Front matter (continued 2)

As I neared Susie's home I began, for the first time in my life, to suffer from palpitation. The shadow of a doubt floated in the autumn sun-light. I set my teeth together and resolved not to be faint hearted. I must go in boldly and plead my cause and win.

When I reached the gate of the Adair farmhouse I had to look straight over the head of a very large, sanctimonious-faced bull-dog to get a view of the vine covered porch. This dog looked up at me and smiled ineffably; then he came to the gate and stood over against me, peeping between the slats. I hesitated. About this time Ben Crane came out of the house with a banjo in his hand. He had been playing for Susie. He was a natural musician.

"'Feared o' the dog, Mr. Woodpecker?" said he. "Begone, Bull!" and he kicked the big-headed canine aside so that I could go in.

I heard him thrumming on his banjo far down the road as Susie met me at the door. How wondrously beautiful she was!

"Sit down Mr. ——, and, if you do not care, I'll bring the churn in and finish getting the butter while we talk."

I was delighted—I was charmed—fascinated. Susie's father had gone to a distant village, and her mother, a gentle work-worn matron, was in the other room spinning flax, humming, meantime, snatches of camp meeting hymns. The sound of that spinning-wheel seemed to me strangely mournful and sad, but Susie's deep, clear gray eyes and cheerful voice were the very soul of joyousness, health and youth. She brought in a great fragrant cedar churn, made to hold six or eight gallons of cream, and forthwith began her labor. She stood as she worked, and the exercise throwing her entire body into gentle but well-defined motion, displayed all the riches of her contour. The sleeves of her calico gown were rolled up above the elbows, leaving her plump, muscular arms bare, and her skirt was pinned away from her really small feet and shapely ankles in such a way as to give one an idea, a suggestion, of supreme innocence and grace. Her long, crinkled gold hair was unbound, hanging far below her waist, and shining like silk. Her lips, carmine red, seemed to overflow with tender utterances.

Ever since that day I have thought churning a kind of sacred, charmingly blessed work, which ought to be, if really it is not, the pastime of those delightful beings the ancients called deities. Cream is more fragrant, more delicious, more potent than nectar or ambrosia. A cedar churn is more delicately perfumed than any patera of the gods. And, I say it with reverence, I have seen, swaying lily-like above the churn, a beauty more perfect than that which bloomed full grown from the bright focus of the sea's ecstatic travail.

What a talk Susie and I had that day! Slowly, stealthily I crept nearer and nearer to the subject burning in my heart. I watched Susie closely, for her face was an enigma to me. I never think of her and of that day without recalling Baudelaire's dream of a giantess. More happy than the poet, I really saw my colossal beauty stand full grown before me, but, like him, I wondered—

* * * "Si son cœur couve une sombre flamme Aux humides brouillards qui nagent dans ses yeux."

I could not tell, from any outward sign, what was going on in her heart. No sphinx could have been more utterly calm and mysterious. She had a most baffling way about her, too. When at last I had reached the point of a confession of my maddening love, she broke into one of my charmingest sentences to say—

"Mr. ——, you'd better move farther away from the churn or I might spatter your clothes."

This, somehow, disconcerted and bothered me. But Susie was so calm and sweet about it, her gray eyes beamed so mysteriously innocent of any impropriety, that I soon regained my lost eloquence.

How sharply and indelibly cut in my memory, like intaglios in ivory, the surroundings of that scene, even to the minutest detail! For instance, I can see as plainly as then my new silk hat on the floor between my knees, containing a red handkerchief and a paper of chewing tobacco. I recall, also, that a slip-trod shoe lay careened to one side near the centre of the room. The bull-dog came to the door and peeped solemnly in a time or two. A string of dried pumpkin cuts hung by the fireplace, and under a small wooden table in one corner were piled a few balls of "carpet rags." I sat in a very low chair. A picture of George Washington hung above a small square window. The floor was ash boards uncarpeted. I heard some chickens clucking and cackling under the house.

Finally, I recollect it as if it were but yesterday, I said:

"I love you, Susie—I love you, and I have loved you ever since I first saw you!"

How tame the words sound now! but then they came forth in a tremulous murmur that gave them character and power. Susie looked straight at me a moment, and I thought I saw a softer light gather in her eyes. Then she took away the churn dasher and lid and fetched a large bowl from a cupboard. What a fine golden pile of butter she fished up into the bowl!

I drew my chair somewhat nearer, and watched her pat and roll and squeeze the plastic mass with the cherry ladle. A little gray kitten came and rubbed and purred round her. Again the bull-dog peeped in. A breeze gathered some force and began to ripple pleasantly through the room. Far away in the fields I heard the quails whistling to each other. An old cow strolled up the lane by the house and round the corner of the orchard, plaintively tinkling her bell. Steadily hummed Mrs. Adair's spinning wheel. I slipped my hat and my chair a little closer to Susie, and by a mighty effort directed my burning words straight to the point. I cannot repeat all I said. I would not if I could. Such things are sacred.

"Susie, I love you, madly, blindly, dearly, truly! O, Susie! will you love me—will you be my wife?"

Again she turned on me that strange, sweet, half smiling look. Her lips quivered. The flush on her cheeks almost died out.

"Answer me, Susie, and say you will make me happy."

She walked to the cupboard, put away the bowl of butter and the ladle, then came back and stood by the churn and me. How indescribably charming she looked! She smiled strangely and made a motion with her round strong arms. I answered the movement. I spread wide my arms and half rose to clasp her to my bosom. A whole life was centred in the emotion of that moment. Susie's arms missed me and lifted the churn. I sank back into my chair. How gracefully Susie swayed herself to her immense height, toying with the ponderous churn held far above her head. I saw a kitten fairly fly out of the room, its tail as level as a gun barrel; I saw the bull-dog's face hastily withdraw from the door; I saw the carpet balls, the pumpkin cuts and the print of Washington all through a perpendicular cataract of deliciously fragrant buttermilk! I saw my hat fill up to the brim, with my handkerchief afloat. I heaved an awful sigh and leaped to my feet. I saw old Mrs. Adair standing in the partition door, with her arms akimbo, and heard her say—

"W'y, Susan Jane Samantha Ann! What 'pon airth hev ye done?"

And the Venus replied:

"I've been givin' this 'ere little woodpecker a good dose of buttermilk!"

I seized my hat and shuffled out of the door, feeling the milk gush from the tops of my boots at each hasty step I made. I ran to the gate, went through and slammed it after me. As I did so I heard a report like the closing of a strong steel trap. It was the bull-dog's teeth shutting on a slat of the gate as he made a dive at me from behind. I smiled grimly, thinking how I'd taste served in buttermilk.

On my way home I passed Ben Crane's house. He was sitting at a window playing his banjo, and singing in a stentorian voice:

"O! Woodpecker Jim, Yer chance is mighty slim! Jest draw yer red head into yer hole And there die easy, dern your soul, O! slim Woodpecker Jim!"

I was so mad that I sweat great drops of pure buttermilk, but over in the fields the quails whistled just as clear and sweet as ever, and I heard the wind pouring through the stubble as it always does in autumn!

The Legend of Potato Creek.

Big yellow butterflies were wheeling about in the drowsy summer air, and hovering above the moist little sand bars of Potato Creek. A shady dell, wrapped in the hot lull of August, sent up the spires and domes of its walnut and poplar trees, clearly defined, and sheeny, while underneath the forest roof the hazel and wild rose bushes had wrung themselves into dusky mats. The late violets bloomed here and there, side by side with those waxlike yellow blossoms, called by the country folk "butter and eggs." Through this dell Potato Creek meandered fantastically, washing bare the roots of a few gnarled sycamores, and murmuring among the small bowlders that almost covered its bed. It was not a strikingly romantic or picturesque place—rather the contrary—much after the usual type of ragged little dells. "A scrubby little holler" the neighborhood folk called it.

Perched on the topmost tangle of the dry, tough roots of an old upturned tree, sat little Rose Turpin, sixteen that very August day; pretty, nay beautiful, her school life just ended, her womanhood just beginning to clothe her face and form in that mysterious mantle of tenderness—the blossom, the flower that brings the rich sweet fruit of love. From her high perch she leaned over and gazed down into the clear water of the creek and smiled at the gambols of the minnows that glanced here and there, now in shadowy swarms and anon glancing singly, like sparks of dull fire, in the limpid current. Some small cray-fishes, too, delighted her with their retrograde and side-wise movements among the variegated pebbles at the bottom of the water. A small sketch book and a case of pencils lay beside her. So busy was she with her observations, that a fretful, peevish, but decidedly masculine voice near by startled her as if from a doze. She had imagined herself so utterly alone.

"Wo-erp 'ere, now can't ye! Wo, I say! Turn yer ole head roun' this way now, blast yer ole picter! No foolin', now; wo-erp, I tell ye!"

Rose was so frightened at first that she seemed about to rise in the air and fly away; but her quick glance in the direction of the sound discovered the speaker, who, a few rods further down the creek, stood holding the halter rein of a forlorn looking horse in one hand, and in the other a heavy woodman's axe.

"Wo-erp, now! I hate like the nation to slatherate ye; but I said I'd do it if ye didn't get well by this August the fifteenth; an' shore 'nuff, here ye are with the fistleo gittin' wus and wus every day o' yer life. So now ye may expect ter git what I tole ye! Stan' still now, will ye, till I knock the life out'n ye!"

