance still faster, and getting into a bark with six oars, swept along the waters, soon left the Zecca and San Marco behind; and, launching into the plains of shining sea, saw turret after turret, and isle after isle, fleeting before me. A pale greenish light ran along the shores of the distant continent, whose mountains seemed to catch the motion of my boat, and to fly with equal celerity.

I had not much time to contemplate the beautiful effects on the waters—the emerald and purple hues which gleamed along their surface. Our prow struck, foaming, against the walls of the Carthusian garden, before I recollected where I was, or could look attentively around me. Permission being obtained, I entered this cool retirement, and putting aside with my hands the boughs of figs and pomegranates, got under an ancient bay-tree on the summit of a little knoll, near which several tall pines lift themselves up to the breezes. I listened to the conversation they held, with a wind just flown from Greece, and charged, as well as I could understand this airy language, with many affectionate remembrances from their relations on Mount Ida.

I reposed amidst fragrant leaves, fanned by a constant air, till it pleased the fathers to send me some provisions, with a basket of fruit and wine. Two of them would wait upon me, and ask ten thousand questions about Lord George Gordon, and the American war. I, who was deeply engaged with the winds, and a thousand agreeable associations excited by my Grecian fancies, wished my interrogators in purgatory, and pleaded ignorance of the Italian language. This circumstance extricated me from my embarrassment, and procured me a long interval of repose.

LETTER III.

Church of St. Mark.—The Piazza.—Magnificent festivals formerly celebrated there.—Stately architecture of Sansovino.—The Campanile.—The Loggetta.—The Ducal Palace.—Colossal Statues.—Giants’ Stairs.—Fit of enthusiasm.—Evening-scene in the great Square.—Venetian intrigue.—Confusion of languages.—Madame de Rosenberg.—Character of the Venetians.

The rustling of the pines had the same effect as the murmurs of other old story-tellers, and I dozed undisturbed till the people without, in the boat, (who wondered not a little, I dare say, what was become of me within,) began a sort of chorus in parts, full of such plaintive modulation, that I still thought myself under the influence of a dream, and, half in this world and half in the other, believed, like the heroes of Fingal, that I had caught the music of the spirits of the hill.

When I was thoroughly convinced of the reality of these sounds, I moved towards the shore whence they proceeded: a glassy sea lay before me; no gale ruffled the expanse; every breath had subsided, and I beheld the sun go down in all its sacred calm. You have experienced the sensations this moment inspires; imagine what they must have been in such a scene, and accompanied with a melody so simple and pathetic. I stepped into my boat, and now instead of encouraging the speed of the gondoliers, begged them to abate their ardour, and row me lazily home. They complied, and we were near an hour reaching the platform in front of the ducal palace, thronged as usual with a variety of nations. I mixed a moment with the crowd; then directed my steps to the great mosque, I ought to say the church of St. Mark; but really its cupolas, slender pinnacles, and semicircular arches, have so oriental an appearance, as to excuse this appellation. I looked a moment at the four stately coursers of bronze and gold that adorn the chief portal, and then took in, at one glance, the whole extent of the piazza, with its towers and standards. A more noble assemblage was never exhibited by architecture. I envied the good fortune of Petrarch, who describes, in one of his letters, a tournament held in this princely opening.

Many are the festivals which have been here celebrated. When Henry the Third left Poland to mount the throne of France, he passed through Venice, and found the Senate waiting to receive him in their famous square, which by means of an awning stretched from the balustrades of opposite palaces, was metamorphosed into a vast saloon, sparkling with artificial stars, and spread with the richest carpets of the East. What a magnificent idea! The ancient Romans, in the zenith of power and luxury, never conceived a greater. It is to them, however, the Venetians are indebted for the hint, since we read of the Coliseo and Pompey’s theatre being sometimes covered with transparent canvas, to defend the spectators from the heat or sudden rain, and to tint the scene with soft agreeable colours.

Having enjoyed the general perspective of the piazza, I began to enter into particulars, and examine the bronze pedestals of the three standards before the great church, designed by Sansovino in the true spirit of the antique, and covered with relievos, at once bold and elegant. It is also to this celebrated architect we are indebted for the stately façade of the Procuratie nuove, which forms one side of the square, and presents an uninterrupted series of arcades and marble columns exquisitely wrought. Opposite this magnificent range appears another line of palaces, whose architecture, though far removed from the Grecian elegance of Sansovino, impresses veneration, and completes the pomp of the view.

There is something strange and singular in the Tower or Campanile, which rises distinct from the smooth pavement of the square, a little to the left as you stand before the chief entrance of St. Mark’s. The design is barbarous, and terminates in uncouth and heavy pyramids; yet in spite of these defects it struck me with awe. A beautiful building called the Loggetta, and which serves as a guard-house during the convocation of the Grand Council, decorates its base. Nothing can be more enriched, more finished than this structure; which, though far from diminutive, is in a manner lost at the foot of the Campanile. This enormous fabric seems to promise a long duration, and will probably exhibit Saint Mark and his Lion to the latest posterity. Both appear in great state towards its summit, and have nothing superior, but an archangel perched on the topmost pinnacle, and pointing to the skies. The dusk prevented my remarking the various sculptures with which the Loggetta is crowded.

Crossing the ample space between this graceful edifice and the ducal palace, I passed through a labyrinth of pillars and entered the principal court, of which nothing but the great outline was visible at so late an hour. Two reservoirs of bronze richly sculptured diversify the area. In front a magnificent flight of steps presents itself, by which the senators ascend through vast and solemn corridors, which lead to the interior of the edifice. The colossal statues of Mars and Neptune guard the entrance, and have given the appellation of scala dei giganti to the steps below, which I mounted not without respect; and, leaning against the balustrades, formed like the rest of the building of the rarest marbles, contemplated the tutelary divinities.

My admiration was shortly interrupted by one of the sbirri, or officers of police, who take their stands after sunset before the avenues of the palace, and who told me the gates were upon the point of being closed. So, hurrying down the steps, I left a million of delicate sculptures unexplored; for every pilaster, every frieze, every entablature, is encrusted with porphyry, verde antique, or some other precious marble, carved into as many grotesque wreaths of foliage as we admire in the loggie of Raphael. The various portals, the strange projections; in short, the striking irregularity of these stately piles, delighted me beyond idea; and I was sorry to be forced to abandon them so soon, especially as the twilight, which bats and owls love not better than I do, enlarged every portico, lengthened every colonnade, and increased the dimensions of the whole, just as imagination desired. This faculty would have had full scope had I but remained an hour longer. The moon would then have gleamed upon the gigantic forms of Mars and Neptune, and discovered the statues of ancient heroes emerging from the gloom of their niches.

Such an interesting combination of objects, such regal scenery, with the reflection that many of their ornaments once contributed to the decoration of Athens, transported me beyond myself. The sbirri thought me distracted. True enough, I was stalking proudly about like an actor in an ancient Grecian tragedy, lifting up his hands to the consecrated fanes and images around, expecting the reply of his attendant chorus, and declaiming the first verses of Œdipus Tyrannus.

This fit of enthusiasm was hardly subsided, when I passed the gates of the palace into the great square, which received a faint gleam from its casinos and palaces, just beginning to be lighted up, and to become the resort of pleasure and dissipation. Numbers were walking in parties upon the pavement; some sought the convenient gloom of the porticoes with their favourites; others were earnestly engaged in conversation, and filled the gay illuminated apartments, where they resorted to drink coffee and sorbet, with laughter and merriment. A thoughtless giddy transport prevailed; for, at this hour, anything like restraint seems perfectly out of the question; and however solemn a magistrate or senator may appear in the day, at night he lays up wig and robe and gravity to sleep together, runs intriguing about in his gondola, takes the reigning sultana under his arm, and so rambles half over the town, which grows gayer and gayer as the day declines.

