IN SILK ATTIRE (continued 2)

"And a pretty example to set the children," said Mrs. Anerley. "Whoever laughs at mamma is sent upstairs to bed at once."

"Dove," said Will, suddenly, "do you know where you are going to-morrow?"

"No."

"Up to town. We're all going, except those young people who must remain in expectation of what we shall bring them when we return. You shall see, Dove—what shall you not see? I have always promised to give you a good dose of town; and now you shall have it. You shall sit up in a wire cage in the House of Commons, and look over the heads of the reporters on the drowsy gentlemen beneath. You shall see Mr. Gladstone, lying back, with his head in the air; you shall see Mr. Disraeli, apparently going to cry; and Lord Stanley, with his hat on the back of his head, and his hands in his pockets, looking as if he had just lost a bet."

"I shouldn't care a bit about one of them," said Dove.

"Then you shall go to another wire cage at Evans's; and you shall see a row of pale little boys in black, with their hands behind them, singing to rows of decorous gentlemen; or you may light upon the audience in its idiotic stage, and find them applauding Philistinic politics over their raw chops. Then—and listen, mamma!—the programme begins with a box, to-morrow evening, at the —— theatre, where Miss Annie Brunel is playing her 'Juliet.'"

"The new actress, Will?" asked his father.

"Yes."

"Ah! now you promise us something worth seeing," said Dove, with glad eyes. "And oh, mamma, Will knows Miss Brunel, and has spoken to her, and says that she is——"

"Lovely," she was about to say; but she added "pretty," moderating her enthusiasm.

"Yes, I think she is rather pghetty," said Will; at which all the children laughed. "But you'll judge for yourself to-morrow night."

After dinner, and when the children had received a tiny sip of port wine along with their fruit, Mr. Anerley proposed to Will that they should smoke outside; and so a small table, some decanters and glasses, and a few chairs were carried out, and placed under a great cedar tree, which was now beginning to get a soft green velvet over its dark shelves of branches.

"Dove," whispered Mr. Anerley, "go and ask mamma if I mayn't have my song to-day?"

"But, papa, it's Sunday."

"Tell mamma to take all the children into the meadow, with some bread for the pony. They won't hear it, then."

This was accordingly done; and then Dove, opening the French window of the drawing-room, so that the music might pass out to the gentlemen underneath the cedar, sang, very prettily indeed, Mr. Anerley's particular song—"Where the bee sucks." Her voice was not a powerful one, but it was very tender and expressive; and there was a quaint softness in that purring habit of hers which made her sing, "Meghily, meghily shall I sleep now."

And when she went outside to Mr. Anerley, and knelt down beside him, to ask him if he was satisfied, he put his arm round her waist and said, with a smile,

"Meghily, meghily shall I sleep now, my darling. I should have been miserable all the afternoon if I had not heard my own song. I believe I wrote it, Dove."

"You mustn't sleep now, papa," she said, blushing a little over her bad pronunciation, "for you said we were going to walk over to the Place this afternoon."

"So I did; and we will start presently."

CHAPTER VII.

BALNACLUITH PLACE.

"It often surprises me," said Mr. Anerley, as the little party made its way across the common of St. Mary-Kirby in the warm evening glow, "that Hubbard cares to keep up acquaintance with us. We always dislike people who have known us in ill-fortune, or penury, or great depression. I even hate the flavour of cigars that I have smoked when recovering from sickness; I must have others when I get quite well again. Now, Hubbard, with his deer-park, and harriers, and thirty thousand a year, ought to be disgusted with people who knew him as a tea-broker."

"Don't be so ill-natured about Mr. Hubbard, dear," said his wife, with a smile. "I'm sure he is a big, soft, stupid, well-meaning sort of man."

Mr. Anerley was not quite so certain about the softness and good intentions of the Count; but he charitably forbore to speak. Dove and Will, who had stood for a few seconds on the bridge, to watch the two swans come sailing towards them in expectation of crumbs—cleaving the burnished gold of the mill-head into long purple lines—now came up; and they walked away from the still little village, along the green lanes, until they drew near the Place.

It was a great, sombre, fine old building, which had figured in history under another name—a large building of gloomy red brick, with innumerable mullioned windows, and peaks, and stone griffins—a building that had here and there grown grey and orange with the lichens and rain and wind of many years. It stood upon a high terrace on the side of a hill sloping down to the river, which ran along the valley to St. Mary-Kirby; and at this point the stream—a line of flashing gold winding through the soft green—divided the terrace and lawn of the house from the great park opposite, with its magnificent elms and its small close-lying herd of deer. Round about the Place, too, were some fine trees, on a particular cluster of which a colony of rooks had established themselves at some bygone time. Altogether a noble and handsome old building was this Balnacluith Place, for which the Graf von Schönstein had—not without a purpose—expended a large sum of money, on his accession to fortune. Alas! the influence of the Place had fled the moment he bought it. The brilliant gentlemen and lovely ladies whom the Count had pictured to himself dining in the great hall, or walking in the broad park, never appeared. The grand old house had lost its mesmeric power; and no longer drew down from London those brilliant parties of wits, and beaux, and belles who once—as the Count had informed himself—held their merry revels there. He had sparkling wines at his command; lights he could have in abundance; when he chose, the dining-hall was brilliant with plate, and flowers, and fruit—but the ladies and gentlemen whom he had mentally invited stayed away. And he was not the man to go out into the highways and byways, and gather in beggars to his feast. He had aimed at a particular kind of guests: they had not come; but there was yet hope of their coming.

When the Anerleys drew near they perceived the figure of a man walking solitarily up and down the stone terrace in front of the house. His only companions were the couchant lions at each end of the terrace, which had kept guard there, over the few steps, for nearly a couple of centuries.

"It is Hubbard himself," said Mr. Anerley.

"He looks like the ghost of some dead owner of the house, come back to take his accustomed stroll," said Will.

"At all events, he is smoking," said Dove.

When the Count perceived his visitors, he threw away his cigar, and came down to meet them, saluting them with florid and formal courtesy.

"No need to ask how you are, Miss Anerley—charming as ever. Persuaded our friend Will to give up his wandering life, eh?"

This was the Count's great joke: it had never been known to fail—at least in rendering Dove very uncomfortable.

"What a fine evening! Look how beautiful the trees are down there!" he continued, allowing his eye to roam over the prospect before him in innocent pride—looking, indeed, as if he thought that God had prepared the sunset simply to light up Count Schönstein's park.

"It is a fine park; and a beautiful evening, too," said Mr. Anerley. "It is a pity that most beautiful things make one sad."

"That is because we don't possess them," said the Count, laughing; he was of a practical turn of mind.

The Count turned to the ladies, and—as was his universal custom when he wished to be polite—he insisted on their going inside and having a glass of wine.

"Look here, Anerley," he said, when both of them declined, "you must come and try some port I got down last night—bought it at the sale of Major Benson's cellar on Thursday—10*l.* a dozen, and cheap at the money."

"If it was sent home last night, I'd rather not," said Mr. Anerley, with a smile.

"I didn't mean that particular wine," replied the Count, unblushingly. "Or will you all stay and dine with me? Do; I dine at eight."

This was what is bluntly called a lie; the Count—except when circumstances compelled him—never forsook his old dinner-hour of five. He had, in fact, only begun his second cigar after dinner when the Anerley's arrived. But the Count probably fancied that a mere courtesy-lie wasn't much, and trusted to his visitors declining the invitation, which they did.

"I would rather go down and see the deer," said Dove. "Didn't you say you had some roe-deer amongst them?"

"Those I had brought from Schönstein?" said the Count, rather pompously. "They all died, as Hermann said they would. But it was an experiment, you know. I must get Hermann, if we're going into the park; the deer won't come to me."

He went into the house for a few moments, and reappeared, followed by the keeper, a splendid-looking fellow, with a brown, handsome face, great shoulders, and long legs encased in rough top-boots. This Hermann had been the head-keeper, chief forester, and what not, of Schönstein, when Mr. Hubbard bought the place; and on the principle of the Portuguese navigators, who brought home men and women from the Guinea Coast to prove that they had been there, the Count carried the big Schwarzwalder over to England with him, as a specimen of what he had purchased abroad. Unlike most of his Schwarzwald brethren, Hermann knew not a word of English; Hubbard knew not a word of German; and for many a month after his expatriation the efforts of master and man to understand each other formed a constant comedy at the Place. In one or two cases Mr. Anerley was besought to act as interpreter; and even now nothing delighted the stalwart, good-natured Blackforester so much as a long talk in his native language with any of his master's guests who were complaisant enough to humour him.

"Hermann," said the Count, loudly, to let his visitors know that now he could support his rank by talking in the language of the country which gave it him, "das Fräulein wunscht die—die Rehe zu sehen——"

"The Rehe are all died, Herr Graf," said the sturdy keeper, who would not have his native tongue burlesqued.

"Ich meine die—die—the deer that are there," said the Count, sharply and hotly, "und sie müssen, wissen Sie, etwas—etwas—eh—ah—etwas Speise——"

"Futter, nicht wahr?" suggested Will, looking gravely at Dove.