By this time Rose had come to understand the features of the situation. The horse was sadly diseased with that scourge of the equine race, scrofulous shoulder or fistula, commonly called, among the country folk, fistleo, and because the animal could not get well the man was on the point of killing it by knocking it on the head with the axe.

Of all dumb things a horse was Rose's favorite. She had always, since her very babyhood, loved horses.

"Wo-wo-wo-erp, here! Ha'n't ye got no sense at all? Ding it, how d'ye 'spect me to hit yer blamed ole head when ye keep it a waggin' 'round in that sort o' style? Wo-erp!"

The fellow had tied the halter rein around a sapling about two feet from the ground, and was now preparing to deal the horse a blow with the axe between its eyes. The animal seemed unaware of any danger, but kept its head going from side to side, trying to fight certain bothersome gad-flies.

"O, sir, stop; don't, don't; please, sir, don't!" cried the girl, her sweet voice breaking into silvery echo fragments in every nook of the little hollow.

The man gazed all around, and, seeing no one, let fall the axe by his side. The birds, taking advantage of the silence, lifted a twittering chorus through the dense dark tops of the trees. The slimmest breath of air languidly caressed the leaves of the rose vines. The bubbling of the brook seemed to touch a mellower key, and the yellow butterflies settled all together on a little sand bar, their bright wings shut straight and sharp above their bodies. The man seemed intently listening. "Tw'an't mammy's voice, nohow," he muttered; "but I'd like to know who 'twas, though."

He stood a moment longer, as if in doubt, then again raising his axe he continued:

"Must 'a' been a jay bird squeaked. Wo-erp 'ere now! I'm not goin' to fool wi' ye all day, so hold yer head still!"

That was a critical moment for the lean, miserable horse. It lowered its head and held it quite still. The axe was steadily poised in the air. The man's face wore a look of determination—grim, stone-like. He was, perhaps, twenty-five, tall and bony, with a countenance sallow almost to greenness, sunken pale blue eyes, sun burnt hair, thin flaxy beard, and irregular, half decayed teeth. Although his body and limbs were shrunken to the last degree of attenuation, still the big cords of his neck and wrists stood out taut, suggesting great strength. The blow would be a terrible one. The horse would die almost without a struggle.

"O, O, O! Indeed, sir, you must not! Stop that, sir, instantly! You shall not do it, sir! O, sir!"

And fluttering down from her perch, Rose flew to the spot where the tragedy was pending, and cast herself pale and trembling between the horse and its would-be executioner.

The axe fell from the man's hands.

His eyes became exactly circular.

His under jaw dropped so that his mouth was open to its fullest gaping capacity. His shoulders fell till their points almost met in front of his sunken chest. He was a picture of overwhelming surprise.

"An' what in thunder do you want of him? What good's he goin' to do you? 'Cause, you see, he can't work nor be rid on nor nothin'."

"O never mind, sir, just please give him to me and I'll take him and care for him. Poor horsey! Poor horsey! See, he loves me already!"

The beast had thrust its nose against the maiden's hand.

"Well, I don't know 'bout this. I'd as soon 'at you have 'im as not if I hadn't swore to kill 'im, an' I musn't lie to 'im. An' besides, I've had sich a pesky derned time wi' 'im 'at it looks kinder mean 'at I shouldn't have the satisfaction of bustin' his head for it. I'm goin' to knock 'im, an' ye jist mought as well stan' aside!"

Just then the peculiarities of the man's character were written on his face. His nose denoted pugnacity, his lips sensuality, but not of a base sort, his eyes ignorance and rough kindness, his chin firmness, his jaw tenacity of purpose, and his complexion the ague. He had sworn to kill the horse, and kill him he would. You could see that in the very wrinkles of his neck. He evidently felt that it was a duty he owed to his conscience—a duty made doubly imperative by the horse's refusal to get well by the exact time prescribed.

High up on the dead spire of a walnut tree a woodpecker began to beat a long, rattling tattoo. The horse very lazily and innocently winked his brown eyes, and putting forth his nose sniffed at the skirt of the girl's dress.

"I'm glad—O I'm ever so glad you'll not kill him!" murmured the little lady when she saw the axe fall to the ground.

The man stood a long moment, as if petrified or frozen into position, then somewhat recovering, he re-seized the axe, and flourishing it high in the air, cried in a voice that, cracked and shrill, rang petulantly through the woods:

"I said I'd kill 'im if that garglin' oil didn't cure 'im, 'an I'm derned ef I don't, too!"

"O, sir, if you please! The poor horse is not to blame!" exclaimed the excited girl.

"'Taint no use o' beggin'; he's no 'count but to jist eat up corn, an' hay, an' paster an' the likes; and his blasted fistleo gits wus an' wus all the time. An't I spent more'n he's wo'th a tryin' to cure 'm, an' don't everybody laugh at me 'cause I've got sich a derned ole slummux of a hoss? Jist blame my picter if I'll stand it! So now you've hearn me toot my tin horn, an' ye may as well stan' out'n the way!"

"But, sir, I'll take him off your hands, may I? Say, sir? O please let me take him!"

While he stood with his axe raised, Rose was very diligently and nervously tugging at the knot that fastened the halter rein to the tree, and ere he was aware of her intent, she had untied it and was resolutely leading the poor old animal away.

The man's eyes got longest the short way as he gazed at the retreating figure.

"Well now, that's as cool as a cowcumber and twicet as juicy! Gal, ye'r' a brick! ye'r' a knot! Ye'r' a born pacer! Take 'im 'long for all I keer! Take 'im 'long!"

He put down his axe, placed his hands against his sides and smiled, as he spoke, a big wrinkling smile that covered the whole of his sallow, skinny face and ran clear down to the neck band of his homespun shirt.

"Pluck, no eend to it!" he muttered; "wonder who she is? Poorty—geeroody!"

The wild birds sang a triumphant hymn, the breeze freshened till the whole woods rustled, and louder still rose the bubbling of the stream among its bowlders.

"Well, I'll jist be dorged! The poortiest gal in all Injianny! An' she's tuck my ole hoss whether or no! She's a knot! Sort o' a cool proceedin', it 'pears to me, but she's orful welcome to the hoss! Howdsomever it's mighty much of a joke on me, 'r my name's not Zach Jones!"

He laughed long and loud. The birds laughed, too, and still the wind freshened.

The girl and the horse had quickly disappeared behind the hazel and papaw bushes. Zach Jones was alone with his axe and his reflections.

"Yender's where she sot—right up yender on that ole clay root. She must 'a' been a fishin', I reckon."

Another admiring chuckle.

He went to the spot and clambered up among the roots. There lay Rose's sketch book and pencil case. He took up the book and curiously turned the leaves, his eyes running with something like childish delight over the flowers and bits of landscape. He had never before seen a drawing.

"Poorty as the gal 'erself, 'most," he said, "an' seein' 'at she's tuck my ole hoss, I spose I'll have to take these 'ere jimcracks o' her'n. I'll take 'em 'long anyhow, jist to 'member her by!"

This argument seemed logical and conclusive, and with a quick glance over his shoulder he crammed book and pencil case into the capacious depths of the side pocket of his pants.

"Now then it's about time for my chill, an' I'd better go home. Hang the luck; s'pose I'll allus have the ager!" This last sentence was uttered in a tone of comical half despair, and accompanied by a facial contortion possible to no one but a person thoroughly saturated with ague in its chronic form.

After he left the dell, Zach had a hot walk across a clover field before he reached the dilapidated log house where he lived with his widowed mother. In a short time his chill set in, and it was a fearful one. His teeth chattered and his bony frame rattled like a bundle of dry sticks in a strong wind. After it had shaken him thus for about an hour, his brother Sammy, a lad of ten years, came in with a jug of buttermilk brought from a neighbor's.

"Mammy, 'ere's yer buttermilk," said he, setting the jug on the floor. "Shakin' like forty—a'n't ye, Zach? he added, glancing with a sad, lugubrious smile at his brother; then, changing his tone and also his countenance, he continued, with a broader grin: "Bet ye a dollar ye can't guess what I seed over to 'Squire Martin's!"

"No, nor I don't care a cuss; so put off an' don't come yawpin' round me!" replied Zach.

"Yes ye do, too; an' I know ye do, for 'twas yer ole fistleo hoss. That 'ere fine gal 'at stays over there is havin' a man wash 'im an' doctor 'im." Sammy winked and hitched up his pants as he spoke.

"Do say, Sammy, is that so, now?" cried the widow, holding up her hands. "How on 'arth come she by the hoss? Zach, I thought you'd killed that creater'!"

"Mammy, ef you an' Sammy'll jist let me 'joy this 'ere ager in peace I'll be orful 'bleeged to ye," said Zach, making his chair creak and quiver with the ecstasy of his convulsion.

But Sammy's tongue would go. He thought he had a "good 'un" on Zach, and nothing short of lightning could have killed him quick enough to prevent his telling it.

"The gal says as how Zach gin 'er the ole hoss for to 'member 'im by!" he blurted out, shying briskly from Zach's foot, which otherwise would have landed him in the door yard.

"Lookee here now, Zach, you jist try the likes o' that ag'in an' I'll give ye sich a broom-stickin' as ye a'n't had lately. Ye mought 'a' injured the child's insides!" and as she spoke the widow flourished the broom.

So Zach dropped his head upon his chest and employed himself exclusively with his chill. When his mother was not looking at him, however, he would occasionally slip the sketch book partly out of his pocket and peep between its leaves. When his fever came on he got "flighty" and horrified the widow with talk about an angel on a clay root and a sweet little "hoss thief" from whom he had stolen the "picters!"