Many of the noble Venetians have a little suite of apartments in some out-of-the-way corner, near the grand piazza, of which their families are totally ignorant. To these they skulk in the dusk, and revel undisturbed with the companions of their pleasures. Jealousy itself cannot discover the alleys, the winding passages, the unsuspected doors, by which these retreats are accessible. Many an unhappy lover, whose mistress disappears on a sudden with some fortunate rival, has searched for her haunts in vain. The gondoliers themselves, though the prime managers of intrigue, are often unacquainted with these interior cabinets. When a gallant has a mind to pursue his adventures with mystery, he rows to the piazza, orders his bark to wait, meets his goddess in the crowd, and vanishes from all beholders. Surely, Venice is the city in the universe best calculated for giving scope to the observations of a devil upon two sticks. What a variety of lurking-places would one stroke of his crutch uncover!

Whilst the higher ranks were solacing themselves in their casinos, the rabble were gathered in knots round the strollers and mountebanks, singing and scaramouching in the middle of the square. I observed a great number of Orientals amongst the crowd, and heard Turkish and Arabic muttering in every corner. Here the Sclavonian dialect predominated; there some Grecian jargon, almost unintelligible. Had Saint Mark’s church been the wondrous tower, and its piazza the chief square, of the city of Babylon, there could scarcely have been a greater confusion of languages.

The novelty of the scene afforded me no small share of amusement, and I wandered about from group to group, and from one strange exotic to another, asking and being asked innumerable ridiculous questions, and settling the politics of London and Constantinople, almost in the same breath. This instant I found myself in a circle of grave Armenian priests and jewellers; the next amongst Greeks and Dalmatians, who accosted me with the smoothest compliments, and gave proof that their reputation for pliability and address was not ill-founded.

I was entering into a grand harum-scarum discourse with some Russian counts or princes, or whatever you please, just landed with dwarfs, and footmen, and governors, and staring like me, about them, when Madame de Rosenberg arrived, to whom I had the happiness of being recommended. She presented me to some of the most distinguished of the Venetian families at their great casino, which looks into the piazza, and consists of five or six rooms, fitted up in a gay flimsy taste, neither rich nor elegant, where were a great many lights, and a great many ladies negligently dressed, their hair falling very freely about them, and innumerable adventures written in their eyes. The gentlemen were lolling upon the sofas, or lounging about the apartments.

The whole assembly seemed upon the verge of gaping, till coffee was carried round. This magic beverage diffused a temporary animation; and, for a moment or two, conversation moved on with a degree of pleasing extravagance; but the flash was soon dissipated, and nothing remained save cards and stupidity.

In the intervals of shuffling and dealing, some talked over the affairs of the grand council with less reserve than I expected; and two or three of them asked some feeble questions about the late tumults in London. It was one o’clock before all the company were assembled, and I left them at three, still dreaming over their coffee and card-tables. Trieze is their favourite game: uno, due, tre, quatro, cinque, fante, cavallo re, are eternally repeated; the apartments echoed no other sound.

I wonder a lively people can endure such monotony, for I have been told the Venetians are remarkably spirited; and so eager in the pursuit of amusement as hardly to allow themselves any sleep. Some, for instance, after declaiming in the Senate, walking an hour in the square, and fidgeting about from one casino to another till morning dawns, will get into a gondola, row across the Lagunes, take the post to Mestre or Fusina, and jumble over craggy pavements to Treviso, breakfast in haste, and rattle back again as if the Devil were charioteer: by eleven the party is restored to Venice, resumes robe and periwig, and goes to council.

This may be very true, and yet I will never cite the Venetians as examples of vivacity. Their nerves unstrung by early debaucheries, allow no natural flow of lively spirits, and at best but a few moments of a false and feverish activity. The approaches of sleep, forced back by an immoderate use of coffee, render them weak and listless, and the facility of being wafted from place to place in a gondola, adds not a little to their indolence. In short, I can scarcely regard their Eastern neighbours in a more lazy light; who, thanks to their opium and their harems, pass their lives in one perpetual doze.

LETTER IV.

Excessive heat.—The Devil and Senegal.—A dreary shore.—Scene of the Doge’s nuptials with the sea.—Return to the Place of St. Mark.—Swarm of Lawyers.—Receptacles for anonymous accusations.—The Council of Ten.—Terrible punishments of its victims.—Statue of Neptune.—Fatal Waters.—Bridge of Sighs.—The Fondamenti Nuovi.—Conservatory of the Mendicanti.—An Oratorio.—Profound attention of the Audience.

August 4th, 1780.

THE heats were so excessive in the night, that I thought myself several times on the point of suffocation, tossed about like a wounded fish, and dreamt of the Devil and Senegal. Towards sunrise, a faint breeze restored me to life and reason. I slumbered till late in the day, and the moment I was fairly awake, ordered my gondolier to row out to the main ocean, that I might plunge into the waves, and hear and see nothing but waters around me.

We shot off, wound amongst a number of sheds, shops, churches, casinos, and palaces, growing immediately out of the canals, without any apparent foundation. No quay, no terrace, not even a slab is to be seen before the doors; one step brings you from the hall into the bark, and the vestibules of the stateliest structures lie open to the waters, and but just above their level. I observed several, as I glided along, supported by rows of well-proportioned columns, adorned with terms and vases, beyond which the eye generally discovers a grand court, and sometimes a garden.

In about half an hour, we had left the thickest cluster of isles behind, and, coasting the Place of St. Mark opposite to San Giorgio Maggiore, whose elegant frontispiece was distinctly reflected by the calm waters, launched into the blue expanse of sea, from which rise the Carthusian and two or three other woody islands. I hailed the spot where I had passed such a happy visionary evening, and nodded to my friends the pines.

A few minutes more brought me to a dreary, sun-burnt shore, stalked over by a few Sclavonian soldiers, who inhabit a castle hard by, go regularly to an ugly unfinished church, and from thence, it is to be hoped, to paradise; as the air of their barracks is abominable, and kills them like blasted sheep.

Forlorn as this island appeared to me, I was told it was the scene of the Doge’s pageantry at the feast of the Ascension; and the very spot to which he sails in the Bucentaur, previously to wedding the sea. You have heard enough, and if ever you looked into a show-box, seen full sufficient of this gaudy spectacle, without my enlarging upon the topic. I shall only say, that I was obliged to pursue, partly, the same road as the nuptial procession, in order to reach the beach, and was broiled and dazzled accordingly.

At last, after traversing some desert hillocks, all of a hop with toads and locusts (amongst which English heretics have the honour of being interred), I passed under an arch, and suddenly the boundless plains of ocean opened to my view. I ran to the smooth sands, extending on both sides out of sight, and dashed into the waves, which were coursing one another with a gentle motion, and breaking lightly on the shores. The tide rolled over me as I lay floating about, buoyed up by the water, and carried me wheresoever it listed. It might have borne me far out into the main before I had been aware, so totally was I abandoned to the illusion of the moment. My ears were filled with murmuring undecided sounds; my limbs, stretched languidly on the surge, rose or sunk just as it swelled or subsided. In this passive state I remained, till the sun cast a less intolerable light, and the fishing-vessels, lying out in the bay at a great distance, spread their sails and were coming home.