"Yes, yes, of course; the fellow knows well enough. I mean to get the deer to come up to him."

"They will come without nothing, Herr Graf," said the tall forester.

They crossed the small iron bridge leading from the lawn over the river into the park. The deer were for the most part lying down, underneath the shadow of three large oaks, one or two only still standing and nibbling the grass. When our party drew near, however, the whole herd rose and retreated a little, while one of the bucks came proudly to the front and stood with his small head and tall horns erect, watching the approach of the strangers.

"Will you come with me, Fräulein?" said Hermann; and Dove went forward with him, leaving the others behind.

No sooner had the keeper thus made himself distinctly visible, than two or three of the does came timidly forward, alternating a little quiet canter with a distrustful pause, and at last one of them came quite up to the keeper, and looked rather wistfully at his hand with her large soft brown eyes.

"This is her I call Lämmchen," said Hermann, stroking the small neck of the hind, "she is so tame. And there is Leopard over there, with the spots on him. I speak to them in German; they know it all the same."

One of the bucks now seemed also desirous to approach; looking about him in a sheepish way, however, as if it were beneath his dignity for him to follow the example of the women of his tribe.

"Komm her, du furchtsamer Kerl!" said Hermann, going forward, and taking hold of him by one of his broad, palmated horns; "he is a fine deer, is he not? Look at his horns and his bright colours. He is better than for to be in a park, like the cows. He should be in the woods."

He took a piece of brown bread from his pocket and gave it to Dove, who held it to the small mouth of the buck, where it was speedily nibbled up. Then she stroked his neck, and looked at his big, apprehensive eyes; and then they went back to the group whom they had left.

"Miss Anerley," said the Count, "won't you persuade those people to go inside and have some tea? I ought to be able to give you good tea, you know."

It was when the Count wished to be very modest and complaisant indeed that he joked about his old calling.

They went inside, and sat in a large, sombre, oaken-panelled room, with the fast fading light coldly falling through the diamond panes of the tall and narrow windows. Then lamps were brought in, and tea; and they sat talking and chatting for nearly an hour.

When they went out upon the terrace again to go home, there was a pale moonlight lying over the lawn, hitting sharply here and there on the stone mullions of the windows, and touching greyly and softly a thin mist which had settled down upon the park. It was a beautiful, still night; and as Dove and Will went home, they allowed Mr. and Mrs. Anerley to get on so far in front of them, that at last they were only visible as dark specks on the white road.

For some time they walked on in silence; and then Will said, carelessly:

"Will you go up to town with me to-morrow morning, Dove, and I'll devote the whole day to you; or will you come up with my father in the afternoon?"

She did not answer him; and then, in a second or two, when he looked down, he was surprised to find her eyes full of tears.

"Whatever is the matter, Dove?"

"Oh, Will," she said, turning the beautiful, wet eyes up to his face—and they were very beautiful in the soft moonlight—"I have been wanting to speak to you all day; and I have been so afraid. I wanted to ask you not to—not to go to Honduras—won't you give it up, if I ask you, Will?"

"Why should that trouble you, Dove? If I do go, it will only be a short trip; and then it will be of great advantage to me in this way, that if——"

"But Will, dear, listen to me for a moment," she said, with a piteous entreaty in her voice. "I know why you have always to go away from England, although you have been too kind-hearted to speak of it—I know it quite well—it's because I am to have the money that belongs to you, and you have to fight your way all by yourself, and leave your family year after year, and all because of me—and I won't have the money, Will—I hate it—and it's making me more miserable every day."

"Darling, don't distress yourself like that," he said, soothingly, for she was now crying very bitterly. "I assure you, you mistake the whole affair. I won't go to Honduras, if you like—I'll do anything you ask me. But really, Dove, I go abroad merely because, as I believe, one of my ancestors must have married a gipsy. I like to wander about, and see people, and live differently, and get generally woke up to what's going on in the world. Bless you, my darling, if it were money I wanted, I ought to have remained at home from the beginning. My father has only done what any well-thinking man would have done in his place—and you mustn't fret yourself about such a trifle——"

"I knew you would never acknowledge I was robbing you, Will; but I am. And all the time you were in Russia, and in Canada, whenever there was a heavy storm blowing, I used to lie awake at night and cry; because I knew it was I who had sent you away out there, and I thought you might be in a ship and in danger—all through me. And this morning, when you—when you said you were going to Honduras, I made up my mind then to go to papa to-morrow morning, and I'll tell him I won't have the money—I'll go away from you altogether rather, and be a governess——"

"Now, now, Dove, don't vex me and yourself about nothing," he said to her kindly. "I won't go to Honduras."

"You won't?"

"I won't."

She raised her head a little bit—in an entreating way—and the compact was sealed.

"I'll tell you what I shall do," he said, taking the hand that lay on his arm into his own. "I will stay at home, get myself into some regular work, take a small house somewhere near here, and then you'll come and be my wife, won't you, Dove?"

There was a slight pressure on his hand: that was her only answer. They walked on for some little time in silence; and then, catching a glimpse of her face, he stopped to dry the tears from her cheeks. While engaged in that interesting occupation, she said to him, with a little smile:

"It looks as if I had asked you, Will—doesn't it?"

"I don't think so," he said.

"It wouldn't matter, if I did—would it?" she asked, simply. "For you know how fond I am of you, Will."

They talked of that and a good many other relevant matters until they had reached St. Mary-Kirby. They paused for a moment on the bridge—to look at the dark shadows about the mill and the white sheen of the moonlight on the water; and then she whispered timidly:

"When shall we be married, Will?"

"We shall be maghied whenever you like, Dove," he said, lightly and cheerfully.

CHAPTER VIII.

JULIET.

By the time the "playing-in" farce was over, the house was quite full. That morning's papers had written in such a fashion about the new triumph of Miss Brunel on Saturday night, that long before the box-office was closed there was not a registered place in the building which had not been seized upon. Will foresaw what was likely to happen, and had asked Mr. Melton to secure him a box.

When the little party drove from the Langham—Will's rooms in town scarcely offering them the accommodation they required—Dove was in high spirits. It was the first time she had gone anywhere with the young gentleman opposite her since their "engagement;" and she already felt that comfortable sense of extended possession which married people enjoy. She took her seat in the brougham, which Count Schönstein had kindly placed at their disposal, with a new and fluttering pleasure; she already imagined herself to have the importance and the claims to attention of a wife; and she accepted Will's little courtesies in this light, and made herself very happy over the altered aspect of their relations.

When her opera-cloak had been hung up, and her tiny bouquet, opera-glass, and bill placed daintily before her, the graceful little woman ensconced herself in the corner, and timidly peeped round the curtain. She was dressed in a very faint blue silk, with sharp broad lines of white about it; and over and through her rippling brown hair ran the strings of blue pearls which Count Schönstein had given her. Not even Mrs. Anerley, who saw her often enough, could forbear to look with a tender pride upon the girl; and as for Mr. Anerley, whose tall, upright figure was hid in the shadow of the box, he would fain have sat down beside his adopted daughter, with his arm round her waist, and forgotten all about what they had come to see.

The orchestra finished its overture, chiefly composed of the delicate "Sonnambula" music, and the curtain rose. Dove was disappointed at not seeing Miss Brunel; and paid but little attention to the preliminary scenes.

Suddenly there was an extraordinary commotion throughout the house, and a burst of that fine, strong, thunderous music which artists love to hear—and then Dove saw advance a girlish-looking creature with a calm, somewhat pale, and interesting face, and beautiful black hair. She was only girlish in the slightness of her figure: there was an artistic completeness in her motions and a self-possession in her bearing which gave her something of a queenly look. She wore a magnificent white satin dress, the train of which lay in splendid masses behind her; and down over this white and gold fell a black lace veil, partly hiding the rich hair, and enclosing the clear, beautiful dark face. Dove was spell-bound by that face. It somehow suggested Italy to her, and blue skies, and music, and the passionate artistic warmth of the South. Nor was the illusion destroyed by the low chest-voice with which the girl replied to the questions of Lady Capulet. And from that moment, Dove thought no more of Miss Brunel and Will's friend. She was only Juliet, and Dove followed her sad story with an aching heart and a trembling lip.

During the matchless balcony scene, Will saw this intense sympathetic emotion growing upon the girl. I believe it is considered to be the proper thing for young ladies to be able to turn round and smile compassionately to each other, when the tragic sadness on the stage is making the women in the pit sob bitterly, and raising great lumps in the throats of the men. It is a pretty accomplishment, in its way; and may be indicative of other qualities which these young persons are accused of possessing. Dove's emotional tendencies had never been educated, however; and in this balcony-scene, as I say, she watched the lovers with a painful interest, which wrote its varying story every moment on her face. The theatre was still as death. The scarcely-uttered tendernesses of Juliet were heard as distinctly as if they had been breathed into one's ear; and the eyes of the audience drank in the trembling lights and shadows of her girlish passion with an unconscious delight and admiration. The abandonment of her affection, the reluctant declarations, the coy shrinkings, and piteous, playful, tender apologies were so blended as to make the scene an artistic marvel; and Dove sat "laughin' maist like to greet," as the old Scotch song says. Indeed she scarcely knew whether to laugh or cry with the delight—the absolute delight—which this piece of true art gave her; and when at last Juliet had forced herself to the parting—

"'Tis almost morning; I would have thee gone:

And yet no farther than a wanton's bird;

Who lets it hop a little from her hand,

Like a poor prisoner in his twisted gyves,

And with a silk thread plucks it back again,

So loving-jealous of his liberty"—

when, lingeringly and sadly, she had withdrawn from the balcony, Dove rose suddenly, and with a half-choked sob in her voice, said:

"Oh, Will, I should like so much to see her—and—and——"

"Kiss her," she had nearly said; but thinking it might be ridiculous, she stopped.