I cannot exactly say how Zach got to going over to 'Squire Martin's so often after this. But his first visit was a compulsory one. His mother happening to discover his possession of the sketch book and pencil case, made him return them with his own hand to Rose. He at once became deeply interested in the progress of his former patient's convalescence; for, strange to say, the poor horse began almost immediately to get well, and in two months was sound, glossy and fat. Nor was he an ill-looking animal. On the contrary, when Rose sat on his back and stroked his mane, he arched his neck and pawed the ground like a thoroughbred.

'Squire Martin was a good man, and seeing how Zach seemed to enjoy Rose's company, he one day took the girl aside and said to her:

"You must be somewhat of a doctor, my dear, seeing how you've touched up the old hoss, and I propose for you to try your hand on another subject. There's poor Zach Jones, who's had the chills for six or eight years as constant as sunrise and sunset, and no medicine can't do him any good. Now I'll be bound if you'll try you can cure him sound and well. All you need to do in the world is to pet him up some'at as you have the ole hoss. Jist take a little interest in the feller an' he'll come out all right. All he wants is to forget he ever had the ager and take some light exercise and have some fun. Fun is the only medicine to cure the chills with. Quinine is no 'count but to make a racket in a feller's head, and calomel'll kill 'im, sure. Now I propose to let Zach have a hoss and saddle and you must go out a riding with 'im and try to divert his mind from his sorrows and aches and pains—now that's a good girl, Rosie."

Rose, whose healthful, impulsive, generous nature would not allow her to refuse so well intended and withal so small a request, readily agreed to do all she could in the matter, and very soon thereafter she and Zach were the very best of friends, taking long rides together through woodlands and up and down the pleasant lanes of 'Squire Martin's broad estates. The young girl soon found the companionship of Zach, novel and most awkward as it was at first, agreeable and almost charming in its freshness and sincerity. As for Zach himself, he was the girl's slave from the start. He could not do too much for her in his earnest, respectful way. Women are always tyrants, and their tyranny seems to be inversely as their size and directly as the size of the man upon whom it is exerted. Rose was a very little chit of a maiden, and Zach was a great big bony frame of a fellow. The result, of course, was despotism. But, although Zach was a democrat, he seemed to like the oppression, and ran after big-winged butterflies, opened gates, pulled down and put up innumerable fences, climbed trees after empty bird nests, gathered flowers and ferns—did everything, in fact, required of him by his little queen. He became a daily visitor at the 'Squire's, and seemed to have entirely forgotten everything else or utterly submerged it in his unselfish devotion to the girl. The good 'Squire saw this with unbounded delight.

So August quietly drifted by, and September hung its yellow banner on the corn and said farewell with a sigh that had in it a smack of winter.

Rose's parents were wealthy and lived in Indianapolis, and now came the time for the girl's return to her city home. Meanwhile a remarkable change had taken place in the health and spirits of Zach Jones. The ague had departed, the sallowness was gone from his skin, somewhat of flesh had gathered on his cheeks, and in his eyes shone a cheerful light. He was straight and almost plump, and his hair and beard had assumed a gloss and liveliness they had never before known. He had thrown away quinine and calomel, and his sleep at night was soft and sweet, broken only by fair, happy dreams, that lingered long after he was awake. At home his mother had far less trouble with him, and Sammy never got a kick even if he did occasionally mention old fistleo in an equivocal way. The amount of provender it required to satisfy Zach's appetite now was a constant source of amazement to the widow.

The evening preceding Rose's departure was a fine one. The woods were gold, the sky was turquoise. Instead of riding, as usual, the young people took a stroll in the 'Squire's immense orchard. The apples were ripe and ready to be gathered into the cellars; their mellow fragrance flavored the autumn air so delicately that Zach said it smelt sweeter than an oven full of sugar cakes.

When the young folk returned from their walk the 'Squire was standing on the door step of his house. His quick eyes caught a glimpse of something unsatisfactory in the faces of the approaching couple—Zach, particularly, despite his evident effort to choke down something, discovered unmistakable signs of suffering. Rose was simply sober and thoughtful.

"What now, Zach?" asked the 'Squire, "sick, eh?" "D'know; guess I'm in for a shake; wish to the Lord it'd shake my back bone clean out'n me!" was the reply, in a queer gurgling voice. A bunch of fall roses fell from his vest button-hole, but he did not pick it up. A hot flush, in the midst of a ghastly pallor, burned on the cheeks of the speaker. Rose tapped the ground with the toe of her kid boot, but did not speak.

The man and the girl stood there close together awhile, and the 'Squire did not catch what they said as they shook hands and parted. When Zach had gone home the 'Squire told Rose that he wished she would stay a little longer, till the ague season was over, just on Zach's account. Rose quietly replied, "I have already stayed too long;" but her voice had an infinity of pity and sorrow in it that the 'Squire did not detect.

Next morning Rose went home to the city and soon after made a brilliant debut in society, for she was really a charming little thing. That winter was a festive one—a season of great social activity—and some of its most direct and prominent results were a few notable marriages in the spring, among which was that of Rose to a banker of P——, Kentucky, the happy union being consummated in May.

On the very day of her wedding Rose received from her uncle the following note:

"Dear Niece:

"Come to see us, even if you won't stay but one day. Come right off, if you're a Christian girl. Zach Jones is dying of consumption and is begging to see you night and day. He says he's got something on his mind he wants to say to you, and when he says it he can die happy. The poor fellow is monstrous bad off, and I think you ought to be sure and come. We're all well. Your loving uncle,

"Jared Martin."

Something in this homely letter so deeply affected Rose that she prevailed on her husband, a few days after their marriage, to take her to 'Squire Martin's.

It was nearly sundown when the young wife, accompanied by the 'Squire, entered the room of the dying man. He lay on a low bed by an open window, through which, with hollow hungry eyes, he was gazing into the blue distance that is called the sky of May. Birds were singing in the trees all around the house, and a cool breath of violet-scented air rippled through the window. The widow Jones, worn out with watching by the sick bed, sat sleeping in her rude arm-chair; Sammy had gone after the cow—a gift from the 'Squire.

The visitors entered softly, but Zach heard them and feebly turned his head. He put out a bloodless hand and clasped the warm fingers of Rose, pulling her into a seat by his couch. A wan smile flitted across his face as he fixed his eyes, burning like sparks in the gray ash of a spent fire, on hers, dewy with rising tears.

"The same little Rose you use to wus," he said, in a low faltering voice, that had in it an unconquerable allegiance to the one dream of his manhood. His unnaturally bright eyes ran swiftly over her face and form, then closed, as if to fasten the vision within, that it might follow him to eternity.

"The same little Rose you use to wus," he repeated, "only now you're picked off the vine an' nobody can't touch ye but the owner. I'm a poor, no 'count dyin' man, Rose, but you'll never——." His voice choked a little and he did not finish the sentence. Perhaps he thought it were better not finished.

A few moments of utter silence followed, during which, faintly, far out in the field behind the house, was heard the childish voice of Sammy, singing an old hymn, two lines of which were most distinctly heard by those in the house.

"Ah, yes—

"This world's a wilderness of woe, This world it ain't my home,"

chimed in the trembling voice of the sick man. Then, by an effort that evidently taxed his fading powers to the last degree, he fixed his eyes firmly on those of the young woman. Here was a martyr of the divine sort, true and unchangeable in the flame of the torture.

"Rose, little Rose," he said, glancing uneasily at the 'Squire, "I've got something private like to say to you."

The young woman trembled. Memory was at work.

"'Squire, go out a minute, will ye?" continued Zach.

The sick man's request was promptly obeyed, and Rose sat, drooping, alone beside the bed, while the widow snored away.

Zach now more nervously clasped the hand of the young woman. A spot of faint sunshine glimmered on the pillow close by the man's head. The out-door sounds of the wind in the young grass, and the rustle of the new soft leaves of the trees, crept into the room gently, as if not to drown the low voice of the dying man.

"It's been on my mind ever since we parted, Rose, and I ort 'a' said it then, but I choked an' couldn't; but I kin say it now and I will." He paused a moment and Rose looked pitifully at him. His chin was thrust out firmly and his lips had a determined set. He looked just as he did when about to knock the poor old horse on the head over in the dell that day. How vividly the tragic situation was recalled in Rose's mind!

"Yes, I will say it now, so I will," he resumed. "Since things turned out jist as they have, Rose, I do wish I'd 'a' paid no 'tention to ye an' jist gone on and knocked that derned ole fistleoed hoss so dead 'at he'd 'a' never kicked—I do—I do, 'i hokey! I don't want to make ye feel bad, but I'm goin' away now, an' it 'pears to me like as if I'd go easy if I know'd you'd——." He turned away his face and drew just one little fluttering breath. When, after only a few minutes' absence, the 'Squire came in, the widow still slept, the sweet air still rippled through the room, but Rose held a dead hand; Zach was at rest! The 'Squire placed his hand on the bright hair of Rose and gazed mournfully down into the pinched, pallid face of the dead. How awfully calm a dead face is!

The widow stirred in her chair, groaned, and awoke. For a moment she bent her eyes wonderingly, inquiringly on the young woman; then, rising, she clasped her in her great bony arms.