Hastening back over the desert of locusts, I threw myself into the gondola; and, no wind or wave opposing, was soon wafted across to those venerable columns, so conspicuous in the Place of St. Mark. Directing my course immediately to the ducal palace, I entered the grand court, ascending the giants’ stairs, and examined at my leisure its bas-reliefs. Then, taking the first guide that presented himself, I was shown along several cloisters and corridors, sustained by innumerable pillars, into the state apartments, which Tintoret and Paolo Veronese have covered with the triumphs of their country.

A swarm of lawyers filled the Sala del Maggior Consiglio, and one of the first advocates in the republic was pleading with all his might, before a solemn row of senators. The eyes and ears of the assembly seemed equally affected. Clouds of powder, and volleys of execrations issuing every instant from the disputants, I got out of their way; and was led from hall to hall, and from picture to picture, with exemplary resignation. To be sure, I was heartily tired, but behaved with decency, having never once expressed how much I wished the chefs-d’œuvre I had been contemplating, less smoky and numerous.

At last, I reached once more the colonnades at the entrance, and caught the sea-breeze in the open porticoes which front San Giorgio Maggiore. The walls are covered in most places with grim visages sculptured in marble, whose mouths gape for accusations, and swallow every lie that malice and revenge can dictate. I wished for a few ears of the same kind, dispersed about the Doge’s residence, to which one might apply one’s own, and catch some account of the mysteries within; some little dialogue between the three Inquisitors, or debate in the Council of Ten.

This is the tribunal which holds the wealthy nobility in continual awe; before which they appear with trembling and terror; and whose summons they dare not disobey. Sometimes, by way of clemency, it condemns its victims to perpetual imprisonment, in close, stifling cells, between the leads and beams of the palace; or, unwilling to spill the blood of a fellow-citizen, generously sinks them into dungeons, deep under the canals which wash its foundations; so that, above and below, its majesty is contaminated by the abodes of punishment. What other sovereign could endure the idea of having his immediate residence polluted with tears? or revel in his halls, conscious that many of his species were consuming their hours in lamentations above his head, and that but a few beams separated him from the scene of their tortures? However gaily disposed, could one dance with pleasure on a pavement, beneath which lie damp and gloomy caverns, whose inhabitants waste away by painful degrees, and feel themselves whole years a-dying? Impressed by these terrible ideas, I could not regard the palace without horror, and wished for the strength of a thousand antediluvians, to level it with the sea, lay open the secret recesses of punishment, and admit free gales and sunshine into every den.

When I had thus vented my indignation, I repaired to the statue of Neptune, whom twenty ages ago I should have invoked to second my enterprise. Once upon a time no deity had a freer hand at razing cities. His execution was renowned throughout all antiquity, and the proudest monarchs deprecated the wrath of KΡΕΙΩΝ ΕΝΟΣΙΧΘΩΝ. But, like the other mighty ones of ancient days, his reign is past and his trident disregarded. Formerly any wild spirit found favour in the eyes of fortune, and was led along the career of glory to the deliverance of captives and the extirpation of monsters; but, in our degenerate times, this easy road to fame is no longer open, and the means of producing such signal events are perplexed and difficult.

Abandoning therefore the sad tenants of the Piombi to their fate, I left the courts, and stepping into my bark, was rowed down a canal overshadowed by the lofty walls of the palace. Beneath these fatal waters the dungeons I have also been speaking of are situated. There the wretches lie marking the sound of the oars, and counting the free passage of every gondola. Above, a marble bridge, of bold majestic architecture, joins the highest part of the prisons to the secret galleries of the palace; from whence criminals are conducted over the arch to a cruel and mysterious death. I shuddered whilst passing below; and believe it is not without cause, this structure is named PONTE DEI SOSPIRI. Horrors and dismal prospects haunted my fancy upon my return. I could not dine in peace, so strongly was my imagination affected; but snatching my pencil, I drew chasms and subterraneous hollows, the domain of fear and torture, with chains, racks, wheels, and dreadful engines in the style of Piranesi. About sunset I went and refreshed myself with the cool air and cheerful scenery of the Fondamenti nuovi, a vast quay or terrace of white marble, which commands the whole series of isles, from San Michele to Torcello,

Nothing can be more picturesque than the groups of towers and cupolas which they present, mixed with flat roofs and low buildings, and now and then a pine or cypress. Afar off, a little woody isle, called Il Deserto, swells from the ocean and diversifies its expanse.

When I had spent a delightful half-hour in viewing the distant isles, M. de Benincasa accompanied me to the Mendicanti, one of the four conservatorios, which give the best musical education conceivable to near one hundred young women. You may imagine how admirably those of the Mendicanti in particular are taught, since their establishment is under the direction of Bertoni, who breathes around him the very soul of harmony. The chapel in which we sat to hear the oratorio was dark and solemn; a screen of lofty pillars, formed of black marble and highly polished, reflected the lamps which burn perpetually before the altar. Every tribune was thronged with people, whose profound silence showed them worthy auditors of this master’s music. Here were no cackling old women, or groaning Methodists, such as infest our English tabernacles, and scare one’s ears with hoarse coughs accompanied by the naso obligato. All were still and attentive, imbibing the plaintive notes of the voices with eagerness; and scarce a countenance but seemed deeply affected with David’s sorrows, the subject of the performance. I sat retired in a solitary tribune, and felt them as my own. Night came on before the last chorus was sung, and I still seem to hear its sacred melody.

LETTER V.

M. de Viloison and his attendant Laplander.—Drawings of ancient Venetian costume in one of the Gradanigo palaces.—Titian’s master-piece in the church of San Giovanni e Paolo.—The distant Euganean hills.

August 18, 1780.

IT rains; the air is refreshed and I have courage to resume my pen, which the sultry weather had forced to lie dormant so long. I like this odd town of Venice, and find every day some new amusement in rambling about its innumerable canals and alleys. Sometimes I pry about the great church of Saint Mark, and examine the variety of marbles and mazes of delicate sculpture with which it is covered. The cupola, glittering with gold, mosaic, and paintings of half the wonders in the Apocalypse, never fails to transport me to the period of the Eastern empire. I think myself in Constantinople, and expect Michael Paleologus with all his train. One circumstance alone prevents my observing half the treasures of the place, and holds down my fancy just springing into the air: I mean the vile stench which exhales from every recess and corner of the edifice, and which all the incense of the altars cannot subdue.

When no longer able to endure this noxious atmosphere, I run up the Campanile in the piazza, and seating myself amongst the pillars of the gallery, breathe the fresh gales which blow from the Adriatic; survey at my leisure all Venice beneath me, with its azure sea, white sails, and long tracks of islands shining in the sun. Having thus laid in a provision of wholesome breezes, I brave the vapours of the canals, and venture into the most curious and murky quarters of the city, in search of Turks and Infidels, that I may ask as many questions as I please about Cairo and Damascus.

Asiatics find Venice very much to their taste, and all those I conversed with allowed its customs and style of living had a good deal of conformity to their own. The eternal lounging in coffee-houses and sipping of sorbets agree perfectly well with the inhabitants of the Ottoman empire, who stalk about here in their proper dresses, and smoke their own exotic pipes, without being stared and wondered at as in most other European capitals. Some few of these Orientals are communicative and enlightened; but, generally speaking, they know nothing beyond the rule of three, and the commonest transactions of mercantile affairs.

The Greeks are by far a more lively generation, still retaining their propensity to works of genius and imagination. Metastasio has been lately translated into their modern language, and some obliging papa or other has had the patience to put the long-winded romance of Clelia into a Grecian dress. I saw two or three of these volumes exposed on a stall, under the grand arcades of the public library, as I went one day to admire the antiques in its vestibules.