"It's against the rules, Dove," said Will, with a smile. "Besides, that isn't Miss Brunel you've been looking at; that is Juliet. Both are very nice ladies; but they are quite unlike each other."

Dove was terribly disappointed. She would like to have declared her conviction that Miss Brunel was Juliet, that she had every bit the same tenderness, and sweetness, and loveliness; but she was afraid her enthusiasm might make Mrs. Anerley laugh at her, and so she bore the rebuff patiently.

Presently, however, some one tapped at the box-door; and the next moment Will was introducing the manager, Mr. Melton, to his companions.

"My young friend here," said Will to Melton, while Dove's pretty face assumed an extra tinge of colour, "has been so much struck by Miss Brunel, that she would like to go and thank her personally."

Now Mr. Melton was in a very good humour. The house was crammed; there was almost no "paper" in it; and the prospect of a good run through the popularity of his new acquisition had warmed up his impassive nature into quite a pronounced geniality.

"Then you ought to introduce the young lady to Miss Brunel," said Mr. Melton, blithely. "If you like, I'll take you round at the end of the act, when Miss Brunel will have a little 'wait.'"

"Will you go, Dove?" asked Will.

"Yes," she said, timidly.

Just as the curtain fell upon the scene in Friar Lawrence's cell, at the end of the second act, Mr. Melton conducted Dove and Will down a tortuous little stone stair into a narrow passage, from which they entered into the wings. A noisy and prolonged recall was thundering throughout the house, and Miss Brunel was being led on to the stage by Romeo to receive renewed plaudits. When she returned and passed under the glare of the jets in one of the entrances, Will went forward to shake hands with her.

"I have to congratulate you again," he said.

"Thank you," she said, simply.

There had been a pleased smile of welcome in her eyes when they met; and yet it seemed to him that there was a strange, intense expression in her look which was not natural to it. Once or twice before he had seen her in the same circumstances; and invariably this unconscious, mesmeric intensity was present in her eyes. He explained it to himself by supposing that the emotional idealism of her assumed character had not quite died out of her yet.

Then she turned and saw Dove standing with Mr. Melton. Will begged to introduce his "sister;" and the brief ceremony was sufficiently singular. For a moment the dark, lambent eyes of Miss Brunel were fixed upon the fair young girl with a sort of hesitating look—an inquiring, apprehensive look, which Will never forgot; then all at once she frankly extended her hand. Dove, a little frightened, approached and shook hands with her.

"Mr. Anerley has spoken to me about you," said Annie Brunel; and Dove was conscious that the dark-haired girl before her knew her secret.

How singular it was to hear herself addressed in those low, rich tones which a few minutes ago were addressing Romeo in the moonlight! Dove almost felt herself enchanted; and could have believed at that moment that she herself belonged to the old, sad, sweet play, which seems to contain everything that was ever uttered about man's love and woman's devotion.

"I must go down to my dressing-room now," said Miss Brunel to Dove. "Will you come with me, if you are curious to see the place? I will send some one round with you to your box afterwards."

Will saw that Dove would like to go, so he settled the proposal by telling her not to be in Miss Brunel's way; and then he and Melton returned to the front of the house.

Dove was now conducted by her companion down into the theatrical Hades which lies beneath the stage. She saw the figures of the carpenters gliding like the spirits of the damned through the dusky twilight; she saw the cumbrous woodwork, the machinery of the traps, and what not, rendered faintly visible by the glimmering jets; and then she was led into the bright little room which was appropriated to Miss Brunel's use.

"You may go home if you like, now, Sarah," said the latter to her dresser. "Mrs. Christmas is in the theatre, and will be here presently."

"Thank you, miss," said the tidy little woman, who immediately hurried away home to get supper ready for her husband, a gasman in the theatre.

It was the best single dressing-room in the place; but it was not a very grand apartment. There was, however, a full-length mirror at one end, which had been privately presented (with a hint as to its destination) by Count Schönstein to Mr. Melton; and the manager had thought that the least he could do was to newly paper the little chamber. At present it was in a state of confusion which largely excited Dove's curiosity. The implements of stage effect were displayed before her, on the floor, on the table, and on the marble slab underneath the smaller looking-glass; and all around lay or hung divers articles of costume and ornament, the peculiarly bright materials and prominent decorations of which were very new to her. But it needed only a glance at Juliet's clear, beautiful face to see that she required very little "making-up," nor was Dove less surprised to find that the lace and similar little delicacies of the young actress's costume were real and valuable.

"My mother taught me to make all these things myself," she explained to Dove. "She was very particular about them; and used to say that when one meant to spend one's life in a profession, one ought to have as much pride in wearing real lace on the stage as out of doors."

"And do you mean to spend all your life in your profession?" asked Dove, timidly.

"Yes; why not?" said the girl, with a smile.

"I—I don't know," stammered Dove, blushing dreadfully.

"Come, be frank with me," said Annie Brunel, taking the girl's hand in hers. "Don't you think it very wicked to be an actress?"

Dove was now forced to explain herself.

"I don't, indeed," she said. "But I couldn't help thinking that you are too young and—and too pretty—to waste all your life in a theatre."

"Oh, nonsense," said Miss Brunel, laughing in a motherly sort of way. "I live only in the theatre. I find my life wasted whenever I go out of it, and spend my time in amusing myself like a child. I have nothing to interest me but the theatre; nothing to live for out of it; and it is only when I get into the spirit of my part that I feel myself all throbbing over with a delicious life. You cannot understand that? Why, my very fingers tingle with enjoyment; I get quite a new warmth within me; and many a time I can't help laughing or crying quite naturally when the scene suggests it. I'm sure no one in front has half the delight in a play that I have. I scarcely see the wings, and the prompter, and the scene-shifters; I forget the abominable smell of gas; and I should like to keep on the character for ever—if it is one that pleases me. When I get a new and unpleasant part, I hate acting. I feel as if I were doing exactly what Mrs. Christmas taught me; and that the people must be laughing at me; and I become afraid of the critics, and hope that I shan't forget the cues."

Here the call-boy came running to the door; Juliet was wanted for the second scene. She hastily departed; and Dove was left alone.

"How very friendly she must be with Will, to receive me so kindly, and talk to me so frankly," thought Dove; when it was her own pretty face that had won upon the young actress's heart.

The scene in Capulet's House is a short one, and Annie Brunel was speedily back in her room. She brought with her Mrs. Christmas; and the bright, white-haired little woman made a pert courtesy when she was introduced, and said how sorry she was to hear that the young lady had been sitting alone. The next moment she was running into a series of ludicrous stories about the mistakes inexperienced people had made in trying to find their way about the theatre by themselves; and it must be confessed that her anecdotes were sometimes so very humorous that it was as well that only ladies heard them.

"And something of the same kind," she continued, with her merry little eyes sparkling, "happened to Mr. ——, the celebrated author, you know, with Nelly Featherstone, who is in this theatre at the present moment—or ought to be. You know it was a benefit night, Miss—Anerley?—yes, Miss Anerley; and there was a general hurry-scurry, and he had been left in the wings. He asked a super how he should get to Mr. Crimp (and it was his benefit, my dear, and he had several friends with him, all drinking in his room), and the man told him to go to the first dressing-room on the right when he went downstairs. But his right was our left, as you know, my dear; and there were in the first dressing-room on the left Nelly Featherstone and her sister, and another girl, all dressing as hard as ever they could for the burlesque. Nelly was 'Perseus,' and before she had got on her tights, she was in—in a transition state, shall we say, my dear?"

Here the merry little woman laughed until the tears ran down her withered grey cheeks. "And up to the door goes Mr. ——, and opens it without thinking. Oh, Lor! what a fright he must have got! Nelly screamed at the pitch of her voice, and fell into a chair, and screamed again; and her sister Jeanie (she had some clothes on) ran at the poor man, and said something very offensive, and slammed the door in his face. Poor fellow, he nearly died of shame; and Nelly's scream told everybody of his blunder, and Crimp and all his friends shrieked over it—but not before him, my dear, for he was much too celebrated a man to be laughed at. Only he sent her next day an explanation and an apology through the manager, and as beautiful a bouquet as ever you saw; and he got a friend of his to write a lovely notice of her in the Diurnal itself, when old Yellowjaw's piece was—Mercy, gracious me! There's the call-boy again—run, Miss Annie!"

"Good-bye," said Miss Brunel, hurriedly, shaking hands with Dove. "I should like you to come often and see me."

She bent over her for a moment, kissed her lightly, and left.