"You are the Rose, the little Rose he's been goin' on so about. O, honey, I'm orful glad you've come. You ort jist to 'a' heerd him talk about ye when he got flighty like——but O—O—my! O Lor'! Zach—Zachy, dear! O, Miss, O, he's dead—he's dead!"

"Dead, yes, dead!" echoed the 'Squire, his words dropping with the weight of lead.

Across the fields of young green wheat ran waves of the spring wind, murmuring and sighing, while the dust of blossoms wheeled, and rose and fell in the last soft rays of the going sun. A big yellow butterfly flitted through the room.

Presently Sammy entered. He came in like a gust of wind, making things rattle with his impetuous motion.

"O, mammy! O, Zach! I's got s'thin' to tell ye, an' I'll bet a biscuit you can't guess what 't is!" he cried breathlessly.

"O, Sammy, honey, O, dear!" groaned the widow.

"S-s-h!" said the 'Squire solemnly.

"Well, I jist wanted 'm to guess," replied Sammy, "for it's awful doggone cur'u's 'at——"

"S-s-h!"

"The fistleo is broke out on Zach's ole hoss ten times as wuss as ever!"

"S-s-s-s-h!"

"It's so, for I seed it. It's layin' down over in the hollow by 'tater creek, where the ole clay root is, an' its jist about to d——."

"S-s-h!"

The child caught a glimpse of the face and was struck mute. And darkness stole athwart the earth, but the morrow's sun drove it away. Never, however, did any sun or any season chase from the heart of little Rose the shadow that was the memory of the man who died in that cabin.

Stealing a Conductor.

He shambled into the bar-room of the hotel at Thorntown, a Boone County village, and, with a bow and a hearty "how-de do to you all," took the only vacant chair. He scratched a match and lighted his pipe. "Now we'll be bored with some sort of a long-winded story," whispered some to others of the loungers present. "Never knowed him to fail," said a lank fellow, almost loud enough for the subject to hear. "He's our travelled man," added a youth, who winked as if he were extremely intelligent and didn't mind letting folks know it.

The man himself whiffed away carelessly at his pipe, now and then raising one eye higher than the other, to take a sort of side survey of the persons present. That eye was not long in settling upon me, and after a short, searching look, gleamed in a well pleased way. He was a stout formed man of about fifty years, dressed rather seedily, and wearing a plug hat of enormous height, the crown of which was battered into the last degree of grotesqueness. He got right up, and, dragging his chair behind him, came over and settled close down in front of me.

"Stranger here, a'n't you?"

"Yes, sir."

"Your name's Fuller, a'n't it?"

"No, sir."

"Well, mebbe I'm mistaken, but you're just the picter o' Fuller. Never was a conductor on a railroad, was you?"

"Never, sir."

"Never was down in the swamps o' South-Eastern Georgy, was you?"

"Never, sir."

"Well, that beats four aces! I could 'a' bet on your bein' Fuller." He paused a moment, and then added in a very insinuating tone: "If you are Fuller you needn't be afeard to say so, for I don't hold any grudge 'gin you about that little matter. Now, sure enough, a'n't your name Fuller, in fact?"

I glared at the man a moment, hesitating about whether or not I should plant my fist in his eye. But something of almost child-like simplicity and sincerity beaming from his face restrained me. Surely the fellow did not wish to be as impudent as his words would imply.

"Well, stranger, I see I've got to explain, but the story's not overly long," said he, hitching up a little closer to me and settling himself comfortably.

I was about to get up and walk out of the room, when some one of the by-sitters filliped a little roll of paper to me. Unrolling it I read—

"Let him go on, he'll give you a lively one. He's a brick."

So, concluding that possibly I might be entertained, I lounged back in my seat.

"You see," said he, "I thought you was Fuller, an' Fuller was the only conductor I ever stole."

"Stole a conductor," whispered somebody, "that's a new one!"

"I've stole a good many things in my time, but I'm here to bet that no other living Hoosier ever stole a railroad conductor, an' Fuller was the only one I ever stole. I stole him slicker 'n a eel. I had him 'fore he knowed it, and you jist better bet he was one clean beat conductor fore I was done wi' 'im.

"I kin tell you the whole affair in a few minutes, and I da' say you'll laugh a good deal 'fore I'm through. You see I went down to Floridy for my health, and when I had about recivered I got onto a bum in Jacksonville and spent all my money and everything else but my very oldest suit o' clothes and my pistol, a Colt's repeater, ten inch barrel. None o' you can't tell how a feller feels in a predicament o' that sort. Somethin' got into my throat 'bout as big as a egg, and I felt kinder moist about the eyes when I had to stare the fact in the face that I was nigh onto, or possibly quite a thousand miles from home without ary a dime in my pocket. But if there's one thing I do have more 'n another in my nater it's common sense grit. Well, what you s'pose I done? W'y I jest lit out for home afoot. Well, sir, the derndest swamps is them Floridy and Georgy swamps. It's ra'lly all one swamp—the Okeefenokee. I follered the railroad that goes up to Savanny, and it led me deeper and deeper into the outlying fringes of that terrible old bog. When I had travelled a considerable distance into Georgy, and had pretty well wore my feet off up to my ankle j'ints, and was about as close onto starvation as a 'tater failure in Ireland, and when my under lip had got to hanging down like the skirt o' a wore out saddle, and when every step seemed like it'd be my last, I jest got clean despairing like and concluded to pray a little. So I got down upon my knee j'ints and put up a most extra-ornary supplication. I felt every word o' it, too, in all the marrer of my bones. The place where I was a prayin' was a sort o' hummock spot in a mighty bad part o' the swamp. Some awful tall pines towered stupenjisly above me. Well, jest as I was finished, and was a saying amen, the lordy mercy what a yowl something did give right over me in a tree! I think I jumped as high as your head, stranger, and come down flat-footed onto a railroad cross tie. Whillikins, how I was scared! It was one o' them whooping owls they have down there. It was while I was a running from that 'ere owl a thinkin' it was a panther, that the thought struck me somewhere in the back o' the head that I might steal a ride to Savanny on the first train 'at might pass. 'I'll try it!' says I, and so I sot right down there in the swamp and calmly waited for a train. In about a hour here come one, like the de'il a braking hemp, jist more'n a roaring through the swamp. I forgot to tell you 'at it was after dark, but the moon was dimly a shining through the fog that covers everything there o' nights. Well, here come the train, and as she passed I made a lunge at the hind platform of the last car and some how or another got onto it and away I went. It was mighty much softer 'n walking, I tell you, and I was pleased as a monkey with a red cap on. My, how fast that train did go! I could hardly hold onto where I wus. You may jist bet I clung on though, and finally I got myself setting down on the steps and then I was all hunkey. But I didn't have much time to enjoy myself there, though, for all of a sudden the light of a lantern shined on me and then somebody touched me and said—

'Ticket!'

"Mebbe you don't know how onery a feller'll feel sometimes when he hears that 'ere word ticket—'specially when he a'n't got no ticket nor no money to pay his fare, and too, when he does want to ride a little of the derndest! That was my fix! I'd 'a' give a thousand dollars for a half dollar!

'Ticket!'

"He shook me a little this time and held his lantern down low, so's to see into my face. I know I must 'a' looked like the de'il.

'Ticket here, quick!'

'I've done paid,' said I.

'Show your check then.'

'Lost it,' says I.

'Money, then, quick!'

'Got none,' says I.

'What the —— did you git onto my train for without ticket or money? How do you expect to travel without paying, you —— lousy vagabond! You can't steal from me; out with your —— wallet and gi' me the money! Hurry up!'

'A'n't got no wallet nor no money,' says I.

'Well, I'll dump you off right here, then,' said he, reaching for the bell-rope to stop the train.

'For the Lord's sake let me ride to Savanny!' says I.

'A dam Northerner, I know from your voice!' said he, pulling the rope. The train began to slack and soon stopped.

'Get off!' said the conductor.

'Please l'me ride!' says I.

'Off with you!'

'Jist a few miles here on the steps!'

'Off, quick!'

'Please——'

'Here you go!' and as he said the words he tried to kick me off.

"In a second I was like a Bengal tiger. I jumped up and gethered him and we went at it. I'm as good as ever fluttered, and pretty soon I give him one flat on the nose, and we both went off 'n the platform together. As I started off I happened to think of it, so I grabbed up and pulled the bell-rope to signal the engineer to drive on. 'Hoot-toot!' says the whistle, and away lick-to-split went the train, and slashy-to-splashy, rattle-o-bangle, kewoppyty-whop, bump, thud! down me and that 'ere conductor come onto a pile o' wore out cross ties in the side ditch, and there we laid a fightin'!

"But you jest bet it didn't take me long to settle him. He soon began to sing out ''nuff! 'nuff! take 'm off!' and so I took him by the hair and dragged him off 'n the cross ties, shot him one or two more under the ear with my fist, and then dropped him. He crawled up and stood looking at me as if I was the awfulest thing in the world. I s'pect I did look scary, for I was terrible mad. His face was bruised up mightily, but he wasn't a bleeding much. He was mostly swelled.

'Where's my train?' says he, in a sort o' blank, hollow way.

'Don't ye hear it?' I answered him, 'It's gone on to Savanny!'

'Gone! Who told 'm to go on? What'd they go leave me for?'

'I pulled the bell rope,' says I.

'You?'

'Yes, me!'

'What in the world did you do that for, man?'

' 'Cause you wouldn't let me ride to Savanny!'

