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Harper's New Monthly Magazine, Vol. 3, No. 15, August, 1851

Volume 3 — A SPANISH BULL FIGHT.

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One day Don Philippe insisted upon taking us to witness a bull-fight, which was about to take place, and which it was reported, the queen herself was expected to attend. This was a spectacle we had never yet beheld, and our curiosity was therefore aroused to the highest possible pitch of excitement. Visions of blood floated before our fancy, and flashing steel gleamed across our sight. Anxiety stood on tip-toe, and the moments flew slowly by, until the wished-for hour arrived. We left the business of securing seats in the arena to Philippe, who, by early application, succeeded in obtaining for us as eligible positions for witnessing the spectacle as we could reasonably desire. The critical moment was now at hand, our hearts almost leaped from our mouths, so deeply were we excited in contemplation of the sanguinary event. At length the trumpets sounded, and forthwith entered, in martial array, the entire body of combatants, gayly dressed, and presenting together a most striking and brilliant effect. Marching to the opposite side of the ring, they respectfully bowed to the appointed authorities, and then took their places, in complete readiness for action. At a given signal, a small iron gate was suddenly opened, and in an instant a furious bull bounded frantically into the arena; and then, as if petrified with astonishment at the wonderful scene around him, he stood motionless for a few seconds, staring wildly at the immense assembly, and pawing vehemently the ground beneath his feet. It was a solemn and critical moment, and I can truly say that I never before experienced such an intense degree of curiosity and interest. My feelings were wound up to the highest pitch of excitement,chulos, or foot combatants, had waved before him, and immediately he rushed after his nimble adversary, who evaded his pursuit by jumping skillfully over the lower inclosure of the ring. The herculean animal, thus balked in his rage, next plunged desperately toward one of the picadores, or mounted horsemen, who calmly and fearlessly awaited his approach, and then turned off his attack by the masterly management of his long and steel-capped pike. Thwarted once more in his purpose, he became still more frantic than before, while his low and suppressed roar, expressive of the concentrated passion and rage which burned within him, sounded like distant thunder to my ears. Half closing his eyes, and lowering his formidable horns, he darted again at one of the picadores, and with such tremendous power, that he completely unhorsed him. Then shouts of applause from the spectators filled the arena: "Bravo toro!" "Viva toro!" and other exclamations of encouragement for the bull broke from every mouth. The picador lost no time in springing to his feet and re-mounting his horse, which, however, could scarcely stand, so weak was the poor creature from the stream of blood issuing from the deep wound in his breast. As soon as the enraged bull, whose attention had been purposely withdrawn by the chulos, beheld his former adversary now crimsoned with gore, he rushed at him with the most terrific fury, and, thrusting his horns savagely into the lower part of the tottering animal, he almost raised him from his feet, and so lacerated and tore open his abdomen, that his bowels gushed out upon the ground. Unable any longer to sustain himself, the pitiable animal fell down in the awful agonies of death, and in a few moments expired. Two other horses shortly shared the same miserable fate, and their mangled bodies were lying covered with blood, in the centre of the arena. The bull himself was now becoming perceptibly exhausted, and his own end was drawing nigh. For the purpose of stimulating and arousing into momentary action his rapidly-waning strength, the assailants on foot attacked him with barbed darts, called banderillos, which they thrust with skill into each side of his brawny neck. Sometimes these little javelins are charged with a prepared powder, which explodes the instant that the sharp steel sinks into the flesh. The torture thus produced drives the wretched animal to the extreme of madness, who bellows and bounds in his agony, as if endued with the energy of a new life.

On the present occasion, the arrows used were not of an explosive character, yet they served scarcely less effectually to enrage the furious monster. But hark! the last trumpet is sounding the awful death-knell of the warrior-beast. The ring becomes instantly cleared, and the foaming animal stands motionless and alone, sole monarch of the arena. But the fiat has gone forth, and the doom of death is impending over him. The matador enters the ring by a secret door, and after bowing to the president, and throwing down his cap in token of respect, slowly and deliberately approaches his terrific adversary, who stands as if enchained to the spot by a consciousness of the fearful destiny that awaits him. The matador, undismayed by the ferocious aspect of the bull, cautiously advances, with his eyes fixed firmly and magnetically upon him; a bright Toledo blade glistens in his right hand, while in his left he carries the muleta, or crimson flag, with which to exasperate the declining spirit of his foe. An intense stillness reigns throughout the vast assemblage, the most critical point of the tragedy is at hand, and every glance is riveted upon the person and movements of the matador. A single fatal thrust may launch him into eternity, yet no expression of fear escapes him; cool, and self-possessed, he stands before his victim, studious of every motion, and ready to take advantage of any chance.

It is this wonderful display of skill and bravery that fascinates the attention of a Spanish audience, and not the shedding of blood or the sufferings of the animal, which are as much lost sight of in the excitement of the moment as the gasping of a fish or the quivering of a worm upon the hook is disregarded by the humane disciple of Izaak Walton. The bull and matador, as motionless as if carved in marble, present a fearfully artistic effect. At length, like an electric flash, the polished steel of the matador flies in the air, and descends with tremendous force into the neck of the doomed animal, burying itself in the flesh, even up to the hilt. The blow is well made, and from the mouth of the bull a torrent of blood gushes forth in a crimson stream; he staggers, drops on his knees, recovers himself for an instant, and then falls dead at the feet of his conqueror, amid the tumultuous plaudits of the excited throng of spectators.

Such is a slight sketch of a Spanish bull-fight. The impression made upon our minds by the first representation was so deeply tinctured with horror that we resolved never to attend another, though it is but fair to state that this good resolution, like many others we have made in our lives, was eventually overcome by temptations.

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