"You know what that means?" said Mrs. Christmas to Dove. "That means that she will speak to no one this night again until her part is finished. All the theatre knows her way, and humours her. It's when the genius is working on her—that's what I say; and I know it, for I've seen it in her mother. There was the sweetest woman you ever heard of—not very friendly, Miss, you know, in the way of talking of her own affairs—and it's nothing I could ever make out about her life before I knew her—but the sweetest creature! the tenderest creature! And she was such a rare good actress, too—but nothing like her daughter; she knew that, and used to sit and talk for hours—it was the only thing she would talk about—over what she expected Miss Annie to be. And once she said to me, with tears running down her face, 'I pray every night that my little girl may be kept always an actress; and that she may never look for happiness outside her own profession.' But it's a shame to keep you here, Miss, if you've never seen Miss Annie's 'Juliet;' she said I was to take you back to your box when you wished to go."

So once more Dove passed through the gloomy region and worked her way upward to the light of the theatre. Her friends were astonished at her long absence; but they were too much enthralled by what was going on upon the stage to speak to her. And again Dove looked down upon that queenly little person with whom she had been talking; and could not explain to herself the strange sensation she then experienced. It seemed as if her visit to the dressing-room had been a trance; and that she had really been speaking with Juliet. In the dressing-room she had seen before her only a fine-looking, intellectual, and very courteous lady; but now upon the stage, she could not see this lady at all. She even lost the power of remembering her. Those jet-black tresses, those fine eyes, and that pale, beautiful forehead—above all, that rich, majestic voice—all these belonged to Juliet, were Juliet, and she knew that it was a Juliet in nature, if not in name, who had spoken to her, and taken her hand, and kissed her.

This is perhaps the severest test to which an artist can be put. When you know the writer of a book, you cannot help under-estimating the book. You are familiar with the author's personality, his habit of thought, perhaps with the material on which he works; you think of him more than of his book; and nothing but the soundest and most concentrated effort will overcome the influence of this unwittingly unjust scrutiny. When you know an actor or an actress, you involuntarily search for himself or herself in the assumed character; you look at the character from within, not from without; you destroy the illusion by a knowledge of its material elements. Nothing but the power of genius will force upon you under these circumstances the idealism which the artist is labouring to complete.

But Dove was an easy subject for the spiritual magnetism of art. Her keenly sympathetic nature vibrated to the least motion of the magician's hand; and when the passionate climax of Juliet's misery was reached, Dove had entirely lost self-control. For a little time she tried to retain her composure, although Mrs. Anerley saw her lips suddenly tremble when Juliet begged the Friar to show her some means of remaining faithful to her husband—

"And I will do it without fear or doubt,

To live an unstain'd wife to my sweet love."

But in the final scene she quite broke down. She rose and went to the back of the box, and stood in a corner, sobbing bitterly. Mr. Anerley drew her towards him; and tried to soothe her, in his quiet, kindly way.

"My darling, why should you vex yourself? You will see 'Juliet' alive in a few minutes."

"I know it well enough," she said, trying to assume her ordinary manner, "but it's very wrong for any one to write things like that, to make people cry."

"The naughty Shakespeare shan't do it again, that he shan't," said Will, compassionately. "And as for Miss Brunel, who is most in fault—but here she comes!"

Will picked out of the corner the large bouquet which lay there; and returned in time to let it drop—nearly the first of a fine collection of similar tributes which welcomed the triumph of the young actress—almost at her feet. Romeo picked it up, along with two others; she took this particular one and sent a single bright look so clearly up to the box, that a good many heads were turned thither. When Romeo had picked up the remaining bouquets, and when she had again and again bowed her acknowledgments of the cordial applause of the theatre, the girl with the pale face and the black hair retired, and the people calmed down.

"Now, Dove," said Will, "if you wish to be cheered up a bit before going, there is as absurd a farce as ever was written to follow. Shall we stay?"

"Just as you please, Will," said Dove, looking down.

The first of her new duties, she thought, was submission and obedience; and she hoped neither Mr. nor Mrs. Anerley noticed her little conjugal effort.

It was agreed, however, that they should go home at once; and Will went off to hunt up Count Schönstein's brougham. In a short space of time they were seated in the Langham hotel, awaiting supper.

"And not the least pleasant part of a play," said Mr. Anerley, dogmatically, as he fingered one of his wine-glasses, "is the supper after. You come out of the gas and the heat into a cool, fresh room; and—and—waiter! bring some ice, please."

"Yes, sir."

CHAPTER IX.

THE COUNT'S BROTHER.

On that same evening Herr Graf von Schönstein dined with his brother, Mr. John Hubbard, at his residence, Rose Villa, Haverstock Hill. The Count, since his grand accession to fortune, was not a frequent visitor at his brother's house; but when he did go there he was treated with much deference and apparent kindness.

There were at dinner only the Count, his brother, his brother's wife, and her sister. When the two ladies rose to go into the drawing-room, Mrs. Hubbard said to the Count, who had sprung to the door:

"Pray don't leave us two poor creatures all to ourselves; you may smoke in the drawing-room whenever you please to come in."

"Jack," said the Count, returning to the table and pulling out his cigar-case, "that wife of yours is an angel."

And so she was an angel—that is, a being without predicates. She was a mild, colourless, pretty woman, never out of temper, never enthusiastic, absolutely ignorant of everything beyond drawing-room accomplishments, scarcely proud even of her smooth, light-brown hair, her blue eyes, and rounded cheeks. She knew, of course, that there were few women of her age looked so well and so young; she did not know to attribute that rotundity and youthfulness of face to her easy temperament, her good disposition, and lack of brain. Mrs. John Hubbard was conscious of thinking seriously only upon one subject; and that was whether the Count, her brother-in-law, could be induced to marry her sister, or whether he would remain unmarried, and leave his large fortune to her eldest boy Alexander, a young gentleman of eight, who now, in Highland dress, was about to sit down to the piano and delight his mother and aunt with a staccato rendering of "La ci darem la mano."

There were reasons why Mrs. Hubbard should be disquieted upon this point.

"Quite an angel," said the Count, oracularly. "But we mustn't go into the drawing-room just yet. I want to talk to you, Jack, about that young lady, you know."

"Miss Brunel?"

"Yes. Will you mind my taking a glass of that pale port of yours with my cigar? I know it's a shame, but——"

"Don't mention it, Fred; I wish you'd come oftener and try it."

John Hubbard straightened himself up in the wide easy chair, and prepared to receive his brother's disclosures or questions on a matter which was deeply interesting to them both. John was very unlike his stout, pompous brother; a thin little man, with grey hair and grey eyes; troubled by a certain twitching of the eyebrows, and affected generally by a weak and extremely nervous constitution. An avaricious man who sees his younger brother become possessed of thirty thousand a year, which he himself expected to get, generally exhibits other than fraternal feelings; but whatever John Hubbard may have felt, the fact remains, that so soon as his brother Frederick became the undoubted owner of this money, he, John, began to observe towards him a severe deference and courtesy. When the Count went to dine at Rose Villa, there were no tricks played upon him in the matter of wine. The claret-cup was not composed of "sudden death," at ten shillings a dozen, with a superabundance of water, and cucumber peel instead of borage. The dry sherry was not removed with the fish, in the hope that the dulled after-dinner palate might accept some Hambro' decoction with equanimity. One wine was pretty much the same as another wine to the Count von Schönstein; but he was pleased to know that his brother thought so much of him as to be regardless of expense.

"Are you quite sure, Jack," said the younger brother, drawing his chair near, "that nobody, beyond those you mentioned to me, knows who Miss Brunel is?"

"As far as I know, Fred; as far as I know," said the other, in an injured querulous tone. "I can't hold myself responsible, and I'm not infallible."

"In a matter of this kind," said the Count, smiling benignly, "most people seem to think that Cayley and Hubbard are infallible. They say you are the repositories of all the scandals of the aristocracy; and that you might turn England upside down by publishing what you know. But I daresay that's exaggerated. Now, don't you think that some one who remembers that story of twenty-five years ago, and happens to see Miss Brunel, might recognise the resemblance between her and her mother, and then begin to inquire into the affair?"

There was a strong twitching of John Hubbard's eyebrows. He was far from being a good-tempered man; and to be compelled to sit and play the hypocrite was almost too much for him. He saw clearly whither these questions tended. He knew his brother's ruling passion; he knew there was nothing he would not do to be admitted among those people who had refused to recognise his purchased title. Again and again he had inwardly cursed his folly in telling the Count the story of Annie Napier and her daughter; that breach of professional confidence was likely to lose his family thirty thousand a year. Can one conceive a more tantalising position for a narrow-minded and avaricious man to assume than the involuntary prompting and guidance of a scheme which is likely, in the most gratuitous way, to deceive his own most dearly cherished hopes? If some one else had suggested to the Count a marriage with Miss Brunel as a possible passport to society, John Hubbard would not have been so chagrined. He would have been able to dissuade his brother from the step with such reasons as he could discover. But he had himself told the Count the real history of Annie Brunel; he was compelled to furnish him with all sorts of information; and saw, through his own instrumentality, that money slipping out of his fingers which otherwise might have been his or his son's.