'What'll I do! What'll I do!' he cried, beginning to waltz 'round like one possessed.

"I laughed—I couldn't help it—and at the same time I pulled out my old pistol.

'Yah-hoo-a!' yelled another owl.

'For the sake o' humanity don't kill me!' said the conductor.

'I'm jest a going to shoot you a little bit for the fun o' the thing,' says I.

'Mercy, man!' he prayed.

'Ticket!' says I.

"He groaned the awfulest kind, and, by the moonlight, I saw 'at the big tears was running down his face. I felt sorry for him, but I kinder thought 'at after what he'd done he'd better pray a little, so I mentioned it to him.

'I guess it mought be best if you'd pray a little,' says I, cocking the pistol. My voice had a decided sepulchreal sound. The pistol clicked very sharp.

'O, kind sir,' says he, 'O, dear sir, I never did pray, I don't know how to pray!'

'Ticket or check!' says I, and he knowed I was talking kind o' sarcasm. 'Pray quick!'

"He got down and prayed like a Methodist preacher at his very best licks. He must 'a' prayed afore.

"About the time his prayer was ended I heard a train coming in the distance. He jumped up and listened.

'Glory! Heaven be praised!' says he, capering around like a mad monkey, 'They've missed me and are backing down to hunt me! Where's my lantern? Have you a match? Gi'me your handkerchief!'

'Not so fast,' says I; 'you jest be moderate now, will you? I've no notion o' you getting on that train any more. You jest walk along wi' me, will you?'

'Where?' says he.

'Into the swamp,' says I; 'step off lively, too, d'you hear me?'

'O mercy, mercy, man!' says he.

'Ticket!' says I, and then he walked along wi' me into the swamp some two or three hundred yards from the railroad.

"I took him into a very thickety place, and made him back up agin a tree and put back his arms around it. Then I took one o' his suspenders and tied him hard and fast. Then I gagged him with my handkerchief. So far, so good.

"Here come the train slowly backing down, the brakesman a swinging lanterns, and the passengers all swarming onto the platforms. Poorty soon they stopped right opposite us. The conductor began to struggle. I poked the pistol in his face and jammed the gag furder into his mouth. He saw I meant work and got quiet.

"The passengers was swarming off 'n the train and I saw 'at I must git about poorty fast if I was to do anything. I soon hit on a plan. I jist stepped back a piece out o' sight o' the conductor and turned my coat, which was one o' these two-sided affairs, one side white, t'other brown. I turned the white side out. Then I flung away my greasy skull cap and took a soft hat out 'n my pocket and put it on. Then I watched my chance and mixed in with the passengers who was a hunting for the conductor.

'Strange what's become o' him,' says I to a fat man, who was puffing along.

'Dim strange, dim strange,' says the big fellow, in a keen, wheezing voice.

"Well, you never saw jist sich hunting as was done for that conductor. Everybody slopped around in the swamp till their clothes was as wet and muddy as mine. I was monstrous active in the search. I hunted everywhere 'cepting where the conductor was. Finally he got the gag spit out and lordy how he did squeal for help. Everybody rushed to him and soon had him free.

"It tickled me awful to hear that conductor explaining the matter. He told it something like this:

'Devil of a great big ruffian on hind platform. Asked him for ticket. Refused. Tried to put him off. Grabbed me. Smashed my nose. Flung me off. Pulled the bell-rope, then lit out on me. Mauled —— out o' me. Had a pistol two feet long. Made me pray. Heard train a coming. Took me to swamp. Tied me and sloped. Lord but I'm glad to see you all!'

"We all went aboard o' the train and I rode to Savanny onmolested. The conductor didn't mistrust me. He asked me for my check and I told him 'at I'd lost it a thrashing round in the bushes a hunting him. That was all right.

"When we got to Savanny I couldn't help letting the conductor know me, so as I passed down the steps of the car I whispered savagely in his ear:

'Ticket! dod blast you!'

"He tried to grab me as I shambled off into the crowd, but I knowed the ropes. I heard him a shoutin'—

'There he goes! Ketch him, dern him, ketch him!' But they didn't.

"That conductor's name was Fuller, and I swear, stranger, 'at you look jest like him! Gi' me a match, will you, my pipe's out. Thanky. Hope I ha'n't bored you. Good bye all."

He shambled out and I never saw him again.

Hoiden.

The house was known as Rackenshack throughout the neighborhood for miles around. It was a frame structure, originally of sorry workmanship, at least thirty years old, and upon which not a cent's worth of repairing had been done since first erected, wherefore the name was peculiarly appropriate. It was not only old, rickety, paintless, half rotten and sadly sunken at one end, but the fencing around the place was broken, grown over with weeds, and slanted in as many ways as there were panels. The lawn or yard in front of the house had some old cherry trees, gnarled and decaying, growing in what had once been straight rows, but storms and more insidious vicissitudes had twisted and curled them about till they looked as though they had been thrown end foremost at the ground hap-hazard. Under and all round these trees young sprouts, from the scattered cherry seeds of many years of fruiting, had grown so thick that one could with difficulty get through them. A narrow, well-beaten path led from the gate, which lazily lolled on one hinge, up to the decayed and sunken porch, in front of which was the well, with its lop-eared windlass and dilapidated curb and shed.

A country thoroughfare, one of the old State roads leading westward to a ferry on the Wabash river near the village of Attica and eastward to either Crawfordsville, Indianapolis or Lafayette. This road was in the direct line of emigration, and in the proper seasons long lines of covered wagons rolled past, the drivers, a jolly set, hallooing to each other and bandying sharp wit and rude sarcasm at the expense of Rackenshack. Poor old house, it leered at the passers, with its windows askew, and clattered its loose boards and battered shutters in utter and complacent defiance of all their jeers!

Rackenshack belonged to Luke Plunkett and Betsy, his sister; the latter an old maid beyond all cavil, the former a bachelor of about thirty. The lands of the estate were pretty broad, comprising some two thousand acres of rich prairie and "river bottom" land, which had been kept in a much better state of improvement than the house had. In fact, Luke was considered a careful, industrious, frugal farmer. He had large, well regulated barns and stock sheds and stables—plenty of fine horses, cattle, hogs, sheep and mules, all well fed and cared for, and it was generally understood that he had a pretty round deposit in a bank.

Perhaps 'Squire Rube Fink, sometimes called "the Rev. Major Fink" and sometimes "Talking Rube," gives the best description of Luke's condition, habits and surroundings, that I can offer. It is truthful and singularly graphic. He says:

"Luke Plunkett's no fool if he does live at Rack-a-me-shack and 'spect the ole rotten tabernacle to fall down on him every time a rooster crows close by. That feller's long-headed, he is. To be sure, sartinly, his barn's a dern sight better 'n his house, but his head's level, for, d'ye see, that's the way to make money. A house don't never make no money for a feller—it's nothin' but dead capital to put money into a fine dwellin'. Luke's pilin' his money in the bank. He's been doin' a sharp thing in wheat and live stock at Cincinnati, and I guess he knows what he's about. He don't keer about what sort o' house he lives in. But I tell you that red haired sister o' his'n is lightning. She's what bosses the job all round that ole shanty; but she can't red-hair it over Luke in the farm matters. He has his own way. He's so quiet and peculiar; a still, say nothin', bull-dog sort o' man he is."

Indeed, Luke was one of that quiet sort of men who, without ever once loudly asserting a right or disputing any word you say, invariably go ahead on their own judgment and carry their point in everything. Nevertheless, he was a man of fine, generous nature at bottom, a good brother and a worthy friend.

But it was with Luke just as it is, more or less, with us all. He absorbed into his life the spirit of his surroundings. He grew somewhat to resemble Rackenshack in outward appearance. He became slovenly in his dress and let his hair and beard grow wild. His naturally handsome face gradually took on a sort of good humored ugliness, and his heavy shoulders slanted over like the uneven gables of his house. He became an inveterate chewer and smoker of tobacco. What time a quid of the weed was not in his mouth, the short thick stem of a dark, nicotine-coated briar-root pipe took its place there.

Luke was an early riser; therefore it happens that our story properly begins on a fine June morning, just before sunrise. The birds seemed to suspect that a story was to date from that hour, for they were up earlier than usual and made a great rustle of wings and a sweet Babel of voices in the old cherry trees. There were the oriole, the cat bird, the yellow throat, the brown thrush and the red bird, all putting forth at once their charmingest efforts. The old cherry trees, knee deep in the foliage of their under growing seedlings, gleamed dusky green in the early light, as Luke, bareheaded, barefooted and in his "shirt sleeves," as the phrase goes, issued from the front door of Rackenshack, and walked down the path across the yard to the gate at the road. Of late he had been in the habit of "taking a smoke" the first thing after getting up in the morning, and somehow the gate, though off one hinge and having doubtful tenure of the other, was his favorite thing to lean upon while watching the whiffs of blue smoke slowly float away.