Whilst I was intent upon my occupation, a little door, I never should have suspected, flew open, and out popped Monsieur de Viloison, from a place where nothing, I believe, but broomsticks and certain other utensils were ever before deposited. This gentleman, the most active investigator of Homer since the days of the good bishop of Thessalonica, bespatters you with more learning in a minute than others communicate in half a year; quotes Arabic, Greek, Hebrew, Syriac, &c. with formidable fluency; and drove me from one end of the room to the other with a storm of erudition. Syllables fell thicker than hail, and in an instant I found myself so weighed down and covered, that I prayed, for mercy’s sake, to be introduced, by way of respite, to a Laplander whom he leads about as a curiosity; a poor harmless good sort of a soul, calm and indifferent, who has acquired the words of several Oriental languages to perfection: ideas he has in none.

We went all together to view a collection of medals in one of the Gradanigo palaces, and two or three inestimable volumes, filled with paintings that represent the dress of the ancient Venetians; so that I had an opportunity of observing to perfection all the Lapland nothingness of my companion. What a perfect void! Cold and silent as the polar regions, not one passion ever throbbed in his bosom; not one bright ray of fancy ever glittered in his mind; without love or anger, pleasure or pain, his days fleet smoothly along: all things considered, I must confess I envied such comfortable apathy.

After having passed an instructive hour in examining the medals and drawings, M. de Viloison proposed conducting me to the Armenian convent, but I begged to be excused, and went to San Giovanni e Paolo, a church to be held most holy in the annals of painting, since it contains that masterpiece of Titian, the martyrdom of the hermits St. Paul and St. Peter.

In the evening I rowed out as usual

to observe the effect of sunset on the tufted gardens of the Giudeca, and to contemplate the distant Euganean hills, once the happiest region of Italy; where wandering nations enjoyed the simplicity of a pastoral life, long before the arrival of Antenor. In these primeval days deep forests and extensive pastures covered the shores of the Adriatic, and innumerable flocks hung on the brow of the mountains. This golden period ended upon the incursion of the Trojans and Heneti; who, led by Antenor, drove away the unfortunate savages, and possessed themselves of their habitations.

LETTER VI.

Isles of Burano, Torcello, and Mazorbo.—The once populous city of Altina.—An excursion.—Effects of our music on the inhabitants of the Islands.—Solitary fields infested by serpents.—Remains of ancient sculpture.—Antique and fantastic ornaments of the Cathedral of Torcello.—San Lorenzo’s chair.—Dine in a Convent.—The Nuns.—Oratorio of Sisera.—Remarks on the music.—Singing of the Marchetti.—A female orchestra.

I am just returned from visiting the isles of Burano, Torcello, and Mazorbo, distant about five miles from Venice. To these amphibious spots the Romans, inhabitants of eastern Lombardy, fled from the rapine of Attila; and, if we may believe Cassiodorus, there was a time when they presented a beautiful appearance. Beyond them, on the coast of the Lagunes, rose the once populous city of Altina, with its six stately gates, which Dandolo mentions. Its neighbourhood was scattered with innumerable villas and temples, composing altogether a prospect which Martial compares to Baiæ:

But this agreeable scene, like so many others, is passed entirely away, and has left nothing, except heaps of stones and mis-shapen fragments, to vouch for its former magnificence. Two of the islands, Costanziaco and Amiano, that are imagined to have contained the bowers and gardens of the Altinatians, have sunk beneath the waters; those which remain are scarcely worthy to rise above their surface.

Though I was persuaded little was left to be seen above ground, I could not deny myself the imaginary pleasure of treading a corner of the earth once so adorned and cultivated; and of walking over the roofs, perhaps, of undiscovered palaces. M. de R. to whom I communicated my ideas, entered at once into the scheme; hiring therefore a peiotte, we took some provisions and music (to us equally necessaries of life) and launched into the canal, between Saint Michael and Murano. Our instruments played several delightful airs, that called forth the inhabitants of every island, and held them in silence, as if spell-bound, on the edge of their quays and terraces, till we were out of hearing.

Leaving Murano far behind, Venice and its world of turrets began to sink on the horizon, and the low desert isles beyond Mazorbo to lie stretched out before us. Now we beheld vast wastes of purple flowers, and could distinguish the low hum of the insects which hover above them; such was the stillness of the place. Coasting these solitary fields, we wound amongst several serpentine canals, bordered by gardens of figs and pomegranates, with neat Indian-looking inclosures of cane and reed: an aromatic plant, which the people justly dignify with the title of marine incense, clothes the margin of the waters. It proved very serviceable in subduing a musky odour, which attacked us the moment we landed, and which proceeds from serpents that lurk in the hedges. These animals, say the gondoliers, defend immense treasures which lie buried under the ruins. Woe to those who attempt to invade them, or to pry too cautiously about!

Not choosing to be devoured, we left many a mound of fragments unnoticed, and made the best of our way to a little green, bounded on one side by a miserable shed, decorated with the name of the Podesta’s residence, and on the other by a circular church. Some remains of tolerable antique sculpture are enchased in the walls; and the dome, supported by pillars of a smooth Grecian marble, though uncouth and ill-proportioned, impresses a sort of veneration, and transports the fancy to the twilight glimmering period when it was raised.

Having surveyed what little was visible, and given as much career to our imaginations as the scene inspired, we walked over a soil composed of crumbling bricks and cement to the cathedral; whose arches, in the ancient Roman style, convinced us that it dates at least as high as the sixth or seventh century.

Nothing can well be more fantastic than the ornaments of this structure, formed from the ruins of the Pagan temples of Altina, and encrusted with a gilt mosaic, like that which covers our Edward the Confessor’s tomb. The pavement, composed of various precious marbles, is richer and more beautiful than one could have expected, in a place where every other object savours of the grossest barbarism. At the farther end, beyond the altar, appears a semicircular niche, with seats like the gradines of a diminutive amphitheatre; above rise the quaint forms of the apostles, in red, blue, green, and black mosaic, and in the midst of the group a sort of marble chair, cool and penitential enough, where Saint Lorenzo Giustiniani sat to hold a provincial council, the Lord knows how long ago! The fount for holy water stands by the principal entrance, fronting this curious recess, and seems to have belonged to some place of Gentile worship. The figures of horned imps clinging round its sides, more devilish, more Egyptian, than any I ever beheld. The dragons on old china are not more whimsical; filled with bats’ blood it would have been an admirable present to the sabbath of witches, and have cut a capital figure in their orgies. The sculpture is not the most delicate, but I cannot say a great deal about it, as very little light reaches the spot where it is fixed: indeed, the whole church is far from luminous, its windows being narrow and near the roof, with shutters composed of blocks of marble, which nothing but the whirlwinds of the last day, one should think, would move from their hinges.

By the time we had examined every nook and corner of this singular edifice, and tried to catch some small portion of sanctity by sitting in San Lorenzo’s chair, dinner was prepared in a neighbouring convent, and the nuns, allured by the sound of our flutes and oboes, peeped out of their cells and showed themselves by dozens at the grate. Some few agreeable faces and interesting eyes enlivened the dark sisterhood; all seemed to catch a gleam of pleasure from the music; two or three of them, probably the last immured, let fall a tear, and suffered the recollection of the world and its profane joys to interrupt for a moment their sacred tranquillity.

