FOOTNOTES TO CHAPTER IV:
Reading edition
[Footnote 1: For additional mention of Elizabethan novelists, see p. 317.]
[Footnote 2: For references to selections from all these prose writers, see p. 215.]
[Footnote 3: Of Youth and Age.]
[Footnote 4: Thomas Heywood's Matin Song.]
[Footnote 5: Suggestions for additional study of Elizabethan lyrics are given on p. 215.]
[Footnote 6: riding.]
[Footnote 7: An Hymne in Honour of Beautie.]
[Footnote 8: Faerie Queene, Book III., Canto 4.]
[Footnote 9: Ibid., Book I., Canto 3.]
[Footnote 10: Smith's York Plays.]
[Footnote 11: C.W. Wallace's The Evolution of the English Drama up to Shakespeare.]
[Footnote 12: Wallace, op. cit., p.37.]
[Footnote 13: What We Know of the Elizabethan Stage.]
[Footnote 14: Performances were often given at night in private theaters. From the records in a lawsuit over the second Blackfriars Theater, we learn that there were in 1608 only three private theaters in London,—Blackfriars, Whitefriars, and a St. Paul's Cathedral playhouse, in which boys acted.]
[Footnote 15: This drawing of the Swan Theater, London, was probably made near the end of the sixteenth century by van Buchell, a Dutchman, from a description by his friend, J. de Witt. The drawing, found at the University of Utrecht, although perhaps not accurate in details, is valuable as a rough contemporary record of an impression communicated to a draftsman by one who had seen an Elizabethan play.]
[Footnote 16: The lease of the building for the first Blackfriars Theater, on Ludgate Hill, London, was taken in 1576 by Richard Farrant, master of the boys of Windsor Chapel, and canceled in 1584. In 1595 James Burbage bought a building for the second Blackfriars Theater, near the site of the first. This was a private theater, competing with the Globe, with which Shakespeare was connected. The chief dramatists for the second Blackfriars were Ben Jonson, George Chapman, and John Marston. James I. suppressed the second Blackfriars in 1608 because its actors satirized him and the French king. A few months later, Shakespeare and his associates assumed the management of the Blackfriars and gave performances there as well as at the Globe.
These facts explain Wallace's discovery that Shakespeare at the time of his death owned a one-seventh interest in the second Blackfriars, a theater that had formerly been a rival to the Globe.]
[Footnote 17: Dr. Faustus, Scene 6.]
[Footnote 18: Tamburlaine, Act II., Scene 7.]
[Footnote 19: The Winter's Tale, Act IV., Scene 4.]
[Footnote 20: Tradition says that Shakespeare occupied the desk in the farthest corner.]
[Footnote 21: Greene's Groatsworth of Wit, Grosart's edition of Greene's Works, Vol. XII., p. 144.]
[Footnote 22: The contract price for building the Fortune Theater was £440.]
[Footnote 23: Adapted from Furnivall.]
[Footnote 24: Entered one year before at Stationers' Hall.]
[Footnote 25: May be looked on as fairly certain.]
[Footnote 26: Henry V., Act II., Scene 3, line 10.]
[Footnote 27: Bradley's Shakespearean Tragedy, p. 327.]
[Footnote 28: The Tempest, Act V., Scene 1.]
[Footnote 29: Ibid., Act I., Scene 2.]
[Footnote 30: For a list of books of selections from the drama, see p. 216.]
[Footnote 31: For full titles, see p. 6.]
[Footnote 32: For full titles of books of dramatic selections, see the preceding paragraph.]