On this particular morning he seemed a little agitated; and, indeed, he was vexed more deeply than he had ever before been. Just the preceding evening he had learned that a corps of civil engineers were rapidly approaching his premises with a line of survey, and that the purpose was to locate and build a railway right through the middle of his farm. To Luke the very idea was outrageous. He felt that he could never stand such an imposition. His land was his own, and when he wanted it dug up and leveled down and a track laid across it he would do it himself. He did not want his farm cut in two, his fields disarranged and his fences moved, nor did he wish to see his live stock killed by locomotives. The truth is he was bitterly opposed to railroads, any how. They were innovations. They were enemies to liberty. They brought fashion, and spendthrift ways, and speculation, and all that along with them. Other folks might have railroads if they wanted them, but they must not bother him with them. He could take care of his affairs without any railroads. Besides, if he wanted one he could build it. He hung heavily upon the gate, thinking the matter over, and would not have bestowed a second glance at the carriage that came trundling past if he had not caught the starry flash of a pair of blue eyes and a rosy, roguish girl's face within. The beauty of that countenance struck the great rough fellow like a blow. He stared in a dazed, bewildered way. He took his pipe from his mouth and involuntarily tried to hide his great big bare feet behind the gate post. He felt a queer, dreamy thrill steal all over him. It was his first definite impression of feminine beauty. Instantly that round, happy, mischievous face, with its dimples and indescribable shining lines of half latent mirth, set itself in his heart forever.

The carriage trundled on in the direction of the ferry. Luke followed it with his eyes till it disappeared round a turn in the road; then he put the pipe to his mouth again and began puffing vigorously, wagging his head in a way that indicated great confusion of mind. There are times when a glimpse of a face, the sudden half-mastering of a new, grand idea, a view of a rare landscape or even a cadence in some new tune, will start afresh the long dried up wells of a heart. Something like this had happened to Luke.

"Sich a gal! sich a gal!" he murmured from the corner of his mouth opposite his pipe stem. "I don't guess I'm a dreamin' now, though I feel a right smart like it. I hev dreamed of that 'ere face though, many of times. I've seed it in my sleep a thousand times, but I never s'posed 'at I'd see it shore enough when I'd be awake! Sweetest dreams I ever had—sweetest face God ever made! I wonder who she is?" As if to supplement Luke's soliloquy at this point, a cardinal red bird flung out from the dusky depths of the oldest cherry tree an ecstatic carol, and a swallow, swooping down from the clear purple heights, almost touched the man's cheek with its shining wings, and the sun lifted its flaming face in the east and flooded the fields with gold.

Luke turned slowly toward the old house. The breeze that came up with the sun poured through the orchard with a broad, joyous surge, while something like blowing of strange winds and streaming of soft sunlight made strangely happy the inner world of the smitten Hoosier. His big strong heart fluttered mysteriously. He actually took his pipe from his lips and broke into a snatch of merry song, that startled Betsy, his sister, from her morning nap.

For the time the hated railroad survey was forgotten. The landscape at Rackenshack, as if by a turn of the great prisms of nature, suddenly took on rainbow hues. The fields flashed with jewels, and the woods, a wall of dusky emerald, were wrapped in a roseate mist, stirred into dreamy motion by the breeze. A light, grateful fragrance seemed to pervade all space, as if flung from the sun to soften and enhance the charm of his gift of light and heat. Such a hold did all this take upon Luke, and so utterly abstracted was he, that when breakfast was ready Betsy was obliged to remind him of the fact that he had neglected to wash his face and hands, and comb his hair and beard—things absolutely prerequisite to eating at her table.

"Forgot it, sure's the world," said Luke; "don't know what ever possessed me."

"Maybe you've forgot to turn the cows into the milk stalls, too?" said Betsy.

"If I ha'n't I'm a gourd!" and Luke scratched his head distractedly.

"What'd I tell you, Luke Plunkett? It's come at last, O lordy! You're as crazy as a June bug all along of smoking that old pipe! Rot the nasty, stinking old thing! It's a perfect shame, Luke, for a man to just smoke what little brains he's got clean out. You ought to be ashamed of yourself, so you ought!"

While she was speaking Betsy got the big wooden washbowl for her brother, whereupon he proceeded to make his ablutions in a most energetic way, taking up great double handfuls of water and sousing his face therein with loud puffings, that enveloped his head in a cloud of spray.

When a clean tow linen towel had served its purpose, Luke remarked:

"Don't know but what I am some'at crazy in good earnest, Betsy, since I come to think it all over. I'm r'ally onto it a right smart. What'd you think, Betsy, if I'd commence talkin' 'oman to ye?"

"Luke, Luke! are you crazy? Is your mind clean gone out of your poor smoky head?"

"That's not much of a answer to my question."

"Well, what do you mean, anyhow?"

"I mean business, that's what!"

"Luke!"

"Yes'm."

"Do try to act sensible now. What is it, Luke? What makes your eyes look so strange and dance about so? What do you mean by all this queer talk?"

Luke finished combing, and, going to the table, sat down and was proceeding to discuss the fried chicken and coffee without further remark, but Betsy was not so easily balked. She, like most red haired women, wished her questions to be fully and immediately answered, wherefore some indications of a storm began to appear.

Luke smiled a quiet little smile that had hard work getting out through his beard. Betsy trotted her foot under the table. Her hand trembled as she poured the coffee—trembled so violently that she scalded her left thumb. It was about time for Luke to speak or have trouble, so, in a very gentle voice, he said:

"Well, I saw a gal—a gal an' her father, I reckon—go by this mornin'."

"Well, what of it? S'pose there's plenty of girls and their fathers, ain't there?" snapped Betsy.

Luke drew a chicken leg through his mouth, laid down the bone, leered comically at his sister from under his bushy eyebrows, and said:

"But the gal was purty, Betsy—purty as a pictur', sweet as a peach, juicy an' temptin' as a ripe, red cored watermillion! You can't begin to guess how sweet an' nice she did look. My heart just flolloped and flopped about, an' it's at it yet!"

"Luke Plunkett, you are crazy! You're just as distracted as a blind dog in high rye. Drink a cup of hot coffee, Luke, and go lie down a bit, you'll feel better." The spinster was horrified beyond measure. She really thought her brother crazy.

The man finished his meal in silence, smiling the while more grimly than before, after which he took his shot gun and a pan of salt and trudged off to a distant field to salt some cattle. He always carried his gun with him on such occasions, and not unfrequently brought back a brace of partridges or some young squirrels. As he strode along, thinking all the time of the girl in the carriage, he suddenly came upon a corps of engineers with transit, level, rod and chain, staking out, through the centre of a choice field, a line of survey for a railroad. In an instant he was like a roaring lion. He glared for a second or so at the intruders, then lowering his gun he charged them at a run, storming out as he did so:

"What you doin' here, you onery cusses, you! Leave here! Get out! Scratch! Sift! Dern yer onery skins, I'll shoot every dog of ye! Git out 'n here, I say—out, out!"

The corps stampeded at once. The surveyor seized his transit, the leveller his level, the rod man his rod, the axe men and chain men their respective implements, and away they went, "lick-to-split, like a passel o' scart hogs," as Luke afterwards said, "as fast as they could ever wiggle along!"

No wonder they ran, for Luke looked like a demon of destruction. It was a wild race for the line fence, a full half mile away. The leveler, being the hindmost man, rolled over this fence just as a heavy bowlder, hurled by Luke, struck the top rail. It was a close shave, a miss of a hair's breadth, a marvelous escape. Luke rushed up to the fence and glared over at his intended victims. Here he knew he must stop, for he doubted the legality of pursuing them beyond the confines of his own premises. Somewhat out of breath he leaned on the fence and proceeded to swear at the corps individually and collectively, shaking his fists at them excitedly, till the appearance of a new man on the scene made him start and stare as if looking at a ghost. He was a well dressed, gentlemanly appearing person of about the age of forty-five, pale and thoughtful—calm, gray eyed, commanding. Luke recognized him at once as the man he had seen in the carriage, and, indeed, the vehicle itself stood hard by, with a beautiful, laughing, roguish face looking out of one of the windows. The lion in the stalwart farmer was quelled in an instant. He felt his legs grow weak. He set his gun by the fence and touched his hat to the little lady.

"Your name, I believe, is Luke Plunkett?" said the approaching gentleman.

"Yes, sir," said Luke.

"You own two thousand acres of land here?"

"Yes, sir."

"Your residence is called Rackenshack?"

"Yes, sir." (Suppressed titter from the carriage.)

"So I thought. Pull back, men (addressing the corps), pull back to where you dropped the line and bring it right along. Mr. Plunkett will not harm you now."

The corps began to move. Luke fiercely seized his gun; but before he could lift it or utter a word, a ten-inch Colt's repeater was thrust into his face by the calm gentleman, and a steady hand held it there.

"Mr. Plunkett," said the man, "I am the chief engineer of the —— Railroad. I am making a location. The laws of this State give me the right to go upon your land with my corps and have the survey made. I am not to be trifled with. If you offer to cock that gun I'll put six holes through you. What do you say, now?"

The voice was that of a cold man of business. There was a coffin in every word. The muzzle of the pistol steadily covered Luke's left eye. The situation was rigid. Luke hesitated—his face ashy with anger and fear, his eyes alternating their glances between the muzzle of the pistol and that wonderful shining face at the carriage.

"Shoot him, papa, shoot him! Shoot him!" Sweet as a silver bell rang out the girl's voice, more like a ripple of idle song than a murderous request, and then a clear, happy laugh went echoing off through the woods in which the carriage stood.

Slowly, steadily, Luke let fall the breech of his gun upon the ground beside him. The engineer smiled grimly and lowered his pistol, while the corps, headed by the surveyor, took up its line of march to the point where work had been so suddenly left off.

The young lady clapped her tiny white hands for joy.

A big black woodpecker began to cackle in a tree hard by.

Luke felt like a man in a dream.

The whole adventure, so far, had been clothed in most unreal seeming.