"I have explained it to you before, Fred," he said, patiently. "Old Mr. Cayley, who went out to America to see the Marquis of Knottingley's wife, lives down in Suffolk, where he is not likely to meet people who have much interest in Miss Brunel. Besides, he has a very fine sense of honour in these matters, and would not break a pledge he gave to Miss Brunel's mother, not to seek in any way to induce her daughter to leave the stage. And you know the people who knew of the marriage were very few; and most of them are dead. Mr. Palk is in his dotage, and lives in Westmoreland. Then who is likely to remember Miss Napier's appearance: or to perceive a likeness between her and Miss Brunel beyond the casual likenesses which occur constantly on the stage? I believe I could count on my ten fingers all the people who know who Miss Brunel really is. There's my wife—one; old Mr. Cayley—two; Cayley, my partner—three; you yourself——"

He stopped; for his brother was evidently not listening to him. So pre-occupied was the Count, indeed, that he broke the ash off the end of his cigar upon the edge of his wine-glass, allowing the ash to fall into the port.

"I hope I haven't poisoned you with some of my wines," said John Hubbard, with a thin laugh.

"I beg your pardon!" said his brother, reaching over for another glass; "I really didn't know what I was about. The whole affair seems to me so romantic and impossible—like a play, you know, or something of that sort. I can scarcely believe it; and yet you lawyer fellows must sometimes meet with such cases."

"I have one of my people down in Southend just now, trying if he can trace anything about a woman and her child who, we believe, lived there eighteen years ago. If we find her, a curious story will come out. But I never in the whole course of my life heard of any woman, except Miss Napier, who refused a title and a fortune, which were by right her own. I suppose the common-sense of actresses gets poisoned by the romantic sentiment in which they live and breathe."

"If you mean as regards money," said the Count, with a patronising smile, "I can assure you that most actresses have an uncommonly small proportion of sentiment and a very tolerable share of sense. Miss Brunel's mother must have been an extraordinary woman in many respects—what you and I would consider a fool, though many people would give her folly a fine name. Now, about revealing this secret, to Miss Brunel, don't you think some of the Marquis's relatives might do that?"

"They would cut their fingers off first," said John Hubbard, with nervous decision. "They knew every action of her mother after she left this country—so old Mr. Cayley told me; they now watch her daughter closely, and try to discover everything they can about her; and their intensest hope is that she may never learn what a splendid property lies at her command, so that it may revert to them or their heirs, as the will directs. And what a property it is, Fred!"

"Ah! I suppose so," said the Count, with a sigh.

To do him justice, he did not consider so much as another might have done the money he would get by marrying Miss Brunel: his desire to marry her was wholly selfish, but the selfishness was begotten of no greed of money.

"The trustees are as diligent in looking after the property as though it were to be given up to-morrow. And how those rents accumulate! It was Lord Belsford who proposed to use up some of the money in buying off the mortgages which still hung over the Northamptonshire estate from the time of the Marquis's father; and now that has been done, it is nothing but a huge machine turning out money for nobody's use."

The little nervous lawyer seemed to be quite overwhelmed by the contemplation of such a thing. If he had had the option of becoming the proprietor of this valuable coining machine, he would not have allowed the opportunity to pass. And even now it occurred to him that in the event of his brother marrying Miss Brunel, and acquiring this vast wealth, the Count might, out of gratitude for the service done him in the matter, leave his thirty thousand pounds a year to the young gentleman in the adjoining drawing-room. The alternative was possible, but it was remote; John Hubbard would vastly have preferred his brother remaining unmarried.

"You know why I am so anxious to know all about this matter, Jack," said the Count, uneasily.

His brother nodded.

"It is a hazardous thing—seems to me almost impossible," continued the Count—and he was never tired of reiterating his doubts on the subject—"that such a fortune and title should belong to anybody without their knowing it."

"It was her mother's wish," said John Hubbard.

"Oh, I know," said the Count, "that she has been brought up to regard with apprehension every one out of her profession; and I know she believes that under no circumstances ought she to leave the stage. And yet I fancy she will not be very grateful either to her mother, or to old Mr. Cayley, or to the trustees, for keeping her in ignorance of her good fortune. And if she should consent to be my wife, she will probably accuse me of having used the secret for my own purpose."

The Count spoke as if such an accusation would do him a great injury. But the possibility of the future he had chalked out for himself drove away this ugly after-thought. He became quite excited. His face was flushed; his hand trembled as he lifted his glass.

"God knows," he said, earnestly, "that it is not her money I want. I'm not a fortune-hunter."

"You have a lot of money," said his brother, gently; while he watched his face with those mild grey eyes. "If you were to marry Miss Brunel, you could afford to part with what you have now."

"What do you take me for?" said the Count, with a touch of virtuous indignation. "If I were to marry Miss Brunel, I should insist on her settling all her money on herself. I have enough to live upon, thank God!"

John Hubbard's mind was made up on the spot.

"You will never marry Miss Brunel, Fred," he said, quietly.

"Why?" said the other, suddenly putting down the glass he had been lifting.

"Simply because her relatives on the father's side won't allow it."

"You said they——"

"They are content to say nothing while they hope to secure the reversion of the property through Miss Brunel's dying intestate," said John Hubbard, calmly, though his eyebrows were twitching nervously. "When, however, they understand that you, a brother of mine, and therefore likely to know how matters stand, are about to marry Miss Brunel, they will inform her of her true position, and implore her not to marry a man beneath her in rank. And you know, Fred, they will be able to point to your previous silence as a witness against you."

The first impulse of Count Schönstein was to dart an angry glance at the pale, quiet little man before him, as though the latter had dealt him an unprovoked blow; then, when he saw in his brother's calm face only corroborative testimony of the appalling truth he had uttered, the Count leant back in his chair, unable to conceal his fright and dismay.

At that moment, Master Alexander entered the room, and said:

"Please, Uncle Frederick, mamma says coffee is in the drawing-room, and will you come and have some?"

"Yes, yes, my boy," said the Count, jumping up from his chair.

He scarcely knew what he was about. John Hubbard rose also, and then they walked into the drawing-room, where Mrs. Hubbard saw something in her brother-in-law's face which she not unnaturally, but quite wrongly, attributed to his having taken too much wine.

Miss Fleet, Mrs. Hubbard's sister, was singing a certain popular ballad, expressing her wish that the laird might marry the lady of high degree, and declaring that, for her part, she would sooner dance upon the green with Donald. Miss Fleet's voice trembled consciously when the Count entered the room. She was a fine, roseate, country-looking woman of twenty-six or twenty-seven, much coarser and stouter than her elder sister; and she sang with those broad alternations of piano and forte which some girls, and nearly all actresses, consider to be effective. Miss Fleet, now that the Count had come in, simply roared in the louder passages, and then subsided into an almost inaudible whisper when she meant to be particularly tender.

"Thank you—thank you," said the Count, absently, when she had finished; but her ear detected no particular emphasis in the words for which she had been waiting.

Rose Villa was not a large place, but it possessed the advantage of being enclosed; and from the drawing-room one could slip out into a small garden which was quite surrounded and guarded by a row of trees. The Count sate at the French window leading out into this garden; and was so forgetful of all common politeness as to stare persistently out into the darkness, where the tall black trees were grouped in masses against the faint twinkling sky.

Like a government suddenly knocked out of its reckoning by an adverse vote, he "wished to consider his position." There had been plenty of difficulties in the way before; but this last stumbling-block so cruelly pointed out by his brother seemed the most irremovable of all. In a moment of temporary spleen, he was almost ready to give the whole thing up; and return to——

Then a vision of that lonely great house near St. Mary-Kirby arose before him, and he shrank from the weariness and dullness of his life there, from the restless hoping against hope which he had pursued there, from the constant disappointments following his best-directed efforts.

If he were to marry the girl, would not his path be clear? Beautiful in person, graceful in manner, with an intellect a thousand times superior to that of any woman she was likely to meet, he would have every reason to be proud of his wife; and then, as the husband of Lady Annie Ormond, the only daughter of the Marquis of Knottingley, and the owner of those fine estates which had such tempting shooting, would not their friendship be sought after and valued by the very persons who now, taking their cue from the Lord Chamberlain, doubtless, were graceless enough to look upon him as an interloper or adventurer?

Not by means of any chain of philosophic reasoning, but through a bitter experience, Count Schönstein had arrived at the conclusion that a large sum of money, per se, was not happiness. It was doubtless very well that he could have the finest wines and cigars, drive in comfortable vehicles, and be unhampered in spending money ostentatiously; but even when he was only a tea-broker, he had a modest brougham, such wine and cigars as he required, and spent quite as much in fashionable charities as he did now. He had found out that a man cannot, by doubling his income, eat two dinners a day instead of one. With thirty thousand a year he could drink no more wine than was possible to him when his annual income was to be counted in hundreds. Consequently he got tired of material pleasures which could not be increased; and sometimes he even ceased to enjoy boasting of the high prices he paid for such luxuries as he used. Like every other human being, he was forced to fix his desires upon something he did not possess; and he stupidly chose a difficult thing. Unaided, he might as well have sought to get up a crusade among Scotchmen for the restoration of the sacred stone which now rests in Westminster Abbey. He had set his heart upon gaining admission to the aristocracy; and the moon for which he cried was to be reached by no ladder of his making.