We stayed till the sun was low, on purpose that they might listen as long as possible to a harmony which seemed to issue, as the old abbess expressed herself, from the gates of paradise ajar. A thousand benedictions consecrated our departure; twilight came on just as we entered the bark and rowed out upon the waves, agitated by a fresh gale, but fearing nothing under the protection of Santa Margherita, whose good wishes our music had secured.

In two hours we were safely landed at the Fondamenti nuovi, and went immediately to the Mendicanti, where they were performing the oratorio of Sisera. The composer, a young man, had displayed great fire and originality in this performance; and a knowledge of character seldom found in the most celebrated masters. The supplication of the thirsty chieftain, and Jael’s insinuating arts and pious treachery, are admirably expressed; but the agitation and boding slumbers which precede his death, are imagined in the highest strain of genius. The terror and agony of his dreams made me start, more than once, from my seat; and all the horrors of his assassination seemed full before me.

Too much applause cannot be given to the Marchetti, who sang the part of Sisera, and seconded the composer’s ideas by the most feeling and spirited execution. There are few things I shall regret more on leaving Venice, than this conservatorio. Whenever I am musically given, I fly to it, and hear the most striking finales in Paesiello’s and Anfossi’s operas, as long and often as I please.

The sight of the orchestra still makes me smile. You know, I suppose, it is entirely of the feminine gender, and that nothing is more common than to see a delicate white hand journeying across an enormous double bass, or a pair of roseate cheeks puffing, with all their efforts, at a French horn. Some that are grown old and Amazonian, who have abandoned their fiddles and their lovers, take vigorously to the kettle-drum; and one poor limping lady, who had been crossed in love, now makes an admirable figure on the bassoon.

Good night! I am quite exhausted with composing a chorus for this angelic choir. The poetry I send you. The music takes up too much room to travel at present. One day or other, perhaps, we may hear it in some dark grove, when the moon is eclipsed and nature in alarm.

This is not the last letter you would receive from Venice, were I not hurrying to Lucca, where Pacchierotti sings next week, in Bertoni’s opera of Quinto Fabio.

LETTER VII.

Coast of Fusina.—The Brenta.—A Village of Palaces.—Fiesso.—Exquisite singing of the Galuzzi.—Marietta Cornaro.—Scenes of enchantment and fascination.

I was sorry to leave Venice, and regretted my peaceful excursions upon the Adriatic. No bright rays illuminated my departure, the sun was concealed in clouds; but the coolness and perfume of the air made ample amends for his absence.

About an hour’s rowing from the isle of Saint Giorgio in Alga, brought us to the coast of Fusina, right opposite the opening where the Brenta mixes with the sea. This river flows calmly between banks of verdure, crowned by poplars, with vines twining round every stalk, and depending from tree to tree in beautiful festoons. Beds of mint and iris clothe the brink of the stream, except where interrupted by a tall growth of reeds and osiers. The morning continued to lower as we advanced; scarce a wind ventured to breathe: all was still and placid as the surface of the river. No sound struck my ears except the bargemen hallooing to open the sluices, and deepen the water.

As yet I had not perceived an habitation, nor any other objects than green inclosures and fields of Turkish corn, shaded with vines and poplars. It grew late before we glided along by the Mira, a village of palaces, whose courts and gardens, as magnificent as statues, terraces, and vases can make them, are far from composing a rural prospect.

Such artificial scenery not engaging much of my attention, we stayed no longer than our dinner required, and reached the Dolo an hour before sunset. Passing the great sluices, whose gates opened with a thundering noise, we continued our course along the peaceful Brenta, winding its broad full stream through impenetrable copses. Day was about to close when we reached Fiesso; and it being a misty evening, I could scarcely distinguish the pompous façade of the Pisani palace. That of Cornaro, where we were engaged to sup, looks upon a broad mass of foliage which I contemplated with pleasure as it sank in the dusk.

We walked a long while under a pavilion stretched before the entrance, breathing the freshness of the wood after a shower which had lately fallen. The Galuzzi sang some of her father Ferandini’s compositions with surprising energy; her cheek was flushed, her eyes glistened; the whole tone of her countenance was that of a person rapt and inspired. I forgot both time and place while she was singing. The night stole imperceptibly away, before I awoke from my trance.

I do not recollect ever to have passed an evening, which every circumstance conspired to render so full of charm. In general, my musical pleasures suffer terrible abatements from the phlegm and stupidity of my neighbourhood; but here, every one seemed to catch the flame, and to listen with reciprocal delight. Marietta Cornaro, whose lively talents are the boast of the Venetians, threw quick around her the glancing fires of genius.

What with the song of the Galuzzi, and those intellectual meteors, I scarcely knew to what element I was transported, and doubted for several moments, whether I was not fallen into a celestial dream: to wake was painful, and it was not without much lingering reluctance I left these scenes of enchantment and fascination, repeating with melancholy earnestness that pathetic sonnet of Petrarch’s—

LETTER VIII.

Reveries.—Walls of Padua.—Confused Pile dedicated to Saint Anthony.—Devotion at his Shrine.—Penitential Worshippers.—Magnificent Altar.—Sculpture of Sansovino.—Colossal Chamber like Noah’s Ark.

The splendour of the rising sun, for once in my life, drew little of my attention. I was too deeply plunged in my reveries, to notice the landscape which lay before me; and the walls of Padua presented themselves some time ere I was aware. At any other moment, how sensibly should I have been affected with their appearance! How many ideas of Antenor and his Trojans, would have thronged into my memory! but now I regarded the scene with indifference, and passed many a palace, and many a woody garden, with my eyes riveted to the ground. The first object that appeared upon lifting them up, was a confused pile of spires and cupolas, dedicated to blessed Saint Anthony, one of whose most eloquent sermons the great Addison has translated con amore, and in his very best manner.

You are too well apprised of the veneration I have always entertained for this inspired preacher, to doubt that I immediately repaired to his shrine. Mine was a disturbed spirit, and required all the balm of Saint Anthony’s kindness to appease it. Perhaps you will say I had better have gone to bed, and applied myself to my sleepy friend, the pagan divinity. It is probable that you are in the right; but I could not retire to rest without first venting some portion of effervescence in sighs and supplications. The nave was filled with decrepit women and feeble children, kneeling by baskets of vegetables and other provisions; which, by good Anthony’s interposition, they hoped to sell advantageously in the course of the day. Beyond these, nearer the choir, and in a gloomier part of the edifice, knelt a row of rueful penitents, smiting their breasts, and lifting their eyes to heaven. Further on, in front of the dark recess, where the sacred relics are deposited, a few desperate, melancholy sinners lay prostrate.

To these I joined myself. The sunbeams had not yet penetrated into this religious quarter; and the only light it received proceeded from the golden lamps, which hang in clusters round the sanctuary. A lofty altar, decked with the most lavish magnificence, supports the shrine. Those who are profoundly touched with its sanctity, may approach, and walking round, look through the crevices of the tomb, which, it is observed, exude a balsamic odour. But supposing a traveller ever so heretical, I would advise him by no means to neglect this pilgrimage; since every part of the recess he visits is decorated with exquisite sculptures. Sansovino and other renowned artists have vied with each other in carving the alto relievos of the arcade, which, for design and execution, would do honour to the sculptors of antiquity.

Having observed these objects with less exactness than they merited, I hastened to the inn, luckily hard by, and one of the best I am acquainted with. Here I soon fell asleep in defiance of sunshine. It is true my slumbers were not a little agitated. The saint had been deaf to my prayer, and I still found myself a frail, infatuated mortal.