It can hardly be told how, by rapid transitions from one thing to another in his talk, the engineer drew Luke's mind away from the late difficulty and gradually aroused in him a kindly feeling. In less than ten minutes the two men were sitting side by side on a log, smoking cigars from the engineer's pouch and chatting calmly, amicably.

Luke's eyes often rested steadily fixed in the direction of the carriage. Through the thin veil of tobacco smoke the face of the young girl seemed to the farmer angelic in its beauty. All around the sweets of summer rose and fell, and drifted like scarcely visible shining mists, fraught with the spice of leaf and perfume of blossom, agitated by swells of tricksy wind, going on and on to the mysterious goal of the season.

The two men talked on until the corps had pushed the line of survey far past them into the cool, shady deeps of the woods, whence their voices came back fainter and fainter every moment. At length the engineer arose, and stretching out his hand to Luke, said:

"Mr. Plunkett, I'm sure I'll be able to serve you some time; let us be friends. I shall be in this vicinity most of the time till the road is built. No doubt I can show a way to profit by the construction of a railroad across your land. If you are sharp it will make your fortune. I like your independent way, sir, and hope to know you better. Here is my card."

Luke took the bit of pasteboard without saying a word. They shook hands and the engineer got into his carriage.

"Here's my card, too, Mr. Plunkett," cried the girl. She said something more, but the horses were made to plunge rapidly away, and the words were lost; but the flash of a white jewelled hand caught Luke's eye as a delicately tinted card came fluttering towards him. He sprang and seized it. If a bag of diamonds had been flung at his feet he could not have been more excited. His hands trembled. All the incidents of the only fairy tale he had ever read came at once into his mind. He stood with his feet turned in, like some great awkward boy, a bashful, shame-faced look lurking about his mouth and eyes. He filled his pipe and lighted it from the stump of his cigar with nervous eagerness. A squirrel came down to the lowest limbs of a beech tree hard by and barked at him, but he did not notice it. He read the names on the cards:

"Elliot Pearl, C. E." "Hoiden Pearl."

The first printed in small capitals, the second written in a delicate, rather cramped feminine hand. He stood for a long time dreamily employed in turning these bits of paper over and over. His thoughts were so vague in outline and so dim in filling up that they cannot be reproduced. They slipped away on the summer air, like little puffs of perfume, and were lost, to be found by many and many a one in the ineffable places of dreamland. Finally, shaking himself as if to break the charm that held him in its meshes, he took up his gun and slowly made his way homeward. All along his walk he kept smiling to himself and talking aloud, but his words were such that it would be sacrilege to repeat them now. Let them hover about in the sunlight of summer, where he uttered them, as things too delicate to be pressed between the lids of a book.

Betsy had trouble with Luke for some days after this. He lay about the house, saying little, eating little, giving little attention to the many tenants who worked his estate. He was in good health, was not in trouble (so he said to his sister), but he did not care to be bothered with business. He was tired and would rest awhile. "He smoked pretty near all the time," as Betsy declared. But not a hint fell from his lips as to what might be running in his mind.

So the days slipped past till July hung golden mists on the horizon and filled the woods with that rare stillness and dusky slumbrousness that follows the maturing of the foliage and the coming on of fruit. The cherry trees at Rackenshack had grown ragged and dull, and the birds, excepting a few swallows wheeling about the old chimney tops, had all flown away to the woods and fields. The wheat had been cut and stacked, the corn had received its last ploughing. Still Luke hung about the house annoying Betsy with his pipe and his utter carelessness. That he was "distracted" Betsy did not for a moment doubt. She used every means her small stock of wit could invent to urge him out of his singular mood, but without avail. He took to the few old novels he could find about the house, but sometimes he would gaze blankly at a single paragraph for a whole hour.

One morning as he lay on the porch, his head resting upon the back of a chair, reading, or pretending to read an odd volume of "The Scottish Chiefs," a little boy, 'Squire Brown's son, came to bring home a monkey-wrench his father had borrowed some time before. The boy was a bright, rattle-box, say-everything, pop-eyed sort of child, and was not long telling all the news of the neighborhood. Luke gave little attention to what he was saying, till at length he let fall something about a young lady—a fine, rich young lady, staying at Judge Barnett's—a young lady who could outrun him, out jump him, beat him playing marbles and ball, who could climb away up in the June apple tree, who could ride a colt bareback, who could beat Jim Barnett shooting at a mark, who could, in fact, do a half a hundred things to perfection that strict persons would think a young lady should never do at all, but which seemed to make a heroine of her in the narrator's boyish view.

"What's the gal's name?" queried Luke in a slow, lazy way, but his eyes shot a gleam of hope.

"Hoidy Pearl," replied the lad.

Hoiden Pearl! That name had been woven into every sound that had reached Luke's ears for days and nights and nights together, and now, like a sweet tune nearly mastered, it took a deeper, tenderer meaning as the boy pronounced it in his childish way.

"Hoidy Pearl is her name," the lad continued. "She's come to stay at the Judge's all summer till the new railroad's finished. Her father's the boss of the road. She's jest the funniest girl, o-o-e! And she likes me, too!"

Luke raised himself to a sitting posture and looked at the boy so earnestly that he drew back a pace or two as if afraid.

"Boy, you're not lyin', are ye?" said the man in a low, earnest tone.

"No I'm not, neither," was the quick reply.

Luke got up, flung aside his book and strolled off into the woods. Wandering there in the cool, silent places, he dreamed his dream. For hours he sat by a little spring stream in the dense shadow of a big cotton-wood tree. The birds congregated about him, and chirped and sang; the squirrels came out chattering and frisking from branch to branch; but he gave them no look of recognition—he saw them not, heard them not. The birds might have lit upon his head and the squirrels might have run in and out of his pockets with impunity. He smoked all the time, refilling and relighting his pipe whenever it burned out. He did not know how much he was smoking, nor that he was smoking at all. A bright face set in a mass of yellow curls, a wee white hand all spangled with jewels, a voice sweeter than any bird's, a name—Hoiden Pearl—these rang, and danced, and echoed, and shone in the recesses of his brain and heart to the exclusion of all else. He was trying to think, but he could not. He wanted to mature a plan, but not even an outline could find room in his head. It was full. Strange, indeed, it may seem, that a rough farmer of Luke's age should thus fall into the ways of the imaginative, sentimental stripling; but, after all, the fit must come on some time in life. No doubt it goes harder with some constitutions than with others. Luke may have been unwittingly strongly predisposed that way. Neither the exterior of a man nor his surroundings will do to judge him by. Nature is that mysterious in all her ways. Luke talked aloud, sometimes gesticulating in a quiet way.

"I must see the gal—I will see the gal," he muttered at last. "It's no use talkin', I jist will see her!"

Suddenly a light broke from his face. He smiled like one who has victory in his grasp—like an editor who has an idea, like a reviewer who has found some bad verse. He got up immediately, went back to the barn, hitched a horse to a small road wagon and drove to town. There he spent time and money with a merchant tailor and other vendors of clothing. He was very fastidious in his selection. Nothing but the finest would do him. A few days after this he brought home a trunk full of princely raiment—broad cloth and fine linen. Betsy was struck dumb with amazement when the trunk was opened. A dream of such costly things, such reckless extravagance, would have driven her mad. Silent, open-eyed, wondering, she came in and stood behind Luke while he was unpacking. He looked up presently and saw her. His face flushed violently, and in a half-whining, half-ashamed tone he muttered:

"Now, Betsy, you jest git out'n here faster'n ye come in, for I'm not goin' to stan' no foolin' at all, now. These 'ere's my clothes and paid for out'n my money, an' I'm the jedge of what I need. I ha'n't had any good duds for a long time, and I'm tired o' lookin' like a scarecrow made out'n a salt bag. I've been thinkin' for a long time I'd git these 'ere things, an' now I've got'm. You kin git you some if ye like, but I don't want ye a standin' round here gawpin' at me on 'count o' my clothes; so you go off an' mind yer own affairs. It's no great sight to see some shirts, an' coats, and pants, an' collars, an' vests, an' sich like, is it?"

Before this speech was finished Betsy had backed out of the room and closed the door. As she did so she let go a sigh that came back to Luke like a Parthian arrow; but it happened just then that he was holding up in front of him a buff linen vest which kept the missile from his heart.

He dressed himself with great care, and an hour later he slipped out of the house unseen, and took his way towards the rather pretentious residence of Judge Barnett, the gables of which, a mile away, gleamed between rows of Lombardy poplars. The Judge was one of those half cultivated men who, in every country neighborhood, pass for prodigies of learning and ability. He was the autocrat of the county in political and social affairs—one of those men who really know a great deal, but who arrogate more. He got his title from having been County Commissioner when the court house was building. Some said he made money out of the transaction, but our story is silent there.

