Ideas of Good and EvilFront matterReading editionChapter navigation21 reading sectionsGo to chapterChoose a chapter…Front matterIntroductory materialWHAT IS ‘POPULAR POETRY’?SPEAKING TO THE PSALTERYMAGICTHE HAPPIEST OF THE POETSTHE PHILOSOPHY OF SHELLEY’S POETRYAT STRATFORD-ON-AVONWILLIAM BLAKE AND THE IMAGINATIONWILLIAM BLAKE AND HIS ILLUSTRATIONS TO THE DIVINE COMEDYSYMBOLISM IN PAINTINGTHE SYMBOLISM OF POETRYTHE THEATRETHE CELTIC ELEMENT IN LITERATURETHE AUTUMN OF THE BODYTHE MOODSTHE BODY OF THE FATHER CHRISTIAN ROSENCRUXTHE RETURN OF ULYSSESIRELAND AND THE ARTSTHE GALWAY PLAINSEMOTION OF MULTITUDEBeginning of this editionNext chapter →Introductory materialAll chapters and sections (21)Opening pagesFront matterIntroductory materialOther sectionsWHAT IS ‘POPULAR POETRY’?SPEAKING TO THE PSALTERYMAGICTHE HAPPIEST OF THE POETSTHE PHILOSOPHY OF SHELLEY’S POETRYAT STRATFORD-ON-AVONWILLIAM BLAKE AND THE IMAGINATIONWILLIAM BLAKE AND HIS ILLUSTRATIONS TO THE DIVINE COMEDYSYMBOLISM IN PAINTINGTHE SYMBOLISM OF POETRYTHE THEATRETHE CELTIC ELEMENT IN LITERATURETHE AUTUMN OF THE BODYTHE MOODSTHE BODY OF THE FATHER CHRISTIAN ROSENCRUXTHE RETURN OF ULYSSESIRELAND AND THE ARTSTHE GALWAY PLAINSEMOTION OF MULTITUDESecond Edition◇Ideas of Good and Evil.By W. B. YeatsA. H. BULLEN, 47 Great Russell Street, London, W.C. MCMIII◇Introductory material →