Mrs. Hubbard thought he was ill. Having attentively but covertly regarded him for some time, she went to her husband, who was getting himself another cup of coffee.

"John," she whispered, "has your brother been drinking Miss Betham's sherry by mistake?"

"No, my dear: how could he? There was none on the table."

Off goes Master Alexander to his uncle.

"Uncle Frederick, mamma wants to know if you've been drinking Miss Betham's sherry."

"If you will tell mo who Miss Betham is, I shall be able to——"

"Don't you know Miss Betham, our governess? She has some sherry every day for lunch, and nobody else will take the sherry that's kept for her, and——"

"Never mind the boy," said John Hubbard, coming hastily forward, with an awkward laugh. "It was only a joke. I said you looked as dull as though you'd been drinking Miss Betham's sherry; we do keep a light wholesome wine for her, and for the servants, when they get ill, you know."

Master Alexander said nothing; but he resolved to inform Miss Betham of the "crammer" his papa had made use of. Nor did Uncle Frederick care to ask how a light and wholesome wine (which in reality would have blushed at the sight of a grape) was likely to have made him ill.

The Count rose abruptly, opened the glass door, and, without a word of apology to the ladies, beckoned his brother to follow. They passed out into the garden, and the Count began to pace heavily up and down the gravelled pathway under the trees.

"I can't afford to give up this so easily as you seem to think, Jack," he said; and he spoke roughly and angrily.

"I always knew you had a strong will, Frederick," said his brother, gently.

"I've set my heart on it, I tell you. What's the use of my money to me? D—n it, Jack, I might as well be down in Thames Street again!"

"Few people would grumble if they had your good luck," said the elder brother, in his mildest voice.

"I don't care what few people, or what many people, would do. I know that when I make up my mind to a thing, I stick to it; and instead of you sitting quietly by and throwing obstacles in my way, the least you ought to do would be to help me."

"You're very unfair, Fred," said John Hubbard, in an injured tone; "wasn't I the first to tell you about Miss Brunel? And now——"

"And now you try to throw cold water on the whole business. But I am not a child. Miss Brunel's friends may be very aristocratic and very fine; but they have not all the power in their hands. Look here, Jack, what's to prevent my marrying Miss Brunel before they know anything about it? And after the marriage is over they may make what disclosures they please; I shall be beforehand with them."

"Are you sure that Miss Brunel will marry you, Fred?" said his brother, insidiously.

The Count laughed out, in his stormy and contemptuous way:

"Your brain has been turned, Jack, by hearing of that one actress who refused a lot of money. Take my word for it, you will never hear of another. If I offer Annie Brunel Balnacluith Place, my house in Bayswater, the place over in Baden, what horses and carriages she pleases, with as much company at home and gadding about abroad as she can wish for, I am not very apprehensive about her answer. When we were younger, Jack, we could have imagined some Joan of Arc declining these things; but now we know better."

"It is a strong temptation," said his brother, absently: he did not like to say how very uncertain he considered Annie Brunel's acceptance of the offer.

"And, besides," added the Count, with virtuous warmth, "I do not think I flatter myself when I look upon the money as not the only inducement. I'll make as good a husband to her as any one I know; and I don't think my disposition is quarrelsome or niggardly. And besides, Jack, she must remember that it is not every one who would marry an actress, and consent never to look into her past life, which in the case of an actress must have been made up of a good many experiences, you know. Of course I don't mean to depreciate her. She is doubtless a very honest, and good, and ladylike girl; but still—she mustn't expect too much."

And the Count was quite sincere in making this ingenuous speech. He rather considered himself a praiseworthy person in stooping to this unequal match. He had not the least perception of the selfishness of the view he took of the whole matter. It was quite natural to him to think only of his own ends and purposes, and he took no shame to himself for it. He never for a moment regarded the scheme from her point of view, nor stayed to inquire what might be the possible results of it where she was concerned. He did not even consider what her regard for him would probably be after she discovered the reasons which had induced him to marry her; nor that she was likely to have little respect for a man who had played upon her ignorance to further his own designs. The Count was conscious of acting quite honestly (to his own nature), and never thought that any one would accuse him of deceit in so doing.

CHAPTER X.

MISS BRUNEL AT HOME.

Will Anerley did not forget his promise to visit Annie Brunel, but he seemed in no hurry to fulfil it. Had he been a young man about town, the temptation of having something special to say at his club or at dancing parties about the new actress, of whom everybody was talking, would have proved too much for him. When a man, however, spends most of his dancing years abroad, and gets a good deal knocked about the world, he ceases to long for the petty celebrity of social gossip, and has no great desire to become a temporary hero among a lot of well-meaning but not very profound people, who are sure to mispronounce his name and take him for somebody else.

It happened one morning, however, that he had been invited to breakfast with a noble lord, then in the government, who was desirous of getting some special information wherewith to confound an opposition member who had given notice of his intention to ask a particularly ugly question in the House. His lordship thanked Will heartily for his kindness, hoped he might be able to return the service in some slight way; hinted something about a day's fishing if Anerley happened to be in the neighbourhood of a place of which he had never heard before; and then proceeded to get in order the catapult with which he hoped that evening to demolish the indiscreet member.

Having nothing particular to do just then, Will thought he would take a stroll in Kensington Gardens, and proceeded to take a short cut in that direction. Passing a little cul-de-sac of a street, which had not above half-a-dozen houses on each side, it struck him that the name on the wall was familiar to him. He then remembered that this was the place in which Annie Brunel lived; and thinking the occasion very opportune, he turned the corner and walked down to the proper house. They were very pretty little houses, with white pillars and porticoes draped with Virginian creepers, and with a good many trees around them. Miss Brunel had been fortunate enough to get the offer of one of these houses, furnished, at a moderate rent, and she and Mrs. Christmas had decided at once to accept it. It was a quiet little place, pleasantly situated, with a tolerably large garden behind.

Will passed inside the gate, and was about to ascend the steps, when the door above was opened, and a young lady came out of the house. Somehow he fancied he had seen her before—where, he knew not. She was rather an attractive-looking little person, with a pert, slightly up-turned nose, big and rather wicked blue eyes, short, loose brown curls, and a decided look of violet-powder about her forehead and neck. The saucy bright eyes looked at Will for a moment with a bold familiar glance, and there was a shadow of a smile on her pretty lips.

Of course he took off his hat, and muttered something like "Good morning."

"Good morning," she said, holding out her hand, and looking at him with those dangerous blue eyes. "Don't you remember me?"

The moment he heard the voice, he recognised it. It was the thrilling voice of "Perseus," of "Good-for-nothing" Nan, of "Peggy Green," of "The Little Rebel," of "Mrs. White," of "Fatima," of "Rose Dufard"—of Nelly Featherstone. Had her eyelashes been caked with cosmetique, her lips reddened with salve, and the violet-powder of her face tempered with glycerine and rouge, he would have recognised her at once; but there was a good deal of difference between Miss Featherstone in morning costume, with cold daylight on her face, and Miss Featherstone in the dashing and glittering garments of "Conrad the Corsair," with the glare of the footlights on her forced complexion and brilliant ornaments. For the rest, he had only heard of her as a good and well-meaning little girl, to whom Nature had given a deadly pair of eyes and a warm temperament. He was at first rather taken aback by her proffered friendship; but a few commonplaces relieved him from the predicament. She gave him a parting smile full of sweetness; and he went up to the door, and entered the house, leaving his card with the servant.

Presently Mrs. Christmas entered the drawing-room, and said that Miss Brunel would be glad to see him out in the garden, where she was then engaged.

"You seem to have been ill, Mrs. Christmas," said Will. "I hope that wild adventure upon Hounslow Heath had nothing to do with it."

"Indeed, I'm afraid it had, Mr. Anerley," said the little woman, whose bright eyes were unnaturally bright, her face also being unusually pale. "I have never been well since; but old folks like me mustn't complain, you know, Mr. Anerley. We mustn't complain if we get ill at times."

"I'm sorry you've been ill. You ought to go and live in the warm fresh air of the country, when the summer's fully in."

"I've never left Miss Annie for a day since her mother died, Mr. Anerley; and I'm not going to forsake her now. It would be hard on both of us."

"But she might go with you?"

"That's easy saying."

They went out and crossed a little bit of lawn, which had a few vases upon it, and here and there a plot of spring annuals. A short distance down the side-path they came to a small summer-house, which was arched over with a piece of light framework; and in front of this framework stood Annie Brunel, on a chair, tying up with loops of string the bright-leaved creepers, which were yet in their erratic youth. Her hands were busy over her head, and her face was upturned, showing the fine outline of her neck and figure—a shapeliness of bust which was not lessened by a tight-fitting and pretty morning dress, which Will thought the most graceful thing he had ever seen, particularly as it caught streaks of sunlight now and again through the diamond spaces above.

When he went up to her and shook hands with her, he fancied he observed a slight tinge of embarrassment in her face; but that quickly wore off, and she returned to her usual bright happiness of manner, continuing her work by fits and snatches. And every position into which her beautiful figure fell seemed more admirable than its predecessor.