It would have been an interesting study for a philosopher to have watched Luke throughout the singular ramble he took that morning. It would have been such a manifest revelation of the state of the fellow's feelings. It would have minutely disclosed, and more eloquently than any verbal confession, the rise and fall, the ebb and flow, the alternating strength and weakness of his purpose, and the will behind it. Then, too, it would have let fall delightful hints of the unselfishness of his new and all-engrossing passion, and of the charming simplicity and sincerity of his great rugged nature at its inner core. At first he struck out boldly a direct line to Judge Barnett's residence, his face beaming with the light of settled happiness, but as he neared the pleasant grounds surrounding the house he began to discover some trepidation. His gait wavered, the expression of his face shifted with each step, and soon his course was indeterminate—a fitful sauntering from this place to that—a tricksy, uneven flight, like that of a lazy butterfly, if one may indulge the comparison—a meandering in and out among the trees of a small walnut grove—a strolling here and there, now along the verge of a well set old orchard, now down the low hedge behind the garden, and anon leaning over the board fence that inclosed the Judge's ample barn and stable lot; he gazed wistfully, half comically, in the direction of the upper windows of the farm house. It was one of those peculiarly yellow days of summer, when everything swims in a golden mist. The blue birds floated aimlessly about from stake to stake of the fences; the wind, felt only in jerky puffs, blew no particular way, and as idly and as eccentrically as any blue bird, and in full accord with the fitful will of the wind, Luke drifted through the sheen of summer all round Barnett Place. He lazed about, humming a tune, and, for a wonder, not smoking—half restless, half contented, looking for something, scarcely expecting anything. When once a great rough man does get into a childish way, he is a child of which ordinary children would be ashamed, and just then Luke, the big bashful fellow, was an instance strikingly in point. Occasionally he talked half aloud to himself. Once, while lounging on the orchard fence, gazing down between the long rows of russet and pippin trees, he said dreamily,

"I must see her. I can't go back 'ithout seein' her." It so chanced that just then a shower of blackbirds fell upon the orchard, covering the trees and the ground, flying over and over each other, twittering and whistling as only blackbirds can. Their wings smote together with a tender rustling sound like that of a spring wind in young foliage, or of a thousand lovers whispering together by moonlight. Luke watched them a long while, a doleful shade gathering in his face. "The little things loves each other," he muttered; "everything loves something; an' jest dern my lights ef I don't love the gal, an' I'm boun' to see her!" Seemingly nerved by sudden resolution, he climbed over the fence and started at a slashing pace across the orchard towards the house, scaring all the birds into an ecstasy of flight, so that they dashed themselves against the foliage of the apple trees, making it rustle and sway as if blown on by a strong wind. He did not keep on, however. His resolution seemed to burn out about midway the orchard. He began to drift around again, his pace becoming slower and slower. His shoulders drooped forward as if burdened with a great load, his eyes turned restlessly from side to aide.

"I jest can't do it!" he murmured—"I jest can't do it, an' I mought as well go back!" There was a petulant ring to his voice—a nervous, worried tone, that had despair in it.

Out of a June apple tree right over his head fell a sweet, silvery, half child's, half woman's voice, that thrilled him through every fibre to the marrow of his bones.

"What's the matter, Goosey? What have you lost! What are you hunting for? Want a good apple?"

Luke looked up just in time to catch squarely on his nose a fine, ripe June apple, and through a mist of juice and a sheeny curtain of leaves he saw the lovely face he had come to look for. A thump on the nose from an apple, no matter if it is ripe and soft, is a little embarrassing, and it only makes it more so when the racy wine of the fruit flies into one's eyes and all over one's new clothes. But there are moments of supreme bliss when such a mishap passes unnoticed. Luke felt as if the blow had been the touch of a magician conjuring up a scene that held him rapt and speechless.

"O, my! I didn't go to hit you! Please excuse me, sir—do. I thought you'd catch it in your hands."

She came lightly down from the tree, descending like a bird, easily, gracefully, as if she had been born to climb. She murmured many apologies, but the genius of fun danced in her saucy, almost impertinent eyes, belying her regretful words. Luke looked down at her dazed and speechless. She, however, was full of prattle—half childish, half womanly, half serious, half bantering—her eyes upturned to his, her voice a very bird's in melody. In the more innocent sense of the word she looked like her name, Hoiden. Nothing unchaste or indelicate about her appearance; just a sort of want of restraint; a freedom that amounted to an utter lack of responsibility to the ordinary claims and dictates of propriety. A close, trained, intelligent observer would have seen at once that she was wilful, spoiled, unbridled, but not bad, not in the least vicious; really innocent and full of good impulses. She was beautiful, too—wonderfully beautiful—just on the hither side of womanhood, plump, budding, bewitching. How she did it can never be known, but she soon had Luke racing with her all over the orchard. They climbed trees together, they scrambled for the same apple, they laughed, and shouted, and played till the horn at the farmhouse called the field hands to dinner. They parted then, as children part, promising to meet again the next day. The girl's cheeks were rosy with exercise, so were Luke's.

How strange! Day after day that great, bearded, almost middle-aged, uncouth farmer went and played slave to that chit of a girl, doing whatever ridiculous or childish thing she proposed, caring for nothing, asking for nothing but to be with her, listen to her voice and feast his eyes upon her beauty. He gladly bore everything she heaped upon him, and to be called "Goosey" by her was to him inexpressibly charming.

Betsy's womanly nature was not to be deceived. She soon comprehended all; but she dared not mention the subject to Luke. He was in no mood to be opposed. So he went on—and Betsy sighed.

The summer softened into autumn. The maple leaves reddened. The long grass turned brown and lolled over. A softness and tenderness lurked in the deep blue sky, and the air had a sharp racy fragrance from ripe fruit and grain. Meantime the railroad had been pushed with amazing rapidity nearly to completion. Every day long construction trains went crashing-across Luke's farm. Passenger coaches were to be put on in a few days. Luke was the very picture of happiness. He seemed to grow younger every day. His worldly prospects, too, were flattering. A station had been located on his land, around which a town had already begun to spring up. The vast value of Luke's timber, walnut and oak, was just beginning to appear; indeed, immense wealth lay in his hands. But his happiness was of a deeper and purer sort than that generated by simple pecuniary prosperity. Hoiden Pearl was in the focus of all his thoughts; her face lighted his dreams, her voice made the music that charmed him into a wonderland of bliss. He said little about her, even to Betsy, but it needed no sharpness of sight to discover from his face what was going on in his heart. He had even forgotten his pipe. He had not smoked since that first day in the orchard. He had straightened up and looked a span taller.

The girl did not seem to dream of any tender attachment on Luke's part. In fact he gave her no cause for it. He fed on his love inwardly and never thought of telling it. To be with her was enough. It satisfied all his wants. She was frank and free with him, but tyrannized over him—ordered him about like a servant, scolded him, flattered him, pouted at him, smiled on him, indeed kept him crazy with rapture all the time. Once only she became confidentially communicative. It was one day, sitting on an old mossy log in the Judge's woodland pasture, she told him the story of her past life. How thrillingly beautiful her face became as it sobered down with the history of early orphanage! Her father had died first; then her mother, who left her four years old in the care of Mr. Pearl, her paternal uncle, with whom she had ever since been, going from place to place, as the calls of his nomadic profession made it necessary, from survey to survey, from this State to that, seeing all sorts of people, and receiving her education in small, detached parcels. The story was a sad, unsatisfactory one, breathing neglect, yet full of a certain kind of sprightliness, and touched here and there with the fascination of true romance.

It is hard to say when Luke would have awakened from his tender trance to the strong reality of love. He was too contented for self-questioning, and no act or word of Hoiden's invited him to consider what he was doing or whither he was drifting.

It was well for Luke and the girl, too, that it was a sparsely settled neighborhood, for evil tongues might have made much of their constant companionship and childish behavior.

As for the Judge, after it was all over he admitted that he felt some qualms of conscience about allowing such unlimited intimacy to go on, but he excused himself by saying that the girl, when confined to the house, was such an unmitigated nuisance that he was glad for some one to monopolize her company.

"Why," said he, in his peculiar way, "she set the whole house by the ears. She made more clatter and racket than a four-horse Pennsylvania wagon coming down a rocky hill. She would go from garret to cellar like a whirlwind and twist things wrong side out as she went——she was a tart!"

But at length, toward the middle of autumn the end came. Luke had business with some hog-buyers in Cincinnati, whither he was gone several days. Meantime the railroad was completed, and Mr. Pearl came to the Judge's early one morning and called for Hoiden. His business with his employers was ended, and he had just finished an arrangement that had long been on foot to go to one of the South American States and take charge of a vast engineering scheme there. The girl was delighted. Such a prospect of travel and adventure was enough to set one of her temperament wild with enthusiasm. She flew to packing her trunk, her face radiant with joy.

Only an hour later Mr. Pearl and Hoiden stood at the new station on Luke's land, waiting for the east-going train. Mr. Pearl happened to think of a business message he wished to leave for Luke, so he went into the depôt building and wrote it. When Hoiden saw the letter was for Luke she begged leave to put in a few words of postscript, and she had her way.

The train came and the man and girl were whirled away to New York, and thence they took ship for South America, never to return.

Next day Luke came back, bringing with him a beautifully carved mahogany box mounted in silver. Betsy met him at the door, and, woman-like, told the story of Hoiden's departure almost at the first breath.

"Gone all the way to South America," she added, after premising that she would never return.

A peculiarly grim, grayish smile mantled the face of Luke. He swallowed a time or two before he could speak.

"Come now, sis" (he always said "sis" when he felt somewhat at Betsy's mercy), "come now, sis, don't try to fool me. I'm goin' right over to see the gal now, an' I've got what'll tickle her awfully right here in this 'ere box."

Out in the yard the blue jays and woodpeckers were quarrelling over the late apples heaped up by the cider mill. The sky was clear, but the sunlight, coming through a smoky atmosphere, was pale, like the smile of a sick man. The wind of autumn ran steadily through the shrubby weedy lawn with a sigh that had in it the very essence of sadness.