At five I got up; we dined, and afterwards scarcely knowing, nor much caring, what became of us, we strolled to the great hall of the town; an enormous edifice, larger considerably than that of Westminster, but free from stalls, or shops, or nests of litigation. The roof, one spacious vault of brown timber, casts a solemn gloom, which was still increased by the lateness of the hour, and not diminished by the wan light, admitted through the windows of pale blue glass. The size and shape of this colossal chamber, the arching of the roof, with enormous rafters stretching across it, and, above all, the watery gleams that glanced through the dull casements, possessed my fancy with ideas of Noah’s ark, and almost persuaded me I beheld that extraordinary vessel. The representation one sees of it in many an old Dutch Bible, seems to be formed upon this very model, and for several moments I indulged the chimera of imagining myself confined within its precincts. Could I but choose my companions, I should have no great objection to encounter a deluge, and to float away a few months upon the waves!

We remained till night walking to and fro in the ark; it was then full time to retire, as the guardian of the place was by no means formed to divine our diluvian ideas.

LETTER IX.

Church of St. Justina.—Tombs of remote antiquity.—Ridiculous attitudes of rheumatic devotees.—Turini’s music.—Another excursion to Fiesso.—Journey to the Euganean hills.—Newly discovered ruins.—High Mass in the great Church of Saint Anthony.—A thunder-storm.—Palladio’s Theatre at Vicenza.—Verona.—An aërial chamber.—Striking prospect from it.—The Amphitheatre.—Its interior.—Leave Verona.—Country between that town and Mantua.—German soldiers.—Remains of the palace of the Gonzagas.—Paintings of Julio Romano.—A ruined garden.—Subterranean apartments.

Immediately after breakfast we went to St. Justina’s. Both extremities of the cross aisles are terminated by altar-tombs of very remote antiquity, adorned with uncouth sculptures of the evangelists, supported by wreathed columns of alabaster, round which, to my no small astonishment, four or five gawky fellows were waddling on their knees, persuaded, it seems, that this strange devotion would cure the rheumatism, or any other aches with which they were afflicted. You can have no conception of the ridiculous attitudes into which they threw themselves; nor the difficulty with which they squeezed along, between the middle column of the tomb and those which surround it. No criminal in the pillory ever exhibited a more rueful appearance, no swine ever scrubbed itself more fervently than these infatuated lubbers.

I left them hard at work, taking more exercise than had been their lot for many a day; and, mounting into the organ gallery, listened to Turini’s[7] music with infinite satisfaction. The loud harmonious tones of the instrument filled the whole edifice; and, being repeated by the echoes of its lofty domes and arches, produced a wonderful effect. Turini, aware of this circumstance, adapts his compositions with great intelligence to the place. Nothing can be more original than his style. Deprived of sight by an unhappy accident, in the flower of his days, he gave up his entire soul to music, and can scarcely be said to exist, but from its mediums.

When we came out of St. Justina’s, the azure of the sky and the softness of the air inclined us to think of some excursion. Where could I wish to go, but to the place in which I had been so delighted? Besides, it was proper to make the Cornaro another visit, and proper to see the Pisani palace, which happily I had before neglected. All these proprieties considered, Madame de R. accompanied me to Fiesso.

The sun was just sunk when we arrived. The whole ether in a glow, and the fragrance of the arched citron alleys delightful. Beneath them I walked in the cool, till the Galuzzi began once more her enchanting melody. She sang till the fineness of the weather tempted us to quit the palace for the banks of the Brenta. A profound calm reigned upon the woods and the waters, and moonlight added serenity to a scene naturally peaceful.

We supped late: before the Galuzzi had repeated the airs which had most affected me, morning began to dawn.

September 8th.

THE want of sound repose, after my return home, had thrown me into a feverish and impatient mood. I had scarcely snatched some slight refreshment, before I flew to the great organ at St. Justina’s; but tried this time to compose myself, in vain.

Madame de Rosenberg, finding my endeavours unsuccessful, proposed, by way of diverting my attention, that we should set out immediately for one of the Euganean hills, about six or seven miles from Padua, at the foot of which some antique baths had been very lately discovered. I consented without hesitation, little concerned whither I went, or what happened to me, provided the scene was often shifted. The lanes and inclosures we passed, in our road to the hills, appeared in all the gaiety that verdure, flowers, and sunshine could give them. But my pleasures were overcast, and I beheld every object, however cheerful, through a dusky medium.

Deeply engaged in conversation, distance made no impression, and I found myself entering the meadow, over which the ruins are scattered, whilst I imagined myself several miles distant. No scene could be more smiling than this which here presented itself, or answer, in a fuller degree, the ideas I had always formed of Italy.

Leaving our carriage at the entrance of the meadow, we traversed its surface, and shortly perceived among the grass, an oblong basin, incrusted with pure white marble. Most of the slabs are large and perfect, apparently brought from Greece, and still retaining their polished smoothness. The pipes to convey the waters are still perfectly discernible; in short, the whole ground-plan may be easily traced. Near the principal bath, we remarked the platforms of several circular apartments, paved with mosaic, in a neat simple taste, far from inelegant. Weeds have not yet sprung up amongst the crevices; and the freshness of the ruin everywhere shows that it has not long been exposed.

Theodoric is the prince to whom these structures are attributed; and Cassiodorus, the prime chronicler of the country, is quoted to maintain the supposition. My spirit was too much engaged to make any learned parade, or to dispute upon a subject, which I abandon, with all its importance, to calmer and less impatient minds.

Having taken a cursory view of the ruins, we ascended the hill just above them, and surveyed a prospect of the same nature, though in a more lovely and expanded style than that which I beheld from Mosolente. Padua crowns the landscape, with its towers and cupolas rising from a continued grove; and, from the drawings I have seen, I should conjecture that Damascus presents somewhat of a similar appearance.

Taking our eyes off this extensive prospect, we brought them home to the fragments beneath our feet. The walls exhibit the opus reticulatum, so common in the environs of Naples. A sort of terrace, with the remaining bases of columns which encircle the hill, leads me to imagine here were formerly arcades and porticos, constructed for enjoying the view; for on the summit I could trace no vestiges of any considerable edifice, and am therefore inclined to conclude, that nothing more than a colonnade surrounded the hill, leading perhaps to some slight fane, or pavilion, for the recreation of the bathers below.

A profusion of aromatic flowers covered the slopes, and exhaled additional perfumes, as the sun declined, and the still hour approached, which was wont to spread over my mind a divine composure, and to restore the tranquillity I might have lost in the day. But now it diffused its reviving coolness in vain, and I remained, if possible, more sad and restless than before.

September 9th.

YOU may imagine how I felt when the hour of leaving Padua drew near. It happened to be a festival, and high mass was celebrated at the great church of Saint Anthony in all its splendour. The ceremony was about half over when such a peal of thunder reverberated through the vaults and cupolas, as I expected would have shaken them to their foundations. The principal dome appeared invested with a sheet of fire; and the effect of terror produced upon the majority of the congregation, by this sudden lighting up of the most gloomy recesses of the edifice, was so violent that they rushed out in the wildest confusion. Had my faith been less lively, I should have followed their example; but, absorbed in the thought of a separation from those to whom I felt fondly attached, I remained till the ceremony ended; then took leave of Madame de R. with heartfelt regret, and was driven away to Vicenza.

September 10th.

THE morning being overcast, I went to Palladio’s theatre. It is impossible to conceive a structure more truly classical, or to point out a single ornament which has not the best antique authority. I am not in the least surprised that the citizens of Vicenza enthusiastically gave in to this great architect’s plan, and sacrificed large sums to erect so beautiful a model. When finished, they procured, at a vast expense, the representation of a Grecian tragedy, with its chorus and majestic decorations.

