Note (back) — Chapter XIV

While these negotiations for obtaining the hand of a French princess were in progress, Henry set on foot a similar quest in the Netherlands. Before the end of 1537 he had instructed Hutton, his agent, to report on the ladies of the Regent Mary's Court;[1030] and Hutton replied that Christina of Milan was said to be "a goodly personage and of excellent beauty". She was daughter of the deposed King of Denmark and of his wife, Isabella, sister of Charles V.; at the age of thirteen she had been married to the Duke of Milan, but she was now a virgin widow of sixteen, "very tall and competent of beauty, of favour excellent and very gentle in countenance".[1031] On 10th March, 1538, Holbein arrived at Brussels for the purpose of painting the lady's portrait, which he finished in a three hours' sitting.[1032] Christina's fascinations do not seem to have made much impression on Henry; indeed, his taste in feminine beauty cannot be commended. There is no good authority for the alleged reply of the young duchess herself, that, if she had two heads, she would willingly place one of them at His Majesty's disposal.[1033] Henry had, as yet, beheaded only one of his wives, and even if the precedent had been more firmly established, Christina was too wary and too polite to refer to it in such uncourtly terms. She knew that the disposal of her hand did not rest with herself, and though the Emperor sent powers for the conclusion of the match, neither he nor Henry had any desire to see it concluded. The cementing of his friendship with Francis freed Charles from the need of Henry's goodwill, and impelled the English King to seek elsewhere for means to counter-balance the hostile alliance.