Note 108 — HOGARTH ILLUSTRATED. (continued 2)

I have inserted the name of Gay on the authority of Mr. Nichols' Anecdotes, in page 177 of which is the following remark from a correspondent:—

"That Pope was silent on the merits of Hogarth (as one of your readers has observed) should excite little astonishment, as our artist's print on the South Sea exhibits the translator of Homer in no very flattering point of view. He is represented with one of his hands in the pocket of a fat personage, who wears a horn-book at his girdle. For whom this figure was designed is doubtful; perhaps it was meant for Gay, who was a fat man, and a loser in the scheme, etc. The horn-book he wears at his girdle perhaps refers to the fables he wrote for the Duke of Cumberland. The conclusion to the inscription under this plate—'Guess at the rest, you'll find out more'—seems also to imply a consciousness of such personal satire as it was not prudent to explain."

The conjecture that this is designed for Gay is fair, but I think not quite conclusive. Hogarth would not have represented the translator of Homer diving into the coat pocket of a brother bard for coin, and Gay could not be robbed of anything else. May not the label with A—B—, etc., be intended to point out Arbuthnot: he also was a fat man, and so careless of fame, that he suffered Pope, and some other eminent contemporary authors, to plunder him of the best part of his writings, which they afterwards modestly published as their own; vide a very large portion of Martinus Scriblerus, particularly Pope's own edition, published in 1742.

Pope is again introduced in a print published about the year 1728, entitled "Rich's Glory, or The Triumphant Entry into Covent Garden," improperly said to be the production of Hogarth.