After I had mused a long while in the most retired recess of the edifice, fancying I had penetrated into a real and perfect monument of antiquity, which till this moment had remained undiscovered, we set out for Verona. The situation is striking and picturesque. A long line of battlemented walls, flanked by venerable towers, mounts the hill in a grand irregular sweep, and incloses the city with many a woody garden, and grove of slender cypress. Beyond rises a group of mountains; opposite to which a plain presents itself, decked with all the variety of meads and thickets, olive-grounds and vineyards.

Amongst these our road kept winding till we entered the city gate, and passed (the post knows how many streets and alleys in the way!) to the inn, a lofty handsome-looking building; but so full that we were obliged to take up with an apartment on its very summit, open to all the winds, like the magic chamber Apuleius mentions, and commanding the roofs of half Verona. Here and there a pine shot up amongst them, and the shady hills, terminating the perspective of walls and turrets, formed a romantic scene.

Placing our table in a balcony, to enjoy the prospect with greater freedom, we feasted upon fish from the Lago di Guarda, and the delicious fruits of the country. Thus did I remain, solacing myself, breathing the cool air, and remarking the tints of the mountains. Neither paintings nor antiques could tempt me from my aërial situation; I refused hunting out the famous works of Paul Veronese scattered over the town, and sat like the owl in the Georgics,

Twilight drawing on, I left my haunt, and stealing down stairs, enquired for a guide to conduct me to the amphitheatre, perhaps the most entire monument of Roman days. The people of the house, instead of bringing me a quiet peasant, officiously delivered me up to a professed antiquary, one of those precise plausible young men, to whom, God help me! I have so capital an aversion. This sweet spark displayed all his little erudition, and flourished away upon cloacas and vomitoriums with eternal fluency. He was very profound in the doctrine of conduits, and knew to admiration how the filthiness of all the amphitheatre was disposed of.

But perceiving my inattention, and having just grace enough to remark that I chose one side of the street when he preferred the other, and sometimes trotted through despair in the kennel, he made me a pretty bow, I threw him half-a-crown, and seeing the ruins before me, traversed a gloomy arcade and emerged alone into the arena. A smooth turf covers its surface, from which a spacious sweep of gradines rises to a majestic elevation. Four arches, with their simple Doric ornament, alone remain of the grand circular arcade which once crowned the highest seats of the amphitheatre; and, had it not been for Gothic violence, this part of the structure would have equally resisted the ravages of time. Nothing can be more exact than the preservation of the gradines; not a block has sunk from its place, and whatever trifling injuries they may have received have been carefully repaired. The two chief entrances are rebuilt with solidity and closed by portals, no passage being permitted through the amphitheatre except at public shows and representations, sometimes still given in the arena.

When I paced slowly across it, silence reigned undisturbed, and nothing moved, except the weeds and grasses which skirt the walls and tremble with the faintest breeze. Throwing myself upon the grass in the middle of the arena, I enjoyed the freedom of my situation, its profound stillness and solitude. How long I remained shut in by endless gradines on every side, wrapped as it were in the recollections of perished ages, is not worth noting down; but when I passed from the amphitheatre to the opening before it, night was drawing on, and the grand outline of a terrific feudal fortress, once inhabited by the Scaligeri, alone dimly visible.

September 11th.

TRAVERSING once more the grand piazza, and casting a last glance upon the amphitheatre, we passed under a lofty arch which terminates the perspective, and left Verona by a wide, irregular, picturesque street, commanding, whenever you look back, a striking scene of towers, cypress, and mountains.

The country, between this beautiful town and Mantua, presents one continued grove of dwarfish mulberries, with here and there a knot of poplars, and sometimes a miserable shed. Mantua itself rises out of a morass formed by the Mincio, whose course, in most places, is so choked up with reeds as to be scarcely discernible. It requires a creative imagination to discover any charms in such a prospect, and a strong prepossession not to be disgusted with the scene where Virgil was born.

The beating of drums, and sight of German whiskers, finished what croaking frogs and stagnant ditches had begun. Every classic idea being scared by such sounds and such objects, I dined in dudgeon, and refused stirring out till late in the evening.

A few paces from the town stand the remains of the palace where the Gonzagas formerly resided. This I could not resist looking at, and was amply rewarded. Several of the apartments, adorned by the bold pencil of Julio Romano, merit the most exact attention; and the arabesques, with which the stucco ceilings are covered, equal those of the Vatican. Being painted in fresco upon damp neglected walls, each year diminishes their number, and every winter moulders some beautiful figure away.

The subjects, mostly from antique fables, are treated with all the purity and gracefulness of Raphael; the story of Polypheme is very conspicuous. Acis appears, reclined with his beloved Galatea, on the shore of the ocean, whilst their gigantic enemy, seated above on the brow of Ætna, seems by the paleness and horrors of his countenance to meditate some terrible revenge.

When it was too late to examine the paintings any longer, I walked into a sort of court, or rather garden, which had been decorated with fountains and antique statues. Their fragments still remain amongst weeds and beds of flowers, for every corner of the place is smothered with vegetation. Here nettles grow thick and rampant; there, tuberoses and jessamine spring from mounds of ruins, which during the elegant reign of the Gonzagas led to grottoes and subterranean apartments, concealed from vulgar eyes, and sacred to the most refined enjoyments.

LETTER X.

Cross the Po.—A woody country.—The Vintage.—Reggio.—Ridge of the Apennines.—Romantic ideas connected with those mountains.—Arrive at Modena.—Road to Bologna.—Magnificent Convent of Madonna del Monte.—Natural and political commotions in Bologna.—Proceed towards the mountains.—Dreary prospects.—The scenery improves.—Herds of goats.—A run with them.—Return to the carriage.—Wretched hamlet.—Miserable repast.

September 12th, 1780.

A SHOWER, having fallen, the air was refreshed, and the drops still glittered upon the vines, through which our road conducted us. Three or four miles from Mantua the scene changed to extensive grounds of rice, and meads of the tenderest verdure watered by springs, whose frequent meanders gave to the whole prospect the appearance of a vast green carpet shot with silver. Further on we crossed the Po, and passing Guastalla, entered a woody country full of inclosures and villages; herds feeding in the meadows, and poultry parading before every wicket.

The peasants were busied in winnowing their corn; or, mounted upon the elms and poplars, gathering the rich clusters from the vines that hang streaming in braids from one branch to another. I was surprised to find myself already in the midst of the vintage, and to see every road crowded with carts and baskets bringing it along; you cannot imagine a pleasanter scene.

Round Reggio it grew still more lively, and on the other side of that sketch-inviting little city, I remarked many a cottage that Tityrus might have inhabited, with its garden and willow hedge in flower, swarming with bees. Our road, the smoothest conceivable, enabled us to pass too rapidly through so cheerful a landscape. I caught glimpses of fields and copses as we were driven along, that could have afforded me amusement for hours, and orchards on gentle acclivities, beneath which I could have walked till evening. The trees literally bent under their loads of fruit, and innumerable ruddy apples lay scattered upon the ground.

Beyond these rich masses of foliage, to which the sun lent additional splendour, at the utmost extremity of the pastures, rose the irregular ridge of the Apennines, whose deep blue presented a striking contrast to the glowing colours of the foreground. I fixed my eyes on the chain of distant mountains, and indulged a thousand romantic conjectures of what was passing in their recesses—hermits absorbed in prayer—beautiful Contadine fetching water from springs, and banditti conveying their victims, perhaps at this very moment, to caves and fastnesses.