"I wonder," thought Will, "if any man ever lifted her down from the saddle; and did he immediately die of joy?"

Perhaps he was sorry at the moment that one's descent from a chair is so obviously an easy feat.

"I'm doing this out of pure mischief," she said, "and earning for myself such heaps of muttered scolding and ill will. The gardener comes to us twice a week; and he is quite savage if I have meddled with anything in the meantime. I can't pacify him. I have tried every means; but he is too obdurate. Miss Featherstone says I ought to hire a young gardener, and I might have the garden done any way I wished."

"Sulky servants are always the best servants," said Will, rather absently; for the clear, dark Italian face, and the bright smile, and the white teeth, oppressed him with a vague, delicious melancholy. "But a gardener, whether he is good or bad, is always sulky. My mother is afraid to touch one of the plants in the greenhouse until it is half withered; and when some people come, and she carries off a lot of the plants for the hall and dinner-table, she trembles to meet the old man next morning. I suppose gardeners get so fond of their flowers as to be jealous, and jealousy is always cross. By-the-bye, wasn't that Miss Featherstone who left as I came in?"

"Yes."

"I scarcely knew her. In fact, I only saw her once before off the stage—at that supper; and yet she was kind enough to bid me good morning."

"Then she must have thought you were a newspaper gentleman," said Mrs. Christmas, with a good-natured little laugh. "She is very partial to them. And that one she knows just now teaches her such dreadful things, and the heedless girl repeats them wherever she goes, to make people laugh. What was it she said this morning, Miss Annie?—that on St. Patrick's Day there were so many wicked things done in Ireland, that the recording angel had to take to shorthand."

"Well, Lady Jane," said Miss Brunel, "you need not have repeated what she said; and it's very wrong of you to say anything against poor Nelly, who is a warm-hearted, mad little creature."

"She's not so simple as she looks," said Mrs. Christmas, nodding her head sagaciously. "I am an old woman, and I know. And the way she uses that poor young gentleman—him in the government office, who was at the supper, you know, Mr. Anerley—is downright shameful. She told me this morning that he made her swear on an open prayer-book never to put bismuth on her arms or neck again; I suppose because he expects to marry her, and doesn't want to have her all shrivelled up, and bismuth is very bad, you know, for that; and that newspaper gentleman whom she knows said, whenever she wanted to quarrel with the poor young man, and make him believe that she had perjured herself all for the love of shiny white arms, she ought to——!"

"Mr. Anerley," said the young girl, looking down from her work, "will you silence that talkative child by giving it a piece of sugar? What must you think of us actresses if she goes on like that?"

"She—bah!" said the old woman, in a melodramatic whisper, with a nod towards Miss Brunel. "She knows no more of Nelly Featherstone and the rest of 'em than an infant does. They don't talk to her like they do to an old woman like me."

"Now I have finished," said the young lady, jumping lightly down from the chair (Will did not even get the chance of taking her hand), "and we'll go inside, if you please."

"Shall I bring in the chair?" asked Will.

"Oh, no! We leave the old thing out here: it is for no other use."

Somehow it seemed to be quite a valuable chair in his eyes: he would have given a good deal to be its owner just then.

As they got indoors, Mrs. Christmas went upstairs, and Will followed Annie Brunel into the drawing-room, which was rather prettily furnished, and had a good deal of loose music scattered about the tables and piano. He had been in finer drawing-rooms, with grander ladies; and yet he had never before felt so rough and uncultivated. He wished he had looked particularly at his hair and moustache before corning out, and hoped they were not very matted, and loose, and reckless—which they certainly were. Indeed, he looked like some stalwart and bronzed seaman who had just come off a long voyage, and who seemed to regard with a sort of wonder the little daintinesses of land-life.

"I thought you had quite run away with my sis——, with that young lady, the other evening when she went to see you," he said.

"You would have been sorry for that," she replied, with a quiet smile.

Will was not at all so pleased with the gentle motherly tone in which she uttered these words as he ought to have been. She seemed to take it for granted that his love-secret was known to her; he would have preferred—without any particular reason—its not being known.

"What a gentle, loveable girl she is!" continued the young actress. "I never knew any one who so thoroughly won me over in a few minutes. She was so sweet, and quiet, and frank; one could tell by her face everything she thought. She must be very sensitive and affectionate; I hope so tender a creature will never have to suffer much. And you—you must be very proud of her."

"We all are."

Miss Brunel widened her eyes slightly, but said nothing.

"By the way," said Will, with an evident effort, "I gathered together a number of Suabian peasant-songs when I was out there, which I should like to hear you sing. I know you will like them, they are so tender and simple. Dove has tried one or two of them, but her voice is scarcely low and full enough for them——"

"Dove is your sister's name, is it not?"

"Yes."

"And how do you know I can sing at all?" she asked, with a smile.

"As well ask a star if it has light," said he, warmly.

"You have lived too long in the East," she retorted, gently.

When Mrs. Christmas came into the room at that moment, there was a slight constraint visible upon both the young people. Will felt that he had gone a little too far; while Annie Brunel seemed to think that she had rather rudely warned him off such dangerous ground. The danger was not in the words, but in his tone.

Mrs. Christmas had just received an East London local paper, in which some youthful poet had poured forth his rhapsodies over Annie Brunel and her 'Juliet.' There was nothing remarkable in the verses, except that the author hoped to meet Miss Brunel in heaven. This was natural enough. The almost inevitable climax of a commonplace poem is heaven, simply because heaven is the only idealism of commonplace minds. It is almost a matter of necessity, therefore, that hymns should end with "above," or "Eden," or "Paradise;" and that magazine poets should lay down their pen with a sigh of relief when they have left their readers somewhere among the fixed stars.

"It is kind of him to suppose that an actress may get to heaven at all," said Annie Brunel, when Mrs. Christmas had read the verses.

Once or twice before Will had remarked this tendency towards bitterness of feeling in the young girl's contemplation of the non-professional world. He could not divine its cause. He was vexed to see it; and now he said, boldly:

"You ought not to speak like that, Miss Brunel. You wrong both yourself and those of whom you speak. You really have imbibed—I don't know how—a singular prejudice against people out of your own profession."

"Don't they refuse in France to bury actors in consecrated ground?"

"If they did, the freaks of a clergy should never be blamed upon the people of any country. I suppose the priests, through the use of the confessional, were so dismayed about the prospects of their charge in the next world, that they thought this distinction the only piece of worldly consolation they could give them. But indeed, Miss Brunel, you must abandon that touch of Bohemianism which you unconsciously allow to escape you sometimes, and which is unfair to——"

"I won't have you argue for these people," she said, with a smile. "I was glad you came here this morning, for I want to win you over to us. Didn't I say, Lady Jane, when I first met him, that he was so unlike the other—what shall I call them?—outsiders? Well, perhaps it is foolish of me to talk about these people, for I know nothing whatever of them; but I have been educated to consider them as so much raw material to be deluded and impressed by stage effect, and I shall never be able to regard them as anything else than strangers. Haven't you seen the little girl in pink cotton and spangles who stands by while her father is performing tricks before a lot of village people? Haven't you seen her watch all the faces round, calculating the effect of the performance, and wondering how much it will produce in halfpence? No, you needn't laugh: that is precisely my attitude and feeling towards the public."

"You may tell that to one who has never seen you on the stage," said Will. "I know that you have no more thought of calculating the effect of what you are doing than the music of a violin has."

"That is because I am then a performer myself, and have to attend to my business. When I stand in one of the entrances, and hear the buzz of the theatre, I say to myself, 'My big children up there in the boxes, you have paid so much to be amused, and you don't care much for me; but in a few minutes I'll have you all as quiet as mice, and in a few minutes more I'll have the prettiest and best among you crying.'"

"My poor Dove's eyes were tremulous all the evening after seeing you," he said.

"I like to hear you speak kindly of her," she replied, looking him straight in the face with her clear and frank eyes. "She will need all the tenderness that friends can give her to make her life a happy one."

Will felt a dull sense of pain at his heart (why, he knew not) on hearing these true and touching words: somehow he fancied there was a sympathy almost prophetic in them.

"Come," she said, briskly, as she rose and went to the piano, "I am going to put you to the test. I make all my new friends submit to it; and according as they pass through it I regard them afterwards. I am going to play three funeral marches—Handel's, Beethoven's, and Mendelssohn's. When the person experimented on prefers a certain one of them, I consider her—I have not tried the experiment on a gentleman as yet—merely emotional and commonplace; therefore I don't care much for her. If she likes a certain other one, I think she is rather more intellectual, with some dramatic sensitiveness; and then I like her a good deal better. When she likes the third, then I think she must have the divinest sympathies, and I am ready to fall in love with her."

She had sat down to the piano.

"But the peril of failure is too great; I dare not risk it," said Will. "It is as hard a trial as the three caskets in the 'Merchant of Venice;' only, if the prize were to be the same, the chance——"

He had spoken quite thoughtlessly; but he saw in a moment, by the pain and confusion of the young actress, what a blunder he had made.