Such were the dreams that filled my fancy, and kept it incessantly employed till it was dusk, and the moon began to show herself; the same moon which but a few nights ago had seen me so happy at Fiesso. I left the carriage, and running into the dim haze, abandoned myself to the recollections it excited....

At length, having wandered where chance or the wildness of my fancy led, till the lateness of the evening alarmed me, I regained the chaise as fast as I could, and arrived between twelve and one at Modena, the place of my destination.

September 13th.

WE traversed a champagne country in our way to Bologna, whose richness and fertility encreased in proportion as we drew near that celebrated mart of lap-dogs and sausages. A chain of hills commands the city, variegated with green inclosures and villas innumerable. On the highest acclivity of this range appears the magnificent convent of Madonna del Monte, embosomed in wood and joined to the town by a corridor a league in length. This vast portico ascending the steeps and winding amongst the thickets, sometimes concealed and sometimes visible, produces an effect wonderfully grand and singular. I longed to have mounted the height by so extraordinary a passage; and hope on some future day to be better acquainted with Santa Maria del Monte.

At present I have very little indeed to say about Bologna (where I passed only two hours) except that it is sadly out of humour, an earthquake and Cardinal Buoncompagni having disarranged both land and people. For half-a-year the ground continued trembling; and for these last six months, the legate and senators have grumbled and scratched incessantly; so that, between natural and political commotions, the Bolognese must have passed an agreeable summer.

Such a report of the situation of things, you may suppose, was not likely to retard my journey. I put off delivering my letters to another opportunity, and proceeded immediately after dinner towards the mountains. We were soon in the midst of crags and stony channels, that stream with ten thousand rills in the winter season, but during the summer months reflect every sunbeam, and harbour half the scorpions in the country.

For many a toilsome league our prospect consisted of nothing but dreary hillocks and intervening wastes, more barren and mournful than those to which Mary Magdalene retired. Sometimes a crucifix or chapel peeped out of the parched fern and grasses, with which these desolate fields are clothed; and now and then we met a goggle-eyed pilgrim trudging along, and staring about him as if he waited only for night and opportunity to have additional reasons for hurrying to Loretto.

During three or four hours that we continued ascending, the scene increased in sterility and desolation; but, at the end of our second post, the landscape began to alter for the better: little green valleys at the base of tremendous steeps, discovered themselves, scattered over with oaks, and freshened with running waters, which the nakedness of the impending rocks set off to advantage. The sides of the cliffs in general consist of rude misshapen masses; but their summits are smooth and verdant, and continually browsed by herds of white goats, which were gambolling on the edge of the precipices as we passed beneath.

I joined one of these frisking assemblies, whose shadows were stretched by the setting sun along the level herbage. There I sat a few minutes whilst they shook their beards at me, and tried to scare me with all their horns. Being tired with skipping and butting at me in vain, the whole herd trotted away, and I after them. They led me a dance from crag to crag and from thicket to thicket.

It was growing dusky apace, and wreaths of smoke began to ascend from the mysterious depths of the valleys. I was ignorant what monster inhabited such retirements, so gave over my pursuit lest some Polypheme or other might make me repent it. I looked around, the carriage was out of sight; but hearing the neighing of horses at a distance, I soon came up with them, and mounted another rapid ascent, from whence an extensive tract of cliff and forest land was discernible.

A chill wind blew from the highest peak of the Apennines, and made a dismal rustle amongst the woods of chesnut that hung on the mountain’s side, through which we were forced to pass. Walking out of the sound of the carriage, I began interpreting the language of the leaves, not greatly to my own advantage or that of any being in the universe. I was no prophet of good, and had I but commanded an oracle, as ancient visionaries were wont, I should have flung mischief about me.

How long I continued in this strange temper I cannot pretend to say, but believe it was midnight before we emerged from the oracular forest, and saw faintly before us an assemblage of miserable huts, where we were to sleep. This wretched hamlet is suspended on the brow of a bleak mountain, and every gust that stirs, shakes the whole village to its foundations. At our approach two hags stalked forth with lanterns and invited us with a grin, which I shall always remember, to a dish of mustard and crows’ gizzards, a dish I was more than half afraid of tasting, lest it should change me to some bird of darkness, condemned to mope eternally on the black rafters of the cottage.

After repeated supplications we procured a few eggs, and some faggots to make a fire. Pitching my bed in a warm corner I soon fell asleep, and forgot all my cares and inquietudes.

LETTER XI.

A sterile region.—Our descent into a milder landscape.—Distant view of Florence.—Moonlight effect.—Visit the Gallery.—Relics of ancient credulity.—Paintings.—A Medusa’s head by Leonardo da Vinci.—Curious picture by Polemberg.—The Venus de Medicis.—Exquisitely sculptured figure of Morpheus.—Vast Cathedral.—Garden of Boboli.—Views from different parts of it.—Its resemblance to an antique Roman garden.

September 14th, 1780.

THE sun had not been long above the horizon, before we set forward upon a craggy pavement hewn out of rough cliffs and precipices. Scarcely a tree was visible, and the few that presented themselves began already to shed their leaves. The raw nipping air of this desert with difficulty spares a blade of vegetation; and in the whole range of these extensive eminences I could not discover a single corn-field or pasture. Inhabitants, you may guess, there were none. I would defy even a Scotch highlander to find means of subsistence in so rude a soil.

Towards mid-day, we had surmounted the dreariest part of our journey, and began to perceive a milder landscape. The climate improved as well as the prospect, and after a continual descent of several hours, we saw groves and villages in the dips of the hills, and met a string of mules and horses laden with fruit. I purchased some figs and peaches from this little caravan, and spread my repast upon a bank, in the midst of lavender bushes in full bloom.

Continuing our route, we bade adieu to the realms of poverty and barrenness, and entered a cultivated vale, shaded by woody acclivities. Amongst these we wound along, between groves of poplar and cypress, till late in the evening. Upon winding a hill we discovered Florence at a distance surrounded with gardens and terraces rising one above another; the full moon seemed to shine with a peculiar charm upon this favoured region. Her serene light on the pale grey of the olive, gave a visionary and Elysian appearance to the landscape, and I was sorry when I found myself excluded from it by the gates of Florence.

I slept as well as my impatience would allow, till it was time next morning (Sept. 15,) to visit the gallery, and worship the Venus de Medicis. I felt, upon entering this world of refinement, as if I could have taken up my abode in it for ever, but, confused with the multitude of objects, I knew not on which first to bend my attention, and ran childishly by the ample ranks of sculptures, like a butterfly in a parterre, that skims before it fixes, over ten thousand flowers.

Having taken my course down one side of the gallery, I turned the angle and discovered another long perspective, equally stored with master-pieces of bronze and marble. A minute brought me to the extremity of this range, vast as it was; then, flying down a third, adorned in the same delightful manner, I paused under the bust of Jupiter Olympius; and began to reflect a little more maturely upon the company in which I found myself. Opposite, appeared the majestic features of Minerva, breathing divinity: and Cybele, the mother of the gods.

Having regarded these powers with due veneration, I next cast my eyes upon a black figure, whose attitude seemed to announce the deity of sleep. You know my fondness for this drowsy personage, and that it is not the first time I have quitted the most splendid society for him. I found him at present, of touchstone, with the countenance of a towardly brat, sleeping ill through indigestion. The artist had not conceived very poetical ideas of the god, or else he never would have represented him with so little grace and dignity.