"Pray don't mind what I said, Miss Brunel," he urged. "I was talking to you without thinking, as I should have talked to Dove. I will submit to the three funeral marches, if you like——"

"I will spare you," she said, good-naturedly. "If you had some of your Suabian songs here just now, I should sing them to you. But really it seems a pity to use up such fine weather indoors; are you particularly engaged to-day?"

"I have no engagement if I can be of service to you."

"Mr. Anerley, I am neither a bulbul nor a gazelle. Shall I be trespassing on your time if I ask you to take a walk with me?"

"No."

"Lady Jane—Mrs. Christmas, I mean—and I take a stroll under the trees in Kensington Gardens every forenoon when I have no rehearsal."

"And I," said Will, "was on my way to the same place, for the same purpose, when I happened to see the name of the street, and thought I might venture to trespass on your patience."

So she went and dressed; and then together they passed out into the open air and the sunlight.

Will Anerley left that house a very different man from him who had entered it an hour and a half before. Nor was he conscious of the change.

CHAPTER XI.

IN THE PARK.

He only knew that he experienced a subtle pleasure in listening to the talk of this young girl, in watching the varying expression of her face, in admiring her beautiful eyes. The easy and graceful friendship they both seemed to entertain for each other was the simplest, most natural thing in the world. There could be no danger in it. Anerley's life had been too full of action to give him the deadly gift of introspection; but in no possible mood of self-analysis could he have regarded the temporary satisfaction of being near to and talking with the young actress as anything else than a pleasant and ordinary and harmless accident. He never for a moment dreamed of its producing any great result. Had the thing been suggested to him, he would have replied that both he and she understood each other perfectly: they had plenty to think of in life without indulging in folly: they had their separate work and interests and duties, and the casual pleasure they might obtain by meeting as acquaintances was nobody's concern but their own.

The first attitude of affection is exclusiveness. When one sees two young people sending glances across a dinner-table which are intelligible to themselves alone; when one perceives them whispering to each other while elsewhere the talk is general; when one observes them, on opposite sides at croquet, missing hoops, and slipping balls, and playing to aid each other in the most gratuitous, open, and unblushing manner, it needs no profound divination to detect a secret co-partnership between them. Two quite unselfish lovers immediately become selfish in their united position of antagonism to the rest of the world. And when the girl is pretty, the rest of the world consider such selfishness to be simply hateful.

These two young people, who were not lovers, nor had any intention of becoming lovers, walked up Victoria Road, and so made their way into the cool green shadow of the great elms and leafy lindens which make Kensington Gardens so delightful a lounge. It was now May—the only month in which London trees seem to look cheerful—and the weather was at its freshest and best.

"Mr. Melton proposes to close the theatre in a week or so," said Annie Brunel, "for a month, in order to have it done up anew. He is very anxious that I should not accept any engagement for that month; and I have been thinking I ought to take Mrs. Christmas down to the seaside, or perhaps over to the warm banks of the Rhine, for a week or two. Did you remark how very poorly she is?"

"I did," said Will. "I asked her about it. She seems to fancy that our madcap journey to Hounslow Heath brought the attack on."

"The grass was so wet, you know. I blame myself for it all; and indeed there's nothing I wouldn't do for the dear old creature. She was my only companion and friend for many a year."

"Won't you find it very dull going away all by yourselves?"

"Well, no. She is never dull. I never tire of her society a moment—she is so full of vivacity and kindliness and funny stories; but I do not like the idea of our going away anywhere alone. Hitherto, you know, I have always been in a manner compelled to go by an engagement."

"Bring her down to St. Mary-Kirby, and let Dove and you go about with her."

"Thank you. You have told me so much of that quiet little valley, and the quiet way of living there, that I should feel like an evil spirit invading paradise."

"Now, now—you are at it again," he said, laughing. "I won't have you malign our honest country folks like that. My mother would make you her daughter: she has a general faculty for making pets of everybody. And my father would give you a touch of the old squirelike courtesy he sometimes brings out when he is very grand and polite to some London young lady who comes down to see us."

She only smiled in reply—a trifle sadly.

"I should like to see a little of that peaceful sort of life—perhaps even to try it. Day after day to be always the same, always meeting the same people, always looking out on the same trees and fields and river, and hoping only for some change in the weather, or for a favourable turn to the fortunes of one's pet hero. But then other cares must come. That gentle little Dove, for instance—isn't she sitting just now wondering when you will come to see her, and getting quite vexed because you stay so long away?"

"You seem to have a great affection for Dove," he said.

"Haven't you?"

"Well, of course; who could help it?"

"If I were a man I should not try to help it; I should be prouder of the love of such a girl than of anything under heaven."

Such conversations are not common between young unmarried people, but neither of these two seemed to consider it strange that they should so talk; for, indeed, Annie Brunel assumed towards Will an amusingly matter-of-fact, kindly, almost maternal manner—so much so that, without hesitation she would have told him that a little more attention to the brushing of his rough brown hair and moustache might not have been inappropriate before visiting a lady. Sometimes he was amused, sometimes tantalized by this tone. He was a man verging towards thirty, who had all his wits about him, who had seen plenty of the world, and knew far more of its ways and beliefs and habits than he would have liked to reveal to his companion then beside him; and he could scarcely refrain from laughing at the airs of superior worldly wisdom which the young actress gave herself, revealing in the assumption the charming simplicity of her character.

They walked down one of the long avenues and crossed over into Hyde Park. The Row was very full at this time; and the brightness of the day seemed to have awoke an artificial briskness among the melancholy men and plethoric girls who had come out for their forced exercise.

"I have been in nearly every capital in Europe," said Will to his companion, "and I have never seen such a company of handsome men and women as you may see here almost any day. And I never saw anywhere people out to enjoy themselves looking so intensely sad over it."

"These are my employers;" said Miss Brunel, with a smile on her pale dark face. "These are the people who pay me to amuse them."

"Look at this big heavy man coming up now," said Will. "Look how he bobs in his saddle; one doesn't often see such a—— Why, it is——"

"Count Schönstein," said Miss Brunel.

It was. And as the Count came up and saw Will walking by the side of a closely-veiled and gracefully-dressed young lady, he took off his hat in his finest manner, and was about to ride on. Perhaps it was the luxuriant black hair or the graceful figure of the young girl which made him pause for a second and recognise her. At all events, he no sooner saw who she was than he stopped his horse, clumsily got down from the saddle, and drawing the reins over the animal's head, came forward to the railing.

"The very two people whom I wished to see," he observed, with a pompous magnanimity. (Indeed there were several reasons why he was glad just then to observe that Annie Brunel had taken kindly to the young man whom he had introduced to her.) "Do you know, Miss Brunel, that Melton is going to close his theatre for a month?"

"Yes."

"Could anything be more opportune? Now listen to what I have to propose. You want a good holiday in this fine weather. Very well. I must go over to Schönstein at once to see about some alterations and improvements I want made; and I propose to make it worth Mr. Anerley's while to go with me and superintend part of these improvements. That is an affair of necessity and business on my part and his; but why should you and Mrs. Christmas not accept our convoy over there? Even if you only go as far as one of the Rhine villages, we could see you safely that distance. Or if I could persuade you to come and see my place, such as it is—for a week or two. I think the excursion would be delightful; and if I can't entertain you as sumptuously as a king, yet I won't starve you, and I'll give you the best wine to be bought for good money in Baden."

Will coloured up at the hideous barbarity of the closing sentence; but Miss Brunel answered, good-naturedly:

"You're very kind indeed, Count; and I am sure the wine must be a great inducement to Mr. Anerley. But if I go anywhere for a holiday, it will be for Mrs. Christmas' sake; and I must see what she says about it first."

"Oh, if it is Mrs. Christmas," said the Count, with a laugh, "I must try to persuade her."

"No; I won't have any coercion. I will place the matter before her in all its details, and she shall decide. If we don't go, I hope you'll have a pleasant journey all the same."

"And as for you, Anerley, what do you say?"

"As our arrangement will be a business matter, we'll settle it another time," said Will, in a decided tone, which prevented the Count making further reference to buying and selling.

"I won't take any denial from any one of you," said the Count, with a prodigious laugh. "As for Mrs. Christmas, if that little woman dares to thwart me, I'll have her portrait published in the illustrated papers as the wife of Rip Van Winkle."

With which astounding witticism, the Count proceeded to get on horseback again—a rather difficult matter. Will held the stirrup for him, however; and eventually he shook himself into the saddle.

Annie Brunel had lifted her veil to speak to the Count; and as her companion now saw that there was a good deal of whispering and nodding going on among several knots of riders, he thought it prudent to withdraw himself and her into the Park. From thence they took their way back through Kensington Gardens, and so home.

"Would it look strange in English eyes," asked Miss Brunel, frankly, "if Mrs. Christmas and I, in travelling about, were to visit the Count's place?"

"I don't think so," said Will. "And if it did, it wouldn't matter. I think the party would be a very merry and pleasant one; and you would not allow Mrs. Christmas to feel that for her sake you were moping alone in some dull seaside lodgings. The Count is really very good-natured and kind; and I think you would enjoy the quaint old people and their manners down in the